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#so I didn't have friends who liked it
girlscience · 8 months
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I always get a little jealous when I see teenagers at cons, I would have loved to be them 10 years ago
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butchfalin · 6 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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poorly-drawn-mdzs · 6 months
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ORV is about enduring the horrors in real time.
(for @everyonesfavoritebastard)
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zivazivc · 30 days
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guess who
I've seen a few artists I like making human art and I got inspired to make my own.
First version was based just on their character designs and personality, and what inspired their look in the first place. Second version happened when I took into account their backstory and what I imagine human versions of their parents' would look like. I don't consider either of these "canon", because to me they're just trolls but it was a fun experiment to try.
Now back to our regularly scheduled programming of me drawing little colorful dolls
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cerise-on-top · 3 months
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Ooh, what if Price/Ghost/Gaz/Laswell came across their childhood best friend? Reuniting with reader who was there for them through thick and thin, until they joined the military and lost contact 🙏
I've been reading/re-reading some of your works!! They're so good! Also, I'm sorry those teenagers were pricks to you, hope you have some better days soon!
Hello! I have to say, I'm genuinely surprised anyone reads my rambles in the tags, I didn't think anyone would, but thank you! You don't know how much I appreciate it! Today was already a much better day, which is why I decided to write and post two requests today! This is a lovely request, very nice! Love me some platonic stuff as well! Sometimes all you need is a good friend by your side!
Price, Gaz, Ghost and Laswell Come Across their Childhood Best Friend
Price: He actually thinks about you from time to time, more often than he’d like to admit. You were a good person in his eyes, always there for him no matter what he went through, which is something he could appreciate. His childhood wasn’t particularly bad, but he had some days where he would have loved to simply throw in the towel, which is normal, though. Price was a rowdy guy when he was young, so you likely either went along with some of his ideas or were kind enough to talk him out of them. Either way, he appreciated having you around, so seeing you again would be quite the surprise, he didn’t think he ever would again. If he’s on a mission, then the talk will be kept short, but afterwards he’ll make sure to seek you out again, catch up a bit and ask you how you’ve been. Price didn’t expect to have missed you this much, but he only realized that once he saw you. You’ll either be going to one of the cafes you used to visit nearby, or maybe sit down on a park bench and maybe eat some sandwiches together, just like you used to during the good old times. Since you’d likely be around his age, so roughly 37-38, you’d have a lot to tell. Roughly 22 years you need to catch up on. He’s willing to talk to you, tell you about his career, how he's been doing, about the people he’s met and how he’s feeling. Considering this much time has passed, there’s a good chance you’ve both mellowed out quite a bit, but it isn’t unpleasant, you’re both mature people now. He likes hearing about everything you’ve accomplished, it’s like you became a new person during all those years. It’s so lovely to him, he sort of can’t believe it. Whether it’s a coincidence, or maybe you sought him out, it doesn’t matter, spending time with you again brings back all those memories he thought he had since forgotten about. He laughs, he smiles, he frowns. He’s a bit more expressive with you, but really wants to reminisce about the good old times. Even so, he hopes to be able to see you again more often, so you’ll likely exchange numbers. This time he tries to make sure to not lose contact with you and will text you every once in a while.
