Jo Spence, The Final Project [Various 6], 1991 - 1992
Set of 4 prints from 35mm black and white negatives
Each, image: 20 x 30.5 cm
Each, overall: 30 x 41 cm
Edition 2 of 2 plus 1 Estate Copy
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north wind :: mary ruefle
Cannot say I as yet
but am beginning to get the idea
by putting the tip of my tongue
to the roof of my mouth.
Am exasperated when
do not succeed.
So much is missing
from the middle of the day!
Despite my best efforts
at individual enjoyment
know the north wind doth blow –
one day as yet
the roof will come off
and perishable below.
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Francesca Woodman, Untitled, 1979-80
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Camille Henrot, Femme allongée et dents de requin (Woman Lying Down and Shark Teeth), from ‘Collection préhistorique’ (Prehistoric Collection), 2009, c-type print, 40 × 30 cm. Courtesy: © the artist, ADAGP, Paris, and kamel mennour, Paris
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spaces of the mind: isamu noguchi's dance designs - robert tracy (2001)
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Sketch of neurofibrillary tangles in the brain of patient Auguste D., from the 1911 article by Alois Alzheimer
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Cy Twombly, Untitled, 1997, bronze,
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Jack Gilbert
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Paul Klee. Consummation, Consummation (plate facing page 86) from Potsdamer Platz oder Die Nächte des neuen Messias. Ekstatische Visionen (Potsdamer Platz or The Nights of the New Messiah. Ecstatic Visions). 1919
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Ernst Ludwig Kirchner, Love Scene, 1907
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by Cindy Sherman
untitled (no.102)
source: collectionarchive.tumblr.com
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Katarina Janeckova-Walshe (Slo 1988)
In the laundry (2023)
Ink on paper
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Hotel Letters
But strangeness
was always a part of the story.
A rip in the frame, an ink stain
or mar. Always, I was
almost, or maybe.
The endless hope of possibility.
woEn route to the agency, or the dealer’s
I stopped by Adam’s and begged him.
Please, I said, help me.
You are, he said, the most beautiful.
But, also, stupid, and wild,
part animal. Near the Pacific, after classes,
in the late afternoon.
Without words and filled, entirely
with music. Later, I spent years
looking, but never finding,
what it was he said
was good and worthwhile inside me.
--Cynthia Cruz
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Cy Twombly, Natural History II, Some Trees of Italy, 1975-76, A portfolio of eight prints., Mixed media technique: lithograph, grano- lithograph, collotype on Fabriano paper., Each sheet: 76 x 56.5 cm / 29.9 x 22.2 in. [H x W] Frame: 87 x 67 x 4.2 cm [H x W x D]
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Robert Rauschenberg, Ringer, 1974, offset lithograph and screenprint transferred to collage of paper bag, cheesecloth, China silk, silk, and satin, 177.8 x 91.4 cm (70 x 36 in.)
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