Louise Bourgeois, Couvent d'O Bonnieux, 2002
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Larry Bell. Pacific Red II, 2017.
laminated glass, 12 panels
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Conversation on the Corner
Mixed Media installation. 2023. Omaha, Nebraska.
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Recent conservation work completed, looking to place this beautiful triptych in the vicinity from where the ground was unearthed...
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Sexypink - Barbadian Artist | Annalee Davis on her Pray to Flowers – A Plot of Disalienation, my site-specific installation produced by the Sharjah Art Foundation for the SB15.“Pray to Flowers – A Plot of Disalienation, my site-specific installation produced by the Sharjah Art Foundation for the SB15 runs till June 11.
Barbadian Artist Annalee Davis working on one of her pieces in the exhibition
This post focuses on the attached interior space mirroring the densely layered garden.These embroidered panels acknowledge British sewing traditions Barbadian women inherited over centuries. Practiced across races & classes, their habitual utilization of the needle & thread instilled notions of what it meant to be feminine. Pre-approved imagery, stitches, & colours replicated across samplers trained middle- and upper-class women into becoming submissive housewives abiding by the church’s teachings & moral codes of respectability. Conversely, Pray to Flowers disregards the restricted range of carefully taught stitches, colour combinations, & sanctioned subject matter.
Rather, these works interweave crochet, applique, & embroidery addressing more indelicate discourse such as the impact of mono-crop farming & the plantation on today’s climate crisis. Amalgamating time-honoured stitches with fabricated ones, 100-year-old cutwork embroidery intermingles with contemporary so-called ‘African’ print fabrics worn at Barbados’ Crop Over festival. Merging pale pink crochet pieces & machine-made lace, this mash-up of fabrics, threads, & traditions acknowledges the creolization inherent in the formation of post-independent Barbados.
Instead of producing decorative works for the living room or dressing tables, – prescribed domains of women – these tapestries link the plantation with the 6th extinction. Cyanotypes of local botanicals growing in my garden acknowledge native flora rather than bluebells and cockleshells found in the embroidered tablecloths of my mother’s generation, fashioned on prescribed patterns they were fabricated. Satin-stitched phrases” advocate the worship of flowers, and our need to unlearn the plantation & defend nature.”- Annalee Davis
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A Sprawling Nest of Vintage Wooden Chairs Perches on Liaigre’s Facade in Paris
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Cyprien Gaillard (French, b.1980)
Frankfurter Schact - 2021
[Outdoor sculpture in the Taunusanlage - various photographers]
MMK - MUSEUM FUR MODERNE KUNST, Frankfurt
image 5 via mentaltimetraveller
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Stepped into an Enchanted Forest today. ✨ Site-specific textile art installations by Joana Vasconcelos at ArtisTree in Taikoo Place, Hong Kong. // (c) Jenny Lam 2024
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Ebony G. Patterson (Jamaican, b. 1981) Dead Tree in a Forest... • 2013 • Mixed media on paper
Installation view of Ebony G Patterson's exhibition ...While the Dew is still on the Roses... • Pérez Art Museum, Miami, Florida
(Image credit: Oriol Tarridas)
Close-up of one of Patterson's floor tapestries at the John Michael Kohler Arts Center. Image: Monique Meloche Gallery. Courtesy of the artist.
Colorful clumps of flowers, crochet leaves and layers of woven gems are what first catch the eye in artist Ebony G. Patterson’s new tapestries, which make their debut next month at Monique Meloche Gallery in Chicago. But take a closer look at the group of impressively large floor pieces, each measuring around eight feet wide and over six feet long, and you’ll find disturbing forces within the works.
Ebony Patterson • Photo: Frank Ishman.
Read more about Ebony Patterson's work here.
Sources:
Artnet News (linked above)
Collassol
Monique Miloche Gallery
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Mario Mankey. Ego erectus, 2017
mixed media
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Hm. I am like... actively getting severely distressed and worked up about this assignment and I think the reason why is Significantly deeper than just "there aren't enough instructions". Like so much deeper I almost don't even wanna post about it. We live in a society bottom text
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Bangs and Whimpers:
Site-specific installation at Poriginal Gallery in Pori 2023.
Paper, projection, UV-light, carpet, cyanotype and natural dye on cotton. 4k video, 32 min.
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Site-Specific Kinetic Installations by Pinaffo & Pluvinage Channel Modest Materials Into Ephemeral Experiences
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Christian Wagstaff & Keith Courtney (Australian)
1000 Doors installation - 2019
Bendigo Art Gallery, Bendigo AUS
Photos by Jane Mancini [more on Instagram]
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