#sleepanon rant | Explore Tumblr Posts and Blogs

sleepanonymous · 5 months

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im trying to get into sleeptoken - one of my friends is dragging me into it and i love it - can you just give me like a huge timeline and lore overlook? im looking around your feed, and im SO confused but also SO intrigued !! would love to hear from you :)

Hi! New fans always make me so happy! I’m glad you’ve been shown Sleep Token and you like what you’ve heard so far! I always recommend this video and this article regarding Sleep Token lore, but… yeah, I will take a stab at a complete timeline for you. I’ll be honest: I never was very into the lore of “Sleep” as much as I was curious about the band itself (which is typically why I recommend the two above sources for lore purposes). I know that much of the lore is from fans’ deep analyses of Sleep Token’s lyrics and not anything official from the band or Vessel. Almost everything is fan-made, so there are a lot of differing opinions—anything official or stated by Vessel and the band in interviews I included. If anyone is interested in my take on the lore, I might make a separate post about that.

This ended up becoming a massive post. Take what you think is massive and then double or even triple it. Fun fact: I aggressively fact-checked this and actually learned some new things about the band myself. I have marked any unverifiable statements and opinions in this post with an asterisk. Due to the band’s secrecy, the sentences with an asterisk are either heavily opinion-based or my best guess at what might have happened during a specific time period. Take them with a grain of salt.

Anyway! I have a problem; below the cut, I am making it everybody else’s problem.

In September of 2016, a video was posted to YouTube. The video was a black-and-white depiction, through short clips and flashing images, of what appeared to be a lone masked man, Vessel, performing a ritual by candlelight. The music over the video, a hauntingly beautiful mixture of indie pop and prog metal, was met with heavy praise from commenters. The description had three links to a new band’s social media and a Bandcamp account. Below the links was the following description:

Sleep Token are a masked, anonymous collective of musicians; united by their worship of an ancient deity crudely dubbed “Sleep”, since no modern tongue can properly express it’s name. This being once held great power, bestowing ancient civilisations with the gift of dreams, and the curse of nightmares. Even today, though faded from prominence, ‘Sleep’ yet lurks in the subconscious minds of man, woman, and child alike. Fragments of beauty, horror, anguish, pain, happiness, joy, anger, disgust, and fear coalesce to create expansive, emotionally textured music that simultaneously embodies the darkest, and the brightest abstract thoughts. He has seen them. He has felt them. He is everywhere. Sleep Token, led by the perpetually tormented, supremely talented Vessel, creates music that brings to the fore our most submerged thoughts and feelings, coaxing them from the desolate, terrifying caves of our subconscious mind.

The band officially formed in April 2016 (The YouTube channel, for reference, was created on April 14, 2016), but things had already been in the works for nearly a year before the uploaded Thread the Needle music video. In July 2015, Vessel came into contact with a talent scout/independent project manager by the name of Tom (I won’t provide his full name since Googling him brings up biased, embellished, and most likely false information about the band and its members).* In 2015, Vessel was already a skilled, trained, and experienced musician with the ability to play several instruments, including the piano, guitar, and bass, and the knowledge to compose and produce his own music. That being the case, Tom introduced Vessel to a drummer, dubbed II, as well as a skilled producer by the name of George Lever.*

On November 10, 2016, a second video was posted to Sleep Token’s YouTube channel, a music video for the masked collective’s second release, Fields of Elation. Much like Thread the Needle, Fields of Elation was met with enthusiasm and praise by Sleep Token’s growing fanbase.

Finally, on December 2, 2016, Sleep Token independently released their first EP, aptly titled “One”, on their Bandcamp page. The EP included Thread the Needle, Fields of Elation, and a new song: When the Bough Breaks. Accompanying the three songs, the band also included piano renditions of all three songs, performed solely by Vessel.

On the last day of February 2017, Sleep Token posted another video to their YouTube channel, a sombre piano cover of Outkast’s Hey Ya. Following the release of “One” and the cover of Hey Ya, Tom, now acting as Sleep Token’s manager, got the band signed to a label called Basick Records.* By May 2017, the band had another three-song EP, dubbed “Two”, already written and set to release that summer. This was announced via the release of Sleep Token’s third music video, Calcutta. By this time, Sleep Token’s manager had gotten a stand-in bassist and guitarist, dubbed III and IV, respectively, for the band’s first live Ritual. This was mentioned at the end of Sleep Token’s first-ever published interview with Louder. You can read it and the accompanying short article here.

On June 17, 2017, less than one month after the release of the Calcutta music video, Sleep Token took the stage for their first Ritual at The Black Heart in London. The band played seven songs live, including the three songs from “One”, Calcutta, two unreleased songs, Nazareth and Jericho from their upcoming EP “Two”, and their cover of Hey Ya. Very little is known about this Ritual. Most online sources seem to not know of its existence at all. The only concrete facts known about Ritual I are that doors opened at 7 pm, it was 18+, and tickets were £8.00 each. It is unclear how many people attended the Ritual; no footage or pictures have surfaced from that evening.

Sleep Token’s second and third rituals were performed in London in October and November 2017. The band opened for Motorpsycho and Perturbator, respectively. Because they were openers, any visual or audio documentation is nearly non-existent, but the band did appear in a few online articles reviewing the concerts.

In this article, author Roger Trenwith wrote the following about Sleep Token’s Ritual II:

“The support act Sleep Token was an odd mix of metal and pure pop, played by a band in horror masks and cloaks. Musically they were somewhat formulaic, in the tried and trusted quiet-loud-quiet-F’KIN LOUD nature of most of the songs, and accompanying theatrics by rote. When they diverted from the formula, they showed some promise, mostly down to the singer, whose extraordinary range made them just about bearable.”

