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#reproportion
ozstyu3ig · 1 year
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Blonde boy shoots creamy cum on his carpet Loirinha Amadora na Webcam Tamil boy hand work gay sex video From Jail to Jizz Antique dealer anal fucked in her shop Thick Latina Jolla is handcuffed and punished Fitness Rooms Interracial lesbian shower threesome with shy Latina Novinha tira a roupa mete de quatro e leva gozada na bunda dick flash en bus y ella mira Small Waist Fatt Ass Gemini gets Fucked for 10 mins and a multiple times Looner trans TRAILER
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quixotic-gray · 1 year
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He is listening to What the World Needs Now is Love by Jackie DeShannon
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this bitch always looking dead inside. look at him. miserable.
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autistic-shaiapouf · 1 year
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I just want everyone to know that I'm so accustomed to drawing pouf that I have to actively work to not use skewed proportions in any of my other art
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mickedy · 2 months
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Why does baby Mickey have holes in his hands 👀
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If you haven’t noticed, I spent the last week or so of silence completely redoing a bunch of my 3d models, I remade Mickey from scratch and now he has detachable clothes to easier put him in different outfits :) my friend Gaby had an asker joke about Mickey having holes in his hands because of how his earliest appearances have him with big holes in the center of his gloves… I thought that was really interesting and it kind of stuck with me so I worked it into the 3d model. The prospect would definitely make Mickey uncomfortable, though…
The kid Mickey from my last post has holes in his hands simply because I scaled down and reproportioned this model to make him look like a kid :P
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kogarashi-art · 16 days
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It's the last previews for Falling Into Darkness!
Important note before I go into some details on the pictures: I will, in general, not be doing this for other fanfics I post. The main reason I did this series of illustrations was as something of a treat for finally crossposting this 10-20-year-old story to my AO3 account. I don't really plan to draw a ton of illustrations for other fics I do.
That being said, I may do occasional images that will be posted with future stories on AO3 (I have a quick one for the first chapter of the next fic I plan on posting, for one), and if I do other fanart, related to a fic or not, I still plan to post art here.
But I'm glad for all the kind comments and everyone enjoying this series of illustrations with me. :D You guys are awesome.
With that, description-stuff (including more behind-the-scenes than usual) below the cut. 'Tis long; be forewarned.
First up, arguably the easiest illustration to do in the whole set. It's a silhouette, so the foreground wasn't really an issue (other than trying to get the edge glow just right, and I still don't think I quite managed but I'm definitely telling myself not to mess with it any further). The background was already painted for the second illustration in the whole set:
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I just fixed up the paths and the treetops and added a little lookout stand to the building on the right, now that Sonic and Sally weren't blocking those spots. After all, it's supposed to be the same view anyway, so I figured I'd make it easy on myself and not have to completely repaint the scene.
The second image employs some little cheats here and there. Here's the original sketch from my sketchbook for comparison:
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Very loose, lacking detail. Straight lines are more like suggestions. The robots are spiky blobs. I have a literal note next to a stick figure and a hollow shape telling me to get some references. There's the barest hint of the alcoves the robots are standing in.
I didn't show this level of behind-the-scenes off with other illustrations in this series (though I suppose if anyone's ever interested, I could do a process post about how I worked on these), but one of the first things I did with this series of illustrations was sift through the roughly fifty individual sketches I'd drawn to illustrate various parts of the story (not counting redraws of portions), ranging from vague shapes to much more detailed drawings, to narrow it down to the ones I was actually going to finish for this project. I ended up with 27 total images, including the two I'm previewing today, focusing on having at least one but no more than three images per chapter.
