#something something the banality of evil or whatever. yeah we get it the world is cruel and you want to be free | Explore Tumblr Posts and Blogs

bubonickitten · 3 years

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Fic summary: Jon goes back to before the world ended and tries to forge a different path.

Chapter summary: An examination of endings and how to realize them.

Previous chapter: AO3 // tumblr

Full chapter text & content warnings below the cut.

Content warnings for Chapter 24: brief claustrophobia; some RSD/fear of abandonment stuff; extensive discussion of death (this chapter’s all about Terminus, babey); allusions to past suicidal ideation on Jon’s part; mentions of eye gouging/blinding (not graphic); some internalized victim blaming; anxiety symptoms; spider mentions; swears. Let me know if I missed anything!

Chronic fear has been Jon’s baseline for so long, it’s difficult for him to conceptualize what he would be were it to abandon him. In some ways, he’s become acclimated to it. On the other hand, fear is a volatile, prolific thing, its many shades relentlessly coalescing and mutating to form new strains. It all but guarantees that the Eye will never truly be sated: there will always be some heretofore unknown species of terror to discover, experience, and add to its collection.

Sprinkled in amongst the more noteworthy moments of abject terror and the constant background pressure of existential dread, there are smaller fears: everyday anxieties; pervasive insecurities; acute spikes of panic and adrenaline. Each discrete instance may pale in comparison to life-threatening peril, but muddled together and given time to ferment, they compound. They feed into one another. Sometimes, they come to attract the attention of larger, far more forbidding monsters.

In this way, Jon is no different from the average person – and one of the oldest, most deep-rooted of those comparatively banal fears is his fear of rejection, of disappointing, of being seen and found lacking. It guided his path long before his first supernatural encounter, and in many ways, it still does. His self-awareness of that fact does little to dampen its influence.

So it’s vexing, but not surprising, that the foremost concern vying for his attention right now is whether this might be that final straw that chases Georgie away for good. She sits with her hands clasped in front of her mouth, eyes closed and brow furrowed as she gathers her thoughts. The longer she remains silent, the more time Jon has to run through all the worst-case scenarios.

It’s already difficult for him to capture a full breath under the crushing weight of anticipation. It doesn’t help that his intermittent claustrophobia has decided that right now is the perfect time to manifest. A tunnel collapse would probably damage the Archives above it, though, and there’s no way Jon would be so lucky. He isn’t sure whether to consider that a consolation or not.

Finally, Georgie takes a breath, opens her eyes, and leans forward.

“Okay.” She tilts her folded hands towards him in an indicative gesture. “Explain, please.”

“Right,” Jon says, rubbing one arm nervously. “S-so, Oliver –”

“I knew his name wasn’t Antonio,” Georgie mutters.

“No. That was an alias he used when he first came to the Institute to give a statement, back in 2015.”

“The prediction about Gertrude’s death?” Martin asks.

“The same.”

“And what was a harbinger of death doing looming over you while you were in a coma?” Georgie presses.

“I don’t know that I’d call him a harbinger –” Jon’s mouth snaps shut immediately when Georgie shoots him an impatient glare. “He wasn’t – he wasn’t trying to – to reap my soul or anything like that, if that’s what you’re worried about.”

“Then why was he there?”

“He was called there,” Jon says. “By the Web, according to him.”

“Oh, and you don’t think that makes him dangerous?” Martin says, throwing one arm out in a surge of exasperation.

“He isn’t allied with the Web,” Jon replies, fiddling with the hem of his jumper. “It just… got into his head, and it was easier for him to go along with it, rather than fight it indefinitely. Oliver tends to have a fatalistic outlook. If he sees something as inevitable, he’s not inclined to try to stop it.”

“So, what – he’s serving an evil power not because he’s sadistic but because he’s just apathetic?” Georgie couldn’t sound any more unimpressed if she tried. “How is that any better?”

“It’s, ah… it’s really not that simplistic,” Jon says, adopting a delicate tone. “And I don’t think I’d call it apathy so much as…”

“Acceptance,” Georgie says stiffly. “Everything has an ending.”

“Yes. Oliver is an Avatar of the End, and the End is characterized by its certainty–” Jon pauses when he catches a glimpse of Georgie’s hands, fastened to her knees and trembling with tension. “We don’t have to talk about this.”

“No, I –” Georgie sighs, relaxes her grip, and flexes her fingers. “Just – tell me why you invited him here.”

“It’s like I said upstairs – there were things I couldn’t tell him about outside of here.”

“Why do you feel the need to tell him anything?” Martin asks.

“I just thought… he might be able to help us.”

“Why would he,” Georgie asks, “if he’s so fatalistic?”

“Because, he…” Jon hesitates, biting his lip. “I suppose I thought that maybe – maybe he’s like me.”

“He’s nothing like you,” Martin says vehemently.

A flicker of a smile crosses Jon’s face. “You don’t even know him.”

“What, and you do?”

“Not well,” Jon admits. “But I do think I understand him.”

Martin crosses his arms, transparently miffed. In an attempt to suppress his amusement, Jon presses his lips tightly together. It doesn’t work, evidently.

“What?” There’s a flat, defensive edge to the demand, highlighted by a suspicious scowl. “What’s with the smirk?”

Jon already knows the answer to the question he wants to ask, but he can’t help himself: “Are you jealous?”

“No!” Martin yelps. “Why would I be jealous?”

Jon shakes his head, chuckling softly. “Well, you don’t need to be.”

“I’m not!”

“If you say so,” Jon says with a shrug and a sly grin.

“I am not jealous,” Martin insists – and now Georgie is snickering, one hand clamped over her mouth to (unsuccessfully) stifle the sound. Martin glowers at her, betrayed.

“Sorry, sorry,” she says. “Just – didn’t realize you were quite so jealous.”

“I’m not,” Martin says for a third time. “But – but even if I was, I would be completely justified.”

“Because he woke me up,” Jon says, toning down the smugness now.

There is an uneasy boundary between affectionate teasing and perceived mockery, and here in the past, he hasn’t quite mapped the shape of that line. Between seeing one another in the Lonely and anchoring each other through the apocalypse, he and Martin had been forced to confront long-held insecurities about themselves, both as individuals and as a unit. That shared history no longer applies. While Jon has no desire to repeat that chain of events – there are happier, healthier pathways to a relationship than bonding via trauma, or so he’s heard – it does mean that this version of Martin hasn’t yet had the same epiphanies.

Much like Jon, Martin struggles to take a declaration of love at its word. People lie; they mislead; they say what they think others want to hear – whether out of self-interest, sympathy, or simple social ineptitude, the results are the same. Sometimes they start out sincere, but little by little, their tolerance dwindles and they recognize their mistake: what they thought was genuine affection was at best a passing fancy for someone who turned out to be far more trouble than they were ever worth. Or worse: a caring façade born of pity or guilt or obligation, only to turn rotten and toxic when the burden grows too tiresome.

Add all of those deep-seated convictions to the lasting influence of the Lonely, and Martin needed proof before he could entertain the possibility of being loved. Following him into and then leading him out of the Lonely was a fairly convincing statement. Absent another life-or-death gesture to act as a catalyst, Jon suspects that this time around, building that confidence will come down to time, practice, and repetition.

“Okay, yeah, about that – what does that – what does that mean, he woke you up?” Before Jon can get a word out, Martin barrels on: “I mean, what makes him so special? I spent weeks – weeks – begging you to come back, and nothing. He visits you once and suddenly you’re fine?”

“I really did try to come back on my own,” Jon says – not accusing, not pleading, not even self-flagellating. Just plain, sincere assuredness. “I heard you calling me. Not at first, but – the last time you visited. It was the first time I’d heard your voice in… in so long, I – I never thought I’d hear it again, and then you were there, and I was – I was so relieved, so… so elated.”

Martin sulks quietly, glaring at the floor, but there’s a noticeable flush staining his cheeks now.

“And then – and then I heard you on the phone with Peter, and…” Jon swallows hard, the despair he felt in that moment still stark in his mind. “I tried to call out to you, but you couldn’t hear me. The Lonely was drawing you in, just like before, and there was nothing I could do. I wanted to wake up more than anything, but I just… couldn’t figure out how. I still don’t know why – I don’t know the exact mechanics of it all – but for whatever reason, I wasn’t able to wake up until Oliver’s visit. Same as the first time.”

At that, Martin seems to deflate somewhat, finally looking up to meet Jon’s eyes.

“If I could have come back sooner,” Jon continues, smiling sadly, “I would have. In a heartbeat.”

Martin pouts for a moment longer before surrendering, his rigid posture slackening as the rancor drains out of him.

“Yeah,” he sighs. “Yeah, I know.”

“So you think you owe him,” Georgie guesses. “For waking you up.”

“Partially,” Jon admits. “But that’s not why I invited him, really. He just seems… I don’t know. Lonely, I guess?” Georgie rolls her eyes. “He never – he never asked to be a death prophet. No more than I wanted to be a – a trauma leech. And arguably – arguably he was even less to blame for what happened to him than I am for what I’ve become –”

“Jon,” Martin says warningly.

“No, just – just listen.” Jon takes a measured breath as he puts his thoughts in order. “Oliver started having prophetic dreams several years ago. Just – out of the blue. As far as I know, he did nothing to tempt fate. Eventually, those dreams carried over into the waking world. Everywhere he went, every single day, he could see the evidence of imminent death. There was no escaping it.

“In the beginning, he tried to help people. But it never worked. When he was unable to save his own father, he stopped trying to change fate, for the most part. I think the last time he tried was when he dreamed of Gertrude. He saw how far-reaching her death would ultimately be, and he tried to warn her, even though he didn’t have much hope that it would make a difference. And he was right, in the end. He couldn’t save her, and he couldn’t prevent what came after.”

“So he just… gave up,” Martin says flatly.

“When you fail over and over again to do good in the world, when you witness horror after horror with no recourse to stop it, when you try again and again and again to escape and never even come close… at some point, you burn out,” Jon murmurs. “Lose all hope. It becomes your new normal. Exist like that long enough and you start to become numb to it all.”

“You lived through an apocalypse and you didn’t give up,” Martin counters.

“I did, though,” Jon says quietly.

Martin frowns. “What?”

“After I lost you.” Jon averts his eyes and folds his arms tight against his middle, holding his elbows. “I was lost. I couldn’t save anyone, I couldn’t change anything, I couldn’t even look away. I wasn’t allowed to sleep. I wasn’t allowed to die. So I just… survived, even though I wanted anything but.” When he glances up, he sees that Martin’s expression has softened. “You were my reason. Then you were gone, and I was alone.”

Jon hadn’t known that the world could end a second time, but there it was. With Martin gone, what little that remained of Jon’s own microcosm shattered. Yet the Ceaseless Watcher’s world dared to continue turning, to go on churning out horror after horror as if nothing at all had changed. And Jon was just another cog in that machine, going through the motions and fulfilling the purpose for which he was cultivated.

It wasn’t truly ceaseless, of course. Everything has an ending. But it felt like an eternity – and for Jon, indefinite waiting has always been a special kind of torture.

“So what changed?” Georgie asks, her tone gentler than before.

“For a while, nothing,” Jon says. “I sort of… drifted. Wandered aimlessly through the domains for… I don’t really know. When nothing ever changes, keeping track of time becomes pointless. The Panopticon kept trying to draw me in, of course, but I – I suppose there was still enough spite left in me to make a show of ignoring it.

“At some point, I got lost in a Lonely domain. Which was fine, really. Or – it would have been fine, had I been allowed to succumb to it. I wanted to just – fade into it, let it in, but” – Jon breathes a bitter laugh – “it wouldn’t take me. Wouldn’t let me go numb, wouldn’t let me forget – didn’t have the decency to let me disappear, no matter how long I stayed.”

No one got what they deserved in that future, but this was a rare exception to that rule: to be allowed to simply forget his role in creating that nightmare world, to sink into blissful ignorance, would have been a miscarriage of justice. Not that the Eye cared about what was just or fair, of course. No, it simply would not – perhaps could not – deign to relinquish its hold on its Archive.

“But the longer I stayed,” he continues, looking at Martin now, “the more I thought about you. In retrospect, maybe that’s why I didn’t want to leave. And maybe that’s part of why it wouldn’t have me – I couldn’t let you go. But being there, it kept reminding me of the first Lonely domain we came across after the change. We were separated, and I was – I was so afraid you wouldn’t come back to me. But you did.” Jon smiles to himself, remembering the relief and gratitude and awe he felt in that moment. “You rejected the Lonely all on your own. Found your own way out – found me, and… every time I thought about that, I imagined your voice in my head. Telling me off for wallowing. For giving up.”

“Sounds like I would have been justified,” Martin says delicately.

“You would have,” Jon confesses with a contrite half-smile. “I was in peak brooding condition. Eventually I wore myself out wallowing there, though, so I left to go wallow somewhere else. I needed a change of scenery, and – well, I got one. Stumbled into a Spiral domain. Ran into Helen, and… funny enough, that was the last straw.”

Jon can still recall the encounter down to the smallest detail.

‘Still drifting aimless, are we?’ Helen bared an unsettling number of teeth as her grin stretched – literally – from ear to ear. ‘Exactly how long do you plan on moping about, Archivist?’

Jon did not answer; did not even meet her eyes, instead staring vacantly over her shoulder. The incessant reel of horror scenes playing in the back of his mind made it difficult to focus on any one thing at a time, and there was nothing he cared to see so much that it was worth the effort it would take to grant it his undivided attention.

‘You know,’ Helen said, tapping an elongated, crooked finger against her lips, ‘I wonder what he would say, if he could see you now.’

It didn’t matter. Martin was gone. Those parts of the world that hadn’t already been thoroughly razed were slowly but surely withering. There was nothing left to salvage.

‘Disappointed, I imagine,’ Helen continued, distant and muffled by the din of a splintering world. (Somewhere deep below their feet, a man was screaming himself hoarse in a labyrinth made of mirrors and fog.) ‘But not surprised. It’s not the first time you’ve let him down, is it?’

Jon gave a listless shrug. Her words stung, certainly, but they were a far cry from some of her more artful jabs. A pointed insinuation to send him spiraling into his own self-destructive conclusions would always be more corrosive than outright disparagement.

(The man in the maze gazed into mirror after mirror, hoping to find himself within. In every one, his reflection had no face.)

That said, Helen wasn’t wrong. Even as a child, Jon had always been a burden. He never did manage to prove himself worthy of all the many unwilling sacrifices made on his behalf. Never measured up; never put nearly enough good into the world to balance out the cost of having him in it.

(The man in the maze had misplaced his name. Did he drop it somewhere? He checked his pockets only to find holes. Yet another eyeless reflection stared back at him from beneath his feet.)

‘You were always headed here, weren’t you?’

Yes.

(The man in the maze tried to retrace his steps, but everything looked the same: an endless, recursive corridor of mirror images. He asked one of the doppelgängers for directions, only to realize that the man in the mirror had no mouth with which to answer.)

‘To think – all that time he spent coaxing you along, and you crumble the moment you don’t have a prop to coddle you.’ Helen cackles, high and cruel. ‘What a waste.’

She wasn’t telling him anything that he didn’t already know.

(The man in the maze was scouring the mirrored ground, searching for… something he’d lost; he couldn’t quite remember, but he knew that it was important. He checked his pockets, only to discover that he had no pockets.)

‘Although, I guess the blame doesn’t fall squarely on your shoulders. He was naïve. It isn’t your fault he was foolish enough to hope for–’

The words jolted Jon back to the present like an electric shock. Whatever else Helen had to say, he’d never know. He tuned her out, and he started walking.

“She was having a go at me – nothing new there – but then she brought you into it, and…” Jon shrugs. “I don’t think it was her intention, but it nudged me back on track. You and I had a plan, before, and… honestly, I didn’t have much hope that it would work, but you had. That made it worth trying.”

It wasn’t like Jon could break the world more by parleying with the Eye. At worst, it made no difference, but at least Jon did something to honor Martin’s memory; at best, it put Jon out of his misery, one way or another.

“I’m glad I did, because… well, it changed things, obviously. You were right.”

“Sorry,” Martin says with unmistakable self-satisfaction, “could you say that again?”

“You were right, Martin.” Jon rolls his eyes, but the effect is undercut by an indulgent smile he can’t quite repress. “You often are. All of this is to say – I’m only here because you gave me a reason to be. If not for that, then… well, I meant what I’ve said before, about needing a lifeline in order to stand any chance against the Fears. I was – I am lucky enough to have one.”

More than one, he thinks with a sense of wonder. The support he has now is such a far cry from the ostracism he experienced the first time he was here. It still gives him pause every time he dwells on the contrast. Sometimes, it almost seems too good to be true.

“Oliver didn’t,” Jon continues. “It’s hard to begrudge him for resigning himself to fate, especially considering how the power that claimed him is defined by fatalism. He never asked to be chosen, he was given no hope of escape, and he had no one to reach out to, let alone anyone to reach back. It’s unsurprising that he would come to accept the inescapable when the only anchor he had was the certainty of oblivion.”

“‘The moment that you die will feel exactly the same as this one,’” Georgie says quietly.

Jon nods. “And without a dependable reason to see the moments in between as significant, it’s… well, it’s hard to see the point in anything. I’ve been there.”

As has Georgie, Jon knows. She exhales heavily, massaging her temples, visibly conflicted.

“I still don’t think you should trust him,” Martin says.

“I’m not suggesting we trust him wholesale,” Jon says, “but I’m certain that he isn’t an enemy. He might not resist the End, but he doesn’t work to end the world in its name, either. He’s… thoroughly neutral.”

“Then what makes you think he’ll lift a finger to help?” Martin asks.

“I doubt he’ll go out of his way to help,” Jon admits. “He might be willing to trade information, though. I just thought… Avatar of the End – he would have more insight into the limits of Jonah’s supposed ‘immortality’ than I do.”

“You think he can tell you something about the dead man’s switch,” Georgie guesses, rubbing at her forehead.

“That’s my hope, yes. He can see the route that a person will take to their end. Or, he can when their death is imminent, at least – I’m not sure how far into the future his foresight stretches these days.”

In the hospital, Oliver implied that he could see something in Jon’s vicinity. Whether that suggests Jon’s own end is near enough for Oliver to foresee it, Jon does not Know. Given his proven resilience, he suspects it’s just as likely to be a quirk of his strange existence. There’s no shortage of idiosyncrasies that may mark Jon as an outlier: he’s the Archivist; he’s traveled through a rift in time; he’s the primed and practiced focal point of the Watcher’s Crown, and the fate of the world hinges on his ability to keep that potential in check.

And if his situation is an exception to the rule, perhaps Jonah’s is as well.

“Maybe he’ll be able to see whether our routes flow into Jonah’s, so to speak,” Jon says. “When Oliver dreamed of Gertrude’s impending death, he saw how much of the world’s fate was intertwined with hers –”

“– the veins, whose domination of the dreamscape had only ever been partial before, had thickened and now seemed to cover almost the whole space of every street – the destination – into which all the veins flowed – The Magnus Institute – choked with that shadowed flesh – following that red light that would now pulse so bright that I knew were I to see it awake it would have blinded me – and every one of those veins – where they ended – a person sitting at that desk and it was them that all of this scarlet light was flowing into.”

“Gertrude,” Martin says.

Jon nods, then holds up one finger: Wait. The Archive has more to say; Jon can practically feel the words bubbling up his throat and crowding behind his teeth. As discomfiting as it is to have it hijack his voice, sometimes it’s easier to ride out that compulsion than to tamp it down.

“I have no responsibility to try and prevent whatever fate is coming for you – such a thing is likely impossible – but after what I saw I couldn’t live with myself if I didn’t at least try – there is something coming for you and I don’t know what it is, but it is so much worse than anything I can imagine. At the very least, you should look into appointing a successor.”

Statement ends, Jon thinks, working his jaw to soothe the unnatural tension that has taken root there. Happy now? Anything else to add?