Ritual III was met with similar criticism. This article, written by a much more helpful and open-minded Chris Keith-Wright, stated the following*:

“Remarkably, by the time Sleep Token take to the stage to start the evening off, there’s a very respectable amount of people front and centre to check them out. Perhaps this is due to the up-swell of media attention on the band since their signing to Basick Records and the release of their second EP, cleverly titled Two, that landed this summer. [...] The conceit surrounding the group is that the band are representatives of an ancient deity known only as “Sleep”, and that their frontman is an appointed-one dubbed ‘Vessel’. Whatever one makes of that, the fact is that Sleep Token’s Vessel has a most extraordinary set of pipes. [...] With a lighting show in time with their music and Vessel’s strong, soulful melodic voice featuring some impressive falsetto, they quickly engaged the audience. With the amount of vocal harmonies and extra musical depth that came over the sound system, I have to admit that it felt throughout their set that they were missing a band member, someone who could control and wield the keyboards, samples and electronics in a live setting. Donned with the obligatory cloaks the band produce a strong performance with their points of difference, clearly thought out prior to their live debut only a few weeks before. Their odd masks obscure their faces and during the quiet, vocal-led passages the guitar and bass players stood stock still. It’s simple, understated, but effective, producing quite the spectacle. Sleep Token’s transition between soulful, repetitive vocal melodies and brutal Meshuggah-esque riffery, and after a few songs this formula felt well-trodden. This is unfortunate as on record these transitions between the two disparate styles are far better executed – live there was far too much juxtaposition. Despite this, I and the majority of the growing crowd were transfixed by their performance.”

In March 2018, Sleep Token opened for two Holding Absence/Loathe shows, two bands with which Vessel would later collaborate. By April 2018, Sleep Token had parted ways with their manager and the Basick Records label.* It is unclear if both of these departures were related or amicable. As a once again independent artist, Sleep Token released the single, Jaws, on June 3, 2018, using footage filmed for their Nazareth music video that their previous label did not utilise. Through the spring and summer of 2018, Sleep Token performed their rituals at UK music festivals, further growing their fanbase.

In August of 2018, Vessel gave his second interview to Kerrang! UK. Interestingly, the article refers to the frontman not as Vessel but simply as Him. The main focus is on Sleep Token’s music and the single Jaws, released two months prior. A transcribed version of the article can be found in my Google Drive

Following these successful rituals and the Jaws interview, the band released another single, The Way That You Were, on October 8, 2018, along with its music video on YouTube.

This release preceded the last Ritual the band would perform that year. On October 11, 2018, Ritual XI was held at St Pancras Old Church in London, dubbed the band’s Inaugural Headline Ritual. It’s rumoured that all 120 tickets to the Ritual sold out in seconds. The band performed ten songs in total, including the live debut of the song Blood Sport. It is also worth noting that this is the first ritual Sleep Token performed with an opener being a band called Exploring Birdsong, which would become a staple opener for later ritual dates. Several members of Exploring Birdsong would also later become touring members of Sleep Token as the Choir.

At an unknown date in 2019, Sleep Token signed with a new label, Spinefarm Records. Together, the band and label began releasing music from Sleep Token’s first full-length album, “Sundowning.” Starting with The Night Does Not Belong to God on June 20, 2019, the band methodically released a new song bi-weekly at sundown BST until the record’s full release on November 21, 2019.

Interestingly, Sleep Token’s biography on Spinefarm differs from what the band had previously had in the description of their first two music videos. It is as follows:

Beneath the Sleep Token banner, lies the unique, broad-based vision of one individual – anonymous, silent, masked, armed with a staggering vocal range, a deft touch on the keyboards, plus a live approach that is never less than fully engaged.

While all factual statements to Vessel’s capabilities and talents, it appears that the band and their new label had retconned the lore surrounding them, granting the creation credits solely to Vessel himself. This is further evident by the Kerrang! Interview Vessel had previously given, which was removed from the internet, as well as the band’s Facebook page getting scrubbed of all posts prior to April 2019. Replacing them is a video of Vessel sitting at a piano and removing his mask, reminiscent of what would later happen at The Room Below Ritual in 2022.

Sleep Token would return to the stage on July 2, 2019. During this Ritual, Sleep Token opened for Amaranth and headliner Babymetal. This Ritual is notable because two key stage members, the guitarist IV and the Keyboardist, were replaced. The new guitarist took on the same moniker of IV, and the Keyboardist was replaced with three women from Exploring Birdsong, forming the Choir (or, as fans have dubbed them, the Vesselettes). The Choir was not yet a ritual staple, and there were several festivals and rituals where they did not accompany the band on stage, such as Sleep Token’s first US tour from November 7 to December 15, supporting Issues on the Beautiful Oblivion tour. The replacement for IV, however, did accompany Sleep Token on this tour.

With the release of “Sundowning,” Sleep Token once again gave an interview to Kerrang! UK to accompany an article reviewing the album. The article can be found online here, but no longer has the accompanying interview section. A photo of the original magazine review + interview, and a transcription can be found in my Google Drive.

Returning to the UK, Sleep Token performed several more rituals in late January 2020. Due to COVID-19 and subsequent lockdowns, they did not conduct another ritual that year. Nearly one year after the release of Sundowning, the band released a deluxe version, including new covers of Whitney Houston’s I Wanna Dance With Somebody and Billie Eilish’s When The Party’s Over, a piano version of Blood Sport, and a new original song titled Shelter.

Sleep Token would not perform another Ritual until the Download Pilot festival on June 18, 2021. Despite being Sleep Token’s first Ritual in over a year, this festival also had IV replaced again by another guitarist donning the same moniker. The Choir also returned to the stage with Sleep Token, completing the lineup that we know today. This festival was the same day that Sleep Token dropped their new single from their upcoming second album, Alkaline, along with a music video on YouTube.

Another reason the Download Pilot ritual was significant is that it was the first time a spoken message had been given to the attendees of a Sleep Token ritual, not by a band member but by a prerecorded, AI-generated voice. The following text was the message:

Let’s not deceive ourselves There is a reason we are here It follows us wherever we go We were in love We are in love It is what floats above us as we try to sleep It is what stands beside us as we gaze into nothingness It is drowning us It is eating us alive A million outstretched arms in complete darkness They will reach forever Remind me We’re both dying to find out what happens when we die We’re both scared of being We’re both stolen pieces of each other We’re both exploring our own frontiers of grief We’re both just strangers We’re both just particles We’re both so lost in what it means to be lost We’re both a house that remained unoccupied for too long Let’s not deceive ourselves.

