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#self titled album
ashamewithoutasin · 8 months
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The people over on Twitter seem to appreciate this, so I thought we would on here too. The albums match the wallpaper, and even without the little other trinkets I added to the shelves, they blend so well.
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hellboyyy25 · 1 year
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Tigers Jaw - Between Your Band and the Other Band
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My edit not my photo
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Yet another mini-game...
This week's mini-game is a weird one: self-titled albums (defined here as albums that have the artists' names in the title). A weird mix, but who's the best?
Vote on the main tourn too!
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illicitcab · 6 months
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i won't fall in love with falling, i will try to avoid those eyes,
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but now i'm here to give you words as tools that can destroy my heart
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lashton-is-my-drug · 1 year
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Lashton Timeline Masterpost; using 5sos and solo albums for eras
Using 5sos albums to show an overview/condensed relationship era timeline, using selected tracks. Release date is in parenthesis. Keep in mind, albums are recorded AT LEAST 6-8months before released, more typically closer to a year earlier.
A note I do want to make is that the affection between members of the band, and the fact they knew, and even created their pairing names, normalized and arguably fed into the "shipping" culture that happened. This has caused confusion throughout the fandom in delineating what friendship looks like and what a relationship looks like. Friendship is where the best relationships are based. How many times have you heard couples say that their partner is their best friend. All of the boys are best friends as well as soulmates, as themselves have stated.
Now with that out of the way....
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(Gif: Fetus Lashton)
Luke's mom is Ashton's maths teacher 2009- 2010 school year.
Then at some point Luke and Ash are both at the cinema where Luke is getting bullied by some kids and Ashton steps in and defends Luke (knight in shining armor anyone???). I will make another post about the timeline of the band and Lashton. For this timeline though, I will be focusing on their music.
(December 2012) “Somewhere New” first EP
“Out of My Limit” [Luke songwriter] - Special attachment to this song as it was performed in 10th Anniv YT Show. The lyric referencing 2 years matches up with how long Luke and Ashton knew each other. Calum and Michael met in 3rd grade, Luke went to the same school with Cal and Michael. Also, Ash was the only one to have jobs to help with expenses. [[Side note: Something that’s been on my mind is how “meet split ends” could be a double meaning to reference the band Split Endz (same lead singer is in Crowded House. SE was prior to CH. Lead singer is known in the industry for his songwriting skills. Ash is a fan of Crowded House.)]]
“Beside You” [Luke songwriter] - It’s a song of longing. During an interview, Ash attempted explaining the meaning is one can of beans is with another can of beans, but there’s another can of beans that wants to be with one of them. He lost confidence in his explanation so he didn't continue on with it. 🥺☹️
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(Gif: March 13, 2013 Ash London interview Ash leans over and kisses Luke's shoulder after caressing Luke's hair. Cal leans over onto Luke's other shoulder (doesn't kiss him ofc to try to cover it up) The interviewers don't even acknowledge it happening. Link
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Pictured: April 14, 2013 Tweet posted by Luke then deleted, confirmed by an OG 5SOS fan)
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Gif: October 30, 2013 Melbourne, Aus with their parents in the audience. During the song "Teenage Dream", which is already a suggestive song in of itself, Luke walks over to Ash with a huge grin on his face during the line "let you put your hands on me in my skin tight jeans" Then Ash sings the "let me be your teenage dream tonight" right into Luke's ear, while Ash is doing a rock n' roll suggestive shoulder roll. Luke is all for it. Link
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Photo: Luke's mom takes photo of the moment and posts it to her socials
(June 2014) “Self-titled” album
Lashton young love era continues. Learning how to craft songs and production and forming a bond with producer/mentor John Feldmann. “She Looks So Perfect” single released March 2014.