As expected, it doesn’t answer. He’s well aware that addressing the Archive essentially amounts to talking to himself, but carrying on an internal dialogue with the more frustrating aspects of himself was a habit long before he took on the mantle of Archivist.

After a few seconds, he feels the Archive’s imposing presence start to recede, releasing him from the compulsion. It’s still there, of course – it’s always there, looming over him like a vulture, as impossible to ignore as a knife to the throat – but for now it seems content to fall back and observe once more.

Georgie sighs. “That’s why you’re sympathetic to him.”

“He tried.” Jon shrugs. “He didn’t have to, but he did.”

“That still doesn’t mean he’s going to help this time,” Martin says.

“No, but he has no incentive to hurt us, either. There’s no harm in asking him questions. He’s not going to run to Jonah to inform on us. The worst that happens is he says ‘no’ and goes back to minding his own business. But if he agrees to talk… well, it might be our best chance to determine how much of what Jonah says is true.”

Georgie chews on her thumbnail for a few seconds before looking back up at Jon, a pensive frown on her face. “Why’d he go out of his way to come here at all, if he has no motivation one way or the other?”

“Honestly? Curiosity, I think. But… I suppose I’m also hoping that there’s a part of him that might sympathize.”

“Do you really think there is?” Martin asks.

“I don’t know. In my future, probably not. He wasn’t enjoying himself like some of the other Avatars – I mean, he was feeding on the fear produced by his domain, but even then, he didn’t strike me as cruel. It was just… acceptance in the face of a conclusion at ultimately stayed the same regardless of the path leading up to it, and…”

And maybe it speaks to Jon’s mental state at the time, but there were a few points in Oliver’s statement that struck him as almost merciful. After all, in the face of seemingly endless torment, death was a covetable escape.

“I have no power to stop it,” the Archive recites, “and even if I did, I would not do so. For to rob a soul of death is as torturous as its inevitable coming – I fear the annihilation you would gift me as little as I desire it – perhaps once it might have horrified me, or given me some sense of pursuing the ultimate release of the world that you have damned – I am now, as the thing I feed, a fixed point, that has neither the longing nor ability to change its state of existence – even you, with all your power, cannot keep the world alive forever. All things end, and every step you take, whatever direction you may choose, only brings you closer to it.”

“That Oliver again?” Martin mutters tetchily. “Doesn’t sound to me like he’ll be particularly inclined to help.”

“Well–” The word comes out as a rasp, and Jon has to pause to clear his throat before continuing. “That was – that was the Oliver of the future. After the change, he was too much of the End not to live its truth, just as I was too much of the Eye not to walk its path and archive its world. We were both conduits, inseparable from the powers that laid claim to us. Here and now, though, I’m hoping he might still be…”

“What, benevolent?” Martin says incredulously.

Jon is quiet for a long moment, trying to find the right words to explain.

“At my most hopeless,” he says slowly, “I still cared, even though there was no meaningful way for me to put it into practice. I don’t think I ever managed to reach the level of acceptance that Oliver did – and sometimes I envied him for that. But embracing the End as a foregone conclusion doesn’t necessarily mean he’s completely unmoved by what happens in the interim. Not yet, anyway. And as of right now, whether it’s out of curiosity or compassion, obviously he still interacts with the world from time to time, even if he prefers to exist in the background for the most part.”

Martin and Georgie both look unconvinced.

“I’m not asking him to help us change fate,” Jon goes on. “In his view, there is no obstructing fate – not in any way that genuinely matters to his patron. Oliver isn’t particularly concerned about when the End will come – he’s just secure in the knowledge that it will happen eventually, with or without the interference of any mortal actor. Passive or active, nothing he does or doesn’t do will change that. But I’m thinking it’s been a long time since someone has asked him for help that he actually has the power to provide, and… I know what that’s like.”

Despite the immense power that Jon could exercise after the culmination of the Watcher’s Crown, he was ultimately powerless to change things for the better. It’s why he leapt at the chance to help Naomi in her nightmare: even a small, low-effort act of kindness after so long without the opportunity was overwhelmingly liberating.

It was insignificant against the vast backdrop of the universe, perhaps, but it still left a mark. It prompted a cascade of little changes that completely rewrote their dynamic; it curtailed some of the suffering in which Jon had previously been so unwillingly complicit; it's even acted as an inoculation against the loneliness that had permeated both of their lives during this stretch of time when Jon was last here. Those little changes mattered to him, and they mattered to Naomi – not only in that first moment, but in all the time since.

All of that had to count for something, right? It took fourteen ill-fated marks to end the world, after all. With any one of them missing, the Ritual wouldn’t have worked and the world at large would never have noticed. But that didn’t make any one of those marks wholly insignificant on its own. They scarred him and the people around him; every encounter changed him, whittled away at his sense of self, left him progressively vulnerable and set him up for successive marks.

The repercussions still linger. They probably always will.

In his sporadic moments of cautious optimism, Jon cannot help but wonder: If a series of little cruelties can create such a perfect and terrible storm, is it really inconceivable that a pattern of little rebellions could keep it at bay? And Jon has long since come to the conclusion that compassion in the face of unimaginable cruelty is its own form of rebellion.

“As much as Oliver talks about fate and inevitability,” Jon says, “he still seems to believe in free will to an extent. That we all make choices. When he last spoke to me, he offered me a choice. Now I’m offering one to him.”

“I can’t believe I’m saying this, but…” Georgie releases a weary exhale and tosses her head back to stare at the ceiling. “You’re sure this won’t come back to bite you?”

“We have nothing to lose by asking,” Jon says. “And he has nothing to lose regardless of what choice he makes, but… it feels right to at least give him the option. Whatever he decides, I won’t begrudge him for it.”

“Fine,” she says tersely. “Do what you want.”

Jon just barely suppresses a wince. “Georgie?”

“Sorry, that came off as –” Georgie heaves another sigh. “I’m not angry with you. I get it. It makes sense. I just don’t like it.”

“I know.”

“Just… be mindful, alright? You don’t owe him any answers you don’t want to give. And he doesn’t deserve the benefit of the doubt just because you relate to him.”

“I know,” Jon says again.

“I mean it, Jon,” she says sharply. She takes a steadying breath before continuing, more diplomatically this time. “It’s… sweet, I guess, that you want to empathize with him, but you have a tendency to…” Georgie pauses, weighing her words. “I mean, I’ve seen you compare yourself to Helen, too. And Jonah.”

“Well, I don’t think anyone would deny that there are certain… similarities,” Jon says, not quite under his breath.

“Yeah, you’re always going to have something in common with other people if you look hard enough. But sometimes you see the worst in people and you fold it into how you see yourself. Like you’re looking into a funhouse mirror, but you can’t see how the reflection is distorted.” Jon avoids meeting her eyes, shifting uncomfortably in his seat. “Look, I know you don’t want to hear it, but you have a history of comparing yourself to your abusers. Sorry,” she adds when he flinches, “but it’s the truth, and you need to hear it. Just… think about it, okay? Ask yourself whether this is compassion or if it’s just another way to dehumanize yourself.”

“I –” Jon swallows around the lump in his throat, his mouth gone dry. “Okay, I – I get your point, but – I swear that’s not what this is. With Helen, and – and – and Jonah, it’s – they’ve actually gone out of their way to – to manipulate, to cause real harm. Oliver is different.”

“You were marked by the End,” Georgie says pointedly.

“Yes, but that wasn’t Oliver’s fault. He didn’t hurt me, never tried to trap me or trick me – never pressured me into making one choice over another, even at the end of the world. I really don’t think he’s evil, or sadistic, or – or scheming, weaving some grand web. He’s just watching things unfold, because he had a crash course in the stages of grief forced onto him and the end result was… well, acceptance. He doesn’t fear the End, but he doesn’t worship it, either. He just embodies it, openly and authentically.”

Georgie is silent for nearly a full minute, scrutinizing Jon intently, before she capitulates.

“Alright. I’ll… trust your judgment, I guess,” she says, but she shares a knowing glance with Martin – who looks just as leery as she does – when she says it. “Still, be careful.”

“I, uh… I imagine you don’t want to be here when I talk to him?” Jon ventures, though he’s certain he already knows the answer.

“No,” Georgie says summarily.

Jon releases a breathless chuckle. “Fair enough.”

“I really should be getting home to Melanie, anyway. It’s stay-home date night. Pizza and a movie.” Georgie offers a tentative grin, her shoulders relaxing minutely. “She hasn’t seen the new Ghostbusters yet, somehow – something about having been preoccupied with real paranormal bullshit for the last few years – but I checked and the DVD version has audio description, so I bought a copy. She’d be cross with me if I stood her up for the grim reaper.”

“I imagine so.” Jon tilts his head. “Although, Oliver isn’t actually the–”

“Jon,” Georgie sighs, “I was being facetious.”

When the three of them leave the tunnels, they find Oliver still waiting awkwardly at the bottom of the stairs out of the Archives, Basira standing sentinel nearby. Daisy leans against a far wall, eyeing him from a distance.

Georgie gives a long, doubtful look at Oliver before turning to Jon and offering a hug that he gladly accepts.

“Text me later tonight?” Georgie says. “And keep me updated on your travel plans.”

“Will do. Tell Melanie I said hello. And tell the Admiral he’s a national treasure.”

Georgie snorts at that, shaking her head in amusement before turning towards the stairs. Oliver nearly jumps out of the way as she strides in his direction, but she doesn’t stop to confront him beyond a glare as she passes. A prolonged, awkward minute of silence passes after she leaves, charged with suspicion and tension.

“Tunnels,” Basira says eventually, her tone and expression giving nothing away. She doesn’t wait for a response before stalking off down the hall, Daisy falling in line behind her.

Basira barely waits for the others to take their seats before she launches into her interrogation. Although her eyes remain fixed on Oliver, her first question isn’t directed at him.

“Why is he here, Jon?”

“Like I said, I invited him.” Jon glances at Oliver, apologetic. It feels odd to talk about him as if he isn’t present.

“Why?”

“Mutual curiosity, I expect,” Oliver cuts in, inclining his head towards Jon. “You have questions for me.”

Jon returns a nod. He has ulterior motives, and Oliver knows it. To pretend otherwise would be pointless, not to mention insulting.

“Oliver is an Avatar of the End,” Jon tells the others. “There might be a chance he could tell us how much of what Elias says is true.”

“And what’s the price tag?” Basira asks.

“He has questions of his own. He could tell in the hospital that there’s something… wrong about me. Obviously, I couldn’t talk about it where Elias could hear.”

“You shouldn’t disclose it at all,” Basira says. “If any of it gets back to him –”

“Oliver has no reason to betray our confidence.” Jon’s gaze flicks to Oliver. “Right?”

“Consider me a neutral party,” Oliver replies.

“You’re going to just… take him at his word,” Basira scoffs.

“The End has no Ritual,” Jon says, “and it has no reason to prevent any of the other Entities from successfully pulling off their own Rituals. No matter what happens to this world, the End will claim everything eventually. The when and how are irrelevant to it. In the meantime, the world as-is suits it just fine. It has no desire to postpone or hasten the end of all things.”

“Terminus is what it is,” Oliver agrees. “I have neither the power nor the desire to contradict it.”

“Then why would you help us?” Basira asks.

“I never said that I would.”

“I’m not asking you to actively intervene,” Jon says before Basira can offer a retort. “I just want to talk. That… is why you came here, isn’t it?”

Oliver hesitates for a moment before answering. “Your curiosity must have rubbed off on me.”

Unbidden, Oliver’s statement rushes to the forefront of Jon’s mind: I still remember the first time I tried to touch one…. I don’t know why I did it; I knew it was a stupid thing to do. But I just… maybe I wanted it this way.

“Don’t know about that,” Jon says quietly. “Curiosity is only human.”

And the worst part was that, somewhere in me, I – I liked it, the statement plays on. Underneath all that awful fear, it felt like… home.

“Perhaps,” Oliver says, noncommittal.

“So you’ll tell us what we want to know,” Daisy finally speaks up. Despite her veneer of calm – leaning back in her chair, arms crossed – her bouncing leg belies her agitation.

“It makes no difference to me.” Oliver shrugs. “Though I can’t promise my answers will be satisfying.”

“I still don’t like this,” Basira says, glaring askance at Oliver.

“Look,” Jon says, “this is the only way I can think of to figure out what stakes we’re working with. Jonah has been cheating death for centuries–”

“Jon!” Basira hisses.

“It’s important context,” Jon argues back. “And anyway, it’s going to come up when I tell him my story. It’s not exactly a detail I can gloss over; it’s central to the plot.” He sighs and looks at Oliver. “Elias is Jonah Magnus, the original founder of the Institute.”

Basira throws her hands up with a frustrated snarl. She turns to Daisy for support, but Daisy only offers a sympathetic grimace and a half-shrug.

“I thought there was something odd about him,” Oliver says blandly. “He’s long past his expiration date.”

Daisy snorts at that. Judging from the bemused, almost startled expression on Oliver’s face, he hadn’t expected to garner anything other than aggression from her.

“Whenever one of his vessels is… compromised,” Jon elaborates, “or nearing the end of its usefulness, he takes a new one.”

Recovering from his fleeting bewilderment, Oliver turns his attention back to Jon. “He wouldn’t be the first.”

“Maxwell Rayner and Simon Fairchild,” Basira says.

Oliver nods. “Among others.”

“Does that… I don’t know – offend the End?” Martin asks.

“No,” Oliver says. “They can’t outrun it forever, as so many have discovered firsthand.”

“Like Rayner,” Daisy says.

Once again, Oliver looks thrown off-kilter by Daisy’s diminishing hostility, but he does offer a wary nod in response to her contribution to the conversation. “And in the meantime, their fear of their own mortality ages like a fine wine.”

“Is an unnaturally long life somehow tastier for the End, then?” Martin asks. “I think most of the statements I’ve read about it involved somehow cheating death.”

“Perhaps. If my patron has a conscious mind, it has never spoken to me directly. Everything I know to be true is just… feeling.”

“So it’s as cagey as the other Powers, then,” Daisy says with a derisive chuckle. “Good to know.”

Oliver smooths his hands across his coat, draped across his lap, before glancing at Jon for guidance.

“I gave you a story,” he says reticently. “I would like to hear yours. Then I will answer your questions.”

“Fair enough,” Jon says – and abruptly realizes that he has no idea where to start. “You, uh… you don’t need to hear my whole life story, do you?”

“I did give you an outline of mine,” Oliver says with just a hint of amusement. “I admit I’m curious as to what led you here, but I imagine if you went into detail, we would be here for hours.”

“Much of it doesn’t bear repeating, anyway,” Jon says. “Just the highlights, then?”

“If you please.”

“Right,” Jon mumbles. He takes a deep breath. “Had my first supernatural encounter when I was eight, never got over it, and a combination of lifelong obsession and unchecked curiosity brought me to the Institute. After Gertrude died, Jonah chose me as her replacement because he knew I would be easily molded into the catalyst for his Ritual, and I was.” He looks up. “Is that enough?”

“Which of the Powers marked you first? If you don’t mind me asking.”

“The Web.”

“Ah.”

“Yeah.”

“I thought you seemed… entangled.”

There’s something… off about you, Oliver had told him when they last spoke. The roots, they look… sick. Wrong. And the threads are – tangled.

It’s possible that Oliver was speaking in metaphor – alluding to the threads of fate, so to speak – but the question has been simmering in the back of Jon’s mind for months…

“When you visited me before,” he blurts out. “You said the Web sent you.”

“Yes,” Oliver says candidly. “Not an explicit command, of course. It was more a… well, a feeling. A tug. The Web usually prefers subtlety, but there are times when it wants its marks to know the hand that moves them.”

“S-so, when you said the threads around me were tangled, was that figurative, or could you… see the Web’s influence?”

“The Spider might make its presence known sometimes, but Terminus doesn’t give me the ability to see the shape of its web any more than the Eye does you.”

“Not unless the Web allows itself to be Seen,” Jon says absently.

Despite how much he could See in his future, the Web always remained something of an enigma. It wasn’t until after his standoff with the Eye that he was able to follow the Spider’s threads.

But then, the Eye hadn’t been the only watcher lurking in the Panopticon. The Web had woven itself into the foundation of that place from its conception, and the Spider made no effort to hide. More than once, it stationed itself where he was sure to notice it. The more he thinks on it, the more he suspects that the ensuing ability to See its threads, to Know where they converged, was as much an allowance by the Web as it was due to his communion with the Ceaseless Watcher.

“When I spoke of threads, I meant more…” Oliver opens and closes his mouth a few times as he struggles with his phrasing. “Well, I’ve not yet found a perfect description for it. Think of a life and fate as… a jumble of intersections. Some people feel like thread-and-nail art. Others feel like a snarled ball of yarn. You,” he adds, looking at Jon appraisingly, “are something of a Gordian knot.”

“What is that supposed to mean?” Martin demands, a protective edge in his voice.

“It’s not a compliment or an insult,” Oliver says mildly. “Only an observation. Come to think of it, Gertrude was much the same way. The fates of many hinged on the routes she took. Less of a butterfly effect and more of a hurricane.”

“So you can see fate?” Basira asks. A genuine question, but the flat skepticism in her tone makes it sound rhetorical.

“To a limited extent,” Oliver says haltingly. “I see the near-future as it relates to death specifically. When people near the ends of their routes, I can make out the details of their–”

“Seeing those awful veins crawling into them, into wounds not yet open, or skulls not yet split – they sneak up and into throats about to choke on blood, or lurch into hearts about to convulse – webbed over the face of a drunk old man stumbling into his car – one snaking along the road, over towards the railing – I’ll never forget seeing a field of cows the week before they were sent to the abattoir…”

Jon trails off with a tired groan, rubbing his eyes furiously.

“You have a good memory,” Oliver says.

“Sorry,” Jon mumbles. “Archivist thing. Can’t always control it.”

“S-so,” Martin redirects, “if any of us were about to die, you would be able to see it, right?”

“Yes. But I don’t make a habit of telling fortunes,” Oliver clarifies before Martin can ask. “Knowing your end is coming does nothing to prevent it. It only ensures that you will live your final days in fear.”

“Wouldn’t your patron like that?” Daisy asks.

Basira immediately latches onto that thought. “We have a statement here about a book that tells you how and when you’ll die.”

“Case number 0030912,” Jon cites. “Statement of Masato Murray, regarding his inheritance of an untitled book with supernatural properties. Each time the reader rereads their entry, they’ll find that the recorded date of their future death draws closer and the cause more gruesome.”

“Thanks, spooky Google,” Basira says sardonically. “Who needs an indexing system when we have a walking, talking card catalogue on staff?”

“One of my predecessors in ancient times once filed a complaint with the Eye, aggrieved by all the terrible powers it foisted upon him,” Jon says matter-of-factly, not missing a beat. “Being a benevolent patron, it granted him and all future generations of Archivists a convenience feature as compensation.”

“Smartass,” Basira says, but it sounds almost amiable, and Jon allows himself a tentative smile.

His tolerance for making light of this part of himself tends to be variable. Unpredictable, even. On good days, shared gallows humor is a balm, bringing with it a sense of solidarity and camaraderie; on bad days, even the gentlest dig feels like a barb.

He also tends to be selective about whose teasing he can weather. Martin and Georgie are safe more often than not. Daisy can usually get away with it; she’s prompt to let him in on the joke whenever he doesn’t pick up on her sarcasm. Given how blunt Melanie can be, it at least tends to be obvious when her pointed comments are meant in jest or in umbrage; and anyway, he hasn’t yet spoken to her directly since she quit.

Basira, though – she’s always been difficult to read. They have a similar sense of humor, but part of his brain is still living in a time when she saw the worst in him. No matter how many times he tells himself that things are different now, he can’t quite shake that feeling of being on indefinite probation. Hostile attribution bias, he recognizes, but having a label for it doesn’t make it any easier to silence those perennial fears. It’s only recently that he’s been able to take such joking from her in stride. Not always, but sometimes.