Once I'd determined which sketches, like the above, were going to become a finished piece, I then went through each and every one of them in Photoshop with a sketch pencil brush and filled out the sketches to a point where I could reliably ink them. That meant things like swapping out figures that didn't work with redraws of them or making size adjustments, like so:
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The first image is the second illustration, and you can see I redid Sonic because his initial pose didn't work. The redraw was actually a pose of him I did to draw his post-Mobianization robotic elements from the end of the story, but the stance was actually good for what I needed, so I Photoshopped it in and then sketched the rest of the replacement drawing digitally. The second image is Sally watching Knuckles walk away, and you can see that I changed her left arm, and also reproportioned her body prior to inking (bigger head, smaller body).
And for pieces like the final one in this illustration series, I sketched in all the details that were missing from the initial sketch (which, as I said, was pretty barebones; in my defense, it was the last one I drew, and by that point I was pretty tired of drawing robot hedgehogs so Sonic was something of a stick figure in most of the last chapters' sketches).
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And here's where one of the cheats comes into play. I drew one robot hedgehog. Specifically the one you see the most of, near the tip of Robotnik's cape by the drafting table. I drew it on its own layer in Potoshop, then copied and pasted it into all of the other holding bays, erasing parts that wouldn't be visible as I went along. I also went and found those references I needed for Robotnik and Snively and drew the two of them properly.
And then, because I much prefer physical pen-to-paper inking over digital (my tablet is not one of the fancy screen ones, and I've yet to really get comfortable digitally inking with it, despite owning it for nigh on twenty years), I colored all of the sketches red, assembled them in groups on letter-sized images, and printed them out onto cardstock (my preferred medium when I'm going to be traditionally inking). I inked them with my various inking pens (some Sakura Microns, some Faber-Castell PITT pens), scanned each sheet back into my computer, and cleaned up the lines in Photoshop (the reason for the red printout was to make it a bit smoother removing the sketch from the inked lines, though it wasn't as clean as I would've liked; oh well).
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That left us with the above. Because I inked them each by hand individually, the robots don't look copy-pasted, because it was the underlying sketch that had been, not the ink work. The tables and holding bays also have straighter lines thanks to using a proper ruler for those (though I didn't concern myself too much with things like perspective and right angles), and after drawing the straight line, I went back freehand over spots to give them a bit of that hand-inked wobble.
From there it was a matter of laying down the flats in Photoshop, then shading, adding effects, etc. I like the cold yellow light I've got on the robots, and the overall shading on the yellow cape. Also that sense of satisfaction when I called this one done, because it was the last one. Huzzah.
I'll see you on Monday for the last chapter!
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tjodity · 2 months
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🧸 👽 💄 for chbomb ? :3
🧸 A headcanon about their childhood
Hm. I actually haven't ever thought about that outside of parfait to be honest. Um. I think she probably grew up in fairly normal conditions. by which I mean no fantasy stuff really happened. Her family were pretty conservative but their house was really close to a movie rental so she spent a lot of her childhood watching movies and reading. She left home fairly young and moved to a denser city, but mostly just worked a lot of random jobs and wrote about furries online. She started hopping around SMPs in her mid 20s because she felt deeply trapped by normal day to day life.
👽 A headcanon about a weird quirk of their's
The way she makes fursuits is insane compared to anyone else just because of the variety of conditions she's lived under. In the city she made one that was mostly made of leather and black dyed denim but had aluminium claws and a head that was made from very carefully reproportioned and restitched stuffed-animal heads. It looked like a slasher outfit and she was really sad when no one liked it. A lot of them were made from old blankets and bedding. she also paired leashes with each of them. On the Dream SMP importing is expensive as hell so she's had to make them mostly with wool.
💄 An appearance headcanon
She shaves to prevent a beard but likes having stubble. She wears masks, not as frequently as someone like Dream, but usually just when putting on some kind of performance. She's got one for Manberg, for L'Cast, for the catmaid outfit, etc. The only one that was actually practical was for the Manberg Rebellion so she didn't get caught. She whittles most of them. Otherwise she's pretty good at makeup and she does her own, the rest of the maids, and taught Tommy how to do it when they asked her how (Tommy kind of knew how to do it but they also had a crush and partial gender envy thing going on for H for a while.) Most of her outfits have at least a little bit of practicality. For example, she enchanted the maid dress with mending due to the fact that she has to wear it outside in pretty rough conditions. It also has a thigh strap with some potions of poison.