This is strongly shown through songs like “She Looks So Perfect” (originally completely gender neutral in lyrics and title “You Look So Perfect”), “End Up Here” “Don’t Stop”, “Long Way Home”. SLSP and EUH have direct evidence about Luke and Ash’s relationship starting. The rush of first meeting your person and first love. ❤️
(June 15, 2014) "Don’t Stop” EP
“Don’t Stop” [Luke and Cal songwriters] confirmed lgbt on Track by Track YouTube video, Cal tells Michael he wrote it for him, meanwhile Luke and Ash are specifying a whole backstory which includes drinking at a party. The boys already did have experience drinking, even though not legally allowed yet. Luke's cheeky love song. Ash has a brave moment of adding that it can be about a boy, then Luke agrees with him. Remember, Ash didn't write it.
“Try Hard” Start of lyrics mentioning roses in Lashton songs, Luke and Ash present day have matching rose tattoos.
“Out of My Limit” included on EP.
(March 2014) “SLSP” Ep +B sides
“Wherever You Are” [Luke songwriter] Experiencing a special closeness with someone but unable to be together because of forces, have to hold back “every night I almost call you just to say it always will be you”, “you can say we’ll be together someday”, “I know I shouldn’t tell you”, “why can’t I stop feeling this way”, “but there’s nothing that compares to what we had, and so I walk alone”.
(October 2015) “Sounds Good Feels Good” album
Focused on mental health, trying to figure out how to handle pressures of the industry on one's self identity, and navigating relationships with one another. Full of teen angst. Heavily working with John Feldmann. Proving themselves to the industry.
Luke and Ash getting even more seriously involved (evidenced by “Vapor” “Waste The Night”)
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(Gif: Nov 2015, Ashton showering Luke with love on the couch moment included in How Did We End Up Here 5sos documentary video. Ash is all happiness while again, Luke is enjoying the heavy affection from him.)
(June 2018) “Youngblood” album
Luke and Ash really step up as lead songwriters. Right after the end of tour sometime in August of 2017, the two of them go to Stockholm, Sweden together to immerse themselves in honing the craft of songwriting with Rami Yacoub and Carl Falk.
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(Gif: May 28, 2017 Luke says he would "follow him to the end of the Earth" Link)
(Sept 13th, 2017) Luke tweets for Australia to legalize same sex marriage (he very rarely talks about political issues),
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October 10th, 2017 Ash next to Luke, while in the car with Luke driving and Cal in the backseat, proudly announces “Luke lives with me now” via instagram livestream. Link
Oct 15th, Ash, makes sure everyone is aware they definitely are living together, tweets about him and Luke living together complete with a cute video of them in living room together. Link
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Oct 20th, 2017 Australian marriage equality account tweets to Ash asking for a follow to be able to DM, Ash replies with “Done 🌈❤️”. Visuals take a much more purposeful presence than ever before during this era. During promo for YB, Luke and Ash wear matching rings.
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Lyrically the song “Youngblood” seems to be wanting each other but with a bit of angsty sexuality and the games that are played.
“Valentine” [Ash songwriter] Ash directed the music video, music video included LGBT imagery. Genius interview, Sex and romance doesn't need a specific day, it should be all the time. Luke makes sure to say “it’s sweet”.
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“Better Man” recorded in Bon Jovi’s guitarists house (Luke’s fave band), Luke said it was him being in “a very self-destructive place” “then juxtaposed in the chorus” of finding someone loving.
“Empty Wallets” Ashton trying to impress Luke by giving Luke money to spend, but then not approving of how he spent it (lyrics reference drugs). Ash does however, believe in second chances (Cocktail Chats). An interview exists that Ashton speaks about spending money on a partner, which insinuates its his love language.(I would include reference to interview but I don't remember which one, I've watched too many to remember which one, sorry) He's bought Luke expensive multiple custom leather jackets, and has made social media posts showing off such gifts. There's no evidence, as far as I know of, Ash buying lavish gifts for Cal or Michael. Yes, Ash bought all four of them brotherhood necklaces, which are meaningful, but there's nothing lavish, like custom leather jackets.
