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#please help in any way you can
lesbiandanhowell · 17 days
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i know you all follow me for my silly fandom thoughts and the occasional big brain idea, but this one is important to me so if you have a minute PLEASE READ
the last four years have been the absolute worst years of our lives for my family and it's been tragedy after tragedy and now medical expenses have gone beyond what's doable for us alone.
my cousin has started a campaign to help her and her husband continue living and caring for their kids after she was paralyzed waist down during the birth of their twin babies
so far they've been able to get money through health insurance programs but it won't be extended beyond april 28th so they are desperate for help
please donate if you are able to or help with a reblog, thank you!
as the page is in german i've summarized and translated the pages description:
Julia and her husband Christopher are parents of a 4 year old son and discovered the joyful news to be pregnant again last year, with twins!
Both babies developed perfectly and in the 38th week Julia goes to the hospital with contractions. Having good experiences with an epidural during the birth of her first son, Julia asks for an epidural, which is when things start to go wrong.
She feels sudden pain, like being electrocuted in her right leg and begins to feel numb, unable to move any part of her lower body. At this point one of the twins heart sounds create concern and the decision for an emergency c-section is made.
After waking up from surgery Julia has three healthy babies, but can no longer feel or move her legs.
Despite being paralyzed, fevers and endless exams she tries caring for the babies, but after two weeks the twins leave the hospital without her.
Tragedy continues when unbearable headaches, a lack of vision and consciousness prompt a CT scan that shows a Hydrocephalus, a condition in which excessive fluids in the brain cause pressure within the skull. Another emergency surgery to place a drain to relief the pressure on the brain is followed by a third surgery for placing a shunt, a permanent solution for the pressure regulation.
It is now 13/04/2024 and Julia has not been home since 06/12/2023, while her husband cares for all three kids.
So far this has been possible as Julia's father in law has been on leave from work as a domestic helper and his loss of earnings is reimbursed by the health insurance company. This funding is to be cut without any chance of extension by April 28th 2024.
Julia is still in inpatient rehab trying to regain mobility and learning to walk again, while her husband is at maximum capacity caring for two infants and a toddler.
The money goes towards providing help in continuing to employ a domestic helper, so he can concentrate on child care while Julia focuses on recovery as well as making their home wheelchair accessible.
please help if you can
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ladydevoir · 5 months
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Hi everyone
I had hoped I wouldn't need to use this again but Im in desperate need of help once again. With NHS dentists in this country basically now non-existent, and with me being in agony from a couple of nasty broken molars (and a possible damaged wisdom tooth), im forced to rely on private care, which I currently cannot afford.
Please help with anything you can spare, or share this around if you cant afford anything, so that I can hopefully get these teeth removed and finally be rid of this pain for good.
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purplemajasty · 2 months
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Hello, I'm from Gaza City because of the war,my house was destroyed. We lost everything,my family and I did not have anything left. We left our homes in search of a safe place and we were displaced three times to different places to survive, but unfortunately there's no safe place in Gaza. My mother is very sick and she's a kidney failure patient in need of treatment outside. She suffers from LS. Help me and my family to survive. Please, your small donation can make a huge difference. A friend outside Gaza has come in to help me run the donation program so that my mother can be evacuated. Please donate and save life.
Im sorry im not in a financial spot too donate rn, but i want to still help spread your message as much as i can so people who can donate will find it :}
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feral-ballad · 1 month
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“My name is Nour Saqer, for the name remains when all is lost. I turned 22 years old last November. Yes. My youthful time was wasted on horrible days. Yes. Those days still continue.
My name is Nour Saqer. And I am 22 years old. I am a fifth-year dental student at Al-Azhar University of Gaza. I am an aspiring student. I am eager and passionate about my studies. Until the last minute, I was allowed to stay at my house on Oct. 7th. 2023 I was still working on a scientific research proposal that was supposed to be published by me and my teammates of young researchers late in November, that year.
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This picture of me was taken late 2022 during an international dental conference held in campus.
