[link to tweet]
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The Reims Stela (Autel de Reims) is one of the more impressive and complete survivals of Cernunnos iconography.
Because the weathered stone is so dull, I've always wanted to see it restored to its former polychromy glory — so I experimented with some digital colorization!
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Woman from the colonies, Charles Cordier, 1861, marble and onyx, Musée d'Orsay, Paris.
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Vinzenz Brinkmann's reproductions as a part of an exhibition Chroma - polychrome statues of Ancient sculptures in color.
Featured here: the so-called Terme Boxer from the Quirinal in Rome and a marble funerary stele of Phrasikleia (detail).
Photo source: 🏺
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Vinzenz Brinkmann and Ulrike Koch-Brinkmann, reconstruction of the so-called Chios Kore from the Athenian Acropolis (2012),
Marble stucco on polymethyl methacrylate, natural pigments in egg tempera.
Courtesy Liebieghaus Skulpturensammlung (Liebieghaus Polychromy Research Project), Frankfurt am Main; original: Greece, Athens, marble, c. 520–500 BCE, Acropolis Museum, Athens.
The Met’s latest exhibition on Greek and Roman art brings color back to whitewashed ancient sculptures by analyzing “polychromy,” or the rhetorical uses of color. Employing 3D imaging techniques, curators developed new restorative methods to simulate how ancient works appeared in their time, placing reproductions alongside originals to exemplify the aging process.
The Metropolitan Museum of Art (metmuseum.org)
1000 Fifth Avenue, Upper East Side, Manhattan
Through March 26, 2023
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TvT im tired, but ahh… i finished the cover and backcover for my zine.
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When we talk about ancient #polychromy, we're not only referring to paint. We're also talking about *gold*, as seen in this well-preserved 1st c. CE head of a young man. Red in the hair, black in the eyes and brows, and gold all over the face. Perhaps Apollo?
—Chapps on twitter, Nov 5 2022 (source)
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I was going to send an ask like “I don’t know what the brinkmann gods in color exhibit is but I’m curious and I’d love to hear why you dislike it!” but i just googled it and I 1000% see why you hate it now yeah
i think it's lazy histcomm lol! the ancients (certainly at least the romans) knew and used depth and perspective when painting, or painted as an undercoat for gilding, so many of these are probably really *inaccurately* reproduced ...
also i think there's a difference between arch reconstructions for journals (eg based purely on pigment evidence) and reconstructions for communicating ancient art to a broader audience with no context for ancient aesthetics and art - which should imo be based on a combination of pigmentary evidence as well as ancient art of comparable technique that was better preserved AS WELL AS where and how would have been presented (for instance, something in FLAT BRIGHT HIGH CONTRAST COLORS that's supposed to be viewed from 20 feet below in plein air is gonna hit super different at eye level in a closed museum space)
like i think a lot of ancient art is quite striking and i think even if it looks "weird" or tacky to us that's worth recognizing as it is! but i think for a PUBLIC MUSEUM DISPLAY you need to be taking audience context and response into account to a much greater extent than this exhibit did lol
you don't want people leaving the exhibit thinking "thank god the british museum scrubbed those clean"
here is an example if you haven't seen any:
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Time's running-WIP- 2022
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I check your blog for Aypierre update (i dont have time at all to watch the streams/vod), and i speak french so if you need any help translating/understanding something, feel free to send me a DM and i'll be happy to help you :D (you can send it to this blog or my mineblr decorative-polychromy)
ah tysm! ive mostly been getting by with the in game translator and context clues but i may take you up on that eventually :D
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🥺
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The abduction of Persephone based on this vase
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