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#satire sale
satiresale · 3 months
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"When someone calls me their 'spirit animal' but I'm pretty sure I'm just the housecat version of a tiger."
SatireSale #CreativeComfortort #studentsuccessentMemes #classroomjokes #memes #memesfunny #jokes #satire
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hollow-prey · 4 months
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"you can't possibly fail at a dating sim" you clearly haven't met me and my impressive ability to misread social cues and choose the wrong action/dialogue because apparently I have the finesse and romantic charm of a WORM!!!!!
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dreamings-free · 4 months
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Pollstar Staff | 11/1/24
Following a massively successful year with record-setting box office tallies and Taylor Swift’s highest-grossing tour of all time  — what’s next for the live biz in 2024? Pollstar’s editorial staff offers predictions.
Live Growth Spurt May Slow The live industry saw unprecedented growth in 2023 with a massive 46% growth YoY for the Top 100 Tours, according to Pollstar Boxoffice reports. 2024 should be another strong year — but perhaps not a great one. Though the U.S. economy showed promising signs with GDP increasing 4.9% in Q3, the total household debt spiked to $17.29 trillion, according to the Federal Reserve, though inflation continues to outpace salaries. Consumers may think twice before clicking the checkout box and adding another credit card charge, which may decrease ticket sales following live’s record-setting year.  – Oscar Aréliz
Reunions, Farewells & Mega-Fests It’s hard to put the genie back in the bottle, so the industry as a whole will get creative to continue the upward momentum of recent years. Expect more seemingly unlikely reunions, farewells that may not actually be final (cough, cough), and additional legs of tours that seemed like one-time affairs. Also, don’t be surprised if the mega-festival trend (When We Were Young, Power Trip, etc), continues to gather steam to the point of becoming a whole new category of yearly event.  – Ryan Borba
Ticketing: Same As It Ever Was With mounting public pressure, grandstanding politicians and supreme supernova demigoddess Taylor Swift aligning for the cause of ticketing reform, in the coming year one can expect little to change. That’s because tickets are money, whether artists, their teams, promoters, venues or ticketers keep prices low, outsmart bots, include all-in pricing, shut out the secondary or sell on the side, capitalists always gonna capitalize. – Andy Gensler
Sphere’s Innovations Break Out Many of the innovations that make Sphere so groundbreaking are likely to start trickling out to the world. Don’t expect to see 16K LED screens that stretch around concertgoers at your local arena any time soon, but it’s not a stretch that the beamforming sound system Holoplot created for Sphere becomes scalable enough for broader expansions and artists who already embrace innovation are likely to make bids at recreating Sphere’s already legendary immersive experience at other venues (as best they can). – J.R. Lind
More Protest Songs More artists will pen anti-war songs, including showing support for innocent civilians in various conflicts. We’ll also hear other politically-minded songs, such as tunes concerning women’s rights — along with more live events booked to benefit those in need and support causes near and dear to artists’ hearts, like 2022’s Love Rising Nashville organized in support of the LGBTQ+ community. Plus, it’s an election year. – Sarah Pittman
Indies Go Back To The Future Independent operators may remain fiercely competitive but, with the establishment of trade groups NIVA and NITO, a greater spirit of collaboration has emerged in the wake of COVID. In some cases, onetime rivals – including clubs and promoters – are teaming to share resources to lift all boats, while Brian Becker’s LiveCo brought together five indie promoters to expand existing partnerships with entertainment platforms to create new, innovative projects. Expect this trend to continue.  – Deborah Speer
Cloning Technology Arrives Insomniac Events founder/CEO Pasquale Rotella manages to find a scientific breakthrough getting one step closer to cloning himself by 2030. This opens doors for agents and promoters to attend all their events at once, and for artists to play multiple shows at the same time. – Ariel King
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trans-samusaran · 2 years
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My lawyer has advised i remove this post
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mhmedia · 6 months
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Black Friday Deal bei mhmedia.de
Überall und für jeden Scheiß donnern sie uns einmal im Jahr mit dem großen Sparmythos Black Friday zu. Als Anbieter von exklusiven Inhalten mit herausragender Qualität will auch ich dieses Jahr dabei sein. Vielleicht jetzt jedes Jahr? Nur am Black Friday gibt es hier bei mhmedia.de diesen fast schon unverschämt günstigen Deal. Sie erwerben zwei Bilder und erhalten einen Rabatt von 50 %. Das ist…
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oklahomapartisan · 10 months
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Sonic Exectives Say legalizing Marijuana Would Boost Sales
From the archives of Oklahoma’s great political satire writers of decades past, we bring you this classic reprint of a spoof that caused more than a little irritation to the political class on Lincoln Blvd.
