CASEY DEIDRICK Into the Dark: Tentalces (2021)

SF & more: Dr. Bahr und der letzte Whiskey im Casablanca“, von Robert Mayerhofer

SF & more: Dr. Bahr und der letzte Whiskey im Casablanca“, von Robert Mayerhofer (Hördauer 34 Minuten) https://literaturradiohoerbahn.com/wp-content/uploads/2023/02/SF-u-more-Dr-Bahr-Interview-upload.mp3 Wie wurde „Der letzte Detektiv“ zu „Jonas. Nur Jonas. Und Sam“? Was ist die Geschichte hinter der Geschichte? Die Abenteuer um den letzten Detektiv in Babylon zählen zu den erfolgreichsten…

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COMMISION WORK!CASEY DEIDRICK AS SAM ANSELM IN INTO THE DARK: TENTACLES!! by clicking the source link you will be able to purchase #433 gifs, made from scratch by yours truly divide in #2 versions with 433 gifs each. If you buy it or found this helpful please like or reblog!! MIND THE TW:VIOLENCE. PAYHIP.

Reading your post about parenting, and I'm finding myself with a few questions. From my quick searching, I've figured that penal substitutionary atonement theory is that Christ was punished in place for our sins. If you don't believe that anymore, what is it you believe? That's the only thing I have ever heard as the reasoning for Christs suffering and Crucifixion, and I'm extremely curious what you believe was the purpose behind the Crucifixion, if not a substitution for our sins. I've done a little searching on that as well, but haven't really been able to find what other beliefs would be.

OH HELL YES LET'S TALK ATONEMENT THEORIES!!

Penal substitionary atonement theory (or PSA, if you wanna be brief), is the idea that Jesus died in our place to placate the wrath of God specifically. This is important; this is the penal part of that theory. The Reformers developed it (1500s), building off Anselm's satisfaction theory of atonement.

Google provides this quick summary of Anselm's theory: "Anselm's “satisfaction” theory of atonement posits that Christ's death on the cross functioned as a gift to God on behalf of humanity to restore the order of justice subverted by sin. Especially in recent years, the theory has been criticized for obscuring God's mercy."

So what are our alternatives? Good news, anon! You and I are blessed by my husband, a man well educated in church history and possessed of an insatiable need to research things!

The early church held largely to the ransom theory of atonement: that Christ's death paid a ransom to Satan to rescue us from him.

Christus Victor was another theory held by much of the early church, and forms a part of my own (somewhat nebulous) current beliefs regarding atonement. It is "...the model of atonement which, according to Kristian, speaks of “Jesus redeeming us from oppressive powers—sin, death, the Devil—to whom we'd bound ourselves by our own treachery. Christ 'disarmed' those powers and triumphed over them on the cross (Col. 2:13–15)."

(Side note: Christus Victor and ransom theory are very similar, but Alex insists there are nuances and differences. Apparently ransom theory in various forms was the dominant theory for the first thousand years of post-Christ church belief.)

Google pulled that quote from this blog: https://www.samstorms.org/enjoying-god-blog/post/the-christus-victor-theory-of-the-atonement-whence-the-victory

Sam Storms argues against Christus Victor as incomplete, asking how humanity came to be in bondage to the devil and asserting that personal sin is the answer. I'd argue that Romans says we fell through Adam as well as our own failings, but I honestly don't think that's the larger issue.

The larger issue is how you understand God's base disposition toward humanity. In my opinion, PSA frames God as, at His core, angry with humanity due to our sin and standing in punitive judgment, but for Himself standing in the gap.

Christus Victor, the scapegoat theory of atonement, and the moral influence theory of atonement (a term I just discovered in googling to respond to you!) all frame God's base disposition as that of love, reaching out to redeem humanity.

Now, what theory you personally hold is up to you. We have over two thousand years of church history and we have multiple forms of orthodoxy when it comes to atonement theories. Let me share with you the article from which I pulled the "moral influence theory" by way of wrapping this up.

There are fewer doctrines in Christianity of which one can truly say "This is the only way the church believes" than one might think. Not all Christians believe in original sin. Not all believe in a fiery hell. And not all believe Christ died to absorb the wrath of God.

They do believe in Christ their Savior. However, church history demonstrates there's room to debate what exactly we're saved from. Orthodoxy is believing in atonement. It doesn't dictate the reason for the atonement.)

(For further reading, I highly recommend Brian Zahnd's "Sinners in the Hands of a Loving God." I recommend this so highly that if you'd like to DM me your mailing address, I will buy a copy for you.)