“Want You Back” During Zach Sang interview, Ash says it describes “falling in real love and it determines the way you go in relationships the rest of your life, frustration of not finding that again, [It’s] not the actual person”. Paying attention along the years how much Luke and Ash are on the same wavelength in interviews and such, like finishing each other’s sentences and connecting on each other’s thoughts and how affectionately (not the same affection towards Michael or Cal) they act towards each other. Luke “lyrics are sad, but upbeat [musically]”. Includes another reference to roses. Ash has worn a roses shirt. "Freckles on your back" Luke has freckles. Luke starts feeling comfortable enough to wear makeup in the music video. Wearing makeup is a big thing to the guys because of conservative views on gender norms they were surrounded by in Australia. Rainbow music video, with room for interpretation.
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“Ghost of You” Band was/is escapism (started day 1 as escaping Aussie), this line is queer coded “my feet don’t dance like they did with you”, “(Led) Zeppelin shirt” is Ash, Ash has expressed that this song is emotionally meaningful numerous times ever since released. I have a whole lyrical analysis posted.
“Meet You There” Right person wrong time, will be together when time is right. Easily consider this as queer flagged relationship that can't be together for certain reasons...
"Midnight" Bonus track. Has an incredibly queer flagged theme of only being able to love someone at night, never in the light.
"Monster Among Men" Another bonus track. Queer flagged song. "I'm so bad for you", this song is so filled with testosterone.
"When You Walk Away" Another bonus track. "Such a sentimental love, In a cynical world". Yet another song about outside judgements on being with a lover, a common theme weaved throughout 5sos and solo discography..
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(Gif: Calum's recording of Luke and Ash being adorable goofballs together moment, included in a 5SOS tour diary. Dare I include that while Ash and Luke are boyfriend'ing, Luke's beard is on the same boat...)
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(Pic: Jun 6, 2017 Luke posts a photo to his IG captioned "ashtonio irwinie". Luke and Ash cozy during what can be construed as a date night. Link )
(March 2020) CALM album
Maturing even more into their adult life era
“Red Desert” Motivation as a band. Having a reason and muse that keeps you going for a goal. Luke and Ash are each other’s muse (soulmates, twin flames).
“Old Me” Moving through and past hard partying days, messing up but then working on what will make you a good partner
“Teeth” Lies giving butterflies, music video shows rainbows on Luke and shows Ash for lyric about seeing as "my wife". Theme of torment and working through each of their barriers/struggles. Ash posted an acoustic guitar version where the torment is clear. Later, when 5sos5 album is released, Ashton says it contains working through barriers.
“Wildflower” pop love song. Music video is rainbows galore including starting and ending with 5sos themselves as a rainbow. Ash tweet announcement includes rainbow. Ash is very proud of this song.
“Best Years” Luke professing his love, features The Edge guitar part. See my lyric analysis.
“Not In The Same Way” Luke looking at his mistakes from his and another perspectives (as per Luke), Ashton via ig livestream: “the concept’s beautiful. We love each other but not in the same way”. Luke: “chaotic relationship”, hurt each other “when you were just friends”. This wouldn’t match with being about Sierra since they were narratively shown together and narratively so quickly together as a couple. No time to be friends.
This song is a precursor to “COMPLETE MESS”.
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“Lover of Mine” Luke and Ash devoted love song, having to deal with lies, “dance around the living room”, “when I look at my life and all of my crimes, you’re the only thing I think I got right” “kaleidoscope mind” 🌈 “seen the red, seen the blues”. This song describes a relationship that’s experienced a lot together.
“Lonely Heart” Ash pauses during his solo track by track IG live to take an emotional moment. Rainbow hearts lyric video. “Native of mine, you’re just my kind” (hello soulmates!!), dancing inside a burning house, being pulled apart from each other and hating the feeling of that, “I’ll always follow, I promise you, until the end of time” (refer back to Luke saying in interview he would "follow [Ash] to the end of the Earth"). When Michael suggests it’s Luke’s least fave song on CALM during a CapitalFM interview, Ash immediately says "I'm signing off". Michael has a pattern of razzing the guys like this.