Sleep Token released another music video for their upcoming album’s second single, The Love You Want, on August 6, 2021. Sleep Token played the same spoken message before taking the stage at the 2021 Heavy Music Awards on September 2, 2021. On stage, they performed several staple songs from “Sundowning” along with new singles Alkaline and The Love You Want, with the latter including the same dancers from the music video.

Two weeks later, on September 17, 2021, Sleep Token released their third and final single from their upcoming album, Fall For Me. Unlike the previous music videos for the band, this video focused on a single man, whom keen-eyed fans had identified as Vessel, though he was maskless, paintless, and in street clothing. Over the video, words will flash across the screen. When strung together, they give the following message:

The truth is I am due a harsh lesson In truth itself and how bitter it can be Will you teach me? The truth is, I am ugly, I am inadequate, I am lost, I am no god The truth is, I want to want to live And so do you I just can’t do this any longer I am afraid Are you afraid? I want to understand what it is to let go So for now let me serve as a living drama of your pain If we are to be submerged let us be submerged Together

One week later, On September 24, 2021, Sleep Token released their second full-length album with Spinefarm Records, titled “This Place Will Become Your Tomb.” This album was the first to find a spot on the UK music charts, reaching #39 for UK Albums.

That following November, Sleep Token had their first multi-date headline tour supporting their second album. They toured with another of their staple openers, AA Williams, and played eight rituals in total throughout the UK.

On November 26, 2021, an instrumental version of “This Place Will Become Your Tomb” was released, stripping all songs of Vessel’s vocals, except for Missing Limbs, which was not included. Surprising fans, just over one month later, on January 2, 2022, Sleep Token released a cover of Loathe’s song Is It Really You? The cover is listed as a collaboration between both bands but is simply (though still beautiful and enrapturing) Vessel singing alongside a piano rendition of the original song.* A year later later, the vocalist of Holding Absence, Lucas Woodland, would also announce that his band had collaborated with Vessel on an unreleased song on his Twitter.

This unofficial announcement accompanies another that was made in March of 2019 by Lucas, who stated in an interview that Vessel assisted Holding Absence with playing the piano in the song Purge.

On March 30, 2022, Sleep Token released an instrumental version of their first album, Sundowning. Nearly a month later, on April 29, 2022, Sleep Token, or rather Vessel and the Choir, performed an intimate ritual at the Lafayette in London. The Ritual was dubbed “From the Room Below.” This performance is one of the most significant rituals for two reasons. Vessel sang and played guitar for the first several songs, then removed his mask and played the rest of the set while sitting at a piano with his back to the audience. The second reason is that Vessel, once again, played an AI-generated message to the crowd of 600 people while he openly sobbed on the piano bench. His full message to the audience was this:

We are here to silently connect. To project ourselves onto one another. We are here to remember. We are here to forget. We are here to worship. Some time ago, I was given a message. It was a message that originated from one of you. Someone possessed by a strong desire to tell me something. The message read very simply: You saved me. I have thought about this message a great deal since. It left me with a feeling that I have somehow been mistaken for someone else. I did not save anyone. I do not believe I have the capacity to save anyone. All I have ever given anyone was a small window into the emotional waiting room of my mind. I do so whilst doing everything in my power to minimise my own vulnerability. In this way, I am selfish. I chose not to give what others can, and yet I am the benefactor of this thankful praise. I experience a great deal of pain in my life. However, I do not believe I have suffered as you have suffered. Perhaps that is another reason why we are here. At the very least, we have all suffered. I would also like to take this chance to tell you something. To love oneself is not the easy task we are sometimes told it is. We are all limited by something. We are all guilty of something. My own path towards a place of greater self-acceptance is paved with the art that I create. It is a path that I continue to stumble down at the expense of everything else. I am nothing without this music. I am nothing without this mask. So, in this sense, the message I received was true, but only in an inverse sense. The truth is I did not save anybody. You saved me.

After this first Ritual of 2022, Sleep Token had a busy year of touring, performing rituals in the UK, for the first time in Australia, and returning to the United States. In all, fifty-four rituals were performed, making 2022 Sleep Token’s busiest year— until 2023.

On January 4, 2023, Sleep Token dropped a new YouTube video, a visualiser for a new song, Chokehold, from their upcoming third studio album, “Take Me Back to Eden.” One day later, on January 5, Sleep Token posted another visualiser to YouTube, this time for the song The Summoning. This song is specifically responsible for Sleep Token’s sudden skyrocketing into the spotlight of modern music. To date (late November 2023), the visualiser has over 13 million views on YouTube, and the song has over 80 million streams on Spotify.

Around the same time as Chokehold and The Summoning were released, Sleep Token also added new merchandise to their store. Among the new “Take Me Back to Eden” themed shirts and pullovers was a crewneck sweater with a poem written in runes. The poem read as follows:

I am hunting something, and in turn, that same thing is hunting me. The beholder, the void beyond. I am the line between. I am the teeth of God.

Sleep Token released six singles for their third studio album: Granite on January 19, Aqua Regia on January 20, Vore on February 15, and DYWTYLM on April 19. “Take Me Back to Eden” was released on May 19. Dubbed the end to a trilogy, Sleep Token’s third album reached a peak point of #3 for UK Albums and #16 for the US Billboard 200. With this success, Sleep Token and Vessel were featured on several magazine covers, but the accompanying articles lacked an interview by the band or their servants.

Sleep Token spent the time between single releases touring Europe, the UK, and Australia. In September of 2023, the band returned to the US, for the first time with the Choir, for a headline tour, using AA Williams as their opener. At every date on this headline tour, a series of interludes were played between songs. All four interludes are below.

Interlude I Mask: They think you fake it Vessel: What do you mean? Mask: When you cry on stage, they don’t think it’s real. Vessel: That’s a reasonable assumption. Mask: Do you fake it? Vessel: No, I don’t. But it is something I do consistently, so if I was a member of the audience, I would probably assume that it wasn’t real. Mask: Do you ever see them crying? Vessel: No, I can only ever see them smiling. That’s good. I want them to smile. Mask: Do you think they want you to cry? Do you think they like it? Vessel: Not as such; I think they just want to know that I am feeling something, feeling what they are feeling, perhaps. Mask: Do you think that this amount of crying is healthy for you? Vessel: I don’t know. But at least I feel something; if I don’t feel anything, then why would I even do this?