OKLAHOMA CITY (OP) – An Oklahoma City-based restaurant chain is asking the state legislature to legalize marijuana, noting that habitual users of the drug find the company’s products “hella-tasty.” Sonic, which bills itself as “America’s Drive-In,” serves up hamburgers and hotdogs in hundreds of locations around the country. 
  Executives say the company’s products are especially popular among those with “the munchies,” a side effect of marijuana intoxication. In a presentation before the House Business and Economic Development Committee, Sonic executives said statewide legalization of the drug would boost sales throughout the industry, from McNuggets to Taco Mayo’s “bitchin’” potato locos.
  In a recent study, Sonic customers who did not use marijuana rated their food from “fair” to “excellent.” However, users with the munchies said the same products were “friggin’ awesome dude.” Habitual marijuana users, also known as “stoners,” are also less concerned with customer service. They also have little use for napkins, straws and correct change.
   According to Sonic estimates, stoners currently comprise only 10 percent of the company’s customers, yet account for 40 percent of sales. They also form 70 percent of the company’s workforce, primarily line cooks and night managers. Last year, Sonic was believed to donate millions in campaign contributions. An exact amount was unavailable, however, since much of the special interest money was covered in chili and cheese.
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partlysmith · 2 years
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I searched the whole dang gone shop and there is no joker frog… where is he
oh dang guess it was already minted :/
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gael-garcia · 6 months
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SAG-AFTRA deal on AI is looking terrible, actually 😬
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#SAG Actors, I want to make you aware of some of the language in the #AI portion of the tentative SAG agreement.
Though SAG leadership made much effort to protect members in AI, there are many issues you should look at. I have saved the most serious issue for the end. 1/
If a “digital double” is made of you during a film, they must get your consent and inform you of their intentions for its use, EXCEPT "when the photography or sound track remains substantially as scripted, performed and/or recorded.”2/
This is going to be left up to the studios/streamers’ interpretation. And so, any subtlety regarding how you chose to look or move for the character during the shoot could potentially be changed. Your hair, your clothes, your make-up, etc. 3/
Also, your physical placement in a scene can be changed, like your nearness or distance from another character, or even moving you from the front seat of a car "to the back seat of the car." This suggests not much agency on your part to control your character or performance. 4/
Under “(Digital Double) Use Other Than in the Motion Picture for Which the Performer Was Employed,” it says that "No additional compensation shall be required for use of an Employment-Based Digital Replica that was created in connection with employment of a performer who was… 5/
… employed under Schedule F.” It appears that if you were paid Schedule F for the first film, you don’t get paid for the sequels, where they’re just using your digital double instead of you. I suggest members get sharp clarity on this. 6/
If a “digital double” was made of you in a separate manner (on another film or privately made by you), it's referred to as an “independently created digital replica” (ICDR). There is no minimum compensation listed for studios/streamers to use an ICDR of you in… 7/
… any film they want; only consent. You will apparently need to negotiate any compensation on your own. 8/
Neither consent nor compensation is necessary to use your “digital double” if the project is "comment, criticism, scholarship, satire or parody, a docudrama, or historical or biographical work.” So, you could find yourself in a project you never consented to… 9/
…doing things you never were informed of, for no compensation at all. This is the “First Amendment” argument the #GAI tech companies are fond of trotting out. 10/
Another consent exemption is granted to "adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market. 11/
The substitution of swear words is not new, but that your “body movements” would be changed suggests you’ll be used like a type of rag doll in post-production. 12/
There are still a few concerns with the Background Performers’ details, but there’s one that stands out as especially sad. "If the Producer uses a background actor’s Background Actor Digital Replica in the role of a principal performer, the background actor shall be paid… 13/
…the minimum rate for a performer… had (they) performed those scene(s) in person.” So, if an extra is “bumped up” to a principal cast member, they never get to experience that position on a set. But you get a check after the fact. 14/
And the most serious issue of them all is the inclusion in the agreement of “Synthetic Performers,” or “AI Objects,” resembling humans. This gives the studios/streamers a green-light to use human-looking AI Objects instead of hiring a human actor. 15/