During my college years alone. Me and my family have had to forcefully evacuate, and run out of our house four times. In 2019, 2021, 2022, and finally in 2023. Each time was in fear of the same threat; meeting our deaths under rubble. My name is Nour Saqer. And I have always been a Gazan. Each of those past times. If we were fortunate enough, we would discover that our home was in repairable damage. There would be a roof over our heads still. We were still fortunate. We still had luck.
But ever since October 7th. I haven't returned home. We were among the first families to evacuate Al-Rimal neighborhood from the very first day of this genocide, we had to turn our backs to it and expect no return. Two floors of my family house, along with my father's store, and only source of income, have been severely destructed due to neighboring missiles. And my university buildings were heavily exploded. All forms of life have been reaped from my city. My hometown.
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This is what's left of our campus. I was supposed to have my graduation ceremony here.
My name is Nour Saqer. And I had an enthusiastic heart. And an energetic body. I played sports and walked down every street until I couldn't. I loved my family and friends dearly. I wrote poems about them. I spent time loving them and cherishing their presence. I loved life with all its little things. With all its unattainable things. I loved the grass and the tall buildings. And I loved all people. I loved my people. All their faces. All their talents. All their hidden lives. All we shared. Until we didn't. Everything I have ever loved I lost.
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This picture of me was taken during a happy moment on the roof of our house.
This is all that is left of that picture now.
I am currently sheltered in Rafah with my family of 7. Sharing a place with 30 other homeless people. By the end of Ramadan, me and my family would have to evacuate and seek shelter for yet the 8th time due to housing problems. I am so tired of not having any sense of stability. Nothing to guarantee. Nothing to call my own. Every passing minute the situation in Rafah gets worse. Every passing minute I am losing loved ones and relatives. Every passing minute costs me my sanity. Costs me health. Costs me my basic rights to simply live.
I have nothing left to lose or pay the price with except for my life.
I don’t know how to retell my life story in limited words, how to make the most ordinary moments sound precious. How do I equate my value to someone deserving a life of safety? How do I shape myself as someone worth saving?
I have been interviewing myself for days. All my stories are choking me. All my grief is piling up and muting me. I keep trying to find a way to present the best of myself. To make myself someone you'd want to look at. Listen to. And even more,
Help.
I am finally placing both hope and faith in your helpful hands. I am asking you. Please put an end to this continuing tragedy. And help me get to safety. Before it's too late.
It should be in your knowledge that:
It costs $5,000 per person to get out of Rafah through the Boarder Crossing to Egypt. The rest of the donations will be to secure my tution money for the fifth and final year of dental school.
Thank you.”
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heymacy · 1 month
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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wasjustred · 1 year
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ahhh iloveyourworkssomuch!! 💖 i'd like to request something along the lines of sugar mommy!larissa (maybe with smut, who knows *wink*) 'cause she's all i can think about these days... anyways, happy early new years!!!
Easy Does It - NSFW Larissa Weems x f!Reader
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Summary: Larissa spoils you beyond comprehension. Pairing(s): Larissa Weems x f!Reader Warnings: Smut. A lot of it. (Cunnilingus, fingering, strap-on — all Reader receiving) Word Count: ~4.7k
Author’s Note: I hope this meets your expectations, anon! I originally intended to make Larissa way more domineering, but once I began writing it just didn’t feel like her——I tried to stay true to her character where I could. As always, feedback is welcome ﹠. appreciated! ♡ (un-beta-ed as per usual!) ╱ AO3
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The arrangement you and Larissa have has been smoothly gliding along for about six months now: you meet for dinner every weekend, in a town about half an hour outside of Jericho. You wear an outfit she’s picked out for you, she pulls your seat out, you share conversation and good - expensive - food and drinks, and you end on the stoop of your apartment, leaning into the kiss she places on your cheek, with a weekly allowance in cash in your purse. It’s the perfect set-up, nothing you’d dare protest, but sometimes you honest to god wish she’d just break her own rules and rail you ‘till the bed breaks.
Tonight you meet her at The Aviary, draped in a black satin dress with a deep slit up the leg––one of her favorites. Larissa helps you into your seat as she usually does, but before she takes her own, she places a long velvet box on your empty appetizer plate.
“Ooh, what’s this?”