Interlude II Mask: Why am I here? What is my purpose in all of this? Vessel: Your purpose is twofold. You protect me from them, and you also protect them from me. Mask: How is it that I serve to protect anyone from anything? That makes no sense. Vessel: In order for all of this to work, there has to be a certain boundary in place. They need to be able to project themselves onto this without anyone else’s identity getting in the way. In turn, I need to be able to show my true self to them in a way that does not compromise their ability to connect. Mask: So that’s what I am? A boundary? Vessel: Yes. Mask: I don’t believe you. I believe there is more to it than that. I believe you are afraid of something. Vessel: We are all afraid of something, are we not? Mask: What is it you are so afraid they will see? Vessel: That I am exactly like everyone else.

Interlude III Mask: Are you afraid of me? Vessel: Sometimes. Mask: Why? Vessel: I think I am afraid of becoming you. Mask: What does that even mean? Vessel: My life is becoming gradually consumed by you. Before long, all that I am will be contained within you. Then, one day, when I no longer wish to wear you, there will be nothing else left. Mask: It seems you have forgotten who you are. Before you had me, you were nothing. All of this artifice, all this pathetic conjecture about your identity, it is nothing but a manifestation of how short-sighted and solipsistic you have become. I lifted you from misery and obscurity. You would be better to become me. You are nothing without me. You always were nothing without me.

Interlude IV Vessel: You. Are. Wrong. In the end, my fractured sense of self was only another piece of fuel for the fire that burns in the eyes of these people before us. They, too, are pained. They, too, do not know who they truly are. They are each stood alone on a stage of their own. And yet, they are here. United by that sense of never truly belonging. They see something beyond their own bleak horizons. And they reach for it. Together. So let us join now. To reflect their joy and to serve as a conduit for their anguish. To swallow their fear.

Though only one month remains in 2023, Sleep Token still has a set of rituals to complete in Germany, as well as their largest venue as a headliner: OVO Wembley Arena, with a staggering 12,500 capacity—tickets sold out in ten minutes when they went on sale earlier this year in June. With the band’s continuous and foreboding statement of “nothing lasts forever,” many fans worried that this would be the last we ever saw of Sleep Token, with everything starting from “One” and culminating to a peak with “Take Me Back to Eden,” only to evaporate into nothing come the new year. Fortunately, several 2024 tour dates have already been announced for Sleep Token, including a tour in Australia where the band will be supporting Bring Me the Horizon and a festival date for the USA in April. Though all we can do is speculate what may come next for Sleep Token, one thing is for certain: This is only the beginning for our favourite band.

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sleepanonymous · 3 months

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Two quick things (since I've seen confusion about one and panic around the other). Firstly, "Nothing lasts forever" has been a theme of Sleep Token's social media for a long time now (since at least the Sundowning era). Here's a screenshot of a Facebook post from November 2019 with the quote.

Sleep Token aren't ending, I promise. They're just switching gears. Sundowning + Tomb + Eden was a trilogy, and now Vessel and Sleep Token are working on something new. I'd bet money they're writing/recording new music right now. We might not see it until the end of this year but it fits their timeline of record releases.

Secondly, "Teeth of God" comes from a poem that was on a Sleep Token jumper back in Jan/Feb 2023. The full poem is as follows.

I am hunting something And in turn That same thing is hunting me The beholder The void beyond I am the line between I am the Teeth of God.

#sleep token #teeth of god tour #sleepanon rant #nobody asked me about these #so imagine me kicking your door down to say this #and then disappearing into thin air #fun fact “the line between” is my working title for that half-baked alkaline manor fanfic i thought up in october #i still change my mind every other day about whether or not i want to post sleep token fanfic though

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sleepanonymous · 4 months

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In light of recent events (that I fully missed and only caught the resolution of), I figured maybe I should drag this post out of my drafts instead of sitting on it like a coward.

TLDR: It’s important to respect the band, but it’s equally as important to respect your fellow fan’s wishes to not know Sleep Token’s identities.

(These two asks are from the previous drama, not what happened yesterday.)

I’ve had those 2 anon asks sitting in my inbox from that drama last month with a Tumblr user revealing Sleep Token’s names in a rant post because the guys did not unmask during/after the Wembley ritual. I hate to bring this back up but I feel guilty because I pretty much tossed a barrel of toxic waste onto that existing dumpster fire and walked away as everything exploded. I’d gotten back to everyone who DMd me and sent non-anon asks, but couldn’t answer these two. I didn’t want to publicly put that tumblr blog on blast because I did not want it to look like I was trying to instigate a witch hunt.

I had planned on ignoring these two asks since I had no way to DM the anon users, but figured I may as well use this as an opportunity to talk about something else: Sleep Token’s identities and respecting the band member’s wishes to stay anonymous.

Nowadays it’s nearly impossible to simply look up “Sleep Token” and not have the guy’s names and/or faces spoiled. It’s not your fault if this has happened to you, and you aren’t a bad person or disrespecting the band. Even if you looked up the information on purpose, that doesn’t make you disrespectful. It’s human nature to be curious, especially in regards to things that you love.

It’s okay if you know the names and faces of the member’s of Sleep Token. It is not okay to pass this information along in Sleep Token fan spaces, even if you disagree with the anonymity aspect or believe it’s just a gimmick. It is okay to be curious about the members and search for information about them online (such as old projects, public accounts, etc). It is not okay to harass them or their friends/family online (and yes, commenting “Worship” is harassment outside of Sleep Token’s official accounts). It is okay if you don’t find Sleep Token attractive after seeing their faces. It is not okay to hate on them or bodyshame them, especially in Sleep Token fan spaces. It is okay if you recognize the guys out in public, such as outside a venue. It is not okay to draw attention to them, take unsolicited photos of them, or approach them with anything other than respect.

The point I’m trying to make is that you can only be responsible for yourself. I am in a space where I regularly use Sleep Token’s first names, and relentlessly censor myself outside of that space to make sure I don’t accidentally namedrop. If I, an adult with ADHD and a 50 second attention span, can do this, so can you. Know that if you are refraining from openly sharing/spreading information about the band’s identities, you are not only respecting the Sleep Token’s wishes to remain anonymous, but you are also respecting countless other fans that are trying to avoid that same information for their own reasons.