TOP10 et plus encore des meilleurs Films en 2023

Critique complète en cliquant sur le lien

LES 10 PREMIERS - A voir et à revoir

1 - L'enlèvement de Marco Bellocio

2 - Anatomie d'une chute de Justine Triet

3 - La dernière Reine de Damien Ounouri

4 - Oppenheimer de Christopher Nolan

5 - Le Règne Animal de Thomas Cailley

6 - Le temps d'aimer de Katel Quilévéré

7 - Past Lives de Céline Song

8 - Le procès Goldman de Cedric Kahn

9 - La garçon et le Héron de Myazaki

10 - Anselm de Wim Wenders

Les Dix autres, que l'on peut voir aussi

11 - L'Innocence de Kore Eda

12 - Je verrai toujours vos visages de Jeanne Herry

13 - Babylon de Damien Chazelle

14 - Christophe de Dominique Gonzalec

15 - The Fabelmans de Steven Spielberg

16 - Yannick de Quentin Dupieux

17 - Elémentaire de Peter Sohn

18 - Simple comme Sylvain de Monia Chokri

19 - Napoléon de Ridley Scott

20 - Empire of Light de Sam Mendes

Pour revoir le Classement de l'année 2022, cliquez ici

@samandmickey channel

[CANNES 2023] SÉLECTIONS

Les différentes sélections du Festival de Cannes ont annoncé leur programmation. SÉLECTION OFFICIELLE - COMPÉTITION Films datés : 21/06 : ‘Asteroid City’ de Wes Anderson 28/06 : ‘Vers un avenir radieux' de Nanni Moretti 05/07 : ‘Les Filles d'Olfa’ de Kaouther Ben Hania 12/07 : ‘Les Herbes sèches’ de Nuri Bilge Ceylan 12/07 : ‘Le Retour’ de Catherine Corsini 23/08 : ‘Anatomie d’une chute’ de Justine Triet 30/08 : ‘Banel & Adama’ de Ramata-Toulaye Sy 13/09 : ‘L'Eté dernier’ de Catherine Breillat 20/09 : ‘Les Feuilles mortes’ d’Aki Kaurismaki 27/09 : ‘Club Zéro’ de Jessica Hausner 25/10 : ‘The Old Oak’ de Ken Loach 01/11 : ‘L'Enlèvement’ de Marco Bellocchio 08/11 : ‘La Passion de Dodin Bouffant’ de Tran Anh Hung 29/11 : ‘Perfect Days’ de Wim Wenders 06/12 : ‘La Chimère’ d’Alice Rohrwacher 27/12 : ‘Monster’ de Hirokazu Kore-eda 03/01/24 : ‘Jeunesse (Le Printemps)’ de Wang Bing 24/01/24 : ‘May December’ de Todd Haynes 31/01/24 : ‘La Zone d’intérêt’ de Jonathan Glazer 28/02/24 : ‘Le Jeu de la reine’ de Karim Aïnouz Film non daté : ‘Black Flies’ de Jean-Stéphane Sauvaire SÉLECTION OFFICIELLE - UN CERTAIN REGARD Films datés : 05/07 : ‘Une nuit’ d'Alex Lutz - Clôture 19/07 : ‘Les Meutes’ de Kamal Lazraq 04/10 : ‘Le Règne animal’ de Thomas Cailley - Ouverture 08/11 : ‘Simple comme Sylvain’ de Monia Chokri 08/11 : ‘Goodbye Julia’ de Mohamed Kordofani 15/11 : ‘How to Have Sex’ de Molly Manning Walker 22/11 : ‘Augure’ de Baloji 22/11 : ‘Un hiver à Yanji’ d’Anthony Chen 22/11 : ‘Rien à perdre’ de Delphine Deloget 20/12 : ‘Les Colons’ de Felipe Galvez 27/12 : ‘Si seulement je pouvais hiberner’ de Zoljargal Purevdash 27/12 : ‘Chroniques de Téhéran’ d’Ali Asgari et Alireza Khatami 24/01/24 : ‘Rosalie’ de Stéphanie di Giusto 27/03/24 : ‘Los Delincuentes’ de Rodrigo Moreno Films non datés : ‘Salem’ de Jean-Bernard Marlin ‘Only the River Flows’ de Wei Shujun ‘La Fleur de Buriti’ de João Salaviza et Renée Nader ‘La Mère de tous les mensonges’ d’Asmae El Moudir ‘The New Boy’ de Warwick Thornton ‘Hopeless’ de Kim Chang-hoon SÉLECTION OFFICIELLE - CANNES PREMIÈRE Films datés : 24/05 : ‘L'Amour et les forêts’ de Valérie Donzelli 16/08 : ‘Fermer les yeux’ de Victor Erice 04/10 : ‘Lost in the Night’ d'Amat Escalante 29/11 : ‘Le Temps d'aimer’ de Katell Quillévéré 24/01/24 : ‘Bonnard, Pierre et Marthe’ de Martin Provost Films non datés : ‘Eureka’ de Lisandro Alonso ‘Kubi’ de Kateshi Kitano SÉLECTION OFFICIELLE - HORS COMPÉTITION Films datés : 16/05 : ‘Jeanne du Barry’ de Maïwenn - Ouverture 05/06 : ‘The Idol’ de Sam Levinson (série, épisodes 1 et 2) 21/06 : 'Elémentaire' de Peter Sohn - Dernière séance 28/06 : ‘Indiana Jones et le cadran de la destinée’ de James Mangold 16/08 : ‘Strange Way of Life’ de Pedro Almodóvar (court-métrage) 18/10 : ‘Killers of the Flower Moon’ de Martin Scorsese 08/11 : ‘Dans la toile’ de Kim Jee-woon 08/11 : ‘L'Abbé Pierre - Une vie de combats’ de Frédéric Tellier SÉLECTION OFFICIELLE - SÉANCES SPÉCIALES Films datés : 01/11 : ‘Le Théorème de Marguerite’ d'Anna Novion 18/10 : ‘Anselm, le bruit du temps’ de Wim Wenders 01/11 : ‘Portraits fantômes’ de Kleber Mendoça Filho 01/11 : ‘Little Girl Blue’ de Mona Achache Films non datés : ‘Occupied City’ de Steve McQueen ‘Man in Black’ de Wang Bing ‘Bread and Roses’ de Sahra Mani SÉLECTION OFFICIELLE - SÉANCES DE MINUIT Films datés : 24/05 : ‘Omar la fraise’ d’Elias Belkeddar 23/08 : ‘Hypnotic’ de Robert Rodriguez 20/09 : ‘Acide’ de Just Philippot Films non datés : ‘Kennedy’ d’Anurag Kashyap ‘Project Silence’ de Kim Tae-gon SÉLECTION OFFICIELLE - CINÉMA DE LA PLAGE