It’s one thing to use GAI to make a King Kong or a flying serpent (though this displaces many VFX/CGI artists), it is another thing to have an AI Object play a human character instead of a real actor. To me, this inclusion is an anathema to a union contract at all. 16/
This is akin to SAG giving a thumbs-up for studios/streamers using non-union actors. This would be like the @Teamsters putting in their contract that it’s A-OK for the employer to utilize self-driving trucks instead of them. 17/
@Teamsters I find it baffling that a union representing human actors would give approval of those same actors being replaced by an AI Object. And don’t forget, those AI Objects are a mash-up of all actors' past performances, adding insult to injury. 18/
@Teamsters Bottomline, we are in for a very unpleasant era for actors and crew. The use of “digital doubles” alone will reduce the number of available jobs, because bigger name actors will have the opportunity to double or triple-book themselves on multiple projects at once. 19/
@Teamsters The use of these “digital doubles” will most likely preclude the need of a set or the use of many @IATSE crew and @Teamster drivers. 20/
@Teamsters @IATSE @Teamster Audition odds will change. Winning an audition could become very difficult, because you will not just be competing with the available actors who are your type, but you will now compete with every actor, dead or alive, who has made their “digital double” available for rent … 21/
@Teamsters @IATSE @Teamster … in a range of ages to suit the character. You also will be in competition with an infinite number of AI Objects that the studios/streamers can freely use. And a whole cast of AI Objects instead of human actors eliminates the need for a set or any crew at all. 22/
@Teamsters @IATSE @Teamster You are a complex & remarkable human. Don’t let the CEOs convince you otherwise. Seek out filmmakers & showrunners who value your basic worth & committed to human workers on their projects. These are the ones who will make work that matters. We’re going to be OK. Just hold on. /
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gurggggleburgle · 1 year
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I think the reason I get so hung up on the meta around pidw is that I've been a weeb for over almost a decade and half and even though I haven't read enough of the chinese novels svsss is particularly satirizing the concepts are broad enough across both ends of the market that you know and have seen pidw irl even if you don't think you have.
And that's so fascinating to me as someone who lived through multiple ages of 'hey did you watch insert horny trash media here?!'
I am fascinated with the nature of what the fandom would have been and the merch. How the idea of Shen Yuan having Binghe merch would actually be really funny because it's like being into high school dxd and demanding a figurine of the mc and not the big tiddy waifu.
Like you are asking for merch that almost no one is making compared to every other character. So how much was custom ordered or is like trying to find posters where Binghe in particular is front center on the poster. The knowledge of how these things are marketed and sold, what the art direction is likely to be, the way male dominated fandom tends to act, the various talks and deals for adaptation versus censorship. The fact that is porn and how that skews the fandom. The debate over what fetish is there for increasing sales and what airplane actually is into.
The memes. The nature of cucumber existing as an anti who literally is reading smut for the plot and how I both relate and agree its a clownable offense.
Like it's all just so funny to think about. Because the longer you consider the hill Shen Yuan literally died on the more you're like man.
Imaging cursing your last breathe on that.
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satiresale · 1 year
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𝗗𝗼𝗲𝘀 𝗧𝗵𝗶𝘀 𝗛𝗮𝗽𝗽𝗲𝗻 𝗧𝗼 𝗬𝗼𝘂 𝗧𝗼𝗼? 𝘽𝙚 𝙎𝙪𝙧𝙚 𝙏𝙤 𝙏𝙚𝙡𝙡 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙢𝙢𝙚𝙣𝙩.
#SatireSale #drawing #funny #funnymemes #memes
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Out of interest for his wife, we invited [Desmoulins] to stop writing [Le Vieux Cordelier], telling him that he was running the greatest dangers, and that, not being able to dip my pen in blood, I was going to stop writing my journal, Révolutions de Paris. He answered me: “What are you going to do? Maybe you will write our crimes.” Which, indeed, I did. His wife arrived; he told her the subject of my approach against him. She said: “My husband would be a coward to stop his Vieux Cordelier at a time when tyranny has no limits!” “Well, I am sorry, madame,” I said to her, to predict that you yourself will be one of the victims; those who govern respect neither beauty nor kindness.” Leaving her house, I ran to her mother to tell her my fears for her daughter and son-in-law. This lady admitted to me that she could not see without pain the stubbornness of her daughter, and the influence she had over her husband, who had much less character than her.
