The Status of Things Elizabeth Shull Colored pencil on paper

Famous Monsters #81 (1970), cover by Harold Shull

Laura Shull Cake, 2014

Face practice? Hair practice? Yes. Playing around with Shulk with longer hair for the timeskip design for the "clone" of him in Alola, Shull. I... promise to elaborate on that later

Twitter version here

Published: May 28, 2022

Harold Shull - King Kong Painting Original Art (c. 1960-70s)

Source

love my framer immensely bc even when i roll up with an insane fucking vision they do not miss

(YES THE FIRST ONE HAS A MIRROR FRAME AND I LOVE IT SO MUCH)

art/ artists are as follows:

braid III, james jean

shrine, d. a. shull (that’s me!)

persimmon fairy, diandra pop & vonn collab

Many pieces of Elee concept art have popped up over the years. She would have been a giant mechanical creature that could carry as many as six guests around Star Wars: Galaxy’s Edge in Disneyland and Disney’s Hollywood Studios. Elee was designed to be a relative of the Bantha, a Tatooine creature that has been featured in “Star Wars” since “A New Hope.” Mezzatesta previously confirmed she was scrapped due to budget and Jerry Rees expressed hope she could still be incorporated into the land.

This could've been a game changer, and made Black Spire an unbeatable attraction. But of course, Disney panicked and slashed the budget.

I like that the Imagineers involved are gently poking Disney management to do this now, as an enhancement. But it shoulda been a phase one thing.

FLP CHAPBOOK OF THE DAY: Dropping Sunrises in a Jar by Melinda Thomsen

On SALE now! Pre-order Price Guarantee:

https://www.finishinglinepress.com/product/dropping-sunrises-in-a-jar-by-melinda-thomsen/

Each poem in Dropping Sunrises in a Jar began as a way to understand why #birds appear so happy at sunrise. Written from notes spanning over twenty years, Dropping Sunrises in a Jar glimpses nature’s inner workings of joy. In free verse and form poems, sunrises from across the globe are depicted in a variety of awakening colors and sounds. #Poems recount the morning opera from locations like a sleeping car on a train going to Beijing to construction crane noise in Prague, the cooing of doves in North Carolina, and canyon towhees in Arizona. By organizing the poems into three sections: I’ll tell you how the Sun rose, A Ribbon at a time, and The Steeples swam in Amethyst, the readers ultimately find themselves gently released back into their world with signs of hope. #nature #poems #birds #chapbook #FLP

Melinda Thomsen’s Armature from Hermit Feathers Press (2021) was a finalist for the 2022 Eric Hoffer da Vinci Eye award and an honorable mention in the 2019 Lena Shull Poetry Contest from NC Poetry Society. Her books Field Rations (2011) and Naming Rights (2007) are also from Finishing Line Press, and her latest poems can be found in Salamander Magazine, Artemis Journal, THEMA, The Ekphrastic Review, Poetry Miscellany, The New York Quarterly, and Poetry Quarterly, among others. A 2023 Randall Jarrell Poetry Contest Honorable Mention, 2019 Pushcart Nominee from The Comstock Review, and a Semi-Finalist in the 2004 “Discovery” / The Nation poetry contest, she’s an advisory editor for Tar River Poetry and current Vice President of Programming for the North Carolina Poetry Society. A graduate of Mount Holyoke College, she received her MA in English from The City College, CUNY, and MFA in Writing from Vermont College of Fine Arts. She is the Writing Center Coordinator for the John Paul II Catholic School and lives in North Carolina with her husband Hunt, two cats, and one chicken.

PRAISE FOR Dropping Sunrises in a Jar by Melinda Thomsen

I love that poet-philosopher Melinda Thomsen has turned her wise but uncynical eye and voice towards the tragedy of climate change. Thomsen writes, “I wake to the sky’s daily burning/in these—my sunset—years to collect sunrises…like candles gathered from my forgiving earth… But this burning keeps flushing out the birds…” Thomsen writes extensively of birds, those things with feathers, to give us what I love best in eco poetry, hope-punk. But, sad and knowing as her poems often are, Thomsen can’t help but bring her child-like wonder to the world, and for that I am grateful.

–ELIZABETH J. COLEMAN, editor of Here: Poems for the Planet, Copper Canyon Press, 2019

In Dropping Sunrises in a Jar, Thomsen skillfully highlights and juxtaposes the cyclical nature and beauty of sunrises and the corresponding splendor and chaos of local fauna, flora, as well as man made technologies. From mynas in Maui, bridges in New York City, construction in Prague, to warblers in Maine, Thomsen’s celebration of origins and beginnings cleverly serves as an homage to rebirth, routine, and hope.

–JOSE HERNANDEZ DIAZ, author of The Fire Eater, Bad Mexican, Bad American, and The Parachutist

Please share/please repost #flpauthor #preorder #AwesomeCoverArt #poetry #chapbook #read #poems