Films datés : 22/11 : ‘Mars Express’ de Jérémie Périn 29/11 : ‘Flo’ de Géraldine Danon 27/12 : ‘Mon ami robot’ de Pablo Berger QUINZAINE DES CINÉASTES

Films datés : 19/07 : ‘De nos jours...’ de Hong Sang-soo – Clôture 13/09 : ‘L’Arbre aux papillons d’or’ de Thien An Pham 13/09 : ‘Le Livre des solutions’ de Michel Gondry 20/09 : ‘Déserts’ de Faouzi Bensaïdi 27/09 : ‘Le Procès Goldman’ de Cédric Kahn - Ouverture 04/10 : ‘L’Autre Laurens’ de Claude Schmitz 18/10 : ‘Un prince’ de Pierre Creton 29/11 : ‘Conann’ de Bertrand Mandico 06/12 : ‘A Song Sung Blue’ de Zihan Geng Films non datés : ‘Agra’ de Kanu Behl ‘Merle merle mûre’ d’Elene Naveriani ‘La Grâce’ d’Ilya Povolotsky ‘Creatura’ d'Elena Martín Gimeno ‘In Flames’ de Zarrar Kahn ‘Légua’ de Filipa Reis et João Miller Guerra ‘Mambar Pierrette’ de Rosine Mbakam ‘Conte de feu’ de Weston Razooli ‘La Vie selon Ann’ de Joanna Arnow ‘The Sweet East’ de Sean Price Williams SEMAINE DE LA CRITIQUE - EN COMPÉTITION Films datés : 11/10 : ‘Lost Country’ de Vladimir Perisič 11/10 : ‘Le Ravissement’ d'Iris Kaltenbäck 22/11 : ‘Power Alley’ de Lillah Halla 31/01/24 : ‘Inchallah, un fils’ d'Amjad Al Rasheed 13/03/24 : ‘Tiger Stripes’ d'Amanda Nell Eu Films non datés : ‘Il pleut dans la maison’ de Paloma Sermon-Daï ‘Sleep’ de Jason Yu SEMAINE DE LA CRITIQUE - SÉANCES SPÉCIALES Films datés : 30/08 : ‘Ama Gloria’ de Marie Amachoukeli - Ouverture 25/10 : ‘Le Syndrome des amours passées’ d'Ann Sirot et Raphaël Balboni 15/11 : ‘Vincent doit mourir’ de Stéphan Castang 20/12 : ‘La Fille de son père’ d'Erwan Le Duc - Clôture ACID Films datés : 19/07 : ‘Caiti Blues’ de Justine Harbonnier 18/10 : ‘Linda veut du poulet !’ de Chiara Malta et Sébastien Laudenbach 30/01/24 : ‘Laissez-moi’ de Maxime Rappaz Films non datés : ‘Dreaming In Between’ de Ryutaro Nynoliya ‘État limite’ de Nicolas Peduzzi ‘In the Rearview’ de Maciek Hamela ‘Machtat’ de Sonia Ben Slama ‘La Mer et ses vagues’ de Liana Kassir et Renaud Pachot ‘Nome’ de Sana Na N’hada A&B

