want to give my two cents on the AI usage in the maestro trailer--
i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video
however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern
the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI
and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?
it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey
i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations
48 notes
·
View notes
xvn fic recs !!
i have been meaning to do this for a while : mostly because fic recs are fun to compile and also thee seems to be a BIG shortage of any fic rec posts!! so here are some fics i have enjoyed over the years!! ofc this list is non exhaustive
please note the ratings of each fic and heed the tags before reading! sorry, that i am putting in the shorter summary
anyway!! feel free to put in more fic recs too!! :D
End OTW Racism | over the edge of all our knowings by merthurlin [ G, 10,146 words , 1/1 ]
Years down the line, after the whole business with Lumine and her brother has been concluded, Venti decides to go on a world tour.
He sends Xiao letters.
merthurlin got me into xiaoven so ofc my list starts with her fic! this is just so so sweet and even if its not necessarily fluffy there is a warmth to the writing it is a comfort read for me! i recommend every work by her (regardless of fandom). though in xvn End OTW racism | never dreamed of nobody like you is another excellent fic!
nocturne by yanrans [ T, 34,540 words, 4/4 ]
In which Venti sells magical music boxes, Xiao is his unwitting customer, and there is absolutely, definitely nothing more to it at all.
modern au where venti is - a scammer? - i mean a music box seller and xiao is just a regular guy and and. its funny and delightful and absolutely breath taking. i wouldnt elaborate more so as not to spoil anything further but the fic has many unexpected surprises in it! yanrans is another writer i definitely recommend to check out more! their writing style is very flamboyant and poetic.
what hides in neon shadow by morii_tea [ T, 7,547 words, 1/1 ]
In which Xiao is a cyborg, Venti is a thief, and the glittering city of Teyvat hides more secrets than they’re prepared to find out.
its so rare to see morally grey venti is potrayed (even though he isnt v morally grey but still. xiao having to remembering that venti isnt as honourable as he appears is yesssss wohoo). this fic has some thrilling action and a v fun cyberpunk world!! i wish it was longer but it is v exciting nevertheless
every morning in the dark by magicites [ M, 77,124 words, 34/34 ]
Stuck in a time loop where he succumbs to his karmic debt, Xiao struggles to see the point in moving forward. Venti struggles to save him.
READ THE TAGS!!! character death and suicidal thoughts are two major warnings. but DAMN this fic it's just so. SO FULL of everything WRONG with xiao!! and venti too but such a GREAT angst fic!! it gets everything so Right. magicites also happened to have written one of my most favourite genshin fic too :] and if you havent read her other works!! you are missing out!!
the half-life of the yaksha is absolute by GStK [ G, 1,000 words, 1/1 ]
Venti digs his thumbs in to keep open the wound but it is too late
His gaze snaps over to the teal essence dancing over Xiao’s fingers.
Now all those words will belong to him
And Venti will belong to him, only.
READ THE TAGS!! now that i have went into the time loop fic ofc i have to mention the beautiful corrupt xiao prose. the imagery is flowery and grotesque!
foreigner's god by smallghosts [ T, 3,818 words, 1/1 ]
Lord Barbatos falls asleep for a few hundred years. Xiao copes with his absence in strange ways.
a pre-canon fic where xiao becomes - in a way - a worshipper? it's SO GOOD. its about the yearning!!!!!!!!! SCREAMS i dont think i have to explain further
love me like you do by Limerancy [ T, 3,000 words, 1/1 ]
They aren’t the kind of friends that touch.
TOUCH STARVED AND TOUCH AVERSE XIAO!!!!!! this fic makes me a lil bit feral. a little unhinged. i absolutely enjoy reading about the yearning , the desire JUST!!!! AAAA. this writer also writes v fluffy modern au one shots!!! so be sure to check them out too :)
The Kissing Tree by Princeliest [ G, 7,581 words, 2/2 ]
Venti kisses Xiao, and Xiao does not understand why.
VENTI COMMITMENT ISSUES!!!!! as much as i adore reading xiao angst, venti angst is still something i love seeking out and its a tragedy that its not explored enough in this ship :c but anyway!!! such amazing characterization and exploration!! princeliest is one of fav genshin writers and this fic delivers!
wishing on dandelions all of the time by OedipusOctopus [ T, 8,270 words, 1/1 ]
When Venti first catches sight of the swords artfully hung on the wall of his new roommate's bedroom, he regrets putting up the sublease on Craigslist. Firmly believing this guy is a total weirdo, Venti is more surprised than anyone when he realizes the total weirdo is actually adorable.