“Open it and see.” A small, proud smirk turns her lips, eyes sparkling. You run your fingers over the velvet and lift at the seam, features going slack with surprise when you realize what’s hidden inside: a collar necklace, glittering diamond-cut, softening into a single falling arc of gems which ebbs, finally, into a small, shining teardrop. Light from the restaurant’s fixtures seem drawn to it, gleaming to and fro in a scattered stream of reflection. Your gaze snaps back to hers almost immediately, heart pounding.
“Larissa, I–”
“Do you like it?”
“I– Of course I do, it’s– it’s so beautiful..” Your voice softens and tapers off as you return your attention to the box before you. It’s probably the most beautiful thing anyone’s ever given to you, but you stop short of admitting this. “Help me put it on?” 
Larissa’s smile grows as she gathers the box in her hands, lifting the necklace from its cushion. She moves to stand behind you and tenderly brushes your hair aside; her hands are as soft as anything, so gentle in the way they handle you, securing the piece around your neck. Your own hand raises to rest atop the new weight at your clavicle, and when she sets her palms along your shoulders and squeezes, you shift your hand up to capture hers.
“What’s the occasion?”
“Do I need one?” Larissa presses her lips to your cheek from behind before she retakes her seat, arching a brow in challenge. The answer is no, of course; this is how you work, special occasion or not. She always manages to keep you on your toes, though, far more thoughtful and intimate than any other ‘financeur’ you’ve ever humored in the past: Tennis bracelets set with gemstones which perfectly match your eyes, a new coffee bar set-up when you mentioned off-hand that Starbucks had discontinued your favorite drink, a signed first edition copy of your favorite book she ‘just so happened to come across’ while out of state. Much more than the simple, routine bank deposits and luxury brand pieces that were never quite you which you received from others. Larissa’s gifts have always been astoundingly personal.
You’ve never told her this, but you stopped dating altogether once your little dynamic began. How could anyone else compare? She makes you feel important without ever having to work for it ––– like you’re lovable, worthy, because you exist, and nothing more. You’re breaking  your own rules, being so enamored with her, but you refuse to dwell on it.
“No, you don’t…” You trail off as your food arrives, ducking your head in thanks as the waiter sets everything out before you. Any discussion of her gift to you ends there on Larissa’s own accord, swiftly and advantageously moving on to a new topic as soon as the waiter has left you. The rest of the night is spent sipping expensive wine and musing instead on all of the high-culture goings-on you never get to discuss with anyone else: Art, ballet, classical music. Larissa’s a delicious trove of knowledge and opinions and she impresses you with each turn of a new topic. You often find yourself wondering - not just tonight, but many nights whilst basking in her presence - why she’s chosen you. You can hold good conversation, of course, and have an appreciation for the finer things in life usually reserved for those older and/or wealthier than you, but what’s always been curious, what’s always given you pause, is that she never asks for anything else in return. You have no choice but to ask yourself what it is you possibly have to offer to a woman like her––but you almost always fall short of a satisfying answer.
She’s talking you both through an analysis of the most recent play she brought you to when you take one of her hands in your own, tracing the lines of her palm as you listen. Larissa stumbles over her words at first contact, a rare occurrence for her, and blushes pink at the sensation. When you glance up at her in question she quickly averts her gaze and carries on, moving to smooth her thumb over yours as you continue. You love her fingers: they’re long, delicate, awfully reminiscent of the Greek statues she enjoys waxing poetic about. It’s an instance in which you’re reminded art, very often, echoes us in a continuous cycle of give and take.
You don’t say a word when you notice her face darken another shade as you press a kiss to the inside of her wrist before moving on to dote upon her other hand.
She’s not once explicitly told you, but Larissa’s never expected you to take a physical liking to her. She set the rules she did early on for a reason, knowing she could live with looking and not touching, taking care of you and watching your face turn alight with each gift or special night out without ever ending the evening by your side. No sex necessary, no physical affection expected. But here you are, fawning over her, and she’s never been more conflicted.
To assuage the feeling, she convinces herself it’s the wine that’s made you this way––a good bottle will go a long way, thus your touch must be the product of inebriation, not genuine affection. You’ve both long since finished off your meals when Larissa pays the bill and drives you home as she normally does, to an apartment she partly finances (not fully, at your own insistence that there are some things you should take care of yourself) and walks you to your door, stooping to kiss your cheek. Routine. 