It’s also important to remember there are people on the other side of the screen before sending hate. It’s easy to forget that a living, thinking, feeling, human reading what you’re saying. The best way to deal with people online who give you strong negative emotions is to block them and forget they exist.

If you’ve read this far then I just want to say that you’re amazing and I love you (especially if you’re my mutual or follower). You’re all truly the best community in this fandom. I hope you’re having/had a fantastic day. Forehead kisses and Large Mug Morning Espressos™ for all of you.

#sleep token #vessel sleep token #ii sleep token #iii sleep token #iv sleep token #vessel #ii #iii #iv #asks #answered #(technically)#sleepanon rant #i really cherish all of you #but i also understand if you disagree with what i've said in this rant #i'm also not trying to call anyone out #i've just had 80% of this sitting in my drafts for nearly a month #and it suddenly became relevant again

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sleepanonymous · 6 months

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Heya! I just got into Sleep Token and I'm enamored! Do you know of any links to posts or anything that talk about the characters and their personalities onstage? I'm having trouble differentiating between III and IV (I know II is the drummer) and I want to learn more about them!

Also, is it pronounced Two, Three, and Four, or Second, Third, and Fourth?

Hi and welcome! 😊 Glad to see a new fan of the band. For the sake of clarity, I'll answer your second question first. The Sleep Token lore technically dubs them all Vessel 1, Vessel 2, etc. so it's my understanding that fans started calling the other band members Two, Three, and Four, and used Roman numerals for their monikers.

TLDR: This Weblink has almost all of Sleep Token's lore, and This Video also has almost all of Sleep Token's lore. The easiest way to tell III and IV apart from each other is by their instruments and height. III plays bass and is taller than the rest of the band. IV plays guitar and is shorter than the rest of the band (except for II, he is the shortest of the four).

I'll be honest, I also had trouble differentiating between III and IV when I first got into the band. Up until very recently, they wore similar outfits, too, which made pictures difficult to tell them apart. You can always tell via the instrument they're holding (if it's visible). III is the bassist and IV is the guitarist. Another way to tell depends on which side of the stage they are standing on. 85% of the time III is stage right, in front of the choir (Vesselettes) and IV is stage left, in front of II's drum set. My favorite way to tell them apart (before it just became secondhand nature to know which was which) was if the musician had a bun under his mask or not. IV's hair is relatively concealed beneath his mask, but III has longer hair and puts it up into a bun to keep it all in place under his mask during rituals.

The neck of III's bass is kind of in the way of the back of IV's head in the second photo, but here are two examples of the bun shape that III has. This is also a good way to tell them apart if they're standing next to each other, or, in this case, kissing. III is extremely tall and will always be taller than any other band member unless he's crouching or leaning over. If the two aren't standing near each other, you can always use Vessel as a measuring stick.

The photo on the left probably isn't the best reference, but trust me, III is about 5 centimeters taller than Vessel, he's just leaning back. The photo on the right also probably isn't the best since Vessel and IV are both just dark shapes lol, but at least it's obvious that Vessel is taller than IV.

The band as a whole is anonymous so you might not find much in the way of personalities, even of their stage personas. If you're willing to read up on the Sleep lore itself, you can do that here (this is a link to boolintunes.com). Or, if you'd prefer to watch a friendly, lecture-style video, there is this one here on YouTube. Persona-wise the most concise I can give you is this:

Vessel is very emotional. That is evident by the lyrics he writes, but doubly so when he is in front of an audience. He will cry, he will laugh, he will do silly dances, and he will hype up his bandmates. It's evident that he loves what he does, but he is also extremely humble about it. All of the love his fans give him he makes sure to give back 110% (the fact that he manages to do it without speaking is impressive in itself).

II is a beast, like no joke. This man has got to have started playing drums before he could walk, I swear. He, like Vessel, obviously loves what he does, has a blast, and also gives zero fucks while doing it. He will sit at his drum set and kick out beats while drinking Red Bull and Diet Coke through his mask 🤣🤣 During moments in songs where there is little to no percussion he'll often stand up and react to the lyrics Vessel sings. He also comes to the front of the stage at the very end of rituals to hype up the crowd and hand out his used drumsticks and sometimes even a drum head.

III is the most animated of the guys. I will often refer to him as the "main character" of Sleep Token because he is always front and center. This has also earned him the fandom nickname of Bassy Boi. I've seen him do everything from windmill headbang, to run in place, to high kick, to jumping up and down for 30+ seconds straight. He also has a knack for yelling at fans. There is a compilation video on YouTube here for reference. Also! Something I forgot to mention earlier in telling III and IV apart: III almost always has on his iconic checkered socks in the most recent shows.

IV (at least the current IV) is probably the most reserved and collected on stage (fun fact, there were two other IVs in Sleep Token before our current IV, I wrote about that here), In earlier shows he played with the band, around 2021/2022, he used to be fairly shy. Sometimes IV would stand off to the very side of the stage and let Vessel and III have all the attention. Luckily he's seemed to get past his shyness and has become much more of a crowd pleaser. He'll often do things like serenade the crowd (a bit like II does, only a lot closer since there's no drum set in the way), get roped into Vessel's or III's chaotic stage antics, or, you know, tease pulling his mask off in front of an entire music festival crowd.

#asks #answered #sleep token #iii sleep token #iv sleep token #iii #iv #a little bit of vessel and ii also #sleepanon rant #photography #gif #oh whoops i wrote a book #my bad craftysquidz #i really hope this helps #and so sorry this took so long for me to respond to #also if anyone has anything to add to this #PLEASE DO IT🖤🖤🖤

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sleepanonymous · 5 months

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hello fellow worshipper ^^

so from most of II’s drum cams i’ve seen, you can barely hear Vessel’s vocals… like do you think that ever makes him sad? not being able to properly hear his pretty siren voice on stage? :(

ofc feel free to ignore, i’m just a curious dude :)

Heeey, thank you for the ask! And I’d never ignore you or anyone else (on purpose, but my object permanence is as bad as a newborn's, lol) 🖤🖤

So, I have two answers for you. My first answer is that, yes, II probably does feel some type of way about not hearing Vessel’s amazing live singing (or even the Vesselettes, or III and IV). It’s obvious he’s a fan of the music he writes with Vessel, and he gets really into it during certain songs like Atlantic, where pauses between the percussion parts exist. But if it makes you feel better, II absolutely loves what he does and fully kills it every time he goes on stage. I’m sure it’s a sacrifice he willingly makes.