“Anyway,” Basira says, looking back to Oliver, “I take it that book is affiliated with the End. It feeds on the reader’s fear of knowing the details of their death.”

“Almost everyone has some degree of fear regarding mortality – their own or that of others,” Oliver says. “For some, that primal fear permeates their entire lives. Others only spare it any thought when it closes in on them. Terminus feeds on all of it equally. I suspect that active encounters with it are more about…”

“Flavor?” Basira suggests.

“So to speak,” Oliver says. “Welcome variety in its diet, but not necessary to sate it.”

“Which is why its Avatars have such wildly different methodologies,” Jon says, nodding to himself. “Justin Gough was allowed to survive a near-death experience, but acquired a debt that had to be paid in the lives of others, killing them in their dreams. Tova McHugh was granted the ability to prolong her own life by passing each of her intended deaths onto others, adding their remaining lifespans to her own. Nathaniel Thorpe was cursed with immortality after trying to cheat his way out of death. He was only one of many gamblers who played such games of chance–”

“Jon,” Basira sighs, “you don’t have to go through the whole roster of personified death omens.”

“Sorry.”

“So what kind of Avatar are you?” Basira asks, looking Oliver up and down. “How do you feed your patron?”

“For me, Terminus has not been particularly demanding. I don’t know why. Perhaps it’s because I never attempted to cheat my way out of death. It simply… chose me – or I wandered across its path – and it never left. Thus far, it seems content to have me play the observer.” He glances at Jon. “You can probably understand that.”

“The Beholding isn’t satisfied to have its Archivist simply observe. It wants its knowledge actively harvested, recorded, curated.” Jon huffs, not bothering to contain his disgust. “Processed.”

The conversation lapses into a tense silence for several seconds before Basira changes tack.

“About Gertrude,” she says. “You tried to warn her about her death.”

“Yes,” Oliver replies.

“Why?”

“The evidence of her death snaked its roots all across London – as far as I could see, and perhaps further. At the time, I’d never seen anything like it. Such a sprawling web of repercussions stemming from a single death – I felt like I had to say something. As I expected, it made no difference in the end.”

Jon worries his lower lip between his teeth. “You said the roots surrounding me seemed sick.”

“You saw roots around Jon?” Martin says urgently, jolting up ramrod-straight in his seat.

“They’re… different from the ones I’ve grown accustomed to,” Oliver says slowly. “There’s no light pulsing within them, no life flowing to or from them. And looking at them, it’s almost like…” He frowns, squinting down at the floor as if it might offer up the words he needs. “It’s like they’re there and not there simultaneously. Faded, like an afterimage – one that can only be seen from a certain angle.”

“Okay, and what does that – what does that mean?” Martin asks.

“I don’t know.”

“What do you mean you don’t know?”

“I was hoping Jon could shed some light on it,” Oliver says, raising his head to meet Jon’s eyes. “I may not have the same drive to know that you and yours do, but I find myself returning to the question frequently over the past few months.”

“R-right,” Jon says. “Let me just, uh… where to start…”

Jon rubs at this throat with one hand, the other clenching into a fist where it rests on his knee.

“Jon,” Daisy says, “are you sure about this?”

“Yes, I just, uh –” Jon breathes a nervous laugh. “This never gets any easier.”

“Do you want me to say it?” Martin offers, schooling his tone into something approaching calm. His posture remains rigid, though, hands balled into white-knuckled fists in his lap.

“No, it’s fine.” Jon takes a few deep breaths and then looks Oliver in the eye. “In the future, I ended the world.”

Oliver raises an eyebrow. “I didn’t think the Beholding gave you any precognitive abilities.”

“It, uh – it doesn’t. I didn’t foresee the future, I lived it. For… for a long time, actually, so I –” Jon exhales a humorless chuckle. “I probably meet your definition of past my expiration date.”

Oliver tilts his head, considering.

“Hard to say,” he settles on. “You’re… a bit of a paradox. Feels as if you exist in multiple states at once, and it’s difficult for me to tell which one is true.”

“Maybe all of them are,” Jon says distractedly. “But, I, uh – I eventually found a way to come back to before the change – or, to send my consciousness back, anyway. But only as far back as the coma. I… I wish it had taken me back further – back to the very beginning, though I” – Jon huffs – “I suppose it’s hard to say what counts as the beginning.”

“It depends on how you want to define a beginning,” Oliver says. “In a way, the advent of existence marked the beginning of the end. Everything since then has been just another domino.”

“Well,” Jon begins, but Daisy cuts him off.

“Nope,” she says bluntly. “You go down that semantic rabbit hole and we’ll be here forever.”

“Fine,” Jon says with a petulant sigh. “Anyway, I couldn’t figure out how to wake up on my own, so just like the first time I was here, I had to wait for you to come along and help.”

“I still don’t understand why,” Oliver says.

“Neither do I, I’m afraid.”

“Not to encroach on your sphere of influence, but I think in this case, not knowing the answer might bother me even more than it does you.” Oliver releases a quiet sigh. “So you came back to stop yourself from starting the apocalypse.”

“It’s not like he chose to end the world,” Martin says, immediately leaping to Jon’s defense once more.

“Apologies,” Oliver says with an earnest nod in Martin’s direction. “I didn’t intend to imply otherwise.” He glances at Jon. “I’ve known of many who seek to bring on the end in the hopes that they will be able to choose what shape it takes. You don’t strike me as the sort.”

“No. But Jonah is.” Jon ducks his head as he speaks, fingers twisting in his jumper. “He wanted – wants to rule over a world reshaped in the Beholding’s image. He needed an Archivist with particular qualities to serve as the linchpin of his Ritual. So he created one. By the time he showed his hand, it was too late. I was the key, and Jonah didn’t need my consent in order to open the door.”

“I imagine it didn’t go as he planned,” Oliver says.

“No,” Jon says with a grim laugh. “No, it didn’t. He suffered as much as anyone else did in that reality. It all started because he was afraid of his own mortality, and yet – in the end, he met a fate worse than death.”

“Whatever it was, he deserved it,” Martin mutters.

“Maybe so,” Jon says. “But it was never about deserving. There was some poetic justice there, seeing him brought down by his own hubris, but… at the end of the day, he got the same treatment as anyone else. Just – pointless suffering, utterly divorced from the concept of consequences. Had a way of… diluting the schadenfreude, honestly.”

Martin’s spark of vindication appears to fizzle out as Jon speaks, his shoulders slumping and his eyes softening.

“Regardless,” Jon continues, “Jonah wanted to be a god, but at his core, he was no different from any other human. Fodder for the Fears. And the one he feared the most – it was in no hurry to finish the meal. I imagine by the time Terminus finally came for him in earnest, he would have welcomed it.”

“Those who seek immortality always come to see it as a curse in time,” Oliver says sagely. “When they come to terms with the fact that there is no such thing as a truly immortal existence, it comes as a relief.”

“I walked through your domain once,” Jon says after a pause. “You gave me a statement about the End’s place in that world. The domains were reluctant to let their victims die – they’d bring them to the brink, then revive them and repeat the process – but the Fears are greedy. Eventually, they would suck their victims dry –”

“– bones – every one of them – picked clean and cracked open – desperately gnawing – trying to reach whatever scant marrow might have remained inside – sucked from them to leave nothing but dry, white fragments – the hunger he saw in their eyes–”

Jon bites down on his tongue. That’s quite enough of that.

“You alright?” Martin says, leaning over and putting a hand on Jon’s knee.

“Sorry,” Jon says gruffly. “That one was…”

“Grisly?” Daisy says.

“Yeah,” Jon huffs. “But – not necessarily inapt? That reality was a closed economy. No new people were being born. The ones who already existed were destined to die, no matter how unwilling the other Fears were to grant that release.”

“As has always been the order of things,” Oliver says.

“You predicted that eventually the Fears would start poaching victims from one another’s domains – and they did. There were…” Jon grimaces. “There were a lot of territorial disputes, towards the end there. Domains encroaching on one another, monsters fighting over scraps. The Eye got its fill Watching it all play out, of course, but given enough time, it would have starved, same as all the rest.”

“And once the world was rendered barren,” Oliver says, understanding, “Terminus itself would die.”

Jon nods. “And until that happened, both you and your patron were content to let things play out.”

“Terminus is patient.”

Too patient, Jon thought at the time.

“I don’t think it was your intention,” he says, “but your statement did come as a relief. I already expected as much – that eventually it would all end – but having it corroborated by an authority on the matter was… very welcome.”

“People may fear death,” Oliver says, “but anyone who outruns it long enough finds that there is a much deeper fear hiding underneath – that of having the release of death withheld from them.”

“We have a lot of statements to that tune,” Basira says.

“I imagine so.”

“So,” Daisy says brusquely, “is that enough of a story for you?”

“I suppose,” Oliver says. “Although it raises more questions than it grants answers.”

“Our turn for questions, then?” Basira asks. She doesn’t wait for an answer. “The… veins, or… roots you saw around Gertrude. You’re saying they didn’t just foretell her death, but showed how it would impact everything else. So, what about the ones you saw around Jon?”

“It’s difficult to observe them for any length of time, but they do seem… more sprawling.” Oliver studies Jon for a moment, considering. “Like you are the heart of a watershed moment destined to happen.”

“So that’s it, then,” Jon says dully. “I’m still the spark for it all.”

Pandora’s box with a ‘use by’ date, he thinks to himself, somewhat hysterically.

He already knew it to be true, but that doesn’t make the confirmation any less harrowing. Everything hinges on his ability to keep his head above water, but the fate of the world weighs ever more heavily on his shoulders, pressing down, down, down –

“Does that mean…” Jon hugs his middle, slowly curling in on himself. “Does that mean it’s going to happen again?”

“I cannot say.” If Jon’s not mistaken, Oliver sounds… almost sympathetic. “This is unprecedented. I can only theorize. It’s possible that you’re like Gertrude, and what I see is a premonition. Or maybe the reality you came from still exists, parallel to this one, and it still clings to you. Perhaps it’s a Schrödinger’s cat, and it both does and does not exist, right up until the point where you do or do not bring it into being. Or maybe it doesn't exist, and the roots I see are only… imprints, so to speak. Echoes of a time and place that this world will never overlap.”

“Like trace fossils,” Jon murmurs. “Ghosts.”

“If you like.”

“Could you – could you follow them?” Jon can feel his pulse quicken, his heart thrumming in his throat. “See where they originate?”

“They originate from you.”

“O-oh.” Jon’s gaze darts uncertainly around the area before fixing on Oliver again. “Then, uh – can you see where they end?”

“You have a suspicion,” Basira says, watching Jon carefully.

Jon swallows around the breath caught in his throat. “What if they go back to Hill Top Road?”

“As far as I can tell, they reach out in all directions,” Oliver says. “There may not be a single end point. Regardless, I have no desire to visit Hill Top Road.”

“Oh,” Jon says despondently. It’s not like he expected Oliver to go out of his way to help, but…

“Would it really tell you anything of value anyway?” Martin asks.

“I don’t know,” Jon says, running a hand through his hair, one finger getting caught in a knot and pulling hard at his scalp. “But – but it feels like something I should at least check –”

“To what end?” Daisy asks. Jon looks at her blankly. “No offense, Sims, but the most likely outcome is you get no real answers, you lose yourself obsessing over theories, each more catastrophic than the last, and you spend the next few weeks compulsively checking yourself for spiders. Some things aren’t worth chasing after.”

“I just – I feel like I should know one way or the other –”

“Is that you or the Eye talking?” Martin asks.

“What’s the difference?” Jon says flatly. He immediately regrets it when he glimpses the expression on Martin’s face – a very familiar mixture of concern and frustration. “I’m sorry. Just… I don’t know. I don’t Know.”

Jon tugs on his hair once more, focusing on the dull ache it produces. He’s always had trouble letting things go. Letting questions go unanswered; letting mysteries go unsolved. The Beholding just nurtured that obsessiveness, encouraged that impulse to proliferate in his head like a weed and choke out his inhibitions.

“You’re here now,” Martin says firmly. “You can’t go back, so you may as well go forward.”

“Yeah,” Jon says, guilt heavy and searing in his chest.

“Like I said,” Oliver says, rubbing the back of his neck, “my knowledge of the future is narrow. I can’t tell you anything about parallel universes, or branching timelines, or the ability to alter history. The only certainty is that anything that begins will have an end, one way or another. All the rest is just… details.”

Martin folds his arms across his chest, examining Oliver with narrowed eyes. “You say that like the details are irrelevant.”

“I wonder about that,” Oliver says softly.

“Well, I think our experiences matter,” Martin says. “The fact that we were here at all, it’s… it’s not nothing.”

“Even those who make the greatest impact are forgotten in time.”

“So what? It will always have happened, even if no one is alive to remember it. And – and you never know when something little will have an impact on someone, which contributes to them doing something that makes a greater impact – that changes history.”

“Even time itself will end eventually. History will be forgotten, and nothing will remain to register its loss.”

“And?” Martin persists. “We won’t be around to see it. In the meantime, we’re here. We’re alive. If we’re going to end no matter what, why not make it worthwhile? Sure, there are no equivalent powers of hope and love to counter the Fears, but – but who cares? That just means that we have to make up for that absence.” Jon smiles to himself as Martin builds momentum – shoulders pushed back, chest thrust out, head held higher, speech growing more impassioned as he argues his point. “If a few mistakes and some asshole with a god complex can end the world, who’s to say a few deliberate kindnesses can’t save it?”

“Am I the asshole with the god complex?” Jon says drily. Judging from Martin’s disapproving scowl, he is not in the mood for self-deprecating humor. “Sorry, sorry. But, uh – in all seriousness, I think it was more than a few mistakes on my part–”

“You know what I meant, Jon,” Martin snaps. “And – and fine, maybe a few kindnesses can’t save the whole world, but – but they can save someone’s world. They can save a person. Doesn’t that mean something?”

“Yes,” Jon says with a small smile. “Yes, it does.”

“R-right.” Martin blinks several times, momentarily stunned by the lack of resistance. “It doesn’t change the world – except for how it does. Just – the universe might not care, but we can, and that’s exactly why we should. It’s… it’s what we owe to each other. That’s what I think, at least.”

Martin goes quiet then, arms still folded with a mixture of self-consciousness and sullen defiance.

“How long have you had that rant queued up?” Daisy teases.

“A while,” Martin says, rubbing his arm sheepishly.

“You’re quite the romantic,” Oliver says. He says it like a compliment, albeit somewhat wistful.

“Yeah, well.” Martin blushes at the praise in spite of himself. “Someone has to counter the fatalism around here.”

If you ask Jon, there are many reasons to love Martin Blackwood. This is doubtless one of them.

“Besides,” Martin recovers, apparently on a roll now, “it seems to me there’s as much evidence for fate being changeable as not. Yeah, sure, eventually everything dies, but who’s to say that the details are set in stone? Like – like that book, the one where the details of a person’s death change every time they read it.”

“But does their fate actually change, or is it just the book messing with their heads?” Basira says, tapping her fingers against her lips and looking down at the floor pensively. “If the End has foreknowledge of a person’s death, maybe the last entry a person reads before dying was always their fate, and all the previous accounts were just lies intended to seed fear.”

When Jon opens his mouth to chime in, the Archive seizes the initiative, unceremonious as ever.

"When did it change?” comes the cadence of Masato Murray. “Was it when I turned back to read it again? Or perhaps when I had made the decision to never visit Lancashire? If the book knew the future, then how much did it know me? My decisions and choices were my own, so was it responding to them or simply to the fact that I opened the book again? Perhaps it changed every time I opened it, even if I didn’t read the page, every interaction changing my fate…. When I close the book I wonder: are those same words still there, squatting and biding their time, or have they already changed into some new unknown terror that I can neither know nor avoid, waiting to spring on me.”

Jon holds his breath in anticipation. After a few seconds of suspense, the pressure recedes, the Archive having spoken its peace.

“Archive’s talkative today,” Basira observes.

“Apparently,” Jon grumbles. “What I originally meant to say was that I’ve wondered the same thing – whether the book was really telling the future or simply playing on the fears of the reader.”

“Maybe offering textual support is another convenience feature?” Daisy keeps her tone carefully neutral, gauging his mood.

“The Beholding is known for being exceedingly generous,” he retorts.

Basira ignores the banter and speaks directly to Oliver. “Do you know?”

“I’m unfamiliar with the book in question,” he replies. “All the deaths I’ve personally foreseen have come to pass so far. That says nothing about whether or not the End always reveals the truth to all who cross its path.”

“Right.” Basira shakes her head. “Not sure why I expected a straightforward answer.”

“Maybe there isn’t one,” Martin says. For a fraction of a second, Basira tenses. Jon suspects she’s just as repulsed by such a prospect as he is.

“Whatever,” she says curtly. “It isn’t important right now. What I want to know is how to deal with Jonah Magnus. So” – she pins Oliver in place with sharp, unblinking eyes – “what can you tell us about his mortality?”

“In short? He won’t live forever, regardless of how much he wants to deny that reality.”

“Yeah, you’ve said,” Daisy says, tossing her head back with an impatient groan. “Him dying eventually doesn’t help us now.”

“I’m not a mind-reader,” Oliver says. “If there’s more to your question, you’ll need to elaborate. What are you actually asking? How to kill him? For me to tell you whether his death is on the horizon?”

“Jonah claims that he’s the ‘beating heart of the Institute,’” Jon explains. “He says that if he dies, everyone else who works here dies as well. You were able to see the ripples created by Gertrude’s death. I suppose I thought – maybe you could tell us if there’s something similar with Jonah.”

“If his death was imminent, perhaps.” Oliver averts his eyes as he twists a ring around his finger, growing increasingly tense under such concentrated scrutiny. “But as I said before, I don’t make a habit of telling fortunes.”

“So you won’t tell us,” Martin says.

“To be frank, this place is rife with potential.” Oliver casts his gaze around the area, as if seeing something the others cannot. “It would be… difficult to untangle it all.”

“Fine,” Basira says tartly. “Then can you tell us whether it’s possible for him to set up a dead man’s switch in the first place? Seems to me something like that would be the End’s domain, wouldn’t it?”

“It would.”

“Then would he be able to exercise any real power over it?” Basira persists. “There’s nothing inherent to the Eye that suggests its Avatars should be able to bind others’ lives to them. Even the Archivist doesn’t work like that – we’re linked to Jon as far as being unable to quit goes, but we won’t die if he does. I think it’s more likely that Jonah did something extra to bind the Institute to himself.”

“Assuming he’s even telling the truth,” Daisy says.

“So, is there an artefact that could let him do it?” Basira asks, still staring Oliver down. “A ritual? A favor from an affiliate of the End, maybe?”

“Terminus has a variety of ways in which it operates,” Oliver says cagily, “same as all the other Powers. I don’t seek out instances of those manifestations. Given the sheer number of statements collected here, it's likely you’re all more familiar with the breadth of its influence than I am.”

“You’re very helpful,” Daisy scoffs.

Oliver hunches his shoulders, chastised. It’s an odd sight – Jon wouldn’t have expected him to be particularly affected by such an accusation. Oliver never promised to be helpful; does not owe them his cooperation. Before Jon can pursue that thought any further, though, Oliver continues.

“I will say that Terminus is its own master. Those who believe they have tamed it are only fooling themselves. Orchestrating their own misery. The moment in which they finally realize that fact – that they have never had the upper hand, that the entire time they have never strayed from the route to which Terminus binds them…” Oliver chews the inside of his cheek, considering. “The existential terror that moment creates – I wonder sometimes whether it’s a delicacy to my patron.”

“Sounds a lot like the Web,” Basira says. The suggestion must pique his interest, because Oliver sits up straighter and leans forward ever so slightly.