She is right about one thing, however, and that’s the potency of the house wine tonight. Not on your reasoning, but your self-control. You spent the car ride home admiring her profile in the passing streetlamps and traffic lights, studying the way each red light cast itself across her, how the passing headlights of opposing traffic bathed her in a cinematic glow you associated only, appropriately, with Vivien Leigh in A Streetcar Named Desire. Ghostlike, almost. Ethereal. And at that same wine’s behest, you lean further now into her goodnight kiss than you’d normally allow yourself.
It’s as she prepares to leave that you decide - anchored by the weight of the diamonds around your neck - that this is the night you’ll throw caution to the wind, fervently hoping it won’t backfire and end with her rejection and a ruined arrangement that you’d both worked to preserve over the past six months.
“Do you want to join me for a nightcap? I know we don’t usually, but.. I’d like you to. If you’d like to, of course. If you don’t that’s–––”
“Y/N,” she interrupts. You can hardly tell but her heart’s just about burst out of her chest. There’s an inner battle waging right on the precipice of her ribcage and your bright, hopeful eyes staring up at her aren’t making it any easier to parse out. Do you feel obligated somehow to pay her back for the necklace? She knows you know she’d never ask that of you, that your arrangement is not a traditional one, but has she unknowingly pushed the bounds all the same? Did you simply imbibe too much and don’t really have a clue what it is you’re saying?
Or, perhaps.. Most dangerously: Do you mean it?
“I don’t want you to feel as though you have to… ‘pay me back’ for tonight. That was never my intention.”
She volleys her own inner turmoil dead straight in your direction and stares down at you with what might be, if you squint hard enough, a nervous expression.
You lean sideways against the door and cross your arms over yourself, appraising her. Does she really not want you? What the hell does she get out of this if she doesn’t? You just can’t wrap your head around it, and while you insisted to yourself you’d never outwardly question the bounds of your relationship and why they’ve settled where they are, you’ve put yourself at a crossroads.
“Do you think I’m pretty?”
She balks.
“What? Of course I do. What does that have to do with anything?” Larissa’s expression is a mixture of incredulity and apprehension. You decide to bite the bullet then as she lingers uncertainly beneath the moonlight.
“I don’t understand what you get out of this. Am I not–– you think I’m pretty but you don’t want to touch me? You pay for my livelihood but you don’t want anything tangible in return?” You both purse your lips simultaneously and you’d laugh if the situation weren’t so dire all of a sudden. “You confuse me, Larissa.”
She shifts her weight from one foot to the other, a small cloud bursting forth as she sighs.
You fucked it, didn’t you? Fucked it right to hell, and now she’s never going to speak to you again.
“You’re an idiot, do you know that?” The air goes still.
It’s news to you. 
Larissa suddenly pushes forward and traps you against the front of your door, hands leveled at your waist. “I’ve always wanted you,” she grits out, her arms tensing at your sides. “I just didn’t want you to feel as though you had to. Return the sentiment, that is. You’re too precious for that.” Her voice is low and rough in your ear, strangled. You grab hold of her forearms to keep yourself upright when her tone shoots right through you, breathing heavily. You gradually lift your gaze, poring over every curve of hers as you do, and meet her eyes. They’ve nearly gone black with lust, and a subtle quiver in her lip tells you everything you need to know.
“Kiss me.”
Larissa groans, which is admittedly not the reaction you’d expected, and presses further into you, her nose brushing against your cheek.  You can feel the heat of her grow, ensnaring you in perfect contrast to the cool night air.
“You have to tell me you want it, darling. I need you to say it.” … Oh. A new wave of arousal surges through you as you turn your head ever so slightly, her lips hovering just out of reach. The shared breath between you has become fraught with possibility, with the overwhelming, unspent energy that’s been collecting over the last six months without either of you quite noticing. Of course this is what she needs: confirmation, not that you’re hers but that she’s yours, by choice and choice alone.