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kk-dirge · 1 year
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been a while since last waterfall posting, but hazel got a texture refresh + reproportioned a bit
i was planning on going in and making some clothes replacements so i don't have to rely on custom designs later too... and adding in the rest of the villagers... and the special npcs... and the
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sanikaasajeev · 8 months
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ADAPTIVE WEB DESIGN: EVERYTHING YOU NEED TO KNOW
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Adaptive web design loads the same on all devices. One to better adapt to the users devices as opposed to  single  starting page A Page users devices ,screen size ,or browser that encourages the creation of multiple versions of the web page or resizes the  content based and responsive. web design is the process of conceptualizing and implementing a plan to design a web in a way that is functional and prioritizes the best user experience designing.
      ABOUT ADAPTIVE WEB DESIGN
Faster loading times  - your users wont be. with an adaptive ,your website loads only the information  and features necessary for their device this means that an adaptive website generally takes less time to load  than a responsive website. smaller versions are available so there is no need to reproportion or reposition banners, image ,Ets. for smaller viewing to displays better on screen. adaptive website An adaptive website is one that builds a model of usability and uses it to better address the users  needs. it is a website that updates information and presentations.
      OUR WEB DEVELOPMENT METHODOLOGY
* Targeted for each user
* Best user experience
* In crease load time
* Reusable existing  website
* Advertising monetization 
            CREATING ADAPTIVE  WEB DESIGN
   It uses two or more versions of websites  like mobile version, desktop version etc.to fit better on different screens.in an adaptive web design designed for multiple screen sizes of the same website.Responsive design often works best for bigger sites that are being designed from scratch. Adaptive design often works best for smaller sites that are being refreshed.
             ADAPTIVE WEBSITE 
An adaptive website builds a model of usability and adapts to the users data and information to better address the users needs it is a presentation and editing website .
   ANOTHER NAME FOR ADAPTIVE WEB DESIGN
It is also know as progressive enhancement of website .adaptive means to create a different page for different types of devices the current AWD web pages are targeted at these resolutions.
                                      THANK YOU .
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carbrakes · 1 year
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How Mercedes Brakes Increase Vehicle Safety
New Post has been published on https://www.carbrakes.net/how-mercedes-brakes-increase-vehicle-safety/
How Mercedes Brakes Increase Vehicle Safety
As technology advances, so does the safety of vehicles. Mercedes-Benz is known for its commitment to safety and its ability to provide drivers and passengers with the peace of mind and assurance that they are protected. This is thanks in part to the numerous features Mercedes-Benz road vehicles come equipped with, specifically its brakes.
Mercedes-Benz boasts some of the most efficient, reliable and safe brakes available on the market today. This is due, in part, to the large 12.9-inch front brake rotors. This larger size provides increased thermal capacity as it increases the area of the rotor’s contact with the pad, allowing for a more stable braking performance. Additionally, the brakes are fitted with an anti-corrosive coating to protecting them from the elements.
Mercedes-Benz isn’t just focused on providing a safe braking system; they are also dedicated to the accessibility and easiness of the system. In their vehicles, Mercedes-Benz has placed a footbrake and a hydraulic handbrake within the interior of the vehicle, allowing the driver to easily activate and deactivate them. The presence of the hydraulic handbrake is especially helpful under emergency situations, when the driver can use the specialist brake to hold the vehicle in place.
To further increase the safety of the braking system, Mercedes-Benz has introduced Brake Assist. This feature comes standard in most Mercedes-Benz models and increases the pulsation rate of the pedal when braking needs to be applied in emergency situations. Additionally, Mercedes-Benz vehicles also come stock with Electronic Stability Program, or ESP, an important safety feature which optimizes the driver’s handling of sharp corners or curves. ESP quickly reproportions the amount of traction each wheel has and improves the vehicle’s potential to maintain control.