“Except the Web reviles its extinction as much as the other powers, and as much as any mortal mind,” he says – not quite excited, but more engaged than before. “Terminus, on the other hand – its eventual oblivion is part and parcel of its existence. It does not fear the conclusion of its story. The Web will never surrender to such a fate. It will always seek an escape route, some way to appoint itself the weaver of its own ends. Its threads can never stray from the confines of the routes dictated by Terminus, but the concept that it may itself be under the guidance of another… such a thing is incompatible with its definition. Still, the shape of the Spider’s web will always mirror the blueprints of a greater architect.”

“And you think the same is true for Jonah,” Jon says.

“I know it is.”

“Okay, but – but Jon changed fate,” Martin protests. “In a million little ways – some we probably don’t even know about – and some big ones, too. So who’s to say that every step of the route is part of the End’s blueprints? What if – hold on.”

Martin stands and moves to Jon’s makeshift desk, rummaging around for a few seconds before coming up with a pen. He snatches one of Melanie’s therapy worksheets from the top of the pile and turns it over to the blank side.

“What if the only things set in stone are – are certain points along the route,” he says, scribbling a scattering of dots across the page, “but all that matters is that the route eventually intersects with those points?” Martin connects two points with a wavy, sine-like line. “Maybe it doesn’t even matter how convoluted” – he draws another line, this time with several loop-de-loops – “or long” – yet another line, this one traveling all the way up to the top of the page and making several winding turns before plunging back down to connect with the next dot – “the path is.” He holds up the finished product for everyone to see. “As long as the dots connect, the rest is free reign.”

“I like to think that choice plays a role,” Oliver says. “That fate is less of a track and more of a guideline. But honestly, there’s no way to know for certain. I only know the end point. The rest is speculation.”

“It’s also possible that the rift brought me to an alternate reality,” Jon says, eyes downcast. “If the reality of my original timeline still exists, I haven’t changed fate at all. I’ve just jumped to a different track.”

“Okay, and if that’s the case, and this is a different dimension,” Martin says heatedly, “then that means it has its own timeline and its own future, and whatever happened in your future has no bearing on ours.” Martin glares, daring Jon to argue. He doesn’t. “So it’s a moot point. If we can’t know one way or the other whether the future is already written, then let’s just act as if it isn’t. Prepare for the worst and hope for the best. At least then it will feel meaningful.”

“The worst isn’t something you can prepare for,” Jon says darkly. “Trust me, I know.”

“If I want ominous proverbs, I’ll let you know,” Martin immediately counters – and Jon loves him for it. Daisy chokes on a startled laugh; Martin ignores her, instead pivoting to face Oliver. “We want to kill Jonah Magnus. Or, at least make it so he can’t perform his Ritual. But preferably kill.”

“Never realized you were so bloodthirsty, Blackwood,” Daisy says approvingly.

“The world will be a better place without him in it,” Martin says without a hint of indecision, not looking away from Oliver. “Jonah’s original body is in the center of the Panopticon. Except his eyes, because apparently transplanting them into innocent people is how he cheats death, because of course it is, why wouldn’t it be some messed up–”

“Martin,” Basira sighs.

“Okay, fine, moving on,” Martin sasses back. “It makes me wonder, would destroying his original body hurt him, or do we need to destroy his original eyes as well, or would destroying just his eyes be enough? And – and would it kill him, or just – blind him, disconnect him from the Beholding? Or – or would that kill him, because the Beholding is what’s keeping him alive?”

“Your guesses are as good as mine,” Oliver says. “Much of this really does come down to speculation and thought experiment, and it seems you’ve done plenty of that amongst yourselves already. I’m afraid that the only certainty I can offer is the certainty of an ending, and I don’t think that’s as much of a consolation to you as it is to me.”

“No, it’s not,” Martin says.

“But, uh – thank you for your honesty,” Jon jumps in. “For trying.”

“I really do wish I had better answers for you,” Oliver says, not quite meeting his eyes. “The End is… somewhat of an echo chamber at times. When you’re already on the inside looking out, it can be… difficult, to shift perspective.”

“I wouldn’t be able to offer many straightforward answers about my patron, either,” Jon admits.

“Wait,” Martin says. “Could you… could you at least tell us whether you can see anything about our deaths?”

Oliver draws in a deep breath and releases it slowly. “In my experience, there’s nothing to be gained from such knowledge.”

“Tell us anyway,” Basira says.

“Why?” Oliver says tiredly, his hands curling into loose fists. “Why do you want to know?”

“Because if you can see something, it could help us narrow down possibilities,” Basira replies. “If you see all of us dying in the same way, maybe it means we all die when Magnus does.”

“Or it just means you all die in the same freak accident.”

“Wait, do we?” Martin asks, his voice pitching higher in alarm.

“It was just an example,” Oliver says, scrubbing one hand down his face. “I’m just saying that this kind of knowledge doesn’t tend to give people the answers that they want.” Met with nothing but four determined stares, his shoulders sag in defeat. “Are you all certain you want to know?”

Everyone nods. Oliver equivocates for a full minute, rubbing at his forehead in complete silence. Eventually, he releases a long, low sigh.

“Right now,” he says, “I don’t see death closing in on any one of you.”

“Shit,” Martin says on a heavy exhale. “The way you were putting it off, I was sure you were going to predict a massacre.”

“Honestly,” Daisy mutters. “Bury the lead much?”

Jon ignores them, preoccupied with the implications of Oliver's revelation. If they were planning on killing Jonah tomorrow, it would say nothing about whether they were to succeed, but it would suggest they don’t die in the process, which would at least offer some reassurance going in. But Jon has no idea when they’ll be able to execute any sort of plan. This only confirms that none of them are likely to die in the next few weeks – and that’s assuming that Oliver’s premonition is accurate. Up until now, his predictions have come true, but there’s a first time for everything.

Judging from the contemplative frown on Basira’s face, she’s running through the same calculations.

“How far out can you see?” she asks.

“It varies,” Oliver says. “Weeks, usually. Sometimes months.”

“And it could change in a few weeks,” Daisy says.

“It could change tomorrow. It could change an hour from now.” Oliver looks between the four of them with a faint, melancholy smile. “I did warn you that it wouldn’t offer much sense of security. It only makes you want to know more.”

“Look where you are,” Basira scoffs.

“Point taken,” Oliver says with a startled laugh. “But honestly, ask yourself whether it’s all that different from Masato Murray and his book. If it’s worth living your life around the question of when and how – especially when the answer, should you receive one, will never put your mind at ease.”

“Just to be clear, ah – was I included in that prophecy? Or do you still see the veins around me?” Jon asks. Oliver raises his eyebrows. “I know, I know – the answer won’t satisfy me. Just – humor me?”

“Yes,” Oliver sighs, “I can still see them, if I look for them, but as we covered quite exhaustively, they look atypical and wrong and I don’t know what to make of them.” A tinge of indignation breaks through Oliver's characterisic mild manner – and then the moment passes. “I don’t think they indicate an imminent demise, but much about you is an enigma.”

“And there’s nothing else you can tell us about Jonah Magnus?” Basira asks.

“It isn’t a matter of if he can be killed, but how. Unfortunately, you’ll have to figure that part out for yourselves. As for whether or to what extent he could bind his fate to the rest of the Institute… there are any number of strange phenomena and improbable feats in this world. I would never claim to be an authority on the scope of it all.” Oliver offers another wistful ghost of a smile. “I’m afraid you might just have to take a leap of faith.”

Again, Jon thinks with an inward sigh.

But at least he can say he’s had practice.

End Notes:

Citations for Jon’s Archive-speak are as follows: MAG 011; 011; 168; 121; 156; 070. The “I still remember the first time…” & “And the worst part was that…” Oliver quotes are from MAG 121.

Yes, “what we owe to each other” is a nod to The Good Place.

So. This… was a beast of a chapter, and the last half of it really kicked my ass, which is why it’s taken so long to finally finish it. Still not sure how I feel about it – it’s a bit of a digression, but I’m hoping it still fits in thematically. Either way, next chapter we’re moving on to Ny-Ålesund.

Hopefully it won’t take me an entire month this time to write the next chapter, but… we’re down to two episodes left, folks. Chances are, next time I update, we’ll have heard the series finale. Are you all ready? Because I categorically am NOT. aaaaaaaaa

(That said, I already have a handful of epilogue standalone fics planned for this AU once the main story is done. Because hurt/comfort and recovery fics are going to be at the top of my hierarchy of needs once Jonny Sims destroys me in two weeks, I s2g.)

Thanks for reading!

#tma #the magnus archives #tma fic #tma spoilers #long post

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orbitariums · 4 years

Text

𝐠𝐢𝐫𝐥𝐬 𝐨𝐧 𝐟𝐢𝐥𝐦 | 𝐜𝐡𝐚𝐭 𝐨𝐯𝐞𝐫 | 𝐬𝐭𝐞𝐯𝐞 𝐫𝐨𝐠𝐞𝐫𝐬 (𝟒)

part three

note - i wanna thank everyone for reading once again! i'm currently in the process of writing imagines, those will be posted throughout the week, i don't want to clog up my blog bc i want y'all to see this chapter!

this one switches pov a lil more frequently, so bear with me <3 also not as smutty as other chapters, this is more of an emotionally-charged chapter!!! still a teensy bit smutty thooo. i want to make it clear that while this fic is definitely rooted in smut & sex & sex work, it is not porn without plot & will not ONLY be smut as i put effort and time into plot development / character development! i'm sure y'all know that tho. there will be conflict, there will be plot!!! i feel like that's clear already but there's discourse on smut happening rn and i wanna voice myself! omg anyways luv y'all enjoy the reaaad <3

new taglist!

playlist

word count - 8.3k

warnings - age gap, sex work, smut, vibrator, ANGSTYYY like hella dramatic, dirty talk

That slight shift that you and Steve both felt, that happiness that you realized came from talking to one another, only lasted so long... for you. You could hardly sit in your feelings about your situation with Steve before another thing that occupied all your time came crashing down upon you. Except this time, the thing brought you no such happiness or curiosity.

You had spent almost your entire senior year working on a special lab project about drought tolerant plants in Southern California where you lived and went to school, and your professor was making completing your project incredibly hard for you. And you felt incredibly stressed out about the entire situation - not only was the project necessary to graduate, but it was your heart and soul for the past year. Now, your professor was basically saying it was "ineligible."

"Ineligible?" Aaliyah repeated after you, after you told her what your professor had said.

"Whatever the hell that means," you huffed as you power walked down the street, hand in hand with Aaliyah, your free hand holding a coffee.

"That's so fucking annoying, holy shit," Aaliyah pressed a hand to her forehead. "He had the whole year to talk to you about changing your topic and...”

"And he never did," you sighed, frowning. You settled down onto a bench where the two of you sat next to each other, staring out into the busy streets and sipping your iced coffees.

California was a beautiful place, and you were a native, you'd lived there all your life. You knew the ins and outs of your city, knew Southern California like it was your backbone. And you loved it here - loved the sun, the beaches, the way the people were either shady in the best way or incredibly friendly. You'd never really known any other place like you knew this place. You were just glad that if you had to be stressed, you could do so in California.

Aaliyah pouted, feeling for you. She placed her hand on your knee to be comforting,

"Babe..."

"It's okay," you sighed. You sucked it up, like always, because you had learned how to fend for yourself ever since you realized that depending on others could only lead to downfall. You would figure this out the same way you figured everything else out... on your own. You figured out your house on your own, your job, your finances.

"Is it, though?" Aaliyah pursed her lips and squinted at you. Despite how much you tried to fend for yourself, Aaliyah was always there for you. She was one of your biggest supporters.

"I'll just keep visiting during his office hours and work this out."

Aaliyah rolled her eyes,

"Men are so annoying, girl. You know what, he probably wants to fuck you. With your fine ass. That's why he's doing all this."

You chuckled, shaking your head and covering your mouth, trilling back in response,

"Okay girl, don't get too ahead of yourself."

"I'm serious! Men are evil. Oh, except your fave."

You made a face, nearly choking on your iced coffee. This was news to you,

"Who are we talking about?"

"You know," Aaliyah sang slightly, nudging you and leaning against your shoulder. "Mr. Won't Show His Face."

You scoffed, rolling your eyes, but bit down on your straw with a knowing smile, eyes peeking out over the top of your shades. If you were being honest, this idea of Steve, whoever he really was, had been a fun thing to entertain during this period of stress. You'd been talking and engaging with him for two and a half weeks now, and the connection you two had was undeniable.

But you knew better - maybe he wasn't just another customer, because you could really talk to him and felt like he was real - then again, he was strictly a customer. You liked him, a lot, but you couldn't like him any more than you already did. That would be dangerous and silly, and create unrealistic expectations. It wasn't like you could go on dates or anything.

Still, talking to him (and performing for him) did help to distract you from your stress, at least for a small amount of time. Steve was becoming less shy, less inhibited. He cracked jokes and was starting to keep up with your innate sense of sexuality, starting to navigate you, find you the way a bee might find its nectar, hidden deep inside the curvatures of a flower.

If you were a flower, you'd probably be a sunflower - bright, yellow, almost always in a positive mood, or at least trying to keep yourself in a positive mood. More than that though, sunflowers were tall and looming - you felt like that represented your put togetherness and how hard you worked, how smart you were. Only sometimes it was hard to keep yourself up and tall, but you always did it, time and time again.

But when it came to Aaliyah's comments about Steve, she mostly just made you laugh.

"Haven't seen him yet, have you?" Aaliyah asked, raising her brows expectantly.

"No. And I'm fine with that. He's simply another very loyal customer who I happen to like."

"Hm," Aaliyah hummed, and you could tell her mind was up to something - some very wishful, and mischievous thinking.

"What are you up to?" you narrowed your eyes at her and glared at her, and she just shook her head with a lazy smile,

"Nothing. Just thinking that maybe it would be cool if he really was this really hot guy that you actually knew and he wasn't creepy and y'all... you know... started dating. Just to get your mind off a lot of crap. I know, I know, strictly against the rules, blah blah blah. No feelings for customers, it's basic shit. But in a perfect world..."

"I know," you sighed without thinking, sipping at your drink.

"You know?" Aaliyah questioned, surprised.

You shrugged,

"So I've thought about it. Except, you know, in a perfect world, I'd meet a guy like Steve in like, a farmer's market or something. Not on my shady ass cam shows."

Aaliyah snorted laughing, and at the sound of her laughter, you joined in.

You continued,

"I mean, not Steve exactly, because that would be weird. I just mean, a guy like Steve."

"You mean a guy who makes you feel the same way he makes you feel," Aaliyah corrected you, and you glared at her again, pushing her gently.

"Don't push it," you teased, but you meant it - you might have liked Steve, but that was all there was to it - you liked him, he was a distraction. And maybe even that was too much.

✺ ✺ ✺

As for Steve, he thoroughly enjoyed his time with you. He thought constantly about how you made him feel, how much he looked forward to talking to you. How everyday, his worry about your situation becoming more serious dissipated slowly. He could feel himself easing into you, everything that made up this character you created called Moonrose. Conversation seemed casual, like you knew each other in real life, it felt easy, and there was no pressure.

As for your connection, he had finally acknowledged that it was real, and more than either of you had wanted to realize at first. But now, there was no shame, no worry in acknowledging what the two of you had, because you were both smart enough to keep it at this level. It was like a shallow pool. There would be no drowning.

He mostly talked to Bucky about you when it came to the emotional aspect of it. He still feared that if he talked to Tony, it might come across as an issue, and might put a pause on what he had with you. But everyone noticed how different Steve was acting. Even without the phase he had gone through where he was sexually frustrated and angry, he still acted different.

Lighter on his feet, more smiley. And he was always on top of his work. You weren't distracting him from his duty, so that made the fact that he knew you had a unique connection with him more bearable. Because of you, he was learning to worry less. To have a little more fun.

It was a bright day that week, the sun filtering in through the large windows of the meeting room where everyone was gathered. Steve was engaging in some mindless conversation with Sam and Bucky in which they were debating whether or not pineapple belonged on pizza.

"No. I'm not sure why everyone keeps trying to put all these twists on pizza. It's pizza," Bucky scoffed, Sam rolling his eyes as a result.

"You're just closed off. With your old ass," Sam retorted, and Steve made a face. Sam raised his hands up in surrender. "You know what I mean. What about you Steve?"

Honestly, Steve had never even tried pineapple on pizza and he didn't understand why there was such a big fuss about the banal question.

"I don't really have an opinion," he shrugged, not expecting Sam and Bucky to start clamoring over him and trying to force him to pick a side.

Before he even got to grasp the situation, he felt Natasha patting his shoulder,

"Hey, mind if I use your laptop? Mine's gone haywire, don't really feel like messing with it right now."

"Yeah," Steve agreed without a second thought, setting his laptop on the table and letting Natasha handle it- she was better with tech stuff than he ever was.

Natasha would use his laptop to showcase some data and start off their morning. It seemed innocent enough —a simple, barely impacting sacrifice. But Steve clearly hadn't thought everything through, because the moment Natasha logged in and hooked up Steve's computer to the holographic projector, more than just data appeared on the screen.

In fact, a whole array of women, all of them engaging in various sexual acts or preparing themselves to, showed up on the screen. And at the top, where the browser was, were the words "girlsonfilm.com."

Steve hadn't noticed all the clamor, too busy thinking (thoughts of you and thoughts of work), until Bucky called it to his attention.

"Steve," he nudged him frantically, his voice a loud whisper.

When Steve looked up at the screen, his face couldn't have gone any redder. He hadn't thought about this at all, and he had clearly forgotten to close out his browser. His heart sunk all the way to his stomach - because it wasn't just Natasha seeing this, it was everybody. And that included Tony, who was glaring pointedly at Steve from the head of the table. Meanwhile, all the others were too busy heckling Natasha and making brash comments about what was appearing onscreen. To Steve's relief, your face didn't show up, but this just might have been worse than only your screen appearing.

"Woah, Nat, I didn't know you got down like that!" Sam hooted, cupping his mouth with his hands.

Natasha, though she was in shock as well, rolled her eyes,

"This is Steve's laptop."

Now a hush, then another clamor of confusion and heckling, all directed towards Steve. He couldn't recoil any more, feeling the pangs of embarrassment as his eyes flashed between every one of his teammates. He felt as if there were an asteroid approaching fast, and he was right where it would land, too slow to move out of its way.

"Steve, what do you know about 'girls on film'?" Sam nearly cackled, reading the name of the site.

Steve sighed deeply, locking eyes with Natasha as he mouthed "turn it off" to her.

"I am, I am," she ensured him, quickly disconnecting the laptop from the projection, unplugging completely.

A beat passed, everyone staring expectantly at Steve, who was staring down at the table, trying to process his own thoughts. Like for starters, why didn't he log out the last time, and why didn't he remember to log out? And then his mind went to deeper places. He hadn't been intentionally secretive with his actions, but he had been intentionally private. It had to do with his own growth, he was learning how to navigate a world that was new to him and somehow helping him at once. He didn't want to have to share this with everyone, it was nice having this to himself, he had no intentions of revealing what he had been doing in his past time that made him so happy.

One of the reasons he didn't want everyone to know about his situation was because he didn't want to have to be concerned with what everyone else might think. Because to begin with, being on a site for cam shows wasn't exactly everyone's idea of what Captain America might be up to these days.

It was a matter of his image, what values he was supposed to hold. This didn't exactly match, and Steve had just gotten over the idea that he was a bad, sneaky person because of what he chose to indulge in. At least here he knew it was ethical and not causing harm to you as a human being.

He also didn't want to have to deal with the insufferable questioning and teasing his team would put him through, or the judgment he thought they might put him through. He felt embarrassed, exposed, and like he had been ill prepared for a situation like this. He was just grateful they hadn't seen more, because that would've been a disaster. What they had seen was only at the surface level of what he'd been doing.

But his thinking was interrupted by Tony's voice, which broke through all the silence, and made Steve realize again the eyes that were on him.

"Well, jig's up," Tony sighed, leaning back in his chair. "Care to explain?"

Steve locked eyes with Tony, as if hopeful that he wouldn't have to, but he knew it was best for him to just spit it out. Tony shrugged apologetically, and Steve took in a deep sigh, looking around at everyone at the table.