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Screenshot: Official audio video for "Lonely Heart". Rainbow hearts 🌈
“High” There’s an awkward back and forth when talking about this track during Ash London interview. The person is selfishly calling the other person to tell them they’ve changed. Double meaning: high as in smoking mj, or thinking well of this person. There’s a tone Luke and Ash are each speaking with. Luke sounding apologetic, Ash sounding perturbed.
Luke and Ashton release solo albums in between 5sos albums.
(2020) Ashton's album "Superbloom"
"Sunshine" Song includes lyrics... "Satellite dreams" feeling like he's alien. Doesn't fit in with humanity. Queer flagging. "Expensive perfumes, Ladies do not lose, Playin' but not on the team" and reference to living in a cage. Closeted queer flagging.
"Perfect lie" about having to tell lies with his partner, gender neutral. Closeted queer flagging. Album filled with torment despite publicly at the time being supposedly in a happy relationship with a female.
"I'm To Blame" He described this about getting high with someone. But then towards the end it takes a turn... "No I can't, Live a lie, You can't make me, Live a lie, Burning red, Letting go, Up in flames, All the same, I am too". This part is so heartbreaking to listen to. He's being told to live a certain way but he's not happy doing that. Closeted queer flagging. Years of manipulation subjected to him from Modest Management perhaps?
June 1, 2021 - Ashton posts a tweet during Pride month announcing it's not just Pride Month but Pride Life.
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July 9 - Luke includes gay marriage reference in first single “Starting Line” music video.
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There's so many references to opening up his eyes all throughout his album. Feeling fake and being sorry for how things are and how he handles himself throughout, asks for forgiveness.
"Starting Line" Processing his childhood and the band until now. Sets up all the topics covered throughout the album, as per Luke. Undertones of being LGBT. A friends parent, not in the fandom, heard this song and asked if he is gay. See my analysis of the music video/lyrics post. When Luke's album and single was released, Ashton was intensely supportive and commenting on his social media, posting ig stories. "Jumping into my dreams" comment by Ash on his ig post for the music video. Link to Ash supportive social media
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"Place In Me" "You always liked this time of day, no words left to play on, how many chances does it take" This is such Ashton coded. Lyrics are so ingrained in his being, being considered as a lyricist is so important to him, but sometimes words are not enough without action to back them up. Remember how Ash is willing to give chances? It sounds to me like this is something Luke is hearing from Ash, about getting things right. This song is saying sorry and no matter how things are this person is a part of his being. Ashton posts ig story of this song "Now with my eyes wide open, it's heaven in your arms. I'm crying and it feels so good".
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"Mum" The references to chandeliers and scared of not being accepted. Hoping his mum is along with him through it. "Love the fear of falling" "jump into my ocean" "can't you hear me?" "nothing hurts me now".
"Baby Blue" "I'm on my way to Wonderland, Take off my suit and wander in for a moment, Or stay for a lifetime" Heartbreakingly candid lines that are queer flagging of closeting. "I'm hiding in a living sleep". Closeting. "Living in the in between, And I'm never gonna last, never gonna last" Closeting. Well, you get the picture.
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"Motion" Music video promote it about struggling with mental health as well as queer flagging and closeting. Trapped behind glass (same theme as Harry Styles video for "As It Was"). Rainbow of colors. Drinking a gallon of milk.
"Comedown" Last track on the album. Looking back on how he's not been accepting truths and instead avoiding them."Light up a darkness I was never meant to" Hinting that another person in his life brought on revelations. This song can be connected to COMPLETE MESS. Camelia Street is located in Australia in NSW area where the boys are from. He released this album with Sony Music, which is known for using personal lives/stunts to promote projects. Hence him creating the story of it connected with Sierra. "Seeing those colours creeping in, They give me something I can feel, As the seconds start to take bloom" Connected with mental health as well as self acceptance as lgbt.