It's not against some invisible Roommate Code to dream about kissing your roommate, right?
ofc there is a classic roommate au fic!! this was one of my most favourite fic from last years xvn week: its hilarious and silly and just a perfect relaxing read!! the characterization and their banter is so entertaining i admit i have read this multiple times!
Where Words Fail by kavvueh [ T, 27,926 words, 11/12 ]
"You're Barbatos," Xiao repeats breathlessly. The young man in front of him nods.
"Yep."
"But..." Xiao cuts himself off and tries again. "You're the God of songs and poetry."
The Anemo Archon nods his head sagely. "More or less."
Xiao fixes Lord Barbatos with the most incredulous look he can manage.
"... You're failing Music Theory."
this fic is such a delight!! it has some light background lore, some silly shenanigans, miscommunications, pinning - a truly fun mixture! the fic is v light hearted but written with a lot of tenderness. i am v excited to see its conclusion!
what queer sins stain thy soul by Anonymous [ M, 3,232 words, 1/1 ]
In which Xiao, long-established asexual, learns that identity is not as stable as he’d like to believe.
there is some explicit things in it (in non explicit way) i believe religious guilt is one of the best flavouring to xvn. it is an under-explored area in this ship imo and this fic not only has that but also!!! asexuality !!!!!! this fic so so personal and its exploration of desire that gets to me a lot
unholy virtues by morphasia [ E, 17,065 words, 6/6 ]
In exchange for his body in more ways than one, Venti summons a demon to reclaim something that has been stolen from him.
It's a just contract. That's all it's supposed to be. That's all it was ever supposed to be.
READ THE TAGS!!! this fic truly went creature/creature. this au is just so fascinating and funny in a twisted way (but not bad). this fic isnt for everyone though but it is definitely worth the shot.
32 notes
·
View notes
re lrb in any case to me astarion’s arc is less about regaining agency than becoming aware that he already has it and has to act like that. there's a distinction between agency as a material fact, ie having the ability in theory to make your own decisions and act on your desires, and the awareness of having that agency.
i'm no psychologist, but in my experience one of the most helpful steps in recovering from mental illness has been the awareness of my own agency ─ yes, sometimes I feel as though my life is completely run by my intrusive thoughts, but invariably getting out of that place has involved a recognition that ultimately, I am the one in control of my thoughts and I have the agency to work through them. that doesn't mean that it isn't hard, or time-consuming, and sometimes I don't succeed in the way I'd like, but nonetheless the ability to at least try is and always has been in my power.
in baldur's gate 3, your companions appear with varying degrees of agency (aside, obviously, from the tadpole they all share). they range from gale, whose current situation physically and magically restricts him but who at that moment in time doesn't have many other immediate restrictions on his day-to-day actions, to wyll, whose every move is watched by his abusive warlck patron.
nonetheless, your companions benefit from being shown that they not only could have agency at some point in the future, if they break their pact/shar's curse/free cazador/free orpheus/fix the infernal engine/get the crown of karsus, but they have agency now and must therefore use it responsibly. wyll is already to some degree aware of this, i think, even if it's only because he is so morally forthright ─ he's one of your companions who remains actively trapped by their abuser during the game, yet he refuses to kill karlach because he knows that would be wrong. even within his severely limited circumstances, he makes a choice, he demonstrates agency. in the shadowfell, shadowheart ─ a cult victim subjected to extreme psychological and religious abuse ─ has the choice whether or not to kill aylin, and can make it either way.
astarion, at the point at which you meet him, has just been given freedom for the first time in, essentially, his life. it's no surprise that he doesn't know what to do with thise newfound agency, and doesn't recognise it for what it is, given that he literally cannot remember ever having control over his own life. that's deeply tragic, but it doesn't erase the fact that he has control over the things he does during the game. those actions (for example, given i am still talking about that last rb, talking about the children he kidnapped and gave to cazador as though they were nothing), are things he has agency over and is responsible for. nonetheless, he acts as though he does not, lurching from one attempt to gain power to another (killing the druids to suggesting you use whatever's in moonrise to your advantage), because his own self-perception as someone completely powerless is so overwhelming. he must accrue power because that is the only way he can make sure he's safe and can never be hurt again. it's just that that self-perception is not completely accurate, he does have agency; if he makes choices that result in moral wrongs, those moral wrongs are his to bear.
i'm not getting at astarion here, I don't mean to imply that he's at fault for this attitude. it is, obviously, the natural response to 200 years of enslavement and abuse. kind of the whole point of the game, of all of your companions' quests, is that if people are hurt and abused often they will feel as though their only avenue towards power is to do the same to others. but being severely traumatised doesn't make his behaviour okay; he doesn't get a free pass to do whatever he wants because of cazador. you can like him, literally who am i to say otherwise (i like him too!), but don't just excuse everything he does or get rid of the most interesting parts of his character because you're unwilling to grapple with the fact that as it stands in the game, he's morally incredibly complex.
