Hello, World!
Hey y'all! I'm Coz (or Void) and it's about time I make an intro post :)
I've been lurking about the writing/whump communities for years now so... What changed? I finally feel like I've posted and engaged enough to warrant an intro haha. I'd really like to follow even more writers to keep myself on the writing train.
I mostly write original content with above average suffering (hello whump community), but I do like writing stuff set in existing stories (see: Vigilante). I also reblog plenty of stuff ))
My pinned has most of my WIPs—nothing truly complete by my standard, but there's a bit for each. My most recent WIP is Sticks and Stones, but I'll be working on Carrie and Willow sometime soon... eventually...
Feel free to send me asks! I'm down to talk about tropes or share fun facts or a secret third thing.
Hope to see y'all around ))
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K but the fact that Kristen is just a regular human being. Just a standard, average person in a land filled with mystical beings and magic spilling from every crack, nook and cranny.
And here's Kristen Applebees, the first born child of typical suburban parents, born into a religious neighborhood where everyone goes to church every Sunday and prays every night and everyone has a white picket fence with a perfect manicured lawn and not-so-subtly shuns those who are in anyway different from them.
Was Kristen not chosen by her God, by Helio himself, because of her perfect average parents with their perfect average house in their perfect average neighborhood?
Kristen wasn't rich, she didn't have a powerful bloodline, her parents weren't important, there was no prophecy foretelling her birth. No, Kristen was an attainable goal. Kristen was a good example for the youth, an example of what could be achieved if you just played along and played your part.
Kristen was destined to be the perfect picture of a devoted follower of Helio. She was the poster child, born smack dab in the center of Helio's flock, surrounded on all sides by followers and moulded into the perfect unquestioning chosen one since birth.
But by choosing Kristen, by marking her as property of a God, Helio gave Kristen power. Power over him, power over good and evil, the divine and infernal. Because Kristen is promised to Helio, because she was chosen by him and prophesied to be his, Kristen wields the power to start the end of days and crumble nations with a snap of her fingers. Should she want to, Kristen could destroy the world by simply not doing that, by not ending up in Helio's afterlife to live for eternity by his side, by proving a God wrong.
And it's with this power, this leverage that Kristen holds over Helio's neck like the sword of Damocles, that Kristen is able to free herself from his grasp. It's slow, at first. Joining a 'risky' school, meeting people outside of the religion, questioning elders, researching history and religions. And she doesn't understand how much power she has, not at first, because the power she possesses isn't magic, but a divine promise and unspoken rules that govern a world that she was never supposed to know.
But despite not having magic, despite being chosen for her averageness, despite being trained to be naive and blinded to the realities of the world, Kristen is overpowered as, if you'll excuse the pun, hell.
Helio creates divine religious scholars to protect her when she doubts and strays from him. Helio creates an entire new deity and religion for Kristen, allowing her to think that YES! (and, later, YES?) is it's own separate power from his and he does all of this, not out of generosity or love, but because he needs to keep Kristen alive. Kristen cannot die before she rejoins Helio's flock or the divine promise will break and Helio would be fucked.
So Helio gave her power under the pretense of it being from elsewhere, solely so that he could keep Kristen alive until he changed her mind.
And then! And then Kristen dies! And is revived. And she's Saint Kristen Applebees now (but the Saint of who?) and Helio has fully given up on her and turned his back on her (but his prophecy cannot be unspoken and he cannot be proven wrong so does he really? Can he really?) and Kristen finds a new God, a broken God and Kristen chooses her.
Kristen names her, creates her, Cassandra the Goddess of Doubt and Night, and Kristen finally has her religion, a source of power that doesn't stem from Helio, she's finally escaped his grasp.
And yet.
And yet, Helio still spoke his prophecy, still chose Kristen and she will always have that power over him.
And yet, in his own foolish shortsighted attempt to keep Kristen within his grasp, Helio still created a deity for her, a separate divine entity that chose her as well.
And yet, Kristen is still the undying, the follower of Night and Doubt, Saint Applebees, Creator of Cassandra.
With no real magic to speak of, with nothing special in her bloodline, with no real talents or money to her name, the perfect picture of normalcy in every way, Kristen has managed to twist the divine sphere around her little pinky finger. She has so much power and she has so little awareness of it.
And also she's going to be President, bitch.
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I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.
Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.
Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.
I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.
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Hello, I've been thinking about your actors au. Are you doing anything about Rei and Mikio being the only side characters with faces in the first trial? Because I do have a theory about that which I haven't posted but I always thought that was really interesting. Even Yamanaka pointed it out in the first anniversary stream.
Ah, I definitely want to!! Mikio is the man in Harrow, right? (There's also maybe-Rumerie in Bring it On who drives me crazy to this day asdfsd) I'm hoping once the project ends and we get the bigger picture, I can really highlight their relationships more. I'll touch on some of my ideas real quick, but I'd love to hear your theory if you ever end up posting it 👀
My problem is, I originally thought the faces show the prisoners' love towards them, and not necessarily mutual relationship -- which causes some hiccups with including them as characters in the au... (Including t2 faces), Haruka hungers for his mother's love, but given her abuse, they couldn't in good conscience have her on set with him. Rumerie may have been some sort of friend, but he didn't seem so close that he'd be okay seeing Fuuta again and being implicated in his crime. Muu cares very deeply for Rei, but even if the murders never occurred, I can't picture a young girl would feel safe filming her own death at the hands of her bully... I ran into a similar issue with Mahiru and Kazui's partners, but as adults I felt like it was easier and safer for them to consent to the situation.
However! The fact that Kotoko's victim has a clear face really interests me, because that's the only one that (seemingly) has no established relationship or love between them. What could Muu's realtionship with her classmate have in common with Kotoko's and the victim she hunted down from a distance? So I'd love to compare with your thoughts and reevaluate my theory as the new mvs come out...
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