Gaz: When he was a child, Gaz was a lot calmer than he is today, a very quiet kid. He had always been a good boy, a gift in the eyes of many, but he wasn’t as active a child as one would imagine. Ergo he didn’t have very many friends until he became older either, but he was loyal to the few he did have. You were one of them. As you slowly started to grow apart, he started to miss you, but didn’t want to bother you either, as much as he would have loved to do so. So I’m sure you can imagine the surprise on his face when he found you at the mall the two of you would hang out in during rainy days. Gaz has become more confident, so he’d immediately walk up to you once he recognises you and start talking. Like Price, he’d be pleasantly surprised to just see you in such a mundane place, but won’t question it. Or complain about it either. In fact, if you’re not carrying anything heavy, he’d be the one to suggest going out to eat or drink something. Again, either a small and quiet cafe or a small restaurant. Maybe you’d go to a place you liked when you were kids, if it’s still open. Regardless, it’d be hard to get him to shut up with how excited he is to have you around. It’s a calm kind of excitement, but he’s happy, and that’s what’s important. It’s very likely that he’ll pay for your food, even if you insist he shouldn’t, but it’s not like he has any other use for his money. Chatting with him about the good old times is very sweet, he likes to bring up all the good things. But eventually, he’ll thank you for everything you’ve done for him and how happy he was to have you as a friend. Considering there were very few people who tried to get to know him, he was quite lonely, but you fixed that. You made everything better. From the pain on his knee when he fell as you gave him a band-aid, to the pain in his heart when the other children ridiculed him. Like Price, he’ll ask you if you want his number so you could continue to keep in contact with each other. He knows it’ll likely never be the same again, but he can pretend everything is as good as it used to be back when he was young. He’d love to spend time with you again.
Ghost: This man has had one of the worst childhoods imaginable. He was abused by his father, and the only friends he had aside from you were his mother and his brother. Barely anyone was kind towards him or accepted him considering he had always been the weird kid. No one but you wanted to spend time with him. Needless to say, Ghost had taken a liking to you when he was younger. You spent your time with him, you even defended him when some of the other kids ridiculed him. And now, 12 years later, he finds you running after a coin you accidentally dropped on the ground, bumping into him as you did so. He’d be wide eyed at first, a bit quiet as well. Once you left he never would have thought he’d ever find someone like you again, but here you were, just as quiet and surprised to see him. Ghost would pick up the coin for you and ask you how you’ve been. It had been a while. Although he’s not usually one to smile, especially not in public, you could see him faintly do so. He’s become a quiet man, so he won’t be talking too much about everything, especially not everything that happened after he joined the military, but he’s more than willing to talk to you about other matters. His life has become better over the past few years, but that doesn’t mean he isn't scarred still. He’ll offer you a walk to just about anywhere, really, even if the final destination will always end up being one of the places you used to hang out in as children. An abandoned house, a park, a mall. Manchester is a fairly large city, so there’s much to see. It would be a bit rough to catch up with him entirely, but he loves to hear about everything you’ve accomplished. You’ve become such a mature person, it warms his heart to see how far you’ve come in life. Back then, when everything was so bleak, when neither of you thought you’d see your 28th birthdays, everything was different. But now, you’re smiling at him as you’re drinking your milkshake. You seem to be better off, and so is he. It makes him nostalgic to see all of this, but he’s happy. Ghost will offer you to come to his home if you want. Even now, he still loves you dearly as a friend and couldn’t be happier about the fact he’s found you again by chance.
Laswell: When she was young she was a healthy mix of rowdy and good. While she never caused much trouble, she did stand up for herself when she needed to. However, this alone was enough to get the attention of some awful people. People either liked her or hated her, there usually was no inbetween for them. Some people did try to bully her, but it never ended well since she would fight for herself, plus she had some good friends who would do the same for her. However, none of them could compare to you, as you were her best friend. All her joys she would celebrate with you, and all of her sadness she would share with you. Back then, things were simpler, something small meant the end of the world, but you always had each other’s backs. Laswell tries to not think about you too much since you slowly drifting apart is quite painful to her. As she grew older, she learned to live with the pain and it didn’t bother her as much. Still, she was very happy when you were sending her a message after all this time. She may have been at work, but responded to you immediately, having missed you just as much as you missed her. Once you meet up it’s evident you’ve both grown a lot older. Laswell has been working for the CIA since her twenties, so it’s been almost thirty years. You have a lot to catch up on, but you take your time, eating at a fancy restaurant and spending hours there, laughing at everything that’s happened. Laswell would show you photos of all the places she’s visited during her downtime. She’s seen almost the entire world, some of it with her wife, some of it without her. Although she doesn’t usually tell people she’s married, to another woman too, she knows you’re a safe person, you’ve always accepted her as she was. Considering how happy you looked when you saw her wife, she continued to tell you about the world. But you get your chance to tell her about everything that’s happened to you as well. If the conversation goes especially well, Laswell might invite you to a few outings every once in a while, after you’ve met up a few more times. Plus you get to meet her wife eventually as well, which is a real privilege. Considering how much she loves her and wants to protect her, not many know about her. It’ll be fun either way since you get to make more memories together again.
