oh why disrobed truth people eke solemn lies as truth that's your only truth
sunshine is laughing in my balcony
you arm him about aqua sarcophagi
i accidentally let the refrigerator die
jews are arabs are jews slew gardyloo grimy fremen at their borders
your honeycomb heart logarithmic
picks a thousand in a room of thousand
not i or moi thousand one minus one
kill or be killed pressroom briefings chinese first-class red tie
you're beautiful no one interprets you
you're gorgeous and there goes holi
a handful of halogen love potions currency speculation tipsy
sea and spring and chrysanthemums
someone drowing herself with you as you
with your reflection your planetary influence your impaired glutes
tax avoidance for coke zero coitus
someone is walking like a bazaar with russia eyes with an individualistic salt
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🎶 Hello, hello, baby, you called, I can't hear a thing…🎶
#OnThisDay... March 11, 2010, Lady Gaga’s music video for “Telephone” premiered around the world. Gaga referred to the release as “a real true pop event.”
In “Telephone” she is seen wearing a Thierry Mugler design, which features an extraordinary hat fabricated by Philip Treacy, as she is bailed out of prison by Beyoncé (nicknamed “Honey Bee” in the video) who drives their getaway car—the Pussy Wagon from Quentin Tarantino’s film, “Kill Bill: Vol 1”. Many viewers remember Beyoncé’s line reading of: “You’ve been a very bad girl… a very, very bad, bad girl, Gaga” just before taking a bite of a Hostess Honey Bun and hand-feeding Gaga a bite, too.
Directed by Jonas Akerlund, the nearly ten-minute-long music video packs the action with edgy plotlines and dance sequences choreographed by Laurieann Gibson, which are all amplified by the wardrobes styled by Niccola Formichetti (Gaga) and Ty Hunter (Beyoncé). Mugler’s fashions especially complemented Lady Gaga’s creative vision for “Telephone.”
Beyoncé, Lady Gaga and Kim Kardashian are some of the American performers and personalities who revived interest in the work of Thierry Mugler, following his retirement in 2002.
📷 Still from music video for "Telephone" (dir. Jonas Åkerlund, 2010). Mugler’s fashions from Prêt-à-porter Fall/Winter 1995–96 collection (“Anniversaire des 20 ans”) → Installation view, Thierry Mugler: Couturissime, on view November 18, 2022 - May 7, 2023. Brooklyn Museum. (Photo: Danny Perez)
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So here’s a project I’ve not advertised at all.
No Requests: Live! From the Tavern is an Adult focused Edutainment series focused on discussing Art, Music, and Media. Each episode is broken up into segments that work together in a playlist including various other videos on Youtube. This means Music Videos, short films, and other video essays, curated together with extra commentary from the host of the show, Tavern Barz.
That’s a weird and unnecessarily complicated format, why are you doing this?
It’s really easy in this day and age to use Youtube videos as a replacement for other content. I mean, why watch a two hour movie when you can watch a 20 minute recap?
This is a bad habit. Critique is important aspect to a good media diet, but a diet consisting solely of critique misses the point completely. In order to talk about media, we must also experience it.
This format means we don’t directly compete with the art featured. Rather, Tavern Barz acts as a museum curator, and the other media in the playlists serve as the actual art itself. The original videos will get their view, and… as a nice little bonus, I get to avoid the copyright bots.
Why are you using a cartoon?
I mean, I’m an animator. I don’t know what else to tell you. Why does the Chocolate guy use chocolate when clay will last longer?
But also, I don’t really have any desire to host the show as myself. There’s a hundred and ten other Youtubers who will get on camera to talk about stuff, and like, I don’t have the room for that.
Besides, Tavern is a character distinct from me. As a writer, I have full control over the narrative I want to tell, and placing myself in the center of that just feels weird. Tavern’s allowed to act and be weird and hypocritical. Tavern is allowed to grow as a character in ways you can’t really depict through the lens of literal documentary filmmaking.
So that Cyclops character isn’t just your rantsona vtuber avatar?
I mean, in a very literal sense, Tavern is a Vtuber. They are a virtual character serving as the host for a real show on Youtube.
But Tavern’s also an OC with lore and a planned Story Arc. The pilot is admittedly pretty bare bones with all this, but I intent to incorporate more story elements as the series goes on.
Alright, so what’s the lore then?
Tavern Barz is the Cycloptic owner of the Tavern Barz Tavern, a fifth dimensional divebar thar exists all across Time and Space. After several eternities of service, Tavern thinks they know it all.
This is not true.
Is this project family friendly?
Not really. The main character is a bartender, so there's a lot of alcohol focus. Plus, a lot of the featured videos will also contain plenty of adult themes.
The pilot is pretty mild. There's some swearing, but nothing too serious. But the non original videos might have adult themes. I have some later episodes planned, including one focused on The Male Gaze, and in those cases, I can't in good conscience recommend these videos to minors.
All in all, I like to call the tone of the project comfortably adult. I'm not going out of my way to be edgy, but I'm also not censoring myself. If this were an actual TV series, it's probably be TV-14. Edgier than the Simpsons, not as edgy as Rick and Morty, so about the level of Futurama.
When will this project release?
April, 2024. As of the time of this writing, the first episode is basically finished except for the credits, but I also need sometime to compile my sources, write descriptions, and make some thumbnails, as well as advertise the project.
Follow Me on this Account if you wanna keep up with the project. You can also see my other links at https://norequestslive.carrd.co/
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