Biographie universelle et historique des femmes c��lèbres mortes ou vivantes (1830) by Louis-Marie Prudhomme, volume 2, page 273-274. Prudhomme gets in a huge load of errors throughout the rest of the article (Lucile’s first name, date of birth, marriage and death, the circumstances regarding her arrest as well as Saint-Just attending Louis-le-Grand with Desmoulins and being one of their wedding witnesses) but seeing as he claims it is from he himself this anecdote originates I’m willing to give it a bit more credibility. It also fits nicely with this other anecdote, reported by both Marcellin Matton (in 1834) and Nicolas Villiaume (in 1851) who in their turn had acquired it from Lucile’s mother:
[Guillaume] Brune, afraid of the danger that Camille, his former college friend [sic], was running, came to find him and begged him, for the interest that true republicans had in him, for the love of his parents, for the tenderness of his wife, not to not further irritate the enemies that his satirical and biting wit had made him, to show more moderation in the picture he painted of the misfortunes of the times, and even to cease the publication of his Vieux Cordelier. Camille, who had initially only responded with jokes, began to justify his behavior, as beautiful as it was angry, with reasons to which it was not easy to answer.
”I admit it to you,” Brune said to him, ”I cannot help but admire you; However, be certain that with more moderation you will do real good, while by continuing you give yourself up, you immolate yourself, you lose yourself and you save nothing.”
”Do you believe,” he then replied, ”that they will dare to attack me, declare me a traitor, me and my Vieux Cordelier, and that for having requested a committee of clemency and justice; for wanting to complete and consolidate the work of our revolution? I have all of France om my side. Desenne (that was the name of his bookseller) cannot suffice for the sale of my issues. I am read, heard everywhere.”
”You are also read by Barère who recognizes himself; by Saint-Just, who promised to make you carry your head like Saint Denis.” 
”That’s true,” he replied, ”I remember it: it was a very bad joke, and my answer was much better. Have you seen my letter to Dillon? In the approach and posture of Saint-Just, we see that he regards his head as the cornerstone of the republic, and that he carries it on his shoulders with respect like a holy sacrament. Was I wrong, and do you think that for such a good joke he would want to kill me? I only ask him for one favor, and that is to wait until he has given a valid response.”
Madame Desmoulins had invited Brune to family dinner, it was served and they sat down at the table. Camille, gradually warming up, explained to him the bright future he was preparing for his homeland.
”Believe me,” he said to him, ”I am the man of the revolution. When it was necessary, I risked my life for her at the Palais-Royal. At that time they also wanted to make me worry, like you are doing today; but the nation walked with me, and I was at peace. I am still sure, with my Vieux Cordelier, to lead her in my footsteps, to respond to her wishes, to her needs; public opinion will still be my strength.”
”And if it gives your enemies time to strike you?”
”I have ready friends. Have you not heard the eloquent voice of Philippeaux? Danton sleeps: it is the lion's sleep; but he will wake up to defend my cause.”
His friend was far from convinced and repeated the same prayers to him; but Lucille, who at first had shown herself to be very sensitive to Brune's worries and fears, now shares all of Camille's enthusiasm; she notices that this interview has made him hot, she immediately puts a handkerchief on his forehead; gives him a kiss on the cheek and cries: “Let him do it, Brune, let him do it, he must save his country; let him fulfill his mission.” Then she pours her husband and Brune an exquisite chocolate with enchanting grace. When the chocolate had been served, Camille said: edamus et bibamus cras enim muriemur (let us eat and drink for tomorrow we die); while pronouncing these words of death, he affected an air of gaiety and took his child, his little Horace, on his knees. Camille had only supported his thesis because of his wife, whom he did not want to sadden for anything in the world.
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serialunaliver · 7 months
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I have a theory that the girl running this tiktok (the one known for making a get ready with me where she talks about getting a lamborghini) is not actually from a rich family and the videos are either satirical or trying to convince people she is rich.
a few points:
- the mansion she records in is almost entirely empty and she only records in the same area 99% of the time. it could be a mansion for sale, not owned. like literally there is NOTHING in one large area she records in. it's not unusual for tiktok influencers to use empty buildings for various scenarios in their videos.
- she doesn't reply to her comments in a legitimately defensive way but a way people would find funny. she also constantly points out the fact that she's rich in every sentence. most likely not natural.
- just because she shows a lamborghini doesn't mean it belongs to her. she could've rented it which is another thing influencers do when posting luxury content.
