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#saltwater monster
ch0cocrave · 21 days
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TAFFY.
He just saltwater like that 😎👍
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teamage · 1 year
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A quick rough art of the Scourge of the Emperor, in proper get-up.
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earthworms-worm · 7 months
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Oh look! An amorphous giant greenish blue blob in the sea? Who would’ve guessed!
Another creature I’ve made a small practice sketch for, the Saltwater Giant(s) is a cryptid that is basically a huge sentient green blob that photosynthesises and likes to attach itself to cliff-sides and large rocks, they’re completely harmless and actually help the ecosystem wherever they anchor down.
Once I get a replacement pen for my tablet I will make them digital, for now it’s just small sketches of potential designs!
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viviantimmet · 1 year
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AU where grimdark!rose is revived by the horrorterrors while dream!rose is going on her suicide mission and now there is two of them. And also there is one full friendgroup on the battleship.
They just replace all the missing organs and blood with void.
They can't seal the skin though, which is fine because people remaining alive with a hole through their abdomen is kinda a motif in homestuck.
This void happens to be a superposition of the Furthest Ring, just like the kings's scepters are Skaia.
Grimrose is unconscious for all of Jade's part of Cascade, and then sometime after she wakes, circumstantially simultaneously with dream!rose going god tier
One of her eyes gets replaced with the Green Sun.
(because it would be cool, fuck you)
Featuring:
Everybody learning sign language because Grimrose still can't speak normally.
(this is because she doesn't actually have vocal chords. Its all void in there. She screamed them out when she first went grimdark.)
Davesprite having friends.
Everybody assuming other Dave is dead, and not knowing there's another Rose, so they're very surprised when they get to the alpha session.
I can't think of anything else because it has been forever since I read act 6 last. Maybe I'll extend this once I get there.
(did John and Jade know Rose and Dave were going on a suicide mission? I do not remember.)
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urcrookedneighbor · 2 years
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The Body is a hallucination vs the Body began as a hallucination, Harrow's devotion to the Body called Anastasia's spirit to Harrow, and then Alecto started haunting Harrow at Canaan (hence the eye color switch)
(or created a revenant link through which Anastasia was able to haunt Harrow or whatever)
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sadlazzle · 2 years
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having thought abt it more im actually rlly intrigued by new lagoona. i think it opens it up more to really expand on her character and backstory, and i think it has the potential to actually make the character better. altho, i do hope we eventually see some gsr characters again, like posea or kala. i think esp with newgoona, it’d be rlly cool to see sea monsters frm different parts of the world interacting
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bigbadshadowman · 1 year
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finished The Brute of the south pacific Death Atoll's reference sheet. Fun kaiju fact Death Atoll's main fighting style is getting one or two good bites in and then play Kaiju "rope a dope" while his venom does it job.
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seaside-cave · 2 years
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rewatched Luca last week and decided yeah, I deserve to draw an AU with my comic characters
from my webcomic @redskyatmorningcomic
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--prompt from @nosebleedclub "siren song" (5 August) and "saltwater skin" (9 August)
Sickening--the taste of bile boiling up her throat, rustling inside her mouth until it purges out the sweet remains of flesh she's consumed; from the fish she tears with her arrowhead teeth, with nothing more than the flimsy bones which get lost in the sand.
Why do her gills glitter like diamonds? She hides herself in the ocean, time and time again, clinging onto the barnacles with tarnished hands, saltwater skin peeling off without a knife to slice off her past memories, hidden under freshwater blood, a pearl in a sea of the desperate.
She sings for nobody, like a seagull who knows nothing of the outside world. Her voice cuts through stone as if it cuts through butter-- it lets inhibitions melt until they spill across the ocean surface like oil floating and gathering and resisting the salty tides.
The siren doesn't alert us-- she confronts us, too desirous for beauty for too small of a cost, a glistening gem on our necks could be the noose which pulls us down from the ship into the water into her arms.
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itsamarlfox · 8 months
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Turning on the TV to a random later seasons txf episode can be so disorienting what is even happening
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kaijutegu · 3 months
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Aug ABSOLUTELY deserves the praise, @ryukikit. St. Augustine Alligator Farm is one of my favorite animal facilities, hands down. It's a pretty zoo, doable in an afternoon if you kinda like crocodilians, or an all day affair if you REALLY like crocodilians. Here are my favorite things about it and why I think it's worth supporting.