“I want you, Larissa. Please,” you whisper, squeezing her arms in an attempt to ground yourself. She says nothing in return, instead immediately closing the distance and engulfing you in a desperate, searing kiss. Your cheeks burn and it’s all you can do not to melt into her fully, sucking in a sharp breath as her tongue slides against your bottom lip. This, this, you realize, is exactly what you’d imagined: Feeling her against you, wrapped up tightly in her arms, being drawn in and freed all at once, struggling to contain the desire you feel pulsing within yourself. It’s like Larissa’s split open your mind and picked through every thought there, coming away with only the most indecent imaginings and putting them to use as her hips pitch forward and her hands grasp achingly at the roundness of your thighs.
“Open the door,” she husks, suddenly ripping herself away and turning you at the waist to face the door. You fumble for your keys as she scores your neck and shoulders with hot, open-mouth kisses, running the tip of her tongue along the muscle that pulls taut there.
“F-fuck.” The chuckle she gives in response to your whimpering, shaking when you can’t fit the key into its slot, only weakens you further. Larissa must know her effect well as she wraps an arm around you to hold you upright, the other grabbing the key from you and swiftly unlocking the door in one go.
“Trust me, I’m trying.”
Laughter follows you both as you take the stairs one at a time, pausing every few to take her tongue in your mouth and run your hands along her front. You bypass the living room once you reach the landing - a feat in itself - and lead Larissa straight to your bedroom, kicking one heel off in the hall and the other at the threshold of your room. 
She stops you just before you reach the bed and holds you steady for a moment: “Hold on, I want to look at you..” You hair is mussed, curls losing their hold in the heat of your entanglement, chest heaving and red. Larissa steps forward to brush her thumb over your lips, searching your face for any sign of hesitation or doubt.
She doesn’t find any.
“Christ, you’re a pretty thing,” she hums. The pad of her thumb pulls at your bottom lip and you acquiesce, tilting your chin up before taking her finger into your mouth, rolling your tongue against its tip, watching her with wide eyes that imply an innocence you don’t possess. A hiss escapes her when your teeth come down around her knuckle and she scowls, gripping your jaw with an intensity that rivets the surrounding atmosphere as she rips her hand away, smashing your lips together once more.
In the next second the backs of your knees are buckling against the edge of the mattress and you squeak; Larissa had slipped a hand over your sternum and shoved, launching you down hard into the bed. Wet heat urges your hips forward as she crawls over you, but her hands swiftly come down to force them back into the mattress, trapping you there.
“Patience, darling.” You scoff as she begins the journey down your body, placing lazy kisses to your lips, cheek, jaw, chest while her fingers deftly work to pull your dress from you. You lift your back so she can snake a hand around and drag the zipper down to its end at the top of your hips, wriggling free and moving to pull at her own dress–––but she grabs your wrists, pinning them above you with a devious smirk. 
“Ah, ah. Let me spoil you,” she murmurs into the crook of your neck, one hand traveling to cup the dampness between your legs. Electricity cracks against your spine at her touch; you’re sweltering and freezing all at once, watching her eyes rake over you with a hunger you’ve never seen on her before. Her fingers draw idle circles around your clit as she works her way down your body, leaving a trail of wetness in her wake where tongue meets flesh, nipping at the precipice of your hip bones, glancing up at you before she licks you through your panties. There’s no helping the whine you turn free when she all but purrs at the taste she gets of you from the soaked fabric.
“Larissa, please,” you huff, lifting your hips up to meet her mouth. She takes three steps then in quick succession: chuckles into the skin of your inner thigh; pulls your panties down and off of you; and presses a series of messy, teasing kisses to your bare sex. Your fingers clutch at the top of your duvet as she finally begins to devour you, breath hitching as her tongue circles your entrance and delves into you. In a moment of white hot desperation, you hook your legs around her, calves flexing against her back as you shudder into her touch. She’s ravenous, consuming you with long, uninterrupted strokes that ride on the flat of her tongue, lapping your slickness up and winding into you all at once. The coil is tight within you already, pulsing with every movement of her mouth. You’re almost worried it’ll be over before it scarcely has had the chance to start, but a quiet, bemused voice in the back of your mind ridicules you: Larissa is nothing if not generous.