My second answer is much more technical and would apply to any touring drummer/musician, not just Sleep Token, so I’m just gonna shove it under a cut to hide my nerdiness, lol (and also not to shatter anyone's illusion with how much planning and work goes into live performances).

What we hear in II’s live drum playthroughs and what II hears while playing is a lot different. Performing musicians wear unique earplugs/earphones called in-ear monitors (I’ll abbreviate them to IEMs). The IEMs have several purposes, mainly to protect musicians’ hearing and allow them to hear themselves and backtracks while performing over everything else during a concert (because concerts are loud, obviously lol). But the IEMs also enable the musicians to hear other things, like the stagehands/sound techs can speak to them, they’ll more often than not have a metronome going, and they may even have spoken cues like, “Verse Two in 4 3 2 1.”

I can guarantee that II has at least a metronome going during all of Sleep Token’s rituals. Since none of the band really speaks on stage (I don’t count III’s yelling), II also might have either Sam (his drum tech) or an automated voice telling him what song he’s playing next, along with a numbered countdown for the beginning of the song. II might even get in-the-moment verbal queues from Sam, or Sleep Token’s FOH, Thom.

This isn’t Sleep Token, but the video below is an excellent example of what I’m talking about. I don't expect everyone to watch the whole thing but it's great, tempo changes, count-ins, and everything. Flash warning, just in case.

youtube

The two screenshots are from the same video and add a bit more information on what a musician might hear in their IEMs during live shows.

I might be alone here, but I really wish Sleep Token would release at least one of the live drum recordings with an in-ear mix like the video above. I’d nerd out so hard over hearing exactly what II or any of the other Eepy guys (especially Vessel during The Summoning, omg) are hearing live in their IEMs.

I know there are people who do mockups on YouTube of Popstar’s supposed IEM mixes and I swear if I had any musical knowledge or video editing skills it would be my self-proclaimed mission to put an in-ear mix into all of Sleep Token's live shows 😅😅

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sleepanonymous · 6 months

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twitter going nasty about vessel's chin broke me a little bc my chin does the exact same thing and i've been thinking about how we have that little quirk of skin texture in common since i realized that on him. i've always hated it... until i saw it on him, the only part of his face that is visible. it's extra heartbreaking to me that even when you try to distance your human image from yourself, some people will come and pick it apart. vessel will never see those comments. but my face does the same thing and i did.

Hi, Anon 🥺 I'm sorry you had to experience that. I struggle a lot with body positivity, too, so just hearing about the Twitter bashing set me off. It sent me right back to earlier this year when several fans were finding pictures of Vessel unmasked and they had the audacity to be disappointed because he didn't turn out to be some extra sexy supermodel.

I really hope you're right and that Vessel will never see those comments, but they shouldn't exist in the first place. You and countless other people with a similar insecurity see comments like that and it's very damaging. I'm also aware it's not just the Sleep Token fandom and it's a massive issue literally everywhere, like people log into their social media profiles and suddenly they forget any and all manners and etiquette they've ever learned in their life 😡😡😡

Anyway, I'm gonna stop before I begin ranting. If you or anyone else needs to hear this: bodies are weird, and weird does not equal ugly. You're beautiful just the way you are, and don't let someone's random subjective views, photoshop, or filters tell you otherwise.

#anon asks #slaapanon answers #sleep token #vessel sleep token #vessel #sleepanon rant #body posititivity #sorry this took so long to answer anon 🖤#idk if this is coherent #i am sick and have taken too much nyquil

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sleepanonymous · 8 months

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I think I’m mentally in a good enough headspace to finally write about this. This will be a ranty post, so skip it if you’d like. I’m also not going to pretend I’m not wildly speculating here. I do not know Vessel, nor am I a mental health professional. This is just me rambling into the void; I did my best to make it coherent.

So, to start, we’ll need the message from Vessel that he played during his The Room Below set and the text on screen from the Fall For Me music video. Since I’ll call back to them, I’ve transcribed both below.

Fall For Me:

The truth is I am due a harsh lesson in truth itself and how bitter it can be. Will you teach me? The truth is I am ugly, I am inadequate, I am lost, I am no god. The truth is, I want, to want, to live, and so do you. I just can’t do this any longer. I am afraid. Are you afraid? I want to understand what it is to let go. So for now let me live as a living drama of your pain. If we are to be submerged let us be submerged together.

Vessel’s Room Below Message:

We are here to silently connect. To project ourselves onto one another. We are here to remember. We are here to forget. We are here to worship. Some time ago, I was given a message. It was a message that originated from one of you. Someone possessed by a strong desire to tell me something. The message read very simply: You saved me. I have thought about this message a great deal since. It left me with a feeling that I have somehow been mistaken for someone else. I did not save anyone. I do not believe I have the capacity to save anyone. All I have ever given anyone was a small window into the emotional waiting room of my mind. I do so whilst doing everything in my power to minimize my own vulnerability. In this way, I am selfish. I chose not to give what others can, and yet I am the benefactor of this thankful praise. |I experience a great deal of pain in my life. However, I do not believe I have suffered as you have suffered. Perhaps that is another reason why we are here. At the very least, we have all suffered. I would also like to take this chance to tell you something. To love oneself is not the easy task we are sometimes told it is. We are all limited by something. We are all guilty of something. My own path towards a place of greater self-acceptance is paved with the art that I create. It is a path that I continue to stumble down at the expense of everything else. I am nothing without this music. I am nothing without this mask. So, in this sense, the message I received was true, but only in an inverse sense. The truth is I did not save anybody. You saved me.

For a bit of background, the Fall For Me music video was released in September of 2021, right before the release of TPWBYT. The Room Below show was initially set for January 2022. It was postponed twice due to COVID-19 and was finally set for the end of April 2022. To be honest, most bands would have just cancelled the show after it was postponed, especially if it was a single show, not part of a tour, and not meant for the entire band to be present. According to an online article, the show itself even started half an hour later than it was supposed to. Again, I’m wildly speculating, but Vessel wanted to do this show specifically to deliver his Room Below message. He doesn’t communicate any other way with his fans aside from the occasional chuckle on stage and his awful (/affectionate) heart hands. So what else was he supposed to do in order to respond to that person who told them that he, specifically, saved their life?