"What was that?" Scott whimpered, probably the most distraught by what they had all seen.

Steve nodded solemnly and began to explain himself. He would tell the truth, but that didn't mean he had to tell them everything. You would be left out of this, if anything. He'd just explain to them that sometimes, duty calls - and sometimes, it's not at all work-related.

✺ ✺ ✺

It was just hours before your cam show when another disaster struck, the first one being the fact that your professor was giving you shit about your project. You were in the bathroom, getting ready for your show, fixing your hair up and doing your makeup, laying out an outfit, doing all the things you did to feel pretty before a show.

Your phone lay beside you on the bathroom table, pinging with messages every now and then. You ignored it, leaning closer into the mirror to get a look at your lipstick, dabbing your fingers into the pigment on your lips.

You smiled, feeling that gratifying sense of achievement. Despite what was going on with your professor, you felt like you were doing well in life. You usually had a positive mindset, enjoyed your work although you sometimes felt as if you were buried deep in all your occupations: student, office worker, cam girl, designer, young woman. Your life was never dull, and you wouldn't trade it for anything. Talking to Steve helped too, but it was more than that.

But that sense of satisfaction all seemed to dissolve when you looked down at your phone, and saw a text from an unsaved number, glaring bright on your glowing lock screen of you hiking with Aaliyah. Still, you recognized it immediately.

xxx-xxx-xxxx

I miss you. Text me back.

✺ ✺ ✺

Steve wasn't exactly keen on joining your live show today, but he did so anyway, because he still had time to himself despite the spiral of events that had happened earlier. There was nothing else to do, and he didn't want to miss out on you after attending almost all of your shows for the past almost three weeks. Didn't want to just leave unexpectedly.

It felt strange that he felt this tug of commitment, but he brushed it off. He was just fulfilling his needs, which should even be expected of him. He was stressed again, after being caught up like he was. And maybe that was all the more reason not to watch your show tonight, but he wouldn't devoid himself of the simple pleasures of life. He'd learned that lesson a while ago, from a special someone called Moonrose.

After everything transpired, he explained himself calmly to his team, slowly to ensure that they'd understand that this wasn't the beginning of a deviant phase, that he wasn't throwing away his work responsibilities to lurk on the NSFW side of the internet. Not that they ever thought that to begin with, they never questioned his abilities or his authority for a minute, not even in the midst of what they'd seen that had shocked them.

This was the product of Steve's own insecurities and his admittedly silly fear that he was somehow letting his team down. He told them that he was on the site, as recommended by Tony, to relieve some "frustration" that he felt he didn't have the time or the means to release in real life. He said that while it had helped him do that, he wasn't throwing away his responsibilities, nor was he dependent on the site or the things on it, or the people on it for that matter.

He knew that if they knew about you, all those private sessions, all those conversations you'd had, the connection you had built between the two of you, it might be a different story. But because they didn't, they appreciated his honesty. They were confused, it didn't seem like the kind of thing Steve would be into, and he ensured them that it was a shock to him as well.

But they didn't mind on the whole, it was just a shock to everyone at first. They didn't think it called for a meeting, thought it was almost humorous how serious Steve was being about such a trivial situation. Wanda had joked about how we've all been there, Thor denied ever having to do such a thing because: "I have all the romantic partners anyone could ask for. I could introduce you Steve, but these Asgardian women are fiery, far beyond anything I believe you could handle." In the end, Steve was relieved, felt like it didn't have the disastrous outcome he'd been expected.

But he could feel his guard slowly coming back up. That was a close call, and it was a little too close for comfort. He didn't want to disregard you, but he couldn't afford to sink further in, and get his team involved. He just didn't want to face the consequences he could imagine if they knew how much he decided to stick with you, how much you talked, how it was teetering off the range of normal customer to cam girl interaction.

It wasn't like he was careless when it came to his interactions with you, but he also didn't want his team to know about his business when it came to you. He didn't want them thinking he was engaging too much, didn't want it to get to the point where he was worrying again or felt like he needed to deny himself such wonderful feelings.

All these things were on his mind while he waited for your live show to start. When it did, and he saw your face, he felt a little bit alleviated. Just for now, he could have this fantasy to himself. If they knew about the site, so be it. At least he had you to himself.

"Hey guys," you mustered a smile, waving to the camera.

Unbeknownst to your viewers, you had spent the past few hours off camera panicking, on the verge of tears, calling Aaliyah frantically so she could help calm you down. That text from that mysterious unknown number had been from your ex's number. The same ex who made you fall into dependency patterns that you worked so hard to get out of, the one who made you feel like you had to work for his love. Like it wasn't something you deserved, just like anyone else.

You had worked so hard to finally wring out all the effects of him, all the bad habits you had fallen into because of him. That was part of the reason why you worked so hard. Not because you were actively avoiding him specifically, but because you were actively bettering yourself. You weren't looking for a relationship. But you knew that if you were in one now, the same things would never happen to you.

When you got that text, it triggered a flood of memories. Feelings you had to work to suppress and actually get over for months so you wouldn't fall back into the same desperate, needy patterns when it came to your relationships with people. All over a simple text from someone you hadn't heard from in almost a year. It hurt you how easy it was to get you to crack, even if you didn't spill out all the way. But on top of the added stress because of school, you were damn close.

You would do the show tonight, anyway. It helped you to escape, although Moonrose was a part of you, it didn't one hundred translate into real life. So in a way, this helped you escape real life. Just for a while. Just like Steve.

You grinned when you saw concerned comments from your watchers:

johnGuy182

Are you okay, moonrose? You seem a little sad.

zenongirl

Girl r u ok? i missed seeing your face!!!

"Guys, I'm okay," you grinned. And you actually felt better seeing comments from your supporters. It reminded you to cheer up - they were looking for a good show, not a sob story. You leaned back, revealing your stomach in the sheer, sparkly fringed bra you chose to wear (another piece you had designed by yourself). "It's been a looong day."

Steve watched silently, observing your behavior. He didn't notice drastic changes, but you did appear less chipper. Then again, he brushed it off. He didn't expect you to be smiley all the time, you were human too, and this was your work.

"But I'm okay," you reassured, giving that signature grin, genuine and charming and alluring. You were trying to gently distract yourself, get into your act. "I hope you're all just as lovely as I am. I have a special game for you today."

You directed your viewers to your spinning wheel, which you had been working on crafting that week for a game. You grinned as you spinned it. Each act on the wheel cost a certain amount of tokens, and by the end of the game you would garner a bunch of funds. The show went by relatively quickly as you played the game, eventually ending up completely naked.

As ordered by the spinning wheel, you were to use a vibrator. You held it against your clit at the highest setting as you watched the numbers of viewers and the tokens jump up, Steve watching as he stroked himself leisurely. Your legs shook as you restrained yourself from your orgasm so as to increase the length of your showtime, garner more coins to encourage you to come.

"Mm," you moaned, massaging the vibrator against your clit, getting wetter and slicker by the minute, sliding the toy between your folds. You laughed, breathless. "Fuck, this thing is so powerful. Someone make me come, please make me come. Just a few more tokens for me to come for you."

Steve was hesitant, but he decided to go ahead and give you the amount of tokens you needed. And when you heard the chime of the tokens being added to your account, and saw the name it was attached to, it was like a blast of euphoria. When your legs started to shake, when you started to moan and your stomach started to rise up and down, it was genuine. It was like you were back in a private room with him, although you weren't.

Your orgasm was blood-curdling in the best way, and you felt like you were releasing part of the stress of the past day, the past week. It didn't get any realer than this, once again you felt like he was really there to satisfy you.

"Oh!" you exclaimed, your mouth dropping open and your blood flowing, moaning. "Yes, Steve, I'm coming for you. Thank you for making me come, Steve!"

Steve had been stroking himself along with you as he watched, and only let himself come now that you had come, his cheeks heating up as he heard you moan his name, something he hadn't been expected. Something about you saying his name like that where everyone could hear, even though he enjoyed the intimacy of private rooms, felt victorious. It felt lewd, salacious, but he couldn't help but enjoy that aspect of it. He moaned through grit teeth while he came, stroking himself to completion.

You came down, thanking everyone for attending and ending the show. But it wasn't long after that you had requested Steve for a private chat. He accepted, because he had gotten used to you doing this a little more frequently. It didn't scare him any more, he just thought of it as making conversation, taking advantage of this connection you had with each other. So when you requested, who was he to say no.

When the chat log opened, you put on your best happy face for Steve, trying to conceal how fatigued this week, today in particular, had made you. But your tired, bleak voice gave it all away, buried deep beneath your smile,

"Hey, Steve."

Steve was surprised at the sound of your voice. Again, while he understood that you wouldn't be a happy go lucky fairy like personality all the time, he wasn't expecting this. You were smiling, but the weariness in your eyes was hard to miss. And your voice, which usually told light hearted tales, sounded worn down as if from tragedy. He was concerned, his eyebrows furrowed gently,

"Hi. How are you?"

"I'm good!" you exclaimed, trying your hardest to really sound "good."

But you were just tired. Tired and sad, and scared - scared of what the future had to hold. You were already dealing with school stress, and the text from your ex-boyfriend was like a bad omen, an anxiety-provoking assurance that things actually would not get better and they would in fact get progressively worse. You weren't even sure why you thought you should be talking to Steve if you were tired and just wanted to sleep off the weight of the week. It would be a weekend tomorrow, and one of your very rare days off.

Maybe you figured that you wanted to talk to him despite your fatigue, because conversation with Steve was a nice distraction. You had let yourself forget that this was still your job, and that you were too tired for anything sexual — you knew he liked talking to you, but you hadn't put into consideration the fact that he might request a sexual act from you. You would be burnt out if he did. The fact that you didn't think about that should've been telling, but your brain was too scattered to think straight.

Anyway, Steve called your bluff, and laughed quietly, his voice inquiring and pressing,

"How are you really?"

That was all it took to get a deep sigh to come from out of you, all it took to allow yourself to show your true feelings, at least the surface of them, what you felt comfortable showing a customer. You felt a sense of relief and gratefulness for Steve, like he was letting you breathe. And if anything, he especially wasn't enlisted to listen to your problems. But he wanted to, and for that you felt foolishly grateful.

Steve noted the deep sigh that came from out of you, and he frowned slightly. He could tell you had been holding this in for a while, and some part of him felt remorse for the fact that even though you clearly weren't in the right mindset, you went on and did your show anyway. He felt some guilt for being a part of the reason why you did your show.

You answered, allowing your voice to be as honest as possible.

"Honestly?" you chuckled a little, albeit bitterly. "I don't know if you really want to hear me rant to you."

Steve shook his head.

"Don't be silly," he grinned. "I wouldn't have asked if I didn't want to."

You felt a warm rush in your chest from the reassurance, and the corner of your lip quirked up in a small smile, before you decided to dive in. You'd spare the emotional details, spare your private life. But it would be nice to talk to someone, just about the general things, right?

"Well, it's been a pretty stressful week, honestly. I mean, school's been the main source of my stress. My professor's such an asshole, he's basically been telling me my entire senior project, which I need to complete to graduate, needs to be redone? And I can't even fathom how I would have enough time to do that with like, two and a half months left of my senior year. I mean, he said I can keep most details, but I'd have to rework it, whatever that means."

You kept your emotions at bay, sighing in annoyance just at the story you told, because it really was irritating you. But then you felt deeper things, even more went into why you really were upset.

Steve nodded, just listening. He was prepared to offer advice, but in your situation, he thought that maybe just letting you rant would be best.

"That's gotta be annoying," he shook his head understandingly. "Whatever your project is, I'm sure it's wonderful. He shouldn't be forcing you to rework it or make any last minute changes."

"I know!" you nearly jumped up, feeling amped up now. "And it's just so fucking annoying because I work so hard and I'm really passionate about this project and it just feels like..."

It felt like you were about to overflow, like a pot of water that had been left on for too long. You were ranting almost uncontrollably now, maybe because of the fact that it was more than this that was tugging at you. Because you'd been carrying the weight of your life on your shoulders all the time, like Atlas carrying the sky, and it felt like that weight was finally starting to mean something.

Steve could see you were unraveling and he let you, he let you take the time you needed to feel everything you had been holding. If your connection was strong, it was at its strongest here. Sure, you and Steve chatted about a little bit of everything, even had deeper conversations here and there as the weeks went by. But you had yet to genuinely complain to him, because every time you spoke with him, you were happy go lucky Moonrose, with nothing to complain about to begin with. But now, you needed a release by any means, and you were just glad Steve was there for you, even if he wasn't really there. How unlike you to unfold in front of strangers.

Your breath stuttered as you took in a deep breath in a failed attempt to calm down, only further driving yourself into your rambling. You felt yourself tear up, your voice becoming watery as you continued,

"It just feels like all my work is turning to shit, and it's so fucking frustrating because I work so hard all the time, I do so much and I manage so much all the time."

The "hard work" you were talking about wasn't just school and work-related, it pertained to your journey, and how hard you had worked to be a better person. To support yourself. The emotions pent up inside of you, they were more than just being upset over a school project. The idea of someone toxic trying to re-enter your life, someone who had forced you to rework the entirety of your life, made you feel like you were on the verge of crashing. You knew better, but you didn't want to return to those dark days, where the light at the end of the winding tunnel that was your relationship seemed so far away. It was why you were so weary of relationships today. It was crazy how one person could change your life so easily.

Now you were crying, before you even noticed that you were crying. Tears just seemed to leak out of your eyes, sloshing wet and sudden against your cheeks and underneath your lashes. You wiped them away quickly with the back of your hand, frazzled at the fact that you were crying in front of a customer right now. Steve said he'd listen to you, he didn't say he'd watch you cry and be your therapist. You instantly regretted it, although you couldn't stop yourself, tears threatening to emerge again. If you were cracked before, you were spilling now.

Steve was surprised too, at the fact that you were crying. You appeared so put together to him, it was almost something he didn't expect from you. He was in shock at first, so much so that professionalism was not on his mind - it was an afterthought. Right now, instead of wondering if this was appropriate, he was occupied with you.

"I'm sorry," you murmured, but you still hadn't stopped, tears falling out as you blinked. Composure was nothing now, you were sobbing, your shoulders slumped and your head hung as you sniffled. Still you enforced control, wiping away every tear that fell with the back of your hand. "I'm really sorry, I don't mean to cry to you over this, that's so-"

Steve cut you off, shaking his head slowly,

"It's okay to cry, doll. We all have those days. I know better than anyone that we all have those days."

You mustered a smile, feeling cared for, feeling accounted for by someone who wasn't even obligated to have to see you like this. Still you shook your head, sniffling,

"I know. But it's-it's stupid, I shouldn't be crying in front of you."

"I'm not judging you," Steve said, so nonchalantly and firmly, so genuine that it almost scared you.

You blinked. He should've cared, and he should've judged you. To cry in front of Steve, a customer, was to imply he had some duty to comfort you when he probably just wanted a show. You knew that you didn't have to do anything you didn't want to, but even you had rules when it came to what your customers got to see, and to you, that meant they didn't have to deal with your blues.

"Really?"

"Really," he reassured you with a nod.

Was Steve scared that by giving you this reassurance, this entire situation could become deeper than either of you could handle? Yes. But did he let himself shut down because of those pervasive thoughts that he might get himself into trouble? No. He didn't see you as a liability right now. Right now, even though the situation was certainly questionable (and this was something he had no doubt about. When emotions get into the mix, things could get tricky- he knew this), he saw you as someone who desperately needed someone to talk to. Maybe it wasn't smart of you to make him that someone, but regardless, he was, and who was Steve Rogers not to listen to a person in need?

You blinked away the last of your tears and swallowed hard. You were making this choice consciously, to tell Steve what had really gotten you to your breaking point. And maybe telling him meant you had trust in him, maybe too much trust for someone who, while great, was still a customer. But you felt like there was nothing you could lose from telling him. Maybe you'd even feel better after the fact.

You looked down, picking at the body glitter on your arm that you had applied before the show. Your voice was considerably quieter now perhaps because you were looking back on the moment with a clear mind for the first time since it happened. You hadn't been thinking straight ever since you received the text just hours ago. Now your brain was a little quieter with the help of your tears and Steve's reassurance.

"I think that the stress of this school project is making me resent how hard I work for everything, just to be met with this kind of result, you know? And it's even worse when... things seem to be going backwards. You know, like when you make so much progress, moving on from things that don't serve you, and you've finally done it and you get to flourish in it and then, it just gets taken away from you. Maybe I'm being dramatic, but that's just how this feels."

Steve nodded, his jaw ticking as he let your words settle in. Somehow, although your situation was so different from his, he felt like your words perfectly described how he felt with the world sometimes. It was even part of the reason he'd held off on talking to you like this, held off on getting too involved. He too had made so much progress in this world, which took so much getting adjusted to in a way that absolutely nobody else could relate to.

It was a world that he didn't even know, a world that he had never been properly introduced to. He'd had to fend for himself. He did his healing on his own, just like you had. And yet sometimes it felt like he had no control, like the universe was going the opposite way of all his plans. Then he felt stupid for even having plans to begin with, because in life, making plans was like comedy for the gods.

There was a weird feeling in his chest and stomach, like he'd been stabbed with a gutting realization, and the knife was just turning inside of him, churning his insides. He began to feel a sense of unease, because this deep conversation was beginning to feel incredibly personal. Even though you were talking about your own situation, he couldn't help but think about how much he resonated, and the fact that he felt like he could relate to you on such a deep level scared him. This was more than the conversations you'd had before, more than the simple similarities you and Steve shared. This felt like a conversation that might be too telling for his good and your own.

He swallowed his words as he listened to you continue. You chose your words carefully, but you had shed yourself of your inhibitions when it came to being truthful.

"Earlier... I heard from someone I hadn't heard from in a long time. And it kind of pushed me over the edge," out of your mouth stumbled a laugh. You were calmer now, and looked up at the camera, Steve swallowing hard when you did so. It was all so real, just like it was when you touched yourself and moaned Steve's name. "I think it just made me feel all those things I just explained. Because I feel like I worked so hard to rid myself of this person and them trying to come back just feels like all the things I worked so hard on are going to unravel. Even though I know they aren't, it feels like a setback. And that was like, the icing on the cake to this already terrible day, I guess."

You let out a breathy laugh and smiled gently, shaking your head slowly.

"I normally wouldn't be telling this to a customer. But here we are. Again, I'm sorry... I feel like I shouldn't have said anything? Should I... have said anything?"

In the brief silence that followed your question, both you and Steve were thinking the same thing - were you going to regret this? Intimacy both physically and emotionally was good when you capped it at what you both knew to be appropriate. When it came to the physical aspects, you each let your fantasies unwind.

And on the emotional aspect, though you had both grown closer and more open, some things just didn't get touched upon. But now you had just cried over the screen, and spoke from the depths of your heart. It was scary to open up in such an uncertain situation where your own privacy was an aspect that got involved. There was no doubt that it was too much. It was just a question of whether the result would be negative.

Steve sighed deeply, a crease forming in his forehead as he furrowed his brows together, folding his arms over his chest.

"I don't know..." he trailed off, took a breath, a leap, his body practically lurching forward. "But... it can't be a bad thing that you feel comfortable talking to me about this, can it?"

And there it was, that glint of hope he was trying his hardest to conceal. That feeling he got when he got off that call with you, the one where you both started giving into those unspoken thoughts. That this couldn't be so bad, that you could enjoy each other's company without worrying.

You smiled gently,

"I guess. It does feel weird though, it's not something I normally do. It feels like something I shouldn't be doing."

You could hear Steve breathing in deeply, and for a moment, you imagined what he might look like, envisioning the outline of a troubled face, eyebrows knit together. You snapped back to reality and made a face, confused by your abrupt thoughts. You had long gotten over the very brief desire to see Steve's face- why was it coming back again?

"I'll be honest, same here," Steve agreed with your sentiments.