Ashton posts an unboxing video to his IG story when he receives a vinyl of Luke's album.
(September 2022) 5SOS5 album
Luke and Ash continue to express being committed to one another by wearing matching black onyx rings, engagement/wedding bands. There was different matching rings during Youngblood era as well. The songwriting has increased in maturity, even more than ever before. Contemplative look back where they’ve come from (“Red Line”, for instance) and where they are today (“COMPLETE MESS”, for instance)
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“Complete Mess” Luke and Ash complete each other, but at the same time can ruin each other. Luke said during an interview, the song is romantic. Music video was only the relationships between members of the band. Luke wore his black onyx ring (frames of him showing his hand used for Spotify canvas too). Song idea started with Luke “you make me complete”, then Ash put a 5sos “touch of misery”. Promo for the song is so full of Lashton, yet the Lierra “engagement” gets brought up throughout, never by Luke. (To me, it reminds me of how Zayn was throughout his engagement to Perrie Edwards.) Song also has a connection with a shirt Luke owns. Ash has the picture of it at the ready on his phone, should anyone ask.
“Easy For You To Say” Considering moving back to Aussie to get back to roots when settling down.
“HAZE” Chill vibe about being in love. Luke and Ash literally singing to one another for a verse about when the bullshit is getting to them, they’re able to be themselves with each other “feel human once again”.
“You Don’t Go To Parties” Ash’s perspective. Him being with everyone he knows but yet he’s still not engaging with them “clinging to my couch” besides getting high with friends since he’s not interested in finding anyone there. He can’t stop talking about the ”past 5 years running out my mouth” (matches up with the timeline of when they lived together 2017). Luke and Ash have been longtime party buddies. Could be about Ash’s sobriety, as well.
“Caramel” Navigating being together through how more complicated life has become (similar theme from “2011”). A love that’s seen and been through highs and lows “it’s been a while since you and I been where we started”, but not losing what they have together “I don’t want to let it fade away”. “True love” yet having to “play pretend”. But at the end of the day, it's still "love like a landslide, I kiss you goodnight". Both Luke and Ash each choose it as one of their faves on the album.
“Red Line” Melancholy Ashton reflecting on the time spent in London riding the train to songwriting sessions. Light vs dark. Falling out of love, he’d lose himself (feels like “Complete Mess” adjacent)
“Moodswings” has parallels with Luke’s song “Slip Away” (struggling to get out of your own way when things are going good, mental health).
“Flatline” The intensity of falling in love. Luke is shining (“COMPLETE MESS”). “Hard to fake”. Has a dark twist (Ash has spoken about enjoying doing that in his songwriting).
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(Photo: The guys celebrating a successful album. Luke and Ash, Michael and Cal.)
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(Gif: April 2023 Tecate Pa'l Norte music festival in Monterrey)
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starxcxboy · 9 months
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— BEYONCÉ: The Visual Album by Beyoncé, 2013
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itwasnotahamster · 10 months
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Mick Thomson, guitarist of Slipknot | Gif (not mine) *1999
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thecoldcoffeecup · 1 year
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donnabisestile · 10 months
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Babe, baby, baby, I'm gonna leave you I said, baby, you know I'm gonna leave you I'll leave you when the summertime Leave you when the summer comes a-rollin' Leave you when the summer comes along
Babe, babe, babe, babe, babe, babe, baby Baby, I wanna leave you I ain't jokin', woman, I've got to ramble Oh, yeah Baby, baby, I be leavin' I really got to ramble I can hear it callin' me the way it used to do I can hear it callin' me back home
Babe, oh Babe, I'm gonna leave you Oh, baby You know, I've really got to leave you Oh, I can hear it callin' me I said, don't you hear it callin' me the way it used to do? Oh
I know, I know I know I never, never, never, never, never gonna leave you, babe But I gotta go away from this place I gotta quit you, yeah Oh, baby, baby, baby, baby Baby, baby, baby, oh Don't you hear it callin’ me?