“You taste divine,” she breathes, before returning her ministrations to your clit, sucking and popping with the filthiest fucking moan you’ve ever heard. The feeling of her tongue against that tight bundle of nerves prompts your eyes to roll back, eyelids fluttering, and imbues your hands with a mind of their own, working them swiftly into her hair and pulling her as close to your cunt as you can get her, hips lurching in an unsteady rhythm. You can feel her amusement at your desperation as distinctly as you feel her mouth, but it’s quickly forgotten when she slides two fingers into you with an ease that makes you lightheaded. The sound of your wetness is sinful, and you have to admit it only spurs you on.
“Fuck me, fuck me, pleasefuckme––” Larissa’s grinning against you as she pumps her fingers, curling into you with a startling accuracy that leaves you breathless and aching. You press your cheek to your shoulder in a feeble attempt to keep yourself above the threshold dividing pleasure and bliss, useless as she slips another finger into you and flicks her tongue against you, quickening her pace as she follows the mounting tone of your pleas. Every touch spreads a warmth through you impossible to ignore, stirring a frantic need beneath the surface of your skin.
“Cum for me, darling, cum for me, that’s right.” Larissa presses the heel of her hand into the space just below the swell of your stomach and the coil snaps suddenly, sharply, sucking all of the air out of you at the same time that you yelp and tense with equal force, clamping around her face as your orgasm tears through you. She continues to lap at you even as your hands push at her, holding fast to your thighs to keep her place. Your legs shake as she builds you up in the same breath that you’re coming down, a second orgasm already rearing its head.
“I can’t,” you keen, but Larissa shakes her head and unlatches briefly to disagree.
“Yes you can, Y/N––be a good girl for me.” It washes over you when she lowers her face again and wraps her lips around your clit, sucking with an unfazed firmness that shocks you to your center. You’re tingling over every limb, pacing your breaths to ride you through this second crest. “That’s it..” Larissa coos, running her hand over your leg comfortingly. You can hardly breathe as the shockwaves roll through you one after the other, and the darkness of the ceiling above you seems to double in size as you stare in a daze.
Your muscles melt into the mattress one by one, sinking deep as Larissa finally pulls her head away and crawls forward to kiss you; you can taste your slickness on her tongue, familiar and tangy. When you part, gasping for air, you wrap a hand around the back of her neck and press your foreheads together, gazing up into her eyes with the softest look you can muster after so thoroughly falling apart in her hands.
“My turn?” She laughs loud and heartily at your doe-eyed demeanor. You’re itching to touch her, to taste her, and she knows it.
“Mmm, maybe.” Larissa shrugs and rises up from her position over you, sliding off to the side of the bed where you can’t reach her––and not for lack of trying. A whine catches in your throat when she shoots a withering look over her shoulder, patting the space beside her. “Help me with my dress, darling.”
You waste no time in flipping over onto your knees, shuffling over to her and grappling with the zipper of her dress. You flush when she laughs both at your inability to get it down in one swift motion and the frustrated little growl that bubbles up from your chest.
“Not funny,” you complain, gritting your teeth as she shifts and the zipper gives, revealing the smooth, snowy expanse of her back. Instilled with a renewed sense of hunger, you push the fabric away from both of her shoulders and continue the journey down and around to her breasts, thrilled she’s forgone a bra tonight as you palm the supple flesh there and roll her nipples between your fingers. The sigh she expels is a ragged one, her hands dwarfing yours whilst her head falls back against your shoulder. You revel in the sight of her lip caught between her teeth.
“I want to fuck you.” You just barely catch it in between her labored breaths and your own thunderous heartbeat, but you do, and you turn to glance at her curiously before her meaning hits you square in the face.
“But––”
She cuts you off. “I want to destroy you, Y/N. You can taste me later,” Larissa mutters, pivoting without another warning and capturing your lips again. You wouldn’t complain if it weren’t for the utter distress you felt to get your hands on her. She doesn’t give you a chance to rebut, however, as she slips out of her dress and climbs over you, guiding your hands to grip her ass. “Later, I promise.” She pulls back to appraise you, taking a rigorous inventory that she’ll commit to memory if it’s the last thing she does: Your flushed skin, the way you can’t keep still under her touch, the unmistakable shine of desire in your eyes.