"Do you always feel like you have to restrain what you say when you talk to people? Or is it just with me?" you added that last part in a quiet voice, biting your lip.

Steve chuckled briefly,

"Are you asking me if I have trust issues? Because I'd tell you, but I'd have to trust you to do that."

You shook your head and laughed at Steve's stupid joke, and shrugged.

"I could say the same thing, I think. This person I heard from earlier is... I developed those trust issues because of them. Or, my already existent trust issues became worse. But what's funny about it is that this person was once someone that I loved," even as the words were coming out you questioned why you were letting them, why you were allowing yourself to be so truthful in a situation like this at a time when you were so vulnerable.

Steve didn't reply, again feeling that sick feeling in his stomach that stemmed from his fear. The fear that this conversation were too serious, fear surrounding the fact that he was able to relate so much to such a personal situation of yours.

You spoke again, daring to ask the question that felt like a final blow to Steve's stomach,

"Have you ever been in love, Steve?"

Now Steve knew he was in uncharted territory. Not because he feared you might try to exploit him, but because he was so struck by the fact that he had allowed himself to feel so safe with you and get so close to you. He was surprised at himself for letting you feel safe enough to have these kinds of conversations with him. It all felt like a mistake now. He wanted a way out, any way out. He knew if he even attempted to answer that question, he would be making a big mistake. He had shared some of his most intimate moments with you, but always keeping in mind a very sharp line he didn't want to be crossed.

And in his mind, he thought of the one love he'd had, the one love that hadn't been fulfilled because of the situation he had been thrown into, one he had never signed up for. He thought of how the things he cared most for in life had been discarded, how, like you, he felt like it had gone to shit. How sometimes, though he tried his best to be grateful and had taken that journey of self-healing just like you, it all felt like some sick joke.

Could he even call it love? He wasn't sure. And he wasn't going to answer. He wasn't going to answer at all, because he wouldn't be talking to you again. There would be no chance for this dilemma to resurface, not with you, not on this site. He made the decision with haste and a heavy heart - he was done here.

The discomfort was well evident in his voice, answering loud and clear, though his voice was morose and a bit closed off. You sensed the shift immediately.

"I... I can't talk about that right now. Listen, I have to go."

You felt a pang in your chest at the sudden switch in his demeanor, straightening up and trying not to frown. All this time you had been letting the words spill out, telling yourself not to worry so much, reassuring yourself it was okay to make your feelings known. Now it felt like you should've never said anything at all. You started to stammer.

"Oh, I- I'm sorry, I didn't mean to pry, I was just... I feel like I got a little overwhelmed." You laughed nervously. "I didn't mean to scare you."

Steve felt his throat ran dry as he blinked, feeling emotions come up to surface that he wasn't quite familiar with. Maybe he was grieving in advance, regretting the decision he was making to no longer speak with you, regretting the fact that he was letting fear get in the way of what he wanted so badly to be a good thing.

"No, I'm sorry. I feel like I let things go too far," Steve apologized, but the apology felt more like an insult.

Was he implying that whatever this was, you couldn't handle it, and that it was his fault for somehow leading you on? You had both made the connection with each other, it was an equal effort. And why was he acting like the two of you communicating at all was somehow below him, somehow a risk? If anything, you were the one risking it just by talking to him the way you did. You were opening up to him.

You almost felt betrayed - you had convinced yourself that he wouldn't want to listen to your problems and you told yourself it wasn't his responsibility to listen. And then he listened anyway, told you that he wanted to hear it, and you cried to him. You felt like you had made so many unusual accommodations just for him to scare off like this. He was just another person you had expressed your feelings to, only to regret it in the end.

"Too far?" you questioned, furrowing your brows.

Steve swallowed. In your voice he could hear a hint of frustration, but even worse- hurt. It pained him more than he cared for you to know.

"I don't think we should talk anymore," he said instead.

"What?" you were taken by surprise. "Steve, I'm... I'm not understanding. I... I don't usually open up to people like this, I mean, I thought maybe it was fine here, because I feel like I know you. But you're still a stranger. I understand you're a customer but I thought we were talking, I thought we broke through that wall-"

"We did. And we shouldn't have," Steve said, his voice so calm and firm that it was almost cold.

By now you were just staring into the computer camera, as if you were looking at him and waiting for him to come to his senses. But as you did that, you slowly came to your own. Because you weren't looking at him. You were looking at a black screen with his voice behind it. You realized you hadn't known Steve, not enough to talk about these things. And just like him, you too were full of regret. You kept all those walls up for the sake of customer relations, only to put them down and be met with this disastrous result.

Steve almost couldn't bare to look at your face anymore. You were confused, hurt. He could tell you regretted the fact that you had opened up. He was hurt too, but he wouldn't show it, or let it overcome him to the point where your methods of communication with each other became something neither of you could control. Still, yes, he was hurt.

But he had been through plenty of hardships in life. What was one more, even if it shouldn't have come to this point anyway?

"I'm sorry, Moonrose. We can't. Goodbye."

Chat over.

#steve rogers #steve rogers imagine #steve rogers x reader #steve rogers reader insert #reader insert #smut #captain america civil war #captain america x reader #captain america imagine #captain america smut #captain america #girls on film #marvel #marvel imagine #marvel smut #marvel reader insert #steve rogers series #captain america series

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nellie-elizabeth · 3 years

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The Falcon and the Winter Soldier: Power Broker (1x03)

I think this is my least favorite of the three episodes thus far, but by no means did I think it was bad or unworthy of its place in the series.

Cons:

Honestly, the reason it wasn't quite as strong for me is... Sam Wilson felt like a side character. The first two episodes felt more or less evenly split between Sam and Bucky as the drivers of the action, the ones with the complicated emotional stakes. In this episode, Bucky was definitely the lead, and Sam definitely took a more supporting role. I guess, at the end of the day, I hope Sam gets an episode before the end that feels like his moment to shine.

I'm predictable in saying this, but the thing I care about the least so far is the actual plot. So the time we spend with Karli Morgenthau is not really inclined to hold my interest. Similarly, the stuff with John Walker isn't as gripping to me unless it's butting up against Sam and Bucky. Really, I want the focus to remain on those two and their relationship and the big questions they're facing moving in the world given their unique positions.

Seeing Sharon was great (more on that later) but I will say that she's a character who never really got to make a foothold in the movies, and here they gave her a personality that is basically similar to every other character's personality. Quippy, a little angry, a bad-ass. I'm just hoping we see enough of her in the remaining three episodes to really get to know her as an individual. Justice for Sharon Carter!

Pros:

The highlight for me is always going to be on the Bucky and Sam relationship, and I liked the subtle check-ins that Sam gives to Bucky throughout. Bucky is going into an extremely triggering and challenging place in order to find more information on the super serum, and Sam is well aware of that. Sam is so compassionate and thoughtful in the way he keeps checking up on Bucky. I also like the signs that Bucky's actually willing to stay calm and do what he can to interface safely with society. When Sam does these check-ins, Bucky doesn't brush him off or get even more angry, he accepts them in the spirit they were intended.

And of course there's that moment when Bucky asks Sam to trust him... oof, that really did a number of me. More intense staring and dramatic declarations of loyalty, please!

Great action in this one, very gritty and down to earth and not as fantastical and superhero-ish as the fights in the first two episodes. I liked the shootouts, the running around the shipping yard, all the tight, restrictive spaces. It made for some great tension. Also, Sharon is a total bad-ass and it was undeniably cool to see her taking down all those people outside while Bucky, Sam, and Zemo got what they needed from the scientist in the hidden lab.

And let's talk about Zemo, too. I was a little wary of him becoming a character here and I can't say he was my favorite part of the episode, but at the same time, he added this incredible tension and weight of history to every scene he was in. The minute he started saying code words to Bucky I got shivers. Not because I thought it would work, but just because... there's something so chilling about a zealot to an evil cause. And then later, making Bucky play the Winter Soldier as part of their cover... the second that music came in I was just dying with the tension and the banal evil of the whole situation.

Speaking of banal evil... well, maybe that's too strong, but John Walker sure is a weird character. I kind of like that they're playing the middle with him, so you can't be comfortable saying he's the scum of the earth and I want to see Sam and Bucky beat him up... but also yeah, I kinda want to see Sam and Bucky beat him up. There's that moment when he says "do you know who I am?!" and you can see that the title and all of his many accomplishments and accolades have gone to his head. Can you picture Steve ever saying that? No, no you cannot. He wouldn't.

But we shouldn't put Steve on a pedestal, as this episode reminds us. I continue to be impressed with the complexity of the argument around the shield and what it represents. Sam talking about destroying it makes sense to me, as does Bucky saying he wants to take it from John and protect it. Does Bucky think he should take up the mantle? No, I don't really think so. But that shield means a hell of a lot to him, and he's not in a good place thinking of the way it's being used currently.

One last shoutout Sharon Carter. I like that she's pissed off, I like that she doesn't really pull back on being pissed off, even as she agrees to help. I can't really tell where her character is going to go for the remainder of the series, but I'm excited to find out!

That ending, though... I'm really hyped about whatever comes next. This whole TV show is like Captain America: The Winter Soldier & Civil War: The Consequences, and I am entirely about that.

8/10

#review #fatws #fatws review #the falcon and the winter soldier #the falcon and the winter soldier review #falcon and the winter soldier #falcon and the winter soldier review

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sebastbu · 4 years

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My Top 40 Movies of the Decade

***just my opinion***this list is not set in stone either***

1. 12 Years A Slave (2013)

What Steve McQueen has managed to do with this movie in nothing short of the best thing art is capable of. He takes the horror of humanity and turns it into a heart shattering tale of the best of humanity. A film that could have sunk easily among the brutality it contains, instead soars with Solomon’s survival. It is one of the most life-affirming, uplifting works of art I’ve ever seen. It makes you cry, it makes you shout, it makes you cheer, it makes you breathless. In short, all the things movies are best at. Not just a definitive movie, but a definitive work of art.

2. The Act of Killing (2012)

This has my vote for the best documentary film of all time. What begins as a transfixing profile of the mass murders responsible for the 1965 Indonesian genocide quickly transforms into a Brechtian nightmare as director Joshua Oppenheimer somehow convinces these men to stage scenes for a fake movie reenacting their crimes. As the film progresses you can hardly believe what you’re witnessing. Horrifying, yet you can’t look away. Oppenheimer holds your attention for every second. What’s captured for film here is truly unique, ground-breaking, soul shaking. A statement about the banality of evil as profound as Ardent’s essays.

3. The Tree of Life (2011)

Malick has reached his final form here. An organic art form, pure cinema, visual poetry, whatever you want to call it. Nothing but a movie could be this. The images he crafts here are as close to a religious experience as I’ve ever had watching a movie, and probably ever will. In exploring childhood memories, Malick’s style perfectly matches his subject manner. He use of ellipsis and fluidity mirrors the way memories flash through our heads. It is as if we are witnessing memory directly, unfiltered. This movie will move you in ways you didn’t know a movie could.

4. The Social Network (2010)

That Facebook movie? Hell yeah that facebook movie. What Fincher and Sorkin have managed to do is take what could be a standard biopic, or dull tech movie, and made it into an epic tale of betrayal, greed, friendship, coming of age, and identity. Ross and Reznor’s score pulses, as does the dialogue. This movie starts the instant you press play and it doesn’t let you catch your breath for one second until the very end. Endlessly quotable, perfected acted. A masterclass.

5. The Grand Budapest Hotel (2014)

What can I say about this movie? Every shot is perfect. Every joke, beat, pan, zoom. Well, I guess I’ll say this. This movie disarms with its charm, its facade. But at its heart is a wrenching tale of loss, nostalgia, and the fleeting nature of everything, especially those we love. A jewel of a film. Anderson makes sure you’re cozy and then pulls the rug out from under you, and suddenly you’re crying.

6. The Master (2012)

Career best performances from Joaquin Phoenix and Phillip Seymour Hoffman. Lushly shot. Greenwood delivers another ground breaking score. PTA has made an aimless film about aimless characters that nevertheless is riveting. At the end, you may not know exactly how far you’ve progressed, but you’re sure glad you went on the journey.

7. Drive (2011)

This is not an action movie. It’s a love story. The now famous dream pop soundtrack. Ryan Gosling doing so much with so little. Refn’s breathtaking cinematography. Diluted dreams. Crushed hopes. Silent gazes, filled with more emotion than dialogue could ever render.

8. The Revenant (2015)

An achievement of pure cinematic insanity. I still have no idea how they got some of these shots. A brutal, thrilling story of survival among nature’s cruelty. Inarritu’s camera is like magic in this film, uncovering the previously thought not possible.

9. La La Land (2016)

A reinvention of a genre that somehow manages to have its cake and eat it too: a nostalgia trip that also subverts expectations. Right up there next to Singin’ in the Rain, in my book at least. How on earth was that only Chazelle’s second ever movie?

10. The Lighthouse (2019)

TELL ME YE FOND O ME LOBSTER! WHYD YA SPILL YOUR BEANS? IF I HAD A STEAK ID FUCK IT. That about sums it up.

11. Parasite (2019)

Bong Joon Ho has made a beautifully twisted psychological thriller that is also hilarious, touching, and a lasting commentary on class and social mobility.

12. The Florida Project (2017)

Baker’s approach of setting this story from the viewpoint of children makes it a glorious romp through a world of innocence as well as tragedy, and also makes it all the more emotionally impactful.

13. Inside Llewyn Davis (2013)

It’s all about the cat. Alongside the Coen’s mastery of dialogue and the side character, as well as the beautiful folk music, this film acts as a deeply moving portrayal of depression, and how sometimes we are our own worst enemy.

14. Moonlight (2016)

Expertly crafted. Expertly acted. Expertly shot. A gorgeously rendered coming of age story. I’m not really the person who should speak of its importance. I’ll just say: it is. Very. A movie that will stun you.

15. Mad Max: Fury Road (2015)

Practical! Effects! Yeah, that really is Tom Hardy swinging fifty feet off the ground on a pole as explosions go off behind him. A feminist, post-apocalypse, road trip movie brought to you by the director of Happy Feet and Babe 2. What more could you want?

16. Moonrise Kingdom (2012)

A wonderful celebration of childhood and of fantasy. Anderson crafts a world you want to return to again and again. Anyone else get jump scared when they realized Lucas Hedges was in this???

17. Arrival (2016)

I love Denis Villeneuve’s films for so many reasons. The most important I think is that he balances entertainment and artistic depth so well. Like all great scifi Arrival is not really about aliens, it’s about us.

18. Inception (2010)

A film that runs on all cyclinders. Smart, funny, jaw dropping, just plain fun. Nolan manages to build some surprisingly moving moments as well.

19. Gone Girl (2014)

Ah Fincher and his twists. Rosemund Pike at the top of her game. Ross and Reznor return with another gripping score. Around the narrative, Fincher creates a fascinating portrayal of the media and marriage, one with endless twists and turns. You never quite know where it’s headed.

20. Sicario (2015)

A second thing I love about Dennis Villeneuve: he does point of view characters better than anyone else.

21. Enemy (2014)

A third thing I love about Dennis Villeneuve: he plays with genre and narrative structure unlike anyone else working right now.

22. Incendies (2010)

A fourth thing I love about Denis Villeneuve: he’s given us some of the best female lead characters this decade.

23. Blade Runner 2049 (2017)

A fifth thing I love about Denis Villeneuve: he somehow managed make a Blade Runner sequel work. Here’s hoping for Dune.

24. The Look of Silence (2014)

The companion film of The Act of Killing. Oppenheimer does it again, this time focusing more on the victims of the genocide. Groundbreaking cinema.

25. Shame (2011)

Slow clap for Michael Fassbender. Slow clap for Carey Mulligan. Slow clap for Steven Mcqueen.

26. Hereditary (2018)

Using horror to examine mental illness and family trauma. Aster has made a new classic of genre, taking it to new heights.

27. Under The Skin (2014)

How to make a movie about an alien descended onto earth in order to capture men and engulf them in her weird black room of goo? Make a very alienation movie. Chilling. Otherworldly. Haunting.

28. Son of Saul (2015)

In making any holocaust film there’s always the risk of feeling exploitative. Nemes’s radical camera work, focusing almost entirely on the main character’s face in close up leaves this concern in the dust. The horrors enter only at the corners of the frame, while humanity is firmly centered the whole time. An important film everyone should see.

29. Whiplash (2014)

As visceral and heart pounding as the solos performed, the film as a whole is a perfectly made portrait of a obsession.

30. Amour (2012)

Haneke takes his unforgiving approach and lays bare a topic with incredible emotional depth. The result is deeply moving without ever being sentimental. I’m hard pressed to find another film about old age that is this poignant.

31. Birdman (2014)

A whirlwind of a film. A high wire act. The long takes turn it into something more akin to a play. A pretty damn good one at that.

32. Once Upon A Time In Anatolia (2011)

What’s Chekhov doing in the 21st Century? He’s in Turkey. He name is Nuri Ceylan.

33. The Favourite (2018)

Lanthimos turns down his style and turns up his humor. The result is the best of both worlds: a dark, twisted tale of power and a hilarious parody of monarchy and British costume drama.

34. Phantom Thread (2018)

PTA delivers again. What could easily have been another tired tale of the obsessive artist and the woman behind him is instead a fairy tale-ish ensnaring of two people’s ineffable pull towards each other.

35. A Hidden Life (2019)

Still fresh in my mind. Malick’s late style is given the backbone it needed in the form of a relevant tale of resistance and struggle. A meditative, prayer-like film about the power of belief.

36. Prisoners (2013)

A sixth thing I love about Denis Villeneuve: his movies have layers, but only if you look. Otherwise, the ride is pretty great as well.

37. Manchester By The Sea (2016)

A masterclass in doing less with more.

38. Foxcatcher (2014)

Bennett Miller does biopics unlike anyone else. That is to say, maybe better than anyone else working today.

39. The Witch (2015)

Eggers’s first foray into historical New England horror. A chilling commentary on the evils of puritanism.

40. The Kid With A Bike (2011)

The Dardenne brothers managed to make a gut-wrenching tale of childhood, masculinity, abandonment, the power of empathy, belonging, and redemption in 84 minutes. Here’s a suggestion. Watch this movie. Then watch it again. A better use of the same amount of time it takes to sit through The Irishman. Oh wait, no you still have 30 minutes left over.

#movies #top10 #decade list #movies list #2010s cinema

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schizo-spoon-blog · 4 years

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Spoonbender Society: Selected Schizoepistles

FW: FW: FW: FW: FW: RE: RE: RE: RE: RE:

We Live In A Society

People say we live in a democracy/democratic republic, a form of government intended to amplify what people think and address problems they find to be important. But it doesn’t ever seem to function that way.

The issue is in voter suppression, but as always not in the way people generally think voter suppression works. The issue is psychic, spiritual, and social suppression of citizens. Systemic over-development of senses of rationalization, neuroticism and anxiety, industrially incentivized narcissism.

People develop a deathly fear of what others think, or may think, or what they may have thought about them or what they think, what they may think, or what they may have thought.

A democracy where we’d rather not hear what other people have to say, because we find their thoughts offensive and retarded. That’s one thing people are happy to share. But because we suspect that there are so many offensive retards in the world, we fear... "Perhaps I’m a retard too?" You wonder that even for just a second in your life, if you have a soul. It’s OK to be a retard really, but you’ll never believe that it’s OK, and that's probably What Your Fucking Problem Is.

The opinions of us purported non-retards, to avoid sounding like complete retards, end up soft, ambivalent and stale, phrased like True Neutral Orgasm in Ego-Death Nirvana, but less Chad, less gratifying, and nobody cums. To not be reminded of the possibility of our own retardation, we like to pretend that if the retards just shut up and nobody can hear them, they go away. If they are Physically Removed from our presence, their evil thoughts and their malicious intentions will go away with them. We win. But they don’t. They never do.

We always fail to Psychically Remove them. We lose.