Oh, woman, woman, I know, I know It feels good to have you back again And I know that one day, baby, it's gonna really grow, yes, it is We gonna go walkin' through the park every day Come what may, every day Oh, my, my, my, my, my, my babe I'm gonna leave you, go away Oh
Sweet lips, sweet baby It was really, really good You made me happy every single day But now I've got to go away Oh, oh, oh
Baby, baby, baby That's when it's callin' me I said, that's when it's callin' me back home
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gothmusiclatinamerica · 8 months
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"Pervertido" by Mexico City, Mexico-based deathrock and afterpunk act Miedo Vicio Podredumbre off of their 2023 self-titled debut album
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balladtv · 8 months
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photos from the 1975 at reading.
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(I was also on bbc iPlayer so including that clip too lmao)
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awarenessaslove · 11 months
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kittykatrattie · 1 year
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clangandclatter · 6 months
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Jars of Clay - Jars of Clay (October 24, 1995)
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lashton-is-my-drug · 1 year
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I threw together a truncated Lashton timeline, going by albums. (This is different from a full timeline I’ve been working on continuously, but still gives a good overview.)
Is this something anyone is interested in me posting?
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fuckyeahvanhalen86-95 · 7 months
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Engineer Donn Landee looked back on working with Van Halen on the iconic band's 1978 self-titled debut album, noting how the band's members were initially disappointed in its sound.
Even though it would go on to redefine rock music for a whole generation, 1978's "Van Halen" got off to somewhat of a rocky start. Right after the release, the album was greeted with some less than complimentary early reviews — for one example, Rolling Stone wrote: "In three years, Van Halen is going to be fat and self-indulgent and disgusting ... follow[ing] Deep Purple and Led Zeppelin right into the toilet. In the meantime, they are likely to be a big deal."
And while Eddie or his band members never got "fat" or went sewage-diving, they definitely became a "big deal" pretty quick.
Some members of the band, however, clung to their misgivings with the original album's sound for a bit longer, with Alex Van Halen reportedly saying that it didn't sound as imagined. Asked in a recent interview with "Tape Op" whether members of Van Halen voiced their concerns during the recording process, engineer Donn Landee said:
"They were extremely quiet. We didn't hear anything about [the sound of the album] until well after Van Halen was out. They were disappointed; it's not what they had in their mind when they came in to do the record. But Al told me we got it [right] later on. What we got on tape for '1984' was much more to his liking."
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Asked to comment on bassist Michael Anthony's remarks how Van Halen wanted to sound like Montrose and how they were happy for the opportunity to work with Landee and Ted Templeman because of it, he said:
"The Montrose and Van Halen debuts sound really very different. With Montrose, we did overdubs. We would do two or three [tracks] of Ronnie’s guitars. With Van Halen, they played it and we were done. That's the way most of that first album [was recorded]. There are some songs that have some [guitar] overdubs, but not many. We did the Van Halen albums on 24-track, but we could have done them on 16-track. I don't think we ever filled up the tracks. That’s the reason why when we built 5150 for [recording] 1984, I did not buy a 24-track. We went with a 16-track machine."
Donn Landee would go on to form a special bond with the band, and even eventually helped Eddie Van Halen build his legendary 5150 home studio, where he used a mixing desk nearly identical to the one from Sunset Sound Recorders, where "Van Halen" was made.
Asked if it was true that his fellow engineer Kent Nebergall specially decorated Sunset 2's control room for the occasion of recording "Van Halen", Landee said:
"He had a Star Wars X-wing toy. He brought it in, hung it up, and said, 'This belongs here, believe me, because these are two greatest things I've ever experienced: Van Halen and Star Wars!' It was hanging from the ceiling, right between the two monitors in Studio 2, for all the time we recorded Van Halen. I loved working with Kent."
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