Let me back up a bit. Again, this is speculation, but I believe this person with their strong desire to communicate their message to Vessel did so before the music video for Fall For Me was released in September of 2021. It’s possible the message came after, but before makes the most sense (at least to me). I say this because the music video for the song has no direct connection to the lyrics. The base subject matter for Fall For Me is about longing and wanting someone who does not want you back, at least not in the same way.

On the other hand, the music video is Vessel (or a character he is portraying, if that makes you feel more comfortable) committing suicide by sea, and, upon first watch, the words on the screen are his suicide note. With closer examination, this is not the case. The words on the screen, though some statements do seem like they belong in a suicide note, are more like a precursor to Vessel’s Room Below speech, especially with the “I want to want to live, and so do you” quote. Even more than that, the statements show Vessel disproving himself and his importance to Sleep Token fans.

“I am ugly”, “I am inadequate”, “I am selfish”, “I am nothing without this mask.” With these four quotes, I’ll move on to the second part of this post. These four statements are coming from a man with severely diminished self-worth. Plainly, Vessel is struggling, or, to use his word, he is suffering. Without pulling more from his music, these quotes alone are a tell-tale sign that Sleep Token’s anonymous marketing strategy has backfired in the most spectacular way for Vessel. While it has captured the attention of over two million monthly listeners on Spotify and garnered over ninety-nine million views on YouTube, the anonymity has ruined Vessel’s self-esteem.

With the above stated, I believe he’s still on board with keeping up the anonymity of Sleep Token. To be frank, I think he’s the only member of Sleep Token who is still 100% on board with the gimmick. The Vesselettes recently unmasked back in July 2023 (good for them; they deserve to be recognized and praised for their talents), and there are multiple accounts of II, III, and IV walking around festivals and venues unmasked, sometimes even wearing their full stage costumes sans masks. Vessel relies on his masked identity like a crutch to deliver his art. He does so because he believes he has to. He plainly stated this fact to the six hundred people at the Lafayette with him in April of 2022 and, by conduit, all of Sleep Token’s fans who have heard the multiple recordings and edits of this message.

The other members, II, III, IV, even the Vesselettes, the old keyboardist, OG IV, and 2020 session player Sam Kubrick, have all achieved variable success without the Sleep Token façade in the public eye. But not Vessel. The best he had was performing on a small stage hosted by his former university at a music festival in 2014. Before that, he struggled to get subscribers on YouTube and played open mic nights at a local café. Vessel didn’t achieve any recognition or fame until after he put on the mask and bought entirely into the idea that his music, his art, should be wholly separated from who he is as a person.

This mindset reminds me of a Miley Cyrus quote (stick with me; I promise this is relevant) from a few years back. She did a podcast interview and said the following about her Hannah Montana persona: “When I looked like myself, when I didn’t have the wig on anymore, no one cared about me. I wasn’t a star anymore.” Her quote helped put Vessel’s statement, “It left me with a feeling that I have somehow been mistaken for someone else”, into perspective. I saw that snippet on YouTube a couple of weeks ago, and it was like everything instantly snapped into place involving Vessel’s insistence on remaining anonymous.

With the above said, do I believe that the anonymity schtick is a trash idea and that the band should ditch it? Absolutely not, because it works. Without anonymity, the band would not have blown up the way they did after The Summoning dropped in January 2023. Without anonymity, there wouldn’t be extra layers of added lore. Without anonymity, there would be no mini ARGs for the fans curious enough to wonder why there are no credits on the songs their streaming services are suggesting to them (thanks for fucking that up, by the way, Apple Music. A+ shitshow right there). We would not have such emotional, beautiful, heart-wrenching songs without Vessel’s anonymity. Vessel has said this last point himself with his quote about minimizing his vulnerability. Would Vessel have had the confidence to put out songs like Bloodsport, Atlantic, High Water, Missing Limbs, or even Vore without his mask to shield him? In Vessel’s words, all he has given his fans is “a small window into the emotional waiting room of [his] mind.” But what a gifted, beautiful, turbulent, fractured, and brilliant waiting room we have been allowed to see.

In closing, whoever it was that gave Vessel the message about saving their life, I sincerely hope they were in attendance for The Room Below show, and I hope they heard Vessel’s response. I hope they both, as well as anyone else touched by this interaction between the two, have found support channels for the weight of their pain. I hope that they are happy.

TL;DR Vessel is a beautiful, talented, and humble human being who has and continues to save lives with his music. He deserved so much more attention than he got before Sleep Token. I want Vessel to know this (even though he will never see this post). However, I also do not think that he and the other boys should not drop Sleep Token’s anonymity act at the expense of their comfort.

#sleep token #vessel sleep token #vessel #the room below #text post #sleepanon rant #just to be clear #i’m not attacking vessel #or sleep token #or their label/management #or the way they conduct their business #this is my two brain cells rubbing against one another to fire off a neuron in my skull #shocking i know #but it happens sometimes #cw mental health #cw self harm #cw suicide #cw depression #if this needs another cw let me know and i will add it

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sleepanonymous · 5 months

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I have an ask in my inbox that I've been working on for literal days ( I'm so sorry Axel that it's taking me a while to draft itup. I promise it's coming soon 🖤) and I'm doing so much research for it like... I'm learning so many things and connecting so many dots lol. Anyway! I did a bit of Googling for Sleep Token's original producer, George Lever, and I found a goldmine of information on the song Jaws.

A few fun facts: - The song was completed in just four days - Drums were tracked last - 32 synth tracks were recorded and kept to make up the body of the song - George mixed this, in his words, in the same mindset with which he would tackle a "pop song" (which I feel is relevant to some recent drama)

I dunno, I just got extra excited over finding a whole article written by the producer about how Jaws was made. The original link no longer works, but if you're curious, you can find a web snapshot of the page here:

#sleep token #song jaws #sleepanon jawspost #sleepanon rant #i love george lever so much #i wish they kept him around for the tmbte album #aaany way #i'm hoping to actually answer the ask by this weekend #i'm so bad with st lore but this timeline business is #💫my jam💫

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sleepanonymous · 30 days

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At the risk of exposing how unhinged I am about Sleep Token, I am going to tell you all about the stress dream I had last night. By no means am I blaming the dream for the bad day I'm having (it's the other way around, most likely), but I literally have not stopped thinking about this dream for one minute since waking up. Hence, I am screaming it into the void to hopefully get it out of my brain.