i think there's a tendency to assume that a character either must or must not have agency, and to present it as a binary, because for some reason it's used as a shorthand for moral culpability, when in reality the relationship between agency and culpability is significantly more complicated. i haven't really been getting into coerced choices here because that's a whole other kettle of fish (though i will give the necessary disclaimer that my stance on this is quite clearly influenced by the fact that deep down i'm a bit of a virtue ethicist). nonetheless, while this is my pop philosophy take and i'm not trying to impose this overall moral framework on people, i think it's pretty reasonable to say that lack of agency does not mean that what you did was not wrong.
implying that astarion is at fault here would be indicative of the very attitude I am trying to oppose ─ the idea that people either have agency or don't, and if they do bad things with agency they are evil, but if they don't have agency they are victims. astarion is both ─ he is the victim of horrendous, harrowing trauma and yet he has done bad things and in fact visited that same trauma upon other people. there's no escaping this, and i think it would be bad for astarion to just brush everything he did for cazador under the rug because he did it for cazador. he still did those things ─ he might not be culpable, i do not think he can be considered as such, but there's no way you go through all of that and don't feel guilty for it.
notably, if shadowheart kills aylin and wyll kills karlach (if he can? i actually don't even know if he can do that, but hypothetically), they are still responsible for that action and it was still morally wrong. they have to deal with that: part of dealing with it can be to recognise the coercion they were subject to, but the fact that they lacked agency doesn't just erase the wrong or mean it was never wrong in the first place. likewise, astarion becoming the ascended vampire is still obviously a terrible thing to happen for him and everyone else, and is in no way justified just because it might finally give him the sense of safety and control he craves. the whole point of that moment is that even when he is being retraumatised, when he has returned to the place and person that hurt him, astarion has the capacity to choose, and to choose the right thing. acting as though his trauma means he has absolutely no agency whatsoever and so never has to address the fact that he can, at various points, greatly fuck up, just removes one of the biggest themes of his whole character.
tldr: astarion has agency, one of his greatest challenges is realising that he does and that he must use it responsibly, and acting as though that is not the case does a disservice to his character and the story it is trying to tell. also it is deeply deeply boring. the end.
12 notes
·
View notes
Long rant about season 4, Johnny Lawrence, and the deterioration of the writing below so feel free to ignore this, but I just feel like I haven’t actually coherently expressed my main gripe with season 4 here.
In season 1 johnny is introduced and he’s racist, misogynistic, bullies kids based on their physical appearance, etc. etc. etc. And these are clearly his Bad Traits that are explicitly condemned by the narrative. When not portrayed as something that has explicit negative consequences (ie basically causing Hawk to go full incel), at the very least the story mocks and pokes fun at him for having such backwards ideals. And as the character grows through the story, so do his values. The show explicitly shows him moving past his racism in regards to Miguel, his sexism in regards to Aisha and then Tory. The story clearly articulates that these are all things Johnny learned from Kreese, and as he distances himself more from Kreese and his teachings, he learns and grows and leaves a lot of that ignorance behind.
And then season 4 comes along, and all of that just…goes away. And I don’t mean to say that Johnny necessarily regresses. But the way the narrative depicts him has completely changed. Johnny goes to Piper talking about how Karate can empower women, but it just turns into a joke about how he “learned feminism for this.” This is not meant to poke fun at Johnny, but to poke fun at feminism. The entire joke is as basic as “haha, of course Johnny’s not a feminist! Why would he be?” Later on, he makes a gendered statement to Sam and apologizes and corrects himself. But then the narrative literally undoes that by having Sam validate him! Tells him it’s fine, she understood what he meant and he didn’t need to change. Later this season we are even explicitly told that we should just accept Johnny as he is. Johnny’s ignorance has gone from being something explicitly condemned by the narrative to something they want us to love and accept him for.
And you know what? I don’t. Because Johnny Lawrence is not a real person. He’s a character in a story. I don’t have to accept the negative parts of him, because as an individual I don’t care about him at all. And that’s not to criticize him for being a flawed character, a flawed protagonist is fine—it’s great, actually! But when the show itself goes from criticizing those flaws to treating them as anything but, that’s where I take issue. Because I really don’t care about any of these characters as individuals. I care about the story that’s being told, a story I used to love about toxic masculinity and radicalization and cycles of abuse and how they all interplay with each other. A story that actually seemed like it was trying to say something important. But season 4 watered it all down so much to the point where I can’t even find a coherent central theme in the show anymore. At least not one the writers seem to have a solid stance on.
75 notes
·
View notes