Percy: They decided to send three 12 year olds on a quest that may or may not destroy the world if we fail?
Grover: I’m 24 actually
Annabeth: And you chose us
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challengers spoilers…. im obsessed with how we know everything we need to know about art and patrick and tashi within their first scenes like. art asks patrick to throw the match so art can please his grandmother (or at least that’s what he says) and patrick agrees both because he’s deeply unserious about tennis separate from art, and also because art asks. then tashi enters. patrick blusters and pushes her but she keeps looking at silent art who seems to have fallen for her tennis game at first sight. she says tennis is a relationship. whoever wins the match will get my number. and patrick, knowing that art and tashi are both going to stanford, doesn’t throw the match. because the only way he can stay in their lives (art’s life) as they go off to the same school and work on the same sport, is to be dating her……..
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did another rough concept for faron for my comic
design is based on both skyward swords and botws look since they are the same character in my AU, idk if this is the final one; she will show up in chapter 4
basic design, with robe, and one of her being noisy
(comic concept art)
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
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I imagine Vasco and Ludovica have a big painting (portrait but with two people) in Vasco's house (probably his father insisted of getting one of these, people used to do it in the old days, especially wealthy ones). While it's very serious and formal, in the way all these portraits were, it is also very intimate (at least it's implications). I imagine Machete just staring at it sometimes, feeling small while looking at the big painting. And sad, maybe jealous but I don't think he'd resent Ludovica. He, most of all, understands.
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This is not how anyone designs visual novel sprites, but I always have to make sure they're height-proportionate because I get freaked out when characters are described differently to their sprites
(also I may or may not be recreating Love & Legends)
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lando: issey miyake pleats. university of cvntology. captain of the team of servington. head bitch in charge of yassification applications.
oscar: whatever-the-hell-i-want-itis
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listen listen I think Tim and Sasha should be in their 40s. And then you just have this obviously 20 something year old who's now THEIR BOSS claiming is 38 as if they can't spot a fresh out of college baby a mile away
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