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.  Credits: TheMovieDb. Film Cast: Wyatt Earp: Kevin Costner Doc Holliday: Dennis Quaid Nicholas Earp: Gene Hackman James Earp: David Andrews Morgan Earp: Linden Ashby Ike Clanton: Jeff Fahey Josie Marcus: Joanna Going Sheriff Johnny Behan: Mark Harmon Virgil Earp: Michael Madsen Allie Earp: Catherine O’Hara Ed Masterson: Bill Pullman Big Nose Kate: Isabella Rossellini Bat Masterson: Tom Sizemore Bessie Earp: JoBeth Williams Mattie Blaylock: Mare Winningham Mr. Sutherland: James Gammon Frank McLaury: Rex Linn John Clum: Randle Mell Tom McLaury: Adam Baldwin Urilla Sutherland: Annabeth Gish Curly Bill Brocius: Lewis Smith Young Wyatt: Ian Bohen Virginia Earp: Betty Buckley Lou Earp: Alison Elliott Sherm McMasters: Todd Allen Francis O’Rourke: Mackenzie Astin Warren Earp: Jim Caviezel Mrs. Sutherland: Karen Grassle Frank Stillwell: John Dennis Johnston Sally: Téa Leoni Ed Ross: Martin Kove Bob Hatch: Jack Kehler Pete Spence: Kirk Fox Johnny Ringo: Norman Howell Marshal Fred White: Boots Southerland Indian Charlie: James ‘Scotty’ Augare Billy Clanton: Gabriel Folse Billy Claiborne: Kris Kamm Judge Spicer: John Lawlor John Shanssey: Michael McGrady Dr. Seger: Ben Zeller Stable Hand: Rockne Tarkington Mayor Wilson: David Doty Gyp Clements: Matt O’Toole Saddle Tramp: Brett Cullen Danny: Owen Roizman Gambler: Lawrence Kasdan McGee: Matt Beck Film Crew: Costume Design: Colleen Atwood Original Music Composer: James Newton Howard Producer: Kevin Costner Set Decoration: Cheryl Carasik Production Design: Ida Random Producer: Lawrence Kasdan Executive Producer: Charles Okun Director of Photography: Owen Roizman Producer: Jim Wilson Casting: Jennifer Shull Editor: Carol Littleton Art Direction: Gary Wissner Set Designer: Charlie Daboub Key Costumer: Barry Francis Delaney Set Designer: Barry Chusid Music Editor: Jim Weidman Supervising Sound Editor: Stu Bernstein Camera Operator: Ian Fox Executive Producer: Michael Grillo Hair Supervisor: Marlene D. Williams Assistant Art Director: Gershon Ginsburg Executive Producer: Dan Gordon Camera Operator: Bill Roe Foley: John Murray Script Supervisor: Anne Rapp Second Unit Director of Photography: Richard Bowen Set Designer: Tom Reta Dialogue Editor: Lewis Goldstein Executive Producer: Jon Slan Makeup Artist: Francisco X. Pérez Stunts: Gary McLarty Visual Effects Producer: Robert Stadd Chief Lighting Technician: Ian Kincaid Still Photographer: Ben Glass Dialogue Editor: James Matheny Costume Supervisor: Cha Blevins Foley: Dan O’Connell Property Master: William A. Petrotta Supervising Sound Editor: Robert Grieve Sound Re-Recording Mixer: Rick Kline Sound Re-Recording Mixer: Kevin O’Connell Construction Coordinator: Greg John Callas Boom Operator: Joel Shryack ADR Supervisor: Jessica Gallavan Hairstylist: Elle Elliott Dialogue Editor: Alison Fisher Key Makeup Artist: Gerald Quist Makeup Supervisor: Michael Mills ADR Editor: Joe Dorn Supervising Dialogue Editor: Bobby Mackston Key Costumer: Ruby K. Manis Key Grip: Tim Ryan Location Manager: Paul Hargrave Key Hair Stylist: Dorothy D. Fox Steadicam Operator: Rusty Geller ADR Editor: Stephen Janisz Rigging Gaffer: Kim Kono Dolly Grip: David L. Merrill Costume Supervisor: Le Dawson Key Costumer: James M. George Casting Associate: Phil Poulos Casting Associate: Elizabeth Shull Movie Reviews: GenerationofSwine: Tombstone was a different beast, and that sort of overshadows this, given that one tries to be more accurate and the other goes for entertainment. Take Wyatt Earp as a biopic and it is a superb and fair film. Compare it to Tombstone which was more of a Western and it’s lacking the flair. However, it ends abruptly, and it is miscast. Cosner (and i am a fan) doesn’t really make a good Earp. Dennis Quaid who I am also a fan of, doesn’t make a good Doc. This was 1994, in the 80s I might have a dif...

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YURI!!!! 🎉

Josef Albers, Variant / Adobe, 1947 [Collection of Hedy Fischer and Randy Shull. © 2021 The Josef and Anni Albers Foundation/ARS, NY]

Star Wars OC - Balduaa Besadii Shull:

Fully Coloured (Digital) -

Full Character Sheet & Information -

This is a Star Wars OC that I have been developing for the past 3 quarters of a year. I love the Hutt species, and when I found out that there was a Hutt Jedi in legends, Beldorion, I thought that would create my own, and one that could fit into canon. I have created a backstory for him, as well as a personality, and even possible weapons he could use. I hope you like it.

P.s if you are seen this after watching Star Wars visions, or at least episode 2. Balduaa was created back in December 2020, when Visions had just been announced, as is me at to fit into canon, visions (mostly) is not.

Initial Hand Drawn Sketch (No Colour) -

Balduaa post Order 66 -

Balduaa's Weapons -

Balduaa's Weapons, Close Up View -

Balduaa's Weapons, Close Up View 2 -

This is such a weird hat to draw, especially at an angle...

Ultra Necrozma Shull

Ultra Necrozma reminded me of someone. Probably nothing. He's always been suffering with that crystal in his neck. I thought maybe letting him leave to fight Necrozma was a mistake... But then he absorbed some of Necrozma's light and- He can fly through Ultra Space like this but it's difficult to maintain this forme. A Z-Move like this? Explosive. I'm gonna keep posting my weird stuff now. It makes me happy so why not. Published: Jul 5, 2019