La selezione ufficiale della 76esima edizione del Festival del Cinema di Cannes

La selezione ufficiale della 76esima edizione del Festival del Cinema di Cannes.   Il giorno è arrivato. Habemus la selezione ufficiale della 76ª edizione del Festival del Cinema di Cannes dopo l'attesissima conferenza stampa annuale alla presenza di Pierre Lescure, Presidente del Festival. Il festival avrà inizio martedì 16 maggio e terminerà sabato 27 maggio. Anche quest'anno ci saranno nomi illustri al festival cinematografico più importante del mondo, da Martin Scorsese a Wes Anderson, da Nanni Moretti a Takeshi Kitano, da Hirokazu Kore'eda ad Aki Kaurismaki fino a Wim Wenders, Marco Bellocchio, Ken Loach e Steve Mcqueen. Ma andiamo a vedere la selezione ufficiale di Cannes 2023: Film di apertura fuori concorso Jeanne du Barry, di Maïwenn In concorso About Dry Grasses, Nuri Bilge Ceylan Anatomy of a fall, Justine Triet Asteroid City, Wes Anderson Banel et Adama, Ramata-Toulaye Sy Club Zero, Jessica Hausner Fallen leaves, Aki Kaurismaki Firebrand, Karim Aïnouz Four daughters, Kaouther Ben Hania Il sol dell’avvenire, Nanni Moretti Jeunesse, Wang Bing La chimera, Alice Rohrwacher La passion de dodin bouffant, Tran Anh Hung Last summer, Catherine Breillat May December, Todd Haynes Monster, Hirokazu Kore'eda The old oak, Ken Loach Perfect days, Wim Wenders Rapito, Marco Bellocchio The zone of interest, Jonathan Glazer Fuori concorso Cobweb, Kim Jee-woon The Idol, Sam Levinson (serie TV) Killers of the Flower Moon, Martin Scorsese Indiana Jones e il Quadrante del Destino, James Mangold Un Certain Regard The Breaking Ice, Anthony Chen The Buriti Flower, João Salaviza, Renée Nader Messora The delinquents, Rodrigo Moreno Goodbye Julia, Mohamed Kordofani Hopeless, Kim Chang-hoon How To Have Sex, Molly Manning Walker If Only I Could Hibernate, Zoljargal Purevdash Le Regne Animal, Thomas Cailley Les Meutes, Kamal Lazraq The Mother Of All Lies, Asmae El Moudir The New Boy, Warwick Thornton Omen, Baloji Tshiani Rien À Perdre, Delphine Deloget Rosalie, Stephanie di Giusto The Settlers, Felipe Gálvez Simple Comme Sylvain, Monia Chokri Terrestrial Verses, Ali Asgari e Alireza Khatami Special Screenings Le Bruit Du Temps, Anselm Kiefer, Wim Wenders Man In Black, Wang Bing Occupied City, Steve Mcqueen Pictures Of Ghosts, Kleber Mendonça Filho Cannes Premiere Bonnard, Pierre And Marthe, Martin Provost Cerrar Los Ojos (Fermer Les Yeux), Victor Erice Kubi, Takeshi Kitano Le Temps D’aimer, Katell Quillévéré Midnights Screenings Acide, Just Philippot Kennedy, Anurag Kashyap Omar La Fraise, Elias Belkeddar... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

Casey Deidrick as Sam Anselm in Tentacles (2021)

Casey Deidrick as Sam Anselm Into The Dark - S02E11: Tentacles

CASEY DEIDRICK as SAM ANSELM in “INTO THE DARK” TENTACLES (2021)

CASEY DEIDRICK Into The Dark: Tentacles (2021)

Into the Dark: Tentacles (2021): Sam starts a relationship with Tara. As their relationship continues to progress, Sam begins to mysteriously fall ill. As he deals with the strange things happening to his body, Sam senses Tara isn’t who she appears to be and starts to dig up her dark secrets. He progressively gets worse.

My favorite things today (so far)

Jonas and David carrying Matteo

David sitting Like That™ on the bench

Matteo's silly faces

Cute Hanna and Jonas and wholesome girl squad

Abdi is back!!

Amira rolling the towel on Abdi's head

Amira not being able to play badminton to save her life

David being really good at it

Matteo zooming in on David and David throwing the racket at him

Sam's insta pics

Someone probably already talked about it here but I was thinking how druck might have to postpone their release (if it was intended to come out in the next couple of months) and rewrite parts of the story because of the pandemic

like we're kinda lucky that none of the remakes are airing at this point because otherwise the realistic aspect would be gone entirely right now

And I cry again I love U Anselm!!