I hate trying to explain the art I’ve made when it’s podcast related
Like yes I highly recommend this podcast, but I do have to be vague about it because half of it is absolute nonsense like goddamn ghost piss or the worst description of a transformation I’ve ever heard and yet I love it to bits and it’s consumed my entire brain
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Palace Magolor knocks on the door, giggling to himself in excitement as he waits for somebody to answer.
"Trick or treat!"
Why Palace! Such a cute costume!! This has been a long time coming, so merry not-mas to you! I hope this fits in your little candy bag—
Kitchenware! :D
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Do you see Jane as yourself or a separate person because when I read x reader fics I feel like I always make up characters that I think would fit more but idk
Me personally, I see Jane as a different person, just one with a few attributes I share! And that's kind of on purpose. I've essentially tried to make her a mixture of all of us, of the fandom, of the love we—me included—have for Matt and that world. That's why she's never physically described, why her original family is kind of murky and lost. She's both herself—her own character with a shaped personality and flaws and strengths—but also all of the readers, including me, and she looks like what each of us wants or needs to see, comes from where we need her to come from. Which is how I think of a lot of great Reader characters when I'm reading, or characters I style after me in RPGs! They're me but they're me in another world with another life story, which makes them different in their own way, in the way any alternate universe version of yourself might be different.
Because of Plot Reasons (TM), you can never really make a reader fully everyone, it's true. There are always choices the plot requires a Reader to make, which is one reason I've set Jane up with the backstory she has, and why we're exploring questions of identity through her that I want readers to consider - wouldn't we be the same as her, make a lot of the same decisions, feel the same loneliness and wariness and trauma, if we'd all gone through what she has? And if you spend all your time being someone else, how long until you start changing? How much of you is created and how much of you is born? How much of you would change if you went through what she did? And what if you did go through what she did? This could be you, what if? In that way, she's potentially (since some see her as entirely separate, which is fine!) a sort of a variant of us, an AU, a what-if, in which our lives and selves were morphed by circumstances beyond our control. This is how I see the CYOA books I read as a kid, and there was a great article I read a few months ago that sums up the You in CYOA, Reader fics, RPGs, and TRT pretty well (it's the highlighted bits I found most accurate, the part about not having 'relatability' I think was a misunderstanding of what You POV/Reader/the best CYOA books were about if done right since it CAN be relatable, though the rest of it after that still feels accurate).
So I don't think your stance is unusual at all! I've got a whole range of readers—some who see Jane (and other reader characters) as fully them, some who see her as wholly separate, and some who land somewhere in the middle. All of those for x Reader are valid, and I work REALLY hard to keep her as relatable as possible for that reason, so that even if someone does see her as someone else, you can still understand and appreciate her choices when the plot forces her hand. But that's the thing: where you stand on whether a Reader character is you or someone else or even a pre-established canon character is fluid. Everyone sees them differently, pulls on that costume, slides into that skin in their own way. And I think that's really awesome tbh, since it means we get a million different flavors of a character who's still essentially the same.
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