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expelliarmus · 1 year
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calware · 6 months
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"i happened to not find this character very interesting or likeable" doesn't automatically mean they're an objectively bland and boring character it just means you have a personal opinion
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butterflysonnets · 3 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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sleepinglionhearts · 1 year
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Give you 3 guesses what fiancée is playing rn
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andi-o-geyser · 1 year
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Percy de Rolo and Keyleth of the Air Ashari my beloveds, my dearest companions, my comfort pair, nobody does it like them. They are the basis of what all friendships should be, they are the fucking blueprint, they show how meaningful profound affection in different forms other than romantic is, they are best friends, they are siblings, they are the platonic ideal of platonic ideals, they are soulmates, they have matching earrings, they are both massive nerds, they gift handmade jewellery to each other, they are the exact opposites, they are so similar, they are sunshine and shadow, they are nature and science, they are all the elements of the universe working together, they are creators, they are leaders afraid of their destinies, they care incredibly deeply about everybody around them, they are fuckups, they try to learn and grow, they argue, they fight, they hug and make up and never hold it against one another, they joke and drink and are always there for each other, they have died and been revived and brought each other back from the brink, they have met the gods themselves and still know that the connection between each other is worth more than divinity itself will ever be, they have fought monsters and titans and their greatest fears together and have come out the other side broken and battered but stronger for it, they are brother and sister, they are siblings-in-law, they are the epitome of chosen family on all possible levels, they will live through their lifetimes and legacies, they are love itself.
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cjsees-art · 2 months
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there's something so wrong w them tbh
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hephaestuscrew · 10 months
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance 
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability 
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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traumainpyjamas · 7 months
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JOHNNY // ‘ The BAT’ Archiving Video Behind the Scene
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naturecalls111 · 8 months
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Wish I never had to sleep I wish I could just stay awake all the time and do nothing but draw and had no responsibilities
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introspectivememories · 2 months
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NICO: WE SHARED THE LIFT THIS MORNING! I WAS GOING TO THE POOL TRAMPOLINE WITH MY TWO DAUGHTERS AND HE WAS GOING TO THE RACETRACK. PINKHAM: VERY DIFFERENT LIVES YOU'RE CURRENTLY LEADING.
#that line from nico is like /the/ modern brocedes thesis to me#like this is their happy ending!!! it is not the one they dreamed of all those years ago in greece but is a happy ending.#it's not multiple shared championships or racing against each other for years or anything their 13 year-old-selves would've dreamed up but#it is them achieving their dreams. lewis has 7 wdcs and is aiming for an 8th. nico has a loving wife and 2 daughters he'd die for. they are#both doing the things they love. would it have been nice if those dreams included each other? yeah. would it have been nice that when ppl#mention their names it would be to talk about what great friends they are instead of how they tore each other apart? absolutely! but they#were doomed from the start. so maybe it doesn't matter that they didn't get their traditional 'happy ending'. at least they had a happy#start and a semi-happy middle. at least they have the lift to see each other. at least nico's daughters get to keep lewis in their lives in#a way nico will never get to again. they will never share a bowl of frosties again but at least their roots are so thoroughly tangled#together that they can never look back without haunting each other. at least they still have that.#anyway for all the non-americans who reblog or like this. the poem is 'the road not taken' by robert frost. very famous in america#every middle/high schooler has to analyze/read this poem at some point. i don't know how popular he is outside of america so i thought id#leave a note ig.#anyway. i am going crazy and i need to lie down. that 2nd line was sooo hard to find a photo for. wth does 'hence' even mean???#brocedes edit#brocedes#f1 web weaving#f1#nico rosberg#lewis hamilton#f1 edit#nr6#lh44#web weaving
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