I looked up content surrounding her and someone said her family is rich but her dad is a shitty landlord and her mom made money through fraud. HOWEVER I can't find any evidence of this outside that comment.
anyway i'm too invested now
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averagecygnet-blog · 2 months
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disclaimer i am not trying to hate on black friday it's a good show and i like it. i can criticize stuff i like
black friday wouldve been better if there was no supernatural element
everything stays the same except there's no demon god. instead of wiggly it's just a cabbage patch kid or something. most of the songs are exactly the same, all the same characters still die, linda still forms a cult and kills frank with a box cutter, tom and becky still try to chemically knock out a defenseless child, etc etc, but no eldritch forces and no president and sorry but no general john mcnamara
the supernatural thing really WORKS in tgwdlm in a way that it doesnt in black friday. tgwdlm NEEDS to be about a supernatural force taking over people's minds - that's how they make every point they make about how individuals, corporations, and governmental institutions alike rely on emotional control to gain/stay in power. the supernatural part is what makes it a satire. what would the show be without the alien hivemind? an office worker with a crush on a barista doesn't really care about his job? exactly
black friday is ALREADY about a bunch of people running around a mall killing each other over a toy. even without the supernatural element, it's over-the-top, heavily satirical, and clearly about the way that consumerism drives ordinary people to unhealthy obsession over things that are ultimately pointless. the eldritch god aspect falls flat as a metaphor because it adds nothing that isn't already there. everything that wiggly says thematically - late-stage capitalism manufactures false necessities because a population at each other's throats is easier to control - is already said or can easily be said without metaphor, purely by showing the microcosm of the violent black friday sale. im not saying every aspect of a story needs to be 100% "necessary" but the demon god as a metaphor for consumerism is just,,, so heavy-handed in a way i cant take very seriously yk?
if u disagree im happy to have a conversation with u about it but please dont yell at me 👍
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illustraction · 1 year
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SHOWGIRLS (1995) - SHOWGIRLS ON PAPER (Part 7/10)
One of the most panned movies by the critics when it initially came out and a Box office Bomb, this fabulous satire of the seedy side of Las Vegas showgirls revue became over the years a cult movie
Above are posters from Japan and Italy (click on each image for details)
Director: Paul Verhoeven Actors: Kyle McLachlan, Elizabeth Berkley, Gina Gershon
All our SHOWGIRL POSTERS ARE HERE
If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives
All our NEW POSTERS are here All our ON SALE posters are here
The posters above courtesy of ILLUSTRACTION GALLERY
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theproverbialpen · 1 month
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Musings from a Hazbin Fan and Hotel Employee
Yeah, that's right—I'm posting to this blog for the first time in years because I got into Hazbin Hotel of all things. Not only did I get into this cursed fandom, I'm writing fan fiction for it. Fan fiction. I think the last time I wrote fanfiction was...2012? 2013? And I only ever told 3 people about that one. Now here I am posting on main. The brainrot truly is unquantifiable.
If you're one of the few people that survived the purge of those I know IRL, congratulations. Please don't judge me lol. Anyways, actual musings are below the cut!
So I’m writing a fun little fanfic on AO3 and after someone left a comment (if you’re reading this, still genuinely one of the nicest things anyone has ever said to me about my craft), it occured to me—as a Hazbin Hotel enjoyer, I have a pretty unique perspective on the series as an IRL hospitality professional. So! Thought it would be some cute bonus content to talk a little bit more about my life at an actual hotel and how it’s impacted my experience with Vivziepop’s hit series. 
Please note: this is written purely for shits and giggles. I don’t actually have any issues with the setting of Vivzie’s narrative or how it plays into the stories she and her team want to tell. I fucking love this show, to a potentially unhealthy degree, and I haven’t had this much fun with a series since like…okay well my hyperfixations change like every few months, but still. Point is, this isn’t actually critique, or satire, or anything with negative or critical intentions. TLDR; this post is for funsies, get off my dick.
So Who TF Am I, Anyways?
A little background on myself, for context. I’ve been employed at my hotel for almost a year now, and it’s my first hospitality job. I work in the Sales and Events department and I’ve come to learn that Group Business is actually integral for keeping a hotel up and running. When your average person (read: me before this job) thinks about hotels and traveling, you’d think it’s all about the families, bloggers, and individual travelers when it comes to guests and revenue. But in actuality, most of a hotel’s revenue—at least in the market I work in—will come from contracted room blocks and events. 