1. They keep animals in interesting social groups.
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Crocodilians are heavily involved parents, but most places that breed them don't have the enclosure space to let the babies stay with the parents. St. Augustine does. One of my favorite groups was their crèche of slender-snouted crocodiles. They had the parents and then a yearling cohort and a new hatchling cohort. This aligns with how these guys live in the wild- the babies stick around longer! They have the space for it, and they are very in tune with the social needs of their animals.
Very, very few zoos can keep their baby crocs with the adults and still perform maintenance and animal health checks safely. This doesn't mean these facilities are bad- it just means that they have different management practices. And frankly, a lot of these species aren't frequently bred elsewhere. Your average zoo doesn't need a setup where you can have a multiyear crèche for slender-snouted crocodiles. Some species have better success when the young are pulled early, and some zoos are better set up to raise out any offspring separately or behind the scenes. Every facility's practices are different, and this just happens to work well at St. Augustine and be really enjoyable to see as a zoo patron.
Crocodilians are exceptional parents and very protective. It's a sign of incredible animal management practices and animals that feel very comfortable with staff that St. Augustine can do this with nearly every species they breed.
2. They understand the social needs of their animals.
Some crocodilians are social. Some are solitary. Some can live happily with a member of the opposite sex but get territorial around members of the same sex. St. Augustine pays incredible attention to their social groupings to ensure that they aren't just meeting the animals' physical health needs but their social needs as well. They do continuous scientific research about social structures in crocodilians, taking blood samples to test stress hormones and observing stress behaviors to see how group dynamics change.
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For example, St. Augustine is home to one of the world's largest known living saltwater crocodiles, Maximo. And his comparatively tiny mate, Sydney. During the educational presentations with these two, they point out that even their monster of a croc needs his social group- he won't eat if she's not around and he is calmer during medical checks if he can see her. These animal share a deep and special pair bond, and they make sure to talk about how the social aspect of these animals' lives is integral to their care. It's a unique aspect of the way they talk about these animals, because he IS a spectacle and he IS a sensation, but they don't talk about him like he's a mindless killing machine- they talk about him like he's a big, complex predator with social needs like any other animal. Aug is the only facility I've been to where the emotional and social needs of crocodilians is part of the education they provide guests- and speaking of education...
3. Their demos and presentations are extremely good.
The presentations at St. Augustine are some of the best I've ever seen, and I've seen literally hundreds of animal talks on everything from aardvarks to zebras. But as you... can probably tell from my blog content, I've spent a lot of time learning about and working with reptiles. I really enjoyed all of their presentations because they are very scientific about things and avoid sensationalism. They really want you to be fascinated by these creatures and love them- but more than anything else, they want you to respect them.
Also, they do a really good job handling their ambassadors. I really enjoyed something as simple as watching an educator tell us about snakes. Throughout the whole presentation she made sure that most of the snake's body was looped in her hand. The snake was always supported and was very calm. She gave the snake plenty of head room so that it didn't feel constricted- it was just good handling all around.
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But also, the presentations made it clear how much the park cares about the animals' well-being. When they do the feeding and training presentations, they make it very clear that the animals' participation is entirely voluntary. They do things differently for their 9-foot saltie and their 16-foot saltie, because the 16-footer is so large and heavy he actually struggles walking on land sometimes. They adapt their programs and his care to ensure that he's completely comfortable- and he didn't actually participate in the whole feeding when I was watching! At no point did they try to push him into anything uncomfortable; they offered, he didn't engage, and they moved on. It was a clear expression of his boundaries, and I really appreciated how much his caretakers respected that.
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4. Ethical Interactions
I've been to... a lot of tourist locations in Florida that have animals you can hold. Almost always against my will! Many of them are pretty terrible, and you don't actually learn much, if anything. But I really found that to not be the case at St. Augustine. Every single animal presentation and interaction opportunity was accompanied by education about the animal's biology, habits, and- crucially- their conservation status.
When I held a baby alligator at St. Augustine, the proctors- there were two, one to ensure I was holding the gator correctly and the other to educate- were very informative about the role alligators play in their ecosystem and their conservation history. The animals were all properly banded, and one of the two proctors was there to ensure that none of the baby alligators were uncomfortable. As soon as they started getting squirmy or tense, they were removed, unbanded, and taken to an off-exhibit area to relax. And when the babies age out of petting size, they just go in the lagoon to live with others of their species. I saw one upset alligator the entire time I was there, and he was clearly upset that his escape attempt was foiled by a keeper during my nursery tour.