We can hypothesize a law of conservation of hatred, correlate one too of love, but the truth is banal. How can it be in light of our timeline? Why are these Hate Groups all over the place? Hitler’s corpse is rotting or burned to a crisp, or embalmed in a tomb or made a toilet for Some Rich Dude ((parenthetical removed)). (Or was he cloned?)

Great Fatherland Germany - defeated by the "untermensch" and partitioned like a cheese between rats. That Great "Faustian" and "Supreme" "Aryan" Race is subjugated by the hated "Juden" and all the "vermin" of the world, humiliated, castrated to be reunited a shadow of its former self. Yet the Nazi threat is omnipresent nearly a century later, in an era which may be an alien planet to those who lived in Hitler’s time.

How is it that the Great Allies, our fathers and grandfathers, achieved such total victory over so loathsome a foe, so unsympathetic and vile, only to see his Evil infect their own countrymen and posterity? How can something so thoroughly defeated still persist in what could be our neighbors or our co-workers our bosses or our employees? Each one could be a secret Nazi now. In parenting blogs moms worry that their children are becoming Nazis from goofy men they see in videos on line. Marriages are ending in divorce because the husband or wife is allegedly or apparently a Nazi. How could this happen?

Have you ever seen “The Matrix? Who hasn’t? You know all about the red and blue pills, and all the rainbow-flag DLC that it comes with, black and pink and green and brown and in configurations invisible to the human eye, I’m sure. If you don't know, the pills are portals to different realities. Take the black pill and you only see death, take the white pill and everything’s alright, take the blue pill you vote for Hillary, take the pink you become genderqueer. But this is not about taking any pills. This is about going off your meds. Going straight edge - except for whiskey, cigarettes, cocaine and pussy. It’s about the spoon - no, not for shooting up. It's for bending - with your mind. Remember? That spoon - The Spoon That Isn’t There.

That spoon is a Nazi.

If you are aware that there is no spoon you can tie it into knots. You can make it into a balloon animal. That Nazi Spoon could be a Jewish Socialist from Vermont, or a kosher Brooklyn Zionist, or a Dominican Taxi Driver. It could be an evil copy of your own son from Bizzaro World. It's probably your uncle. It could be Rottweilers, and Chihuahuas. Whether Pitbulls are Nazis or Jews/Blacks is an ongoing debate in the contemporary discourse.

But imaginary shit can be whatever the hell you want. You don’t have to be "The One" to Bend the Spoon. You don’t have to be anyone at all. What was the name of the kid who said the line about the spoon again? Nobody knows, nobody cares, and that's the beauty of Spoonbending.

"The Nazi" is the guy who keeps talking when he should shut up. He might be autistic, but he could just be an asshole. There is a strong possibility he could be both. Why does he keep saying all of this ridiculous stuff? He’s more offensive and more retarded than the usual, but it feels like He Has To Be This Way. Like it’s his curse, He Knows Too Much. He fell down some rabbit hole and ended up gorged on Fascist Propaganda. He mentions some girl named Celine. He rambles on about some guy you’re pretty sure is a Tekken character... the guy who turns into the Devil maybe. He mentions a vacation in Turkey with his family but insists on saying Constantinople and there’s a wild-man tear in his eye. He insists he knows about Atlantis and calls you gay for saying you liked Aquaman. Instead of saying goodbye he says “Subscribe to Pewdiepie.” The Nazi belongs in an institution. You wonder if he has guns and if maybe he should have them taken for a while. He probably doesn’t, but you can’t be sure. He’s 12.

When is it too early to become a school shooter? Is 12 too early to be an incel?

12 is probably the age at which incels hatch from their human hosts.

“Who is Pewdiepie, and how has he groomed my nephew into the Hitler Youth?” many families today are asking. They think they’re looking at a spoon. Conditoning fills your heart with a desperate desire to see the spoon. A fact, pure fact, logical, reasonable, peer reviewed, widely accepted, So True, a Textbook Fact. The spoon. Everyone else sees it too. That goddamn Nazi Spoon.

You ever try to ask this at a party as an ice-breaker and see how the guests react?

“So, anyway, was The Holocaust Real?”

“Excuse me, what?”

“What do you think, was it real, how many people do you think died, don’t the gas chambers sound goofy to you?”

”Um… no… they don’t sound goofy. What are you talking about?”

“You ever hear about the Nazi Roller-coaster they had at one of the camps? They’d put Jews into a roller-coaster except they’d fly off the edge and get splattered. That’s how the Nazis killed ‘em. I swear. I read it in a book by a Holocaust Survivor. Impossible to believe if it weren’t so True. No shit. You hear about that?”

”I’m… gonna get another beer.”

Of course there’s a Correct answer to that initial question. It’s also the Right answer. Who would ever get this wrong? It's the 2+2=X of History. Well…

Pop-Quiz, Random Nazi Check, Anybody here Hate Jews? You a Groyper, Son? What’s so funny? You think the Cookie Monster committing genocide is a laughing matter boy? We don’t take kindly to your kind around here.

Maybe you should give the Nazi-check thing a try, it’ll separate sheep and goat real easy for you.

If you do this everyone will think you are The Nazi.

The Nazis hated Jews, but did they hate real Jews as Jews exist, or did they hate the Fascist Propaganda Jew who was a work of fiction? On that note, were you in love with your last failed relationship, or just pretending you were? Have you ever had one impression of a person, but then learned they were another kind of person entirely? That first impression you had, the one that wasn’t True, was that a Real Person, or Imaginary? But you still spent all that money and sweat on an imaginary girl, huh?

Hope her hole was real.

I think that fake bitch of an ex you dated was a nazi. Your ex was a fascist. Oh, was she Jewish? It doesn’t matter, changes nothing. I’ve never met her - wouldn't matter if I did. When I imagine her, she's in Hugo Boss black and got skull-and-bones on her officer's cap, and she's saying racial slurs as she ruins your life, cheats on you, drains your bank account and kills your dog after getting custody over it in court. I imagine all bad people this way. All women who rejected me were exactly like this.

But I must breach working-class anti-fascist solidarity, and admit, on That Question ("Would you?").... Yeah, I would. Sorry bro. Take me away Comrades, I admit it, I'd give it to that Nazi Jew raw. Would I do that to her as she exists, or the Fascist Propaganda her who is a work of fiction?

That depends. You still got her number?

haha it's ok you can call me an incel, it's a step up from what i actually am

(User was banned for this post.)

The Nazi and the Fascist aren’t my hallucinations. That’s not my mental illness. But it’s adjacent to me, it’s thrown at me without my Consent, and it's a Trigger. I'm paranoid about commies myself.

In the multicultural cyberpunk year of 2019, with its trans-human gender-sex-orientations, anti-racist ethno-narcissism, fanatic anti-normalism, cultish critical theory intersections, grand byzantine minimalism, placidity, in such splendid predatory banality… In the absolute state of the world! – Aah! An undead ideology conceived by a salty Frenchman in the badlands of South Dakota in the 1890s shambles forth the devour all that is Good and Holy in the Great United States of AmeriKKKa, God Help Us All! And A Child Will Lead Those Dreadful Legions of Corruption Upon All The Meek Of Our Fallen World!

Or it’s just a spoon that isn’t real.

Nobody wants to be straight-forward, and I gotta navigate the labyrinths of euphemism. Maybe there's something weird going on - how people talk, how people act, how people think, none of those correlate to each other. It makes you feel schizo when you do all your mental rain-man calculus and realize there's a fucking Elephant in the living room and he's not wearing any goddamn pants. Once that little ray-of-sunshine blesses your tiny bug-man brain to enlighten you that the elephant is real, and the spoon isn't, it's only a matter of time before you're crowned in tinfoil a Potato King on your off-grid Bug-out estate in the Idaho Panhandle, or start drinking yourself to death and bullying mailmen (or both).

If you'd like to avoid that sort of Elephant-Mania Spoon-denialism, maybe you should try answering Uncomfortable Question instead of being so Weird about it, oh wise Mr. Kirk, Mr. Shapiro, Mr. Talking-Head, Mr. Important-Guy, Mr. Movement, Mr. Politics, Mr. Voice of Reason, Mr. Metatron. Take it from a schizo-maniac with a manifesto, you’re freaking out the hoes.

Try Praeger U talking points out on a Tinder date and watch her shrivel up from instathot to instahag -- she will go through menopause before your very eyes, that's how dry her pussy will get. Trying not to sound racist while talking about the Antarctic Nazi base and the importance of craniometry in ethnocultural anthropology will get you more action than anything that sounds like a paraphrase of Charlie Kirk -- because even if you're still being cringe at least you aren't being fake. Point and laugh at that fucking elephant - the moron isn't even wearing pants! That'll get her thinking about taking your pants off. Or not - it's not foolproof. If she doesn't laugh, red-flag, she's a Nazi so Begone Thot!

Please, for the love of God, go off-script! See the damn elephant and forget the spoon, and forget the wise Mr. Kirk, Mr. Shapiro, Mr. Talking-Head, Mr. Important-Guy, Mr. Movement, Mr. Politics, Mr. Voice of Reason, Mr. Metatron. Take it from a schizo-maniac with a manifesto, you'll go insane if you don't.

[. . . ] [T]hen there's that neuroticism, that narcissism, that fear. The whole point of these politics groups and gatherings and Q&As is what, anyway? Is it really just basic marketing tactics, like a live-action advertisement you expect for people to passively consume as though it is persuasive? To shove free-markets and free-speeches down my throat and have me swallow it without having anything that’s been bothering me answered? What do I look like to you, an Ideology Whore? You don't even reciprocate a good time, huh? I'm not that kind of girl. You didn't even buy me dinner. You made me pay to bore me. I'd cuck you if we dated just to make a very important point -- fully aware it'll go over your head. Fuck you.

We gotta hear The Script. We gotta recite The Script.

Real Conservatives Think Like This. Real Progressives Think Like This. White People Walk Like This. Black People Walk Like This.

Gotta hear that joke ten thousand times so you can recite it like a mantra in your sleep.

Free markets mean free people. Facts don’t care about your feelings. Private Companies can do what they wish. What you do in your bedroom is your own business. We want legal immigration, not illegal.

Abolish ICE. Your childhood hero says Trans-Rights. Do you not want me in the movement? Abolish whiteness.

The Racism of Lowered Expectations.

Reparations.

A white nation.

Workers of the world unite!

Abortion is a human right.

Have you got it memorized?

Let’s go over it a few more times.

Say it with me! Hillary was found innocent in a hundred hearings and it is sexist to besmirch her reputation.

Repeat after me! Trump’s economy is the best in history, and if he's racist why is black unemployment is at historical lows.

You benefit from unearned privilege. You suffer from toxic masculinity.

The world is about to end and everything you know and love will die, and it is your fault, for not believing in the correct things at the correct time.

Are you laughing yet?

I’m dying. I feel like an e-girl, and my orbiters are sides.

But do you wanna know what I really think? The whole bit about psychic and social suppression? You ever hear about the Procrustean bed? Well, what if we put your political, social, moral consciousness and your psychic abilitys into a bed like that. We could talk about it. You ever play Xenogears?

Or you could just put me in a box. I really wouldn't mind. I'm Houdini. Hey, was Houdini a Nazi, like Henry Ford? Can we get a fact-check? I didn't mean to be problematic.

Break the Conditoning - Step outside the box, and use it as a step ladder. Ascend, Beyond the Box - use The Spoon.

Bush did 9/11, the Israeli’s danced, the Aliens killed JFK - sure - but I only say this because of my MK Ultra Schizo-brain. It’s true, it’s false, it’s fact, it’s myth, I don’t have to believe any of it -- I also don't have to believe any of you if I don’t want to. My feelings do not care about your facts, and did you know that some of the world's most uncomfortable facts are manifested into being by uncomfortable feelings? Is it the fact of the bullet that kills the political dissident, or the feelings of his executioner? Is it the deranged lust of the rapist that violates his victim, or the fact of his power to do so? I guess it depends on whether the perpetrator said "nothing personnel kid" before he committed the act. I don't know about that Nazi Rapist's feelings, but MY feelings are valid and I can believe or disbelieve whatever I want on the basis of my feelings, and my feelings alone. My feelings bend the spoon of your facts.

Are you going to say I don’t have the right, Adolf? Sucks for you, bud, I may be a commie by blood, but the heart that pumps it was assembled in the ole USA -- and we got the Right to be a Retard here in America. It's a Free Country.

[Note: please insert image of Jonathan Frakes from Beyond Belief: Fact or Fiction]

Now that the dust has settled: Was the Nazi Roller-Coaster Real? Or did we put the Truth in a Mass-Grave? We will let you know at the conclusion of our program.

Sincerely and Full of Suffering Your Friend Always, Orcbrand

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liliesofpur-i-ty · 6 years

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Anne Boyer, “No,” from A Handbook of Disappointed Fate

History is full of people who just didn’t. They said no thank you, turned away, escaped to the desert, lived in barrels, burned down their own houses, killed their rapists, pushed away dinner, meditated into the light. Even babies refuse, and the elderly also. Animals refuse: at the zoo they gaze through Plexiglas, fling feces at human faces. Classes refuse. The poor throw their lives onto barricades, and workers slow the line. Enslaved people have always refused, poisoning the feasts and aborting the embryos, and the diligent, flamboyant jaywalkers assert themselves against traffic as the first and foremost visible daily lesson in just not.

Saying nothing is a preliminary method of no. To practice unspeaking is to practice being unbending, more so in a crowd. Cicero wrote cum tacent, clamant —“in silence they clamor”—and he was right: never mistake silence for agreement. Silence is as often conspiracy as it is consent. A room of otherwise lively people saying nothing, staring at a figure of authority, is silence as the inchoate of a now-initiated we won’t.

Sometimes our refusal is in our staying put. We perfect the loiter before we perfect the hustle. Like every toddler, each of us once let all adult commotion move around our small bodies as we inspected clover or floor tile. As teens we loitered, too, required Security to dislodge us, like how once in a country full of freely roaming dogs, I saw the primary occupation of the police was to try to keep the dogs out of the public fountains, and as the cops had moved the dogs from the fountains, a new group of dogs had moved in. This was just like being a teenager at the mall.

Some days my only certain we is this certain we that didn’t, that wouldn’t, whose bodies or spirits wouldn’t go along. That we slowed, stood around, blocked the way, kept a stone face when the others were complicit and smiling. And still we ghost, and no-show, and in the enigma of refusal, we find that we endogenously produce our own incapacity to even try, grow sick and depressed and motionless under all the merciless and circulatory conditions of all the capitalist yes and just can’t, even if we thought we really wanted to. This is as if a river, who saw the scale of the levees, decided that rather than try to exceed them, it would outwit them by drying up.

While it is true that refusal is a partner to death—I think it was Mary McCarthy who said even a gun to the head is merely an invitation—death is also a partner to refusal, as in often not the best option, but an option nonetheless. Death as refusal requires as its material only life, which if rendered cheap enough by the conditions that inspire the refusal, can become precious again when selectively and heroically deployed as a no.

Poetry is sometimes a no. Its relative silence is the negative’s underhanded form of singing. Its flights into a wide-ranged interior are, in the world of fervid external motion, sometimes a method of standing still. Poetry is semi-popular with teenagers and revolutionaries and good at going against, saying whatever is the opposite of something else, providing nonsense for sense and sense despite the world’s alarming nonsense. Of all the poems of no, Venezuelan poet Miguel James’s Against the Police, as translated by Guillermo Parra, refuses the most elegantly:

AGAINST THE POLICE My entire Oeuvre is against the police If I write a Love poem it’s against the police And if I sing the nakedness of bodies I sing against the police And if I make this Earth a metaphor I make a metaphor against the police If I speak wildly in my poems I speak against the police And if I manage to create a poem it’s against the police I haven’t written a single word, a verse, a stanza that isn’t against the police All my prose is against the police My entire Oeuvre Including this poem My whole Oeuvre Is against the police

Poets have famously enstatuated themselves among hermits and saints as an expert-class of refusers. Emily Dickinson, Gwendolyn Brooks, George Oppen, Amiri Baraka stand in that pantheon of “not this,” those who sometimes wore their laurels like a crown of thorns. The pantheon of those who won’t is the best church poetry has to offer. It’s a temple perfumed with the incense of sacrificed literary reputation, littered with bankruptcy notices for cynical cultural capital, warmed by the greater fire of the intrinsic, populated by the most famous and the most anon. In it, you will find no poetry in the shape of a cowardly maybe, or fluorescent yes, or cloying, collaborating, reactionary, status-loving, and desperately eager whatever-they-say-I’ll-do.

I like no. It’s sidewise to a reverse mantra (om). It’s stealthy, portable, and unslouching. It presides over the logic of my art, and even when it is uttered erringly there is something admirable in its articulation. But even the greatest refusalists of the poets might be somewhat ironic deployers of that refusal, for what is refused often amplifies what is not. The no of a poet is so often a yes in the carapace of no. The no of a poet is sometimes but rarely a no to a poem itself, but more usually a no to all dismal aggregations and landscapes outside of the poem. It’s a no to chemical banalities and wars, a no to employment and legalisms, a no to the wretched arrangements of history and the greed-laminated earth.

Sometimes poetry enacts its refusal in its formal strategies, and of these formal strategies of refusal, among the simplest is the poetic technique called “turning the world upside down.” This Walt Whitman poem, called “Transpositions,” depends upon reversal as enacted refusal:

Let the reformers descend from the stands where they are forever bawling—let an idiot or insane person appear on each of the stands; Let the judges and criminals be transposed—let the prison keepers be put in prison—let those that were prisoners take the keys; Let them that distrust birth and death lead the rest.

“Transpositions” inverts social classes so that the structure which enforces the existence of those social classes is exposed as unworkable. Whitman’s poem is generous and ongoing in that anyone reading this could practice the same mode of refusal, write some transpositions, too. Here’s how: take what is, and turn it upside down. Or take what is and make it what isn’t. Or take what isn’t and make it what is. Or take what is and shake it until change falls out of its pockets. Or take any hierarchy and plug the constituents of its bottom into the categories of its top. Or take any number of hierarchies and mix up their parts.

In Bertolt Brecht’s 1935 essay, “Writing the Truth: The Five Difficulties,” there’s a fragment of an ancient Egyptian poem of reversal:

So it is: the nobles lament and the servants rejoice. Every city says: Let us drive the strong from out of our midst. The offices are broken open and the documents removed. The slaves are becoming masters.

So it is: the son of a well-born man can no longer be recognized. The mistress’s child becomes her slave girl’s son.

So it is: The burghers have been bound to the millstones. Those who never saw the day have gone out into the light.

So it is: The ebony poor boxes are being broken up; the noble sesban wood is cut up into beds. Behold, the capital city has collapsed in an hour. Behold, the poor of the land have become rich.

Brecht writes about the poem, “It is significant that this is the description of a kind of disorder that must seem very desirable to the oppressed. And yet the poet’s intention is not transparent.” Through reversal, the poem spares itself from the political perils of a direct call for upending the world while through imagining it, makes the impossible slightly less so. Now that the unfamiliar order has been given a cognitive rehearsal in the safety of a poem, it doesn’t seem quite as unlikely that the capital city could collapse in an hour or the poor of the land could become rich. But more than a cognitive rehearsal, that city’s collapse also gets a social one: it has not only been staged in one person’s mind, it has also been shared, and in its sharing, the desires of the poem step—as the fulfillment of these desires require their own social requirement of collective effort—toward an enactment.

Refusal, which is only sometimes a kind of poetry, does not have to be limited to poetry, and turning the world upside down, which is often a kind of poetry, doesn’t have to be limited to words. Words are useful for upending the world in that they are cheap, ordinary, portable, and generous, and they don’t mess us up too badly if we use them wrong, not like matches or machetes, but poetry is made up of ideas and figurations and tropes and syntaxes as much as it is made up of words. We can make a poetry without language because language as the rehearsal material of poetry has made the way for another poetry, that of objects, actions, environments and their arrangement. This is not saying to be a poet means you can only rehearse turning over the world: now try putting the chair on your head.