What was this horrible, terrible, agony-inducing stress dream, you ask? Vessel got braces. His slightly crooked front teeth? Gone. His sharp canines? Filed.

I was beyond distraught (to be frank, the entire fandom was). None of us had any idea until he went on stage for the upcoming ritual in Melbourne. For some reason, I was present, as in I had literally flown to Australia for this. When Vessel walked on stage the first thing he did was smile and suddenly the entire crowd was in massive distress.

And then. And then.

In the middle of Sleep Token's performance, someone found a comment string on Instagram between the main ST account and Lani (the creator of the new masks) that was literally:

I hate my teeth so much bro You should get braces bro 😁 Haha you're so right

We also found out Espera had liked Lani's comment too, so the entire crowd had turned on Espera and Lani for approving Vessel's decision to make himself more comfortable in his own body 🤷‍♀️

Anyway, I hate my brain sometimes, and that was my stress dream about what would happen if Vessel got braces.

#sleepanon rant #this doesn't need to go in the main tag #but its also not off topic lol #i've never been so attached to someone else's teeth before #the brases weren't even that neat #they were silver with clear rubber bands #vessel if you see this no you fucking didn't🔪🔪

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sleepanonymous · 5 months

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Hi, I was wondering if you knew when Vessel started 'dancing' on stage? I'm pretty sure he started doing in in the late Sundowning-ish era/ TPWBYT era but I thought you'd probably be the best person to ask about finding videos from when he started dancing.

Oooh this is an interesting rabbit hole, thanks for asking Anon 🖤

So... I guess it depends on what you mean by dancing, because Vessel has always sort of moved on stage, you know? But what he did back then and what he's doing now is completely different. Like... maybe a better word for what he used to do is "writhing." The earliest video of a ritual I've seen of Sleep Token's was their third ritual in (what I'm assuming is) late 2017, and "writhing" is probably the best word for what Vessel was doing on stage (and I say that affectionately/respectfully).

TLDR; Conclusively I would say Vessel started dancing, as we see him dance on stage today, in the summer of 2022. He's always moved on stage, and even acted unhinged during Sleep Token's earlier rituals. Below the cut, I go through rituals on YouTube from 2018-2023 to try and pinpoint exactly when Vessel started dancing like we see currently in 2023. (I went through quite a few videos, most not even mentioned in this monster of a post, so I made a YouTube playlist here).

A great example of Vessel's early "writhing" dancing is this YouTube video of Nazareth from the 2018 Leeds Festival (he's also an absolute menace here!! He steps on III, he didn't paint his waist or his back, and he strangles and spits on the original OG IV. Like... the man had demons and I am here for them). The dancing that's most similar to current times starts around 2:37 and 3:40.

2019 is impossible to find good videos for lol, since they did most of their rituals for the Beautiful Oblivion tour as an opener and, apparently, nobody films openers. But there are some with decent audio quality from ArcTanGent (my favorite being The Offering). Interestingly, he's less animated, still writhing, but not a menace to the rest of the band while doing so. If anyone is even slightly photosensitive please don't watch these ArcTanGent videos, the lighting effects really didn't agree with the camera's shutter speed.

This is a video of Higher from December 2019. The sound is not as crisp, and the videographer is quite a bit further from the stage, but Vessel is still moving, especially towards the end. The breakdown starts around 2:15, and while III and OG IV are definitely more animated than Vessel, he's still dancing with them. He even jumps down to scream the end of the song at the barrier (and has a mini-wardrobe malfunction) at 2:39. That crowd was really feeling it and so was Vessel.

Because of the plague in 2020, all of Sleep Token's shows were in January. Vessel's behaviour was very similar to the video posted above (just with less crowd interaction). The first show they played in 2021 was the Download Pilot. This is the best audio quality of that show, and Vessel also moves/dances the most in this video, though it's toward the end around 2:31, where the videographer forgot they were filming and just started vibing, so it's really hard to see, lol. I don't blame them, but it's also shakycam to the max. (Also, a quick fun fact, this is the first show the band played with our current IV as far as I can tell.)

This is another video from 2021, but from Sleep Token's TPWBYT rituals tour. It's Hypnosis, and in the very beginning, we see some Floor Vessel, which is neat and reminiscent of the most recent NA rituals, before he does some of his usual writing, though quite a bit more animated. Around 4:06 you can see the writing again, but after 4:19 it morphs into what we've seen from more recent rituals. (Also, if anyone wants a full 70-minute video of this show, filmed from the center of the balcony looking down on the stage, you can watch it here. Some parts have major flashing, so just be careful).

Here's another video of Hypnosis, this time from September 2022. Here, finally, we see Vessel's current version of dancing, hops and arm flails included. It starts right when the song kicks in at 0:13, and he does it again at the end, around 4:29. Technically they did a UK tour with the Architects in May (see this video of The Offering at 3:50) and an Australian tour in June 2022 with Northlane (again, see this video of The Offering at 0:20, 1:37), with similar behaviour from Vessel, but that BRRF Hypnosis video is the first video I ever watched of Sleep Token live so it's very dear to me and it's also better sound quality than anything I could find from earlier in the year.

I went way overboard with answering this question, Anon, but it was super fun, so thank you again for asking 🖤🙏 Again, I made a playlist of all the videos + several others. If anyone has any recommendations for me to add to the playlist, send the links my way (especially if they aren't The Offering or Hypnosis lol) and I'll add them in chronological order.

#asks #answered #sleep token #vessel sleep token #vessel #sleepanon rant #i blew this ask way out of proportion #so sorry anon #if i had the ability to gif this would be a much better post lol #also would anyone be interested in that video of ritual iii?#it's literally a minute long screen recording of someone else's video of nazareth #but still interesting to watch

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