That’s where folks in my department come in. We work with clients to negotiate contracts and secure occupants for our hotel year round. Simply put, if we don’t do our jobs well, then no one else gets hours. So as much as the anti-capitalist in me will sometimes hate being a cog in the machine, it is really fulfilling to be able to help clients meet their needs while also making sure my coworkers are able to put food on the table. 
Speaking of being a cog in the machine, because of my role in Sales, this means that whenever I travel or think about hotels, I’m always thinking about the revenue side of things. I also work more with the Events team, so operations are also on the forefront of my mind. Which leads me to my principal quandary for this little blog post:
How in the Hell does the Hazbin Operate?
I have a laundry list of questions. A laundry list that’s almost as big as the actual pile of dirty laundry that is currently plaguing my bedroom floor. I will summarize (which is a generous word given how fucking verbose I can be) below:
Issue #1: Revenue Generation
Okay listen, I know Charlie is the Princess of Hell. I know she probably has unlimited capital, whatever that looks like in the HelluVerse. And I know the Hazbin is literally there to help rehabilitate people so charging them to stay would be counterproductive.
But my dude…do you understand how much money would be needed to run an operation of this scale?
At the end of Season 1, the new Hazbin is huge. Like it easily looks as big, if not bigger, than the hotel I work at which has nearly 500 rooms. Do you know how much revenue our team has to generate to keep this place running? Do you know how many millions our target goal is set at for each quarter? How many hundreds of thousands my coworkers’ individual quotas are set to? And sunshine in a bottle over here doesn’t charge her residents anything????? 
How does she get all those decorations? How does she order food or inventory? We know Hell has an economy, like Angel literally says he needs to save money for drugs in his first appearance. Is she…does she even pay her staff???
It is utterly appalling that Charlie is able to operate a hotel of this scale, both because of how it doesn’t make sense from a business perspective and because there are IRL billionaires that could probably do the same thing and solve homelessness overnight. 
Speaking of scale:
Issue #2: The Hazbin’s Systems, Or Lack Thereof
Okay so, yes, there’s only like…one official resident of the hotel, maybe two if Cherri moves in and doesn’t become a staff member (RIP Pentious, you would have loved living with Cherri Bomb). With the staff the way it is, that’s a solid 5:1 ratio, which is beyond ideal. But—and I touch on this in the fic—I feel I must reiterate: the new Hazbin is fucking massive. And you know what that means? It’s going to be able to hold a lot of guests. Guests that will need staff to take care of them. Let’s review:
Charlie is the owner and mostly teaches classes. Vaggie is the co-owner and kind of acts as the Executive Assistant to Charlie’s General Manager. I guess Alastor is the Hotel Manager? I’m gonna be honest, I have no idea what he does, but generally speaking he’s supposed to be the jack of all trades and manage the rest of the staff. Niffty handles Housekeeping and I guess would be the director of that. Husk is the bartender but like canonically only really eats pub food so he definitely can’t be the Food & Beverage head. 
Let’s say we scrap the Sales and Revenue Departments because clearly they don’t need income, but we keep a Marketing position so that Charlie can get the word out about the hotel. That leaves us with the need for Engineering, Front Desk, Rooms, and F&B staff. And like, not just one person—that would fucking suck—but proper staff. And given their track record of organization and managing the hotel…let’s just say, I would not be applying to the Hazbin Hotel anytime soon. Honestly, it sounds like that job would qualify to be the new tenth circle of Hell. 
What Does the Hazbin Get Right About IRL Hospitality?
So yes, clearly the world of the Hazbin Hotel leans towards the more fanciful—it is a story about Hell after all. However, there have been some moments that have made me chuckle as a hotel employee, things that are relatable for us in the hospitality world. Allow me to highlight them for you below:
Everyone is Bat Shit Crazy
Hospitality professionals are weird. So weird. Before I started my job, I was terrified of the level of professionality I would need to have. When I first got hired, I was given a whole packet on dress code and appropriate conduct. As you can probably tell from my writing style, this was concerning: I can be professional when I need to be, but I cannot maintain that guise for extended periods of time. Call it my toxic trait.
I also already had this impression of poised and put-together hotel staff from my previous experiences with travel. All the Front Desk agents would be in these clean and wrinkle-free clothes with kind yet business-forward attitudes, office workers would be walking around in full suits, and occasionally you’d see the hotel management on the floor if you were looking. Let me tell you now—it is a facade. An act. An incredible stage production unfolding in real time where all the staff do their absolute damndest to make you feel like you are in an organized and professional institution. Not unlike a certain hit animated musical.