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Even though he's restrained in this shot, you can see that his full body and tail are supported, and the grip, while firm, is gentle. He's distressed, but after I took this picture, she put him in his enclosure and he calmed down immediately.
Sometimes when you have petting attractions with baby animals, those animals... don't have a happy ending. (See: cub petting.) But St. Augustine's program is fine- the gators are all aged out of wanting to have mom around, there's no declawing/defanging, and they're handled with care. And it's worth it, because people love what they understand. St. Augustine was integral in raising public awareness about alligators back in the 60s when they were endangered, and now they're thriving- largely in part to programs like St. Augustine getting people to care.
And speaking of getting people to care, let's talk about their research.
5. Shared Research Results
St. Augustine is also home to more species of crocodilian than anywhere else in North America- all of them, usually. (They didn't have a Tomistoma when I visited- that may have changed.)
Because of this species diversity, it's an incredible research resource. Having every species means that you can do a lot of work comparing their behaviors, their growth patterns, and more. They've been a major research site for crocodilian biology since the 1970s. Today, they're one of the key sites for studying crocodilian play and social behaviors. They actually maintain a blog where they post copies of papers that were written using their animals, meaning that you can actually see the results of the research your admission helps fund. You can see that right here: https://www.alligatorfarm.com/conservation-research/research-blog/
All of this adds up to a zoo that provides a unique experience, tons of actual education, and transparency about what its research and conservation steps actually are. St. Augustine's come a long way since its opening in 1893, and they really do want you to leave with a new respect for the animals they care for. Ultimately, if you're a fan of reptiles, you can feel good about visiting the St. Augustine Alligator Farm- their care and keeping are top of the line, they do a ton of innovative conservation research and support for conservation organizations, and you can see this animal there:
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(Gharial from the front. Nothing is wrong with her that's just what they look like from the front.)
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antirepurp · 8 months
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i promise i'll finish some of my writings at some point ok i just can't pour all of myself into just one of them atm lol
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krakenshaped · 1 year
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More ygo art soon! Have this picture of my dnd oc until then
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zwhoreo · 8 months
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what would happen if Luffy ans reader have a Big argument ?
ty for the request!! :) this is my angstiest one yet ooo (but I could never have a non-happy ending)
careless scars - luffy x gn!reader
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angst (fluffy ending)
summary: luffy recklessly abandons you in a dangerous situation to find and save zoro, and you get injured. your feelings are hurt and your heart is broken, and your ensuing fight with luffy leaves you not speaking for days. until, of course, you find each other again for comfort
contains: distressing emotional situations, reader hits luffy, everyone is sad, but happy/comforting ending <3
words: 2.4k
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The dungeon is dark and Luffy holds you. Only his precarious torch guides you through the midnight catacombs, knee-deep in dark water, you’re terrified and shaking and Luffy’s hand on your waist is the only thing you have right now. He’s tight-lipped and facing straight ahead, you’re wordless, you hope you aren’t lost.
Evading the monsters of the dungeon has taken a lot out of you, mentally and physically, as you and the crew have battled for escape and now it feels like hours since you’ve all been separated, terrified and in a ceaseless search for light. Luffy wouldn’t leave your side, partly because you’ve clung to him this whole time, you had lost your cutlass and twisted your ankle, your shirt is torn, you’re very vulnerable and you need him. You’re not proud of it, usually you’re reliable and independent, usually you’re someone Luffy can count on to do well on your own, even in the worst of times, but today isn’t like that. He can tell by how your nails dig into his shoulders.
Every corner turn feels agonizingly slow, your organs tightening with each knot of anticipation, there can only be death or light or more darkness and the three possibilities war within you with every step. Dust falls from the dungeon ceiling. Stone creaks, how far are you below the sky? Not knowing when you’ll find the exit, or when you’ll find your friends, or if they’ll make it out too, you’re left in a limbo of uncertainty and dread. You’re forced to move slowly because of your ankle, you’ve been trying to walk it off but the unclean saltwater is making the inflammation burn.
A scream echoes through the tunnel in front of you, freezing you and Luffy in place. You know that voice, it’s Zoro, tinny and distorted from the stone and water but so real and so filled with agony and desperation. It’s a call for help.
