"Baile Fatal" by Santiago, Chile-based post-punk, deathrock, and batcave act UltraStigma off of their 2013 album Memorias fúnebres

Adria from Tears for the Dying on how to make your bass sound more goth, which is very important, considering bass is the most important instrument in goth music.

"Infiernillo" by Chilean art post-punk act Dolorio y los Tunantes off of their 2020 album …Esas Mutancias, presented by Santiago, Chile-based indie record label Sello Fisura

The title track off of 2021 album ...And the Vampires Come to Life by Talagante, Chile-based deathpunk act The Daggers

Dark Grey Matter: Neurodivergence and the Goth Experience

[originally posted here]

Alternative subcultures have existed for nearly as long as human society. Modern examples include the flappers of the 1920s, the beatniks of the 1950s, and the hippies of the 1960s. These alternative subcultures have been defined by music, literature, fashion, and film. For those outside of these subcultures, it may be unclear what would make one wish to exist in a group that is not part of the norm. While there are many factors for each individual, it is clear that neurodivergence plays at least part of a role for many people. For the case study, I will be using the goth scene, being a member myself and because it is both newer and longer lasting than some of the others, being what to subcultures as water is to liquids, if you may. There have already been analyses of specific post-punk musicians and their neurodivergent diagnoses - Gary Numan and David Byrne being autistic, Danny Elfman with his ADHD/OCD combo, and Blixa Bargeld being synesthesic, not to mention speculation about countless others. This is not one of those. The musicians are important, but this is more about the members of the subculture as a whole, whether they produce music or not. This is also not to say that every goth or person in any given alternative subculture is neurodivergent or that every neurodivergent person is involved in an alternative subculture, just an observation on the overlap between the two. 

To start us off, let us focus on what is typically seen as central to the goth subculture: the music. There are currently a myriad of subgenres of goth music: darkwave, deathrock, gothic rock, and ethereal wave, among others. It is sometimes difficult to define goth music as a whole, especially with bands that bleed into non-goth specific post-punk genres, such as shoegaze or industrial and with different terminology being more popular in different regions and eras. A rough definition for all of these subgenres would be a variety of alternative rock music with origins in punk (though some have influence that includes glam rock, synthpop, and even Caribbean-British dub reggae) that typically values minor chords, a heavy bassline that dictates the melody, slower rhythms, mezzo vocals, and artful, often dark lyrics. Why would this genre appeal to neurodivergent people specifically? The initial appeal is the sound. A common comorbidity with autism, ADHD, and other variations of neurodivergence is Auditory Processing Disorder or other differences in sound processing. Those thusly impacted may respond to verbal cues more slowly, be irritated by certain sounds more easily than others, and mishear words more frequently. There are numerous hypotheses to address differences in musical taste and likely multiple contributing factors and differences in audio processing may be one of those factors. While not every instance of APD is exactly the same, it is easy to see how a music genre that focuses on deeper pitches, more pronounced vocal styles, and slower rhythms would aurally appeal to individuals who experience auditory processing differences. 

Aside from the way that the music sounds, there is also great appeal in the lyrical content. Certainly, goth bands touch on a variety of topics, from the historical monologues on the World Wars by Joy Division and the Pagan rites of Inkubus Sukkubus to the scathing diatribes of 1980s conservative politics by Sisters of Mercy and the sexual escapades explored by London After Midnight, just to name a few. Across the diverse set of subjects that these bands cover, there is a consistent return to one recurring theme: being an outsider observing an imperfect world. The experience of feeling like an outsider is certainly one that many neurodivergent individuals can relate to. Many neurodivergent individuals are made to feel like outsiders from a young age, often bullied by their peers for their communication styles and told by family members to behave differently, traits they have difficulty controlling. With differences in communication and internalizing the world, it is difficult to make sense of supposed social rules and forge connections. When one has similar requirements to exist happily as others but difficulty obtaining them due to reasons outside of one’s control, it is easy to recognize the world as a flawed place full of inequality and rewards for shallow traits. There is hope for those whose auditory processing differences do not manifest in alternative music, at least not exclusively. Fortunately for youth of today who still feel like outsiders, be it due to neurodivergence or anything else, but still have more mainstream aural preferences, modern pop artists are less afraid of embracing oddity and touching on feelings of isolation. Some may even serve as bridges for those with a taste for multiple genres as some pop artists have expressed an appreciation for goth artists. One now-former member of One Direction previously cited Joy Division’s Unknown Pleasures as a primary music inspiration, Dua Lipa did a photoshoot that made an homage to Siouxsie Sioux, and Billie Eilish has been seen performing in an Alien Sex Fiend shirt.

Of tertiary importance to the scene compared to music but more obvious to those not involved in the scene is fashion and makeup. The way that neurodivergent people often do not internalize social norms, current trends are often similarly not internalized, so dressing according to any sort of trend is not even considered. That being said, clothes are not necessarily chosen at random either. Something of utmost importance to many neurodivergent individuals when choosing clothes, as with many of their neurotypical counterparts, is comfort. This sometimes manifests in more obvious physical ways, such as removing tags or avoiding certain fabrics. It is easy to see how a scene that values DIY aesthetics would appeal to those with sensory differences; no one can fault one for cutting off a tag when the entire outfit is cut up and put back together with safety pins. However, there are also ways to achieve psychological comfort. Case in point, Blixa Bargeld, founding member of German industrial band Einstürzende Neubauten and arguably founder of the industrial music genre as well as former guitarist of Nick Cave and the Bad Seeds, has attributed his preference for wearing all black to to his synesthesia and finding other colors to be too overwhelming. Many black-wearers have made similar statements, with or without a diagnosis of synesthesia or something similar. Neurodivergent people also often find comfort in wearing clothing related to one’s special interest, so band shirts are a common staple, along with outfits that homage musicians, movie characters, or others they admire. There is also the issue of expression. Neurotypical people often have difficulty reading the emotions of their neurodivergent peers due to differences in emotional expression. Clothing and makeup, in addition to highlighting one’s general interests, can also help in making emotional expression more obvious to others. Of later importance, many neurodivergent individuals find that dressing in a way that labels them as a person with certain interests, this can help them attract others of similar interests. Given that many neurodivergent people have difficulty making friends and initiating social interactions, having an easy way to call to others that they are like them is socially beneficial. 

In conclusion, it is clear why there is a connection between these two. Alternative subcultures are a welcoming environment for many who feel like outsiders are neurodivergent individuals are often made into outsiders by default. In addition, the sounds and sights of goth specifically appeal to many of those with specific sensory differences. With such a long, rich history that continues to this day, this subculture is fit to be quite a rewarding special interest. 

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