My direct supervisor, the literal Director of Catering and Events, once told me that being a liiiiiittle crazy was a prerequisite for working in our department during the hiring process for a new Sales Manager. She was wrong—the prerequisite is not “a little” crazy. The prerequisite is being bat shit insane. And it’s not just our department, oh noooOoooOo, it is every department. Downstairs in our little basement dungeon, we make out of pocket comments, scream at random intervals, and swear way more than we should (that one might be my fault…according to my partner I swear more at work than at home and apparently it’s rubbing off on my colleagues), but that behavior is in no way restricted to just the Sales Team. 
I process the checks that are sent to our property and our Director of Rooms makes me say “can I get a WITNESSSS” before she signs off on the drop log (Charlie-core). If I don’t say it high pitched enough or with enough vigor, she makes me do it again. I once watched a guy in Engineering climb a tall step ladder balanced with two legs on a platform and a third leg balanced on a wooden plank his coworker was holding steady. The fourth leg was over the open air. Let me reiterate: the open. Fucking. Air. Tell me you can’t see Angel Dust and Cherri doing that shit.
Speaking of Engineering, you wanna know what dumbass thing happened just this morning? The Regional Director of the department—regional meaning he manages teams all across our area, like top level type shit—told us about this cursed ass Instagram trend he found where allegedly, putting ketchup on a Kit Kat tasted like fudge. So right there and then, him, myself, and two other coworkers decided ‘why the fuck not?’:
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I would never seek it out willingly again, but I honestly didn’t hate it. 
The point of all of this is to say—the antics the Hazbin crew get up to? Totally realistic. I could see my coworker Robert throwing me into an active battlefield against my will. We have deadass done the role playing thing Angel and Pentious did during our trainings, and it was just as unhinged. Every day some shit happens at this hotel and I’m just like, “Yup. That could happen in Hazbin.”
“Call Now! Or Don’t! I Don’t Care! We Still Don’t Have a Working Phone!”
I would like to preface this section by saying: if you happen to be a Front Desk associate, I’m sorry. This is not directed at you, this is directed at your managers and their communication skills that may or may not exist. If you are somehow a manager reading this, uh—first of all, cringe. Second of all, I hope these next few paragraphs don’t apply to you. If they do and you’re offended: that’s a certified you-problem, babes. 
There are three certainties in this life: death, taxes, and miscommunication from your fucking managers. Tell me why in this past week alone I have been in 5 different email threads regarding fuck-ups and complaints from guests about things that we had clearly communicated. Tell me why in these email threads, people were attempting to throw me under the bus or shift the blame to my team. Tell me why I have gone to every single individual office in my department complaining about this. Tell me why this isn’t the first time this has happened.
Another hotel tidbit: across the board, Q1 (Jan-Mar) is supposed to be slow, for all of hospitality. It’s the time to get the metaphorical phone lines working, ya know? Our Q1 was stupidly busy, so I get it, people were slammed and short staffed. But like… we had time. Time to iron out our communication, time to create systems and processes that would ensure we’d be all set when things got busier. Yet here I am at the start of Q2 with an entire fist shoved up my ass being puppeted around to fix other people’s mistakes. 
It’s times like these when I go back to rewatch Hazbin for the like 26th time and I watch Charlie and Alastor run the hotel and I’m just like “whyyYyYyYyYyYy”. Like I KNOW Vaggie has had days where she’s like, “what…what am I supposed to be doing right now? Like what is my job, what… What?” 
It’s not just Front Desk either. It’s every department, even my own bosses. Like the call is coming from inside the house, sweetie, why did you tell this Sales Manager that I was taking care of all her commissions but you didn’t tell me this. Why am I blocking a room for an Orientation the following Monday at fucking 5:45 PM on a Friday. Why am I JUST finding out about a VIP guest when I have been asking you if you had any notes for me for the whole week.
I touch on it in my fic as well but like…pretty sure Charlie just, decides to host her classes day of. And that drives me insane. Like I…there are processes. Things that need to be done so that everyone is on the same page. You don’t just wing this shit, that’s how you end up with Susan calling your Director to tell her that you’re a useless waste of space not even deserving of the air in your lungs because you didn’t give her her fucking breakfast voucher. 