“ZORO!” Luffy yells back, his heart pounding in his chest, breathing becoming erratic, “please! Where are you??”
But there’s no answer. Luffy turns to you, fear-filled eyes watering, and he places a hand on your shoulder, determination filling his voice.
“Stay here. I need to go help Zoro. I’ll be back for you, [name].” And before you have a chance to react he lets go of your body, your warmth and light leaving you, racing off down the corridor and disappearing.
You trip and fall to your knees without him, soaking you up to your waist. You’re left with nothing and no one and you’re too scared even to scream. You can’t do anything, left weaponless and injured, the water ripples around you and you can’t even move. And you’re forced to wait like this until sound ricochets behind you, an inhuman and ancient sound, the water exploding around you and stone crunching as if it were sand. Writhing, ink-black eels with unseeing eyes and too-symmetrical fangs are bursting from the walls in a tidal wave of suffocation, blood-lust for your fear. You can tell they’re eels from the way they squirm and splash against your body, and the walls cave in and stone tumbles upon you, but it’s only these sensations of pain and cacophonic sound that guide you to your horrible new reality because there’s no light anymore, not at all. Immobile, all you can do is scream and swing wildly with your hands as you’re dragged to the ground, plunged beneath the water that now grows thick with the fallen stone and with your blood.
You’re convinced for a moment that you’ve died, your brain can’t process the warmth and the flood of air to your lungs. Your eyes fly open as you soar from the ground, carried securely as the ceiling overhead shatters, you’re drowned in beautiful, beautiful light and sky at last. You’re laying bridal-style in Sanji’s arms, with one powerful kick he’s freed you both from the dungeon, the island luckily not far above. You look up at him, your head resting against his chest, he’s breathing heavily, staring stoically upwards. It’s all over.
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You wake up in Chopper’s office. Your head is ringing and you feel so heavy, and your left leg is numb, and the whole room is blurry. Chopper rushes over to you, hopping up on a stool and resting a hoof on your shoulder.
“[Name]! Oh, I’m so glad you’re awake, how’re you feeling?” he says, smiling down at you.
“Not… ah, I mean, my leg just…”
“Mm. You got a pretty big gash on your lower leg. I've been trying to fight off the infections all night, but you seem to be stabilizing. It’s lucky how fast Sanji was able to find you.” Chopper’s ears twitch a bit with nerves.
“Thank you, Chopper.” You manage a smile for him. “Is everyone else ok? Did we all make it out?”
And so Chopper tells you how yes, everyone’s ok, the whole crew escaped the dungeon and found the ship again. And you and Zoro are the only two who ended up with serious injuries, Zoro with three broken ribs and you with your mauled leg. But you’ll both make full recoveries, so it’s alright. And you’re told that you’ll have to be very careful for at least a week, until the stitches and staples can be safely removed, that’s a long time to limp around the ship and lie in bed but you’re just grateful right now that everything’s all over.
Worried about Zoro and his whereabouts, Chopper leaves you to rest and stare at the ceiling. And that’s when Luffy bursts in, coming over to you and sitting on the bed, looking at you with concern. And you stare back at him, neither of you say anything, until he leans in to give you a hug and starts asking after you.
“Don’t touch me, Luffy.” You look away, your voice is ice.
He freezes. He isn’t used to this from you, he looks betrayed, a bit, and confused, this makes you feel angrier because how can he not see what he did wrong? His eyes narrow and slowly he gets up, and turns, and leaves, and now you’re here alone again.
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You’re sitting alone on the deck. You’re getting air, your leg is raw and in pain and the cool evening air is refreshing against your face. Your hands are folded in your lap, you just want to sit here in silence.
Steps you don’t want to hear, a tap on your shoulder you don’t want to feel, you don’t want Luffy to be here right now and you don’t want to have this conversation but he’s perched next to you, leaning over you. He wants a hug, probably. He misses you.
“Hey, are you mad?” he asks in a small voice, head cocked.
“Yeah,” is all you say.
He just looks at you, biting his lip.
“You left me alone in the tunnel when I was hurt. I could barely walk on my own and I didn’t have a weapon or… or anything!” Hey, no, don’t cry yet, you think to yourself. Your voice is breaking. “I really, really needed you!”
Luffy sort of curls away from you, his fists are balled tightly. “I had to help Zoro! He was in trouble! I don’t know what you wanted me to do, [name]!”