Transpositions and upendings, at least for a minute, refuse and then reorder the world. So, too, poetry manages a transposition of vocabulary: a refusalist poet’s “against” is an agile and capacious “for,” expanding the negative to genius and the opposite of to unforeseen collapses and inclusions. These words mean something else, or as the British poet Sean Bonney writes:

Our word for Satan is not their word for Satan. Our word for Evil is not their word for Evil. Our word for Death is not their word for Death.

There is a lot of room for a meaning inside a “no” spoken in the tremendous logic of a refused order of the world. Poetry’s no can protect a potential yes—or more precisely, poetry’s no is the one that can protect the hell yeah, or every hell yeah’s variations. In this way, every poem against the police is also and always a guardian of love for the world.

#anne boyer #cicero #miguel james #walt whitman #bertolt brecht #sean bonney #a handbook of disappointed fate

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literarygoon · 6 years

Photo

So,

I’ve decided to publish another story from my manuscript.

This one’s called “Post-funeral”, and the main character is named Joel Bishop. He’s a friend of my main characters Paisley Troutman and Neil Solomon, and in this story his older brother has just committed suicide after running for political office in Garibaldi. It’s the 10th story in Whatever you’re on, I want some.

It’s raw.

The Literary Goon

Post-funeral

by Will Johnson

FIRST WE swallowed bitter shards of MDMA, spent hours slip-sliding over each other’s bodies giddy and feverish. I’d been staying at my brother’s mansion with my ex-girlfriend Kylie, up in Garibaldi, for nearly two weeks. We wandered the streets shirtless, dove into foggy backyard pools that didn’t belong to us. We did blow off the toilet tank. We sipped mushroom tea, pinkies erect, then watched Jurassic Park while we waited, dopily dragging on cigarettes and ashing on the freshly installed carpet. We smoked salvia and hash, hot-knifed thumb smudges of tar-black ooze. We were doing okay, food-wise: salmon steaks, cheese-drowned Tostitos, frozen blueberries. We drank Black Label and Bailey’s-infused coffee. Some days we binged on Chinese food and pizza; more often we wandered the linoleum barefoot and mind-fucked, sniffling and twitching, having forgotten what hunger feels like.

And whenever we got bored we circled the neighbourhood spearing my brother’s campaign signs onto unsuspecting people’s lawns, just to fuck with them. Vote for Joshua Bishop, indeed.

One night Kylie fled. I careened along shadowed boulevards in my brother’s minivan just after 3 a.m., wearing sweatpants and a pair of Santa Claus slippers, chain-smoking cigarettes to keep my headspace level. The night dew-misted my forearm hair from the open window. When my headlights slashed across a lawn three blocks over I glimpsed Kylie under an expansive, shadowed oak with thick, threatening arms. She was curled fetal, wearing red bikini bottoms, dollar store flip flops and my Garibaldi Elementary GRAD OF 2004 hoodie. As I lugged her limply off the grass a dog-walker in a peacoat paused on the sidewalk.

“She had a little too much to drink,” I explained. “We’re all good here.”

“And who are you to her, exactly?” he asked, cell phone palmed. “It looks like she needs some assistance.”

“We’re fine, honestly. I’m just taking her home.”

“I don’t know if that’s the best idea.”

Kylie moaned in my arms as I lift-shoved her into the passenger seat. Her legs slackly dangled towards the concrete as I gathered up her feet and slammed the door shut behind her. Peacoat man flapped his arms, distressed and honking.

“If you fuck with me,” I said. “I’ll kill your little dog and drink its blood.”

I don’t remember what he said after that, but I do remember the electric surge of hatred that blood-dumped through my veins. This man’s banal existence, his uncomplicated morality, the look of fearful revulsion on his face—all of these offended some feral version of myself I’d unleashed during those weeks. I battered my chest, squeezing out wild tears, and roared in his face until he retreated with his little dog yipping.

Kylie wore a thick-padded bra with metal crescents scooping under each fleshy handful. She whined as I undressed her, paranoid of the oil-like substance pooling on the walls and overflowing into the living room ceiling. I worked my fingers under each goose-pimpled boob, inhaled her chest glister. Kylie wasn’t mine exclusively, but our experiences were our own. I took her earlobe in my mouth, her weight supported in my arms, and worked it with my tongue like a soother. We’d tired of our porn-inspired routines and were finding creative ways to exploit each other’s bodies lazily, gluttonously. A tweaked nipple on mushrooms is like a chest-explosion, while a firmly gripped dick on acid can change your life. Cheek to arm pit, sole to shin, elbow to pelvic bone, we chest-banged and hugged, childlike, in the trenches of our sweat-soiled blankets.

Then we slept.

Sometimes I get brain whispers from my former self, little buried guilt yelps from the Christian kid I used to be. He’s horrified. Kylie struggles to believe I used to be religious, that I used to keep a prayer journal, that I was once scandalized by swear words. She can’t visualize it, can’t reconcile it with the version of me that she knows: a hipster rich kid with no moral code to speak of. She can’t understand that it’s all the same impulse, that God is nothing more than the Drug of all Drugs, that the hardest thing I ever had to kick was Christianity. Driving by St. Catherine’s I’ve got multi-year histories flashing across my vision. Our youth pastor Trent Stonehouse sings at the front of the sanctuary, takes kids on missions trips to Tijuana and Brazil and the Downtown Eastside of Vancouver, and then there’s all the kids I knew—Amber, Turner, Paisley, Neil and Ty—they’re all memory-cached, worshipping with the Agape Soldiers onstage while I sway awkward in the pews and try to figure out how come I’m the only one who does’t seem to feel it. Sure, I’ve felt the Holy Spirit before—or at least I believed I felt it at the time—and I’ve been one of those ultra-pious kids seizing on the ground, overcome as the Church Moms lay blankets over our God-blissed teenage bodies. Slain in the spirit.

But spiritual awakenings wear off. Slowly, one day after the next, I felt the emotional intensity drain. Outside the context of the St. Catherine’s sanctuary all the meaning dribbled out until I had to go back, soul-hungry, for more. Being a disciple of Christ meant living this special type of life, meant elevating yourself from the mundanity. At Camp Evergreen, around the campfire, we sang “Jesus, I am yours” and two hours later Rachel Peachland gave me a hand job behind the girl’s cabin line, a frantic and gasp-filled spectacle in the shadows. I was a little perv, shame-soaked but undeterred, obsessed with girls but convinced that every lustful thought was a freshly disgusting sin, something to beg forgiveness for. Do you know how exhausting it is to be ashamed all the time? To spend your life hearing how sinful and hopeless you are without Jesus?

Turner used to say the whole point of grace is you don’t need to feel guilt, that God’s already forgiven you before you even dream up our next transgression.

But who said we need to be forgiven at all?

“If you could go back and be Christian again, would you do it?” Kylie asked, morning squinting in my brother’s bed, her voice grumbly from sixteen hours of sleep. I gripped sleepily at my dick while urine hammered into the shower drain.

“I think about that every day.”

“And?”

“Are we talking like a lobotomy-type solution here? Like would I have to give up part of my brain?”

“No, just say you believed again.”

“The thing is, to make that happen I’d have to give it up.”

“What?”

“My doubt. My fucking reason. I’d have to give up my whole personality.”

“Not necessarily.”

“Yes necessarily. Unless God fucking prances in here and goes ‘hey, Joel, I’m fucking real’, this shit isn’t going to happen.”

I slump into her lap. Kylie was born in a Burmese orphanage, got adopted by white Canadians. Didn’t find that out until three months into our thing, when I met her crazy Mom. She kept all that to herself, and I understood why. People project shit, put labels on you. Who wants to be the starving kid from one of those World Vision commercials? She didn’t want pity; she just wanted to be Kylie.

I liked her way more than I realized.

“But what if the thing with Trent never happened?”

“It wasn’t about him. I stopped going to St. Catherine’s way before all that shit in Mexico, before any of those other guys.”

“Do you think he raped anyone you know? Like anyone in the youth group?”

“Fuck, what’s gotten into you?”

“I’m just so curious. I’ve never met someone who knew a real child molester.”

“You talk like it’s a movie star or something.”

“Or a serial killer.”

“So what do you think? Do you think he was doing like pervy, Catholic-style shit?”

“Honestly, I don’t know.”

“But what do you think?”

“I mean they say he molested this Mexican kid, right? Or two of them? That’s why he got arrested originally, in Tijuana. But they never came up with any Canadian victims.”

“Who’s they?”

“Investigators or whatever. He was down there for eleven years years, and it’s kind of like why press charges and do all that work if he’s not even in Garibaldi?”

“Shit.”

“But eventually they figure he’ll be back, right? I mean, the Mexicans can’t keep him forever.”

“When is that going to be?”

“The system’s so corrupt down there. Guilty til proven innocent, all that.”

“Turner told me he got letters.”

“From Trent?”

“Yeah, a while back he was telling me stories about Trent. He told me the letter said ‘you can’t turn your back on God’ and ‘don’t let this be an excuse to lose your faith’, all this shit.”

“Are you serious?”

“From prison he was giving him a sermon!”

“Fuck.”

“I mean, we were smoking a joint but I’m pretty sure he was telling the truth. Wasn’t he like Trent’s little favourite? Do you think it was him Trent messed with?”

I’ve considered that plenty of times, but it’s different to say out loud.

“Trent had a weird thing with Paisley Troutman, one of the girls in the worship band. People were gossiping about that for years.”

“But doesn’t he fuck little boys?”

“Yeah, but maybe he’s just like a non-discriminating deviant, right? Just raping whoever, wherever. Dudes’ fucking evil.”

“I heard there’s some people that think he’s still innocent.”

I light a cigarette, roll across the bed and go looking for blow.

“I’m not one of them,” I say.

Kylie sat cross-legged and hungover in the minivan’s passenger seat, reorganizing her purse while we descended the Sea to Sky. Cliffs draped with steel netting loomed to our left. To the right was nothing but open, cloudless sky. The road slalomed along the mountain slope, twist-rising and falling just as quickly. Ocean air swirled around us. A grey thumb of stone emerged in the distance, thrusted up hitchhiker-style, with a few stubborn bushes defiantly alive atop it’s wind-blasted summit forty feet above the road.

The mansions along the highway—stilted and gleaming in the trees—reflected the Pacific’s blue glow from giant mirrored windows. These were the people in my brother’s voting district, who had proudly displayed his campaign signs so they would be visible for commuters passing through the construction progress below. Vote for Joshua Bishop.

No more.

“The last shit we got from Turner was dirty,” Kylie mumbled. “Fucking weak.”

“That wasn’t his regular guy.”

“Says him.”

A bored, sunburned teenager wearing a Solomon Development Ltd. uniform waved us off the highway, past some pylons and orange fencing, and towards the razed shoulder currently being paved. Steamrollers grumbled a few kilometres further on, while in front of us six men guided a crane-suspended concrete median into place. I parked beside a line of trucks facing oceanward, overlooking Howe Sound, and texted Turner. Within a few minutes he appeared, knuckle-rapping the window, and Kylie unlocked the sliding door behind her.

“You two’ve been voracious lately,” Turner said. “You’re outpacing my coworkers, even.”

Kylie ignored him, sullen.

“I’ve got five hundred here, that’s two for last time and three for now,” I said.

“And you’ve got time for a couple lines now?”

An ice-blue sky populated with drifting gulls appeared as I took my first hit. Their beak-tips were dolloped with bright red. I thumbed a nostril for leverage, snorted with all my might, and sucked back. It filled me like sunlight. Wave-crests built frothing and burst into chaos amidst the rocks below.

“That feels better, huh?” said Turner. “I’m gonna fire through my afternoon.”

“I don’t know how you do this dip-shit job, man.”

“Whatever.”

“I would feel like one of those historical Chinese guys they used to dynamite the tunnels, you know? Like some expendable pawn they use for the hard labour. A slave they can just blow up whenever they feel like.”

“Yeah, so what’s your fucking job, Bishop?”

Kylie dabbed residue on her gums, sucking her finger. The world continued outside our windshield, introduced a dangling silhouette to our view-scape. It took me a moment to take this character in: parachuting past with some magical floating canopy, he was trailing an unfurled sign that read NO OLYMPICS ON STOLEN NATIVE LAND while filming with a camera strapped to his wrist. He was wearing those stupid shoes with individual toes, the ones rich men wear, and spandex head to toe—like some gravity-defying ninja spirit. I almost laughed.

How long had he prepared for this moment? What did he imagine he would see, hanging suspended and superior over us? The afternoon wind carried him sideways, tilting.

“Look at that piece of shit,” said Turner. “Look at him flying high.”

On the way back to town, Kylie asked if we could swing by her friend Lauren’s place. She lived in one of the new townhouses by the highway, Garibaldi Estates, on the fifth floor.

“This bitch owes me like a hundred bucks,” Kylie said as we rode the elevator up. “She’s always doing shit like this, and I can’t let her get away with it. You know what I mean?”

I shrugged.

The hallway hung silent following Kylie’s door-battering, but after a minute or two the door rattled and opened. A girl wearing a short pink bathrobe leaned into view, her bed-shagged hair streaked a similar hue. Her eyes were half-closed.

“Uh huh,” she said.

“You gonna let us inside?” Kylie asked.

“I’ll come out’n talk,” she said, pained.

I pretended to ignore them while they argued in the hallway, and watched as a dishevelled crow shifted uncomfortably on the edge of the roof, its talons clicking, just outside the window. Kylie paced shouting while Lauren listened bored with her beautiful brown legs.

Eventually Kylie turned back to me, exasperated. “Let’s go, Joel.”

Once we got back on to the Juan de Fuca Hill she held out her palm, two chalky pills cradled in the creases.

“This is supposed to be boss stuff. It’s K. She didn’t have any cash.”

How can I capture that moment? Kylie halfway-swivelled against the seatbelt, her forehead salmon pink from the sun and her white palm-skin outstretched. The grassy bluffs leading up towards the towering dominance of Mount Garibaldi were stretched out behind her, floating and blurred, while within the carpeted boundaries of our little vehicle we were safety-bathed by the air conditioning. I swallowed the pill. We hurtled towards our future.

“Will you put some more signs up with me later?” I asked. “After?”

“Of course.”

“There’s still so many, babe.”

“We can put up as many as you want, babe.”

Sixteen years old I thumb-dabbed my goggles, donkey-kicking, my headphones tucked under my swim cap. The finals heat for the 100 butterfly at provincial championships, and I was the one standing in front of Lane 4. Ty was there, Sketch and Neil too. I spat air, flailed, my feet splashing on the tiles. I expected to win my whole life, always anticipated easy victory—what does that say about me? I had this daily suspicion that I was a little more interesting than everyone else, a little more talented. My brother Josh was the same way, and all during the campaign I wonder if he had any idea how wrong things could go, how easily his future would evaporate. Vote for Joshua Bishop. I can see his temp’s bemused face, the self-satisfied sneer, as he ruined my family’s life with every fucking word he spoke. As soon as my brother’s news went public, our family scattered into our own grief trajectories, none of us sure how to handle the sudden scrutiny. And before we could decide whether we forgave him, before we could prove to him that being a part of the Bishop family means more than some sex scandal, some political campaign, before my father could even talk to him, he was gone. The ocean will take us all, I figure, but we were left with his body, shower-dangling, at his mansion in Garibaldi. That house! White carpets like cat fur underfoot. This is where I belonged, not slave-waging away in Vancouver.

Underwater is where I feel best, dolphin-kicking streamlined. Life made sense at 16, when my evening revolved around 58 seconds of frenzied exertion. Fuck real life and the future and the present moment too because I’m suspended mid-dive, dripping, while around me the bleachers erupt with cheering. Ice-wind slashes my cheekbones and stings my eyes shut.

Rotting clumps of mown grass collected on my boots as I worked my way up the St. Catherine’s lawn, past the youth trailer in the parking lot, up towards the stained glass window at the apex of the sanctuary. As kids we played this game called Gestapo where the youth leaders would chase us through the streets of Garibaldi with flashlights while we raced from Diefenbaker Park to the safety of the church. I scanned the treeline for spectators, but I was alone. I was thinking about this thing Turner once told me, about how we’re all just energy morphing from one form to the next. In reality, he was the first one to ditch on Jesus. He was braver than I was, less scared of the social consequences, or maybe he was just more honest.

“When I die and go to Heaven, I’m going to walk into the throne room of God and I’ll have three simple words for him: what the fuck?” Turner told me, perched in the Sky Train window, when I asked him about why he wasn’t coming to church anymore.

“If you had kids, what could they do to stop you from loving them?” he asked me.

“Nothing, I guess.”

“So why are we worshipping a deity who routinely condemns whole swaths of society to Hell? It’s so fucking arbitrary, Bishop! You’re born in India, you’re fucked. You’re born in China, you’re fucked. But if you’re a white Christian dude, everything will be fine and you’ll be a happy little saved boy.”

I didn’t know what to say then, and I still don’t now.

“A God like that doesn’t deserve my love.”

The way Turner talked, he didn’t miss religion. He didn’t miss understanding everything, having that communal reassurance. He liked to be an outlier, a rebel, a heathen.

“You can’t spend your whole life pretending,” Turner said. “Sooner or later you have to admit we wasted our teenage years on a medieval crock of bullshit.”

All that meaning, all those years of prayer, all that struggling and learning—for what? I speared the first campaign sign firmly beside St. Catherine’s front entrance, another one beneath its stained glass, and the final one at the top of their hilly lawn. My brother’s plastic face smiling from each one. Then I sat, butt-damp in the grass, and lit a cigarette. My brother was 33 years old when he died, the same age they nailed Jesus to a fucking cross, but he wasn’t dying for any reason. He didn’t get to close his eyes knowing he’d made some huge sacrifice, knowing that he left the world a better place than when he arrived. My brother died tormented and hopeless, kicking against the porcelain, and who deserves that? How come he got hand-picked for that fate? I felt personally robbed of decades of experience, of the chance to see his face wrinkle, his voice change, his hair go white like Dad’s.

“I really wanted to believe in You,” I told the looming, dark church. “If I had a choice, I’d still be here. You know that.”

I couldn’t believe I was praying. I was still high.

“If there’s something more to this, something I’m missing…I guess what I’m saying is if you’re going to keep me around, You’re going to have to do something.”

I sat there quiet, wondering what God could do, short of flashing across the sky in all His radiance, to convince me of His presence. I heard this quote once, attributed to a 16th century hymn writer: “a God comprehended is not God”. If that’s true, then why even attempt to grasp the mystery? Why call out to Him, why pray, why devote yourself to a deity who can’t (or won’t) respond? When I was a kid I used to make little faith bargains, sending mental requests for God to manipulate the circumstances around me. (“If you really exist, make that kid put something in the garbage can as he walks by.”) Sometimes it even worked. It was like having an Almighty, imaginary friend. But now I’m an adult, a real person, I’ve read fucking Nietzsche. I won’t be so easy to convince. A warm feeling in my chest won’t be enough, a whispered voice deep in my psyche was completely inadequate. I needed something tangible, a Burning Bush-style sign, and I would accept nothing short of a miracle. Maybe my brother could bound out of one of his election signs, let me know this was all an elaborate dream sequence, or maybe Trent would materialize in front of me and explain what happened down in Mexico all those years ago. He’ll tell me our youth group’s implosion was part of some larger, mystical scheme, that St. Catherine’s has some continued role to play in my life.

Or what? An angel! A demon! Anything. These sorts of visions end up in sermons and heartfelt testimonies, in parables. These experiences alter people’s entire lives, give them purpose and direction. Why not me? Why couldn’t I, just once, be allowed a glimpse of something beyond all this? Why couldn’t I be the one with the faith, the one who understands the light while everyone else stands in the dark?

“Will You speak to me?” I said, my voice trembling. “Are You there?”

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