Mercedes-Benz vehicles have long been considered reliable, safe and luxurious. By implementing forward-thinking and advanced braking systems into their vehicles, Mercedes-Benz has ensured that their drivers can rely on their vehicles to be there when needed during emergency braking scenarios as well as providing superior everyday transport. These features and more make Mercedes-Benz one of the safest cars on the road today.
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crayongas19 · 2 years
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What Does Tarot - Book Depository Do?
The 20-Second Trick For アルケミア・タロット = ALCHEMIA TAROT DECK : オリジナ…
The sixth edition of The Alchemical Tarot: Renewed is a digitally upgraded variation of the initial with improvements in the drawings, reproportioned so that the art is more popular, and colored with transparent colors on an abundant antique paper background, like antique alchemical illustrations. Alchemia Tarot are 4. 75 x 2.
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kingdom-dance · 2 years
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These are literally titled “dahlsifevilwhysexy.png”
So mad I can’t commit to making Dahlia go pure dark side because 😩
wip based loosely on this ask where Ames was like “DW will take you out to go crash a gala and steal people’s banking info💕” like BESTIE SAY LESS he was supposed to be there looming behind her but I got frustrated with him aldjfj anyway what do we think about the stockings mostly just wanted more 👁 references with it
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heckolve · 4 years
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why so blue?
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Valentino Fall 2020 Couture
Photos courtesy of Valentino
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sartorialadventure · 3 years
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Moschino, spring 2021 RTW
(Watch the video here)
Weeks before lockdown became a reality, Scott had already decided that his spring Moschino collection would celebrate the virtues of haute couture, more relevant now than ever. “I was thinking about how that is such a human, emotional, tactile thing: time, dedication, and the connection to design history,” he noted. After quarantine set in, Scott began to suspect that a runway show would not be in the cards this month. Inspired by the couture-centric nature of his research, he looked to the Théâtre de la Mode, the troupe of miniature couture creations the designers of Paris sent on the road after World War II to save their businesses from financial ruin amid scarce supplies and clients left unable to travel. Then he called Jim Henson’s Creature Shop, the creator of the Muppets.
“What would be the best way for me to give the same experience that you’re used to, coming to see my shows live?” Scott wondered. “How could I give you that whimsy, that magic, that fantasy?” Along with the Creature Shop, he created marionettes of favorite models to wear the 40 looks, which were first made in life-size versions and then scaled down to fit the 30-inch puppets that “walked” the show, violins playing softly in the background. There were also editors for the front row. It may have been miniature, but it was a huge undertaking, more expensive, in fact, than a fashion show. “In April I had to pull the trigger and say, I have to stay with this, even if everything goes back to normal and everyone else has [runway] shows again,” Scott recalled.
Every garment, every fabric, and every motif had to be reproportioned to fit the dimensions of the marionettes without losing the authentic properties of the cloth. Every detail Scott added to the life-size looks had to be re-created in miniature.
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::Download:: (Patreon - Free from 20th of November 20)
Surprise extra upload!
I was really excited when I saw the Snowy Escape preview, but the fringe on the original version of this hair could be used as cattle bars.
I've adjusted the fringe and reproportioned the front and back to make this hair more useable, as it had a lot of potential, but felt a bit cosplay wiggy.
@maxismatchccworld @simblrcollective (thank you 💜)
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scaletunedcustomz · 7 years
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Proportion.... An issue I find myself more and more at odds with on these Diecast cars. More attempts at improving (in my eyes) yet another casting that just never looked right to me. The MBX Skyline. . #mattel #mbx #matchbox #skyline #71skyline #GTX #164scale #reproportioning #nissan #handcrafted #custom #modified #diecastcustom #diecastcollector
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