“Really? Really you don’t know?” You’re so upset and sad, you stand up to get away from him, stumbling on your burning leg, defiant. “You could’ve carried me! You could’ve put me on your back! You could at least have found somewhere dry and safe for me to hide, you could have given me a light, I don’t know, Luffy! You could have done so many things…” You’re really, truly near tears now. “I was hurt, I was defenseless, I was scared, I thought you knew all that…”
“Zoro needed my help.” Luffy is scary when he’s mad, it’s awful when he’s mad at you, when his voice gets authoritative. “I’m not sure what to say, [name], I was going to come back for you-”
“But you didn’t! Sanji saved me. I could’ve died, Luffy!”
He makes this little angry whine in his throat and then says, “I just needed to rely on you! I had to help Zoro!”
Which makes you snap. “Stop saying that!” you shout, “I was hurt and scared and I couldn’t fight!” And out of rage and cloudy pain you scream, “WHY AREN’T YOU LISTENING TO ME??” and strike Luffy across the face.
You expect this not to hurt him. It shouldn’t, not with his rubber body, it’s more a display of your deep anguish and frustration, but he cries out in pain and clutches his face. He begins to cry. Your heart is crushed into sand.
But you can’t do this anymore and you just limp away.
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These two days are so long. They’re so, so long, longer than two years. Your leg flares up in horrible, unending pain and your heart wails to you but you can’t do anything. You’re so angry. You and Luffy aren’t speaking, he avoids you, he looks away stoically when you’re close by. This has never happened to you, you miss that loving, sweet boy attached to you like a koala, you miss getting kissed, you miss everything. But neither of you know what to say. You’re both sad and torn up inside, Luffy just feels so confused and frustrated all the time now, shutting down completely.
Everyone else knows what happened. Zoro feels really terrible but he doesn’t say anything to either of you, he just retreats, cursing to himself over his own weakness, blaming himself and his vulnerability in that dungeon for hurting two of his best friends. Even with his broken ribs he trains and trains and reopens his wounds. And nobody knows how to help any of you. Not even Chopper, his pleading eyes begging Zoro to stay in bed, words stuck in his throat as he rebandages your wound, wiping blood away with shaking hooves.
But finally in the deep light of one sunset, at the end of those two days, you’re making your way slowly off of the deck when you hear your name screamed from behind.
You turn your head and Luffy scoops you up and slams you against the mast, he’s crying and shaking and holding you tightly in his arms.
“Please, please, I can’t do this anymore! I don’t wanna be mad at you, I don’t! I hate this!” he shouts in your face, voice loud and wavering.
You don’t know what to do but this feeling enveloping your body is incredible, so warm, your soul craved this in spite of it all.
“I’m so sorry, I feel so bad, I didn’t mean to get ya hurt, [name]! Oh, god…” He sinks down the mast onto the deck with you in his arms. “I don’t wanna forgive myself. I shoulda carried you, but I didn’t wanna put you in danger ‘cause I didn’t know where Zoro was, I really thought it was gonna be ok, and I was gonna come back for you, I really was!”
“Luffy… it’s ok, I’m sorry…” You wrap your arms gently around his body, your own tears coming now. “I just wanna forget all this, I hate when we’re mad at each other… I love you.”
“Mm- I love you too!” Luffy grins, eyes closed, face wet. “I just wanna keep you safe, that’s all I want.”
“It’s hard sometimes,” you whisper, “you love us so much, I know it’s hard, I know you get scared too.”
“I do get scared,” he murmurs, nuzzling into your shoulder, leaving tear streaks on your neck. “I just wanna make it all better…”
You’re smiling now. This is such a relief, such a weight off your heart, so you carefully lift his hat so you can ruffle his hair. “This is a good start.”
His hand goes to your leg, caressing timidly up and down your skin, his face is against yours but he’s looking down at your bandages, eyes scared and concerned.
“Ooh, [name], Chopper was teaching me how to make scar tissue stronger!” He taps the center of his torn chest. “You use two fingers and uh, like, make these little circles on ‘em, maybe I can do it on your wound and you can feel better?” He’s staring at you excitedly.
His kindness makes your chest feel warm. “You’re sweet, Lu, but it’s not a scar yet. You shouldn’t touch wounds when they’re fresh. I’d like that when it’s healed up, though…”
“Oh.” He’s a little disappointed, but understanding, and now he’s going back to thinking more, nibbling your shoulder a bit to get his mind working. “Sometimes when I’m hurt, Robin gives me massages. They feel real nice, do you want one?”