As a character, I love Alastor. If I were ever in the same room as him, I’d probably hate him. But if there’s anything relatable about that Geneva Convention Violation on Legs it’s his absolutely done attitude in Episode 1’s opening commercial.
Charlie Loves Helping People, and So Do We!
Alright, I’ve complained for enough paragraphs, let’s be positive for a second. The thing that is by far the most true to life in Hazbin Hotel is how much joy Charlie gets from taking care of her guests. Like…that’s our bread and butter in the hospitality world. Well, maybe just the butter; we need that bread in the form of cold hard cash (or direct deposits, whatever works best). But as much as I will bitch and moan about the difficulties of working in a hotel, there’s nothing quite as fulfilling as a guest telling you that you made their entire trip better. The butterflies I get reading reviews where my coworkers are mentioned by name and a guest writes about how we completely turned around their bad day are an absolute delight. It just means the world knowing that you can have that kind of impact on someone, even if it’s just in the little things.
In Episode 2, when Charlie and the crew are welcoming Sir Pentious and she just starts vibrating with excitement is exactly how I feel when I get to meet a client that we’ve been working with for months and finally welcome them to our property. When they sing “It Starts With Sorry” and just get to have a moment of empathy and compassion together, it reminds me of the clients and the phone calls I take where I get to ask them about their goals and help them feel like they’re supported and heard. In the grand scheme of things, is a nice phone call or interaction with some hotel employee going to change your life? Probably not. But for those few moments when their burdens seem lighter is why I love my job.
This goes for guests, and for my fellow coworkers. I’ve been very blessed to start my hospitality career in an unusually supportive work culture. Yeah, we can be some right petty bitches sometimes, but overall everyone is so encouraging and so quick to help lighten each other’s loads. Like in Episode 5 (best episode btw, for obvious reasons) when all the Hazbin Crew are working together to prepare the hotel for Lucifer’s arrival, that shit made me so giddy cause like- that’s us! Look at us go! We workin together so hard, we’re so cute! Like when Niffty and Pentious are baking and she looks up at him all excited n’ shit—that’s literally been me working with our Director of Restaurants on new food menus or promotional material. 
There’s something about being in an occupation where your whole purpose is to take care of people that really brings out the selflessness in you, and I think that’s what makes the hotel such a great setting for Charlie’s mission of redemption. I didn’t realize that until writing this paragraph tbh, but yeah, it just kinda…works. When your job is to make sure other people have a good time and feel supported and you’re surrounded by people that make you feel the same way, it’s a lot easier to want to choose to do good, to do right by the people around you. So as much as I have some silly little nitpicks…yeah, I can admit—I love that this show is about the Hazbin Hotel specifically.
Anyways, if you made it this far, thanks for reading! Next update for Life is In Redemption will be out in the days to come, just thought this would be a fun addition while I work on some of the content with my friends. This upcoming chapter is going to have a co-author, so get hyyyyyped :)
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oklahomapartisan · 11 months
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Sonic Exectives Say legalizing Marijuana Would Boost Sales
From the archives of Oklahoma’s great political satire writers of decades past, we bring you this classic reprint of a spoof that caused more than a little irritation to the political class on Lincoln Blvd.
OKLAHOMA CITY (OP) – An Oklahoma City-based restaurant chain is asking the state legislature to legalize marijuana, noting that habitual users of the drug find the company’s products “hella-tasty.” Sonic, which bills itself as “America’s Drive-In,” serves up hamburgers and hotdogs in hundreds of locations around the country. 
  Executives say the company’s products are especially popular among those with “the munchies,” a side effect of marijuana intoxication. In a presentation before the House Business and Economic Development Committee, Sonic executives said statewide legalization of the drug would boost sales throughout the industry, from McNuggets to Taco Mayo’s “bitchin’” potato locos.
  In a recent study, Sonic customers who did not use marijuana rated their food from “fair” to “excellent.” However, users with the munchies said the same products were “friggin’ awesome dude.” Habitual marijuana users, also known as “stoners,” are also less concerned with customer service. They also have little use for napkins, straws and correct change.
   According to Sonic estimates, stoners currently comprise only 10 percent of the company’s customers, yet account for 40 percent of sales. They also form 70 percent of the company’s workforce, primarily line cooks and night managers. Last year, Sonic was believed to donate millions in campaign contributions. An exact amount was unavailable, however, since much of the special interest money was covered in chili and cheese.
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