This sounds so good and you snuggle against him with the promise of such a perfect gift. “I’d really like that, actually. Maybe on my thigh? It’s pretty sore from all the limping.”
So Luffy leans into you in joy and relief, turning you around and pulling you into his lap, you turn your head to look up at him and everything seems to be ok now. You lay on his chest and his hands find your thigh on your hurt leg, he’s clumsy and doesn’t know what he’s doing but you feel him shivering in concentration, kneading your sore muscle with his fingers, and then with his palms, his skin smooth and calming against yours. He’s breathing softly in your ear, you close your eyes and let yourself be bathed in his touch, in his unwavering love for you.
Maybe you’ll need to have a real conversation about this with him, later. But now all you want to do is sit here against him, his weight shifting against you as he rubs your skin and hums quietly under his breath to soothe both of you.
“I love you,” you say again, very quietly, “and I’m gonna love you forever.”
He nods. He knows this well. His nose presses against your cheek, lips seeking yours, wanting to taste your words. And he echoes, “me too. Forever.”
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orcusnoir · 8 months
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I think the Chain needs to be more...idk "weird". So here's some ideas on what I mean. Not all of them are are in depth as I would like sadly.
Time: Clocks stop working right around him. Either they stop all together or they start skipping seconds at random intervals, sometimes the clocks will start going backwards.
Yet no matter how messed up the clock gets, by the time Time leaves the area the clock is telling time normally again.
If Time's shadow splits it will always appear as if a silhouette of a child is to his right and a faint emaciated figure is to his left. His own shadow tells the tale of his terrible fate.
Speaking of shadows.
Twilight: His shadow, no matter what, is always darker than normal. Noticeably darker.
Predators out in the wild, such as wolves, lions, and what not, are either afraid of the Rancher and flee, or just watch him from a safe distance. As long as Twi is with the group, they don't have to worry about any random animal attack.
Four: As the wielder of the Four Sword, Four's shadow is always split in four ways. Since the Smithy helped the Minish, he will randomly find extra Rupees in his pockets and bag with no memory of how he got them.
Wind: The sailor knows exactly where he's going when out at sea. Even without a map. He just knows. The air around him carries an extremely faint scent of saltwater.
Legend: The Vet's enchantments are alien to his own Hyrule. They didn't come from Lorule either.
Strangely, Sky seems to recognize the magic that envelops the Vet's gear.
Hyrule: The treads on the Traveler's boots seem to change to whatever he needs them to be, never wearing down. His own steps are either loud enough to draw attention to him or so quiet to the point of his steps being silent, but the way he walks doesn't change. It just happens.
If the group encounters a fairy, it will always approach Hyrule first before swirling around Time.
Wild: Stal monsters will always go after Wild first. Sensing the fact that he should be dead, and feeling a sort of jealousy at his resurrection.
Non-Guardian/Zonai automatons have an extremely hard time locking onto the Champion. Their IFF (Identify Friend Foe) system constantly misidentifies him as an ally. Possible side ability of the Slate, but it's happened before without it on his person.
Warriors: The Captain knows. He knows things that no one expects him to know. He can tell when people hide secrets from him, and can tell when people have secrets to hide. Even if he's never met the person.
Sky: Due to being the first (technically second) Link, he is always identified as Link in any Hyrule they visit. This effect can even trip up other Zelda's.
The Goddess statues seem to glow with a faint golden hue whenever Sky is nearby.
(Here's even more Chain "weirdness")
https://www.tumblr.com/orcusnoir/728982134864461824/more-chain-weirdness-because-honestly-these?source=share
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thehuntingcompany · 2 years
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Gotcha! #sharkbowfishing #bowfishforshark #jaws #teeth #monster #saltwaterbowfishing #bowfishing #outdoors #fun #action #fishing #hunting #archery #orangebeach #gulfshores #alabama #saltwater #beach #vacation #captain #charterfishing #stingraybowfishing #bowfishingzone #bowfishinglife #bowfishinghilights #finfinderbowfishing #savage #liveforit #adventure #bigfish (at Fish-Kabob Bowfishing and Charters) https://www.instagram.com/p/ChsCRYrLXIb/?igshid=NGJjMDIxMWI=
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