“In th-the nightstand,” you stammer. Suddenly the realization that Larissa is here, in your bed, and you, at her mercy, is too much at once. You’re trembling with need and anticipation. She tilts her head at you, one second, two passing before she follows your guidance and pulls the drawer open, grinning wickedly at what she finds there.
“Harness?”
You nod vigorously, propping yourself up on your elbows and directing her through another drawer of your dresser. The slow, methodical way in which she fastens the leather around herself surely burns itself into your brain, and you can’t help the shameless moan that seeps out when she smooths an indulgent layer of lubricant along the silicone from base to tip, a delicious sight between her legs.
Larissa approaches with an emphasized swing to her hips, bending at the waist to press a chaste kiss to your lips before she nudges you to scoot back into the middle of the bed, positioning herself above you with a hand on either side of your head. She dips her face down into the hollow of your throat. 
Her voice vibrates against you despite her hushed tone. “Are you ready for me, darling?”
Your brain short-circuits at her words, imperfect timing. God, she’s fucking hot.
She lifts her head again to catch your gaze and smirks, nibbling on the tip of your chin. “Use your words.”
“Yes, yes, I’m ready,” you rasp, drawing your nails down the broad expanse of her back in anticipation.
The moment she slides into you is pure ecstasy: your toes curl and you haphazardly clamber for purchase upon her skin as she buries herself deep within you, stalling for a few moments to give you time to adjust. The way Larissa groans into the motion draws out an amusing - filthy - rumination about her being able to feel every stroke as with her own body, delighting in your wetness. She fills you seamlessly, snapping her hips against you before slowly drawing herself back, only to repeat the pattern and plunge into you as deeply as she’s able. It’s bruising and pleasurable all at once, how she brushes up against your walls and the ridges of the toy hit what your mind insists is every nerve-ending within you.
You rock together desperately, bodies moving as one as if you’d been doing this for centuries, mapping each other out and bringing each other to your peak. You savor the novel, tangled scent of sweat and arousal, a newly formed association with the sound of Larissa’s broken whimpers now frozen in your psyche.
A startled breath leaves you as Larissa abruptly anchors her weight to one side and pulls you on top of her, flipping your positions. Her arms wrap tight around you, looped at your back and around your shoulder as she fucks up into you at a crushing pace. You whine into the crook of her neck and realize you’re on the verge of tears, an overwhelming wave of pleasure and desperation wracking your body. Quiet grunts accompany her each thrust, slowing just so until it’s a steady pattern you can count to like clockwork, brutal and sharp at every buck of her hips. Your knees are aching, folded as they are, but the tight, coiling sensation within you overrides any and all discomfort, merely a quiet nagging in your brain; your focus is settled precisely on the angle of her cock and how her nails dig into your skin as you grind against each other. She’s close, too. You can feel it. It’s there in the shallowness of her breaths, in the urgency of her pelvis against yours, in the subtle arch of her back. You try to meet her where she’s at in your muddled state, pitching your hips backwards and down when she thrusts upwards––and you know it’s worked when she gasps and her hands scramble to lock together at the small of your back.
“Yes, that’s it darling. Just like that,” Larissa pants, using the leverage of her hold on you to help you fuck yourself. The only sounds permeating the room are that of your mingled breaths and her cock driving into you with a consistent, almost unforgiving rhythm. 
“Pleasepleaseplease, ohfuck––” 
“Y/N–––”
She tenses with you and cries out as your orgasms hit you both at once, ravaging you beyond reason. You’re hyper-aware of the way her breasts feel pressed against you, the way one of her hands flies up to bury itself in your hair as you ride her through your climax. Larissa’s hips stutter as she whines into your shoulder, sinking her teeth into you, and you marvel at the feeling of her muscles clenching around you, from the sinewy stretch of her arms to her thighs rested between your own.
Everything you’d hoped for. Fantasized about. Greedily deliberated again and again whilst watching her across the table in another fancy restaurant in another unfamiliar town.
Larissa is careful as she pulls out of you, slow and deliberate so as not to disturb the tenderness there. You remain curled on top of her but she doesn’t complain, rather rubbing your back in long, languid movements and whispering affirmations in you ear, a sweet mixture of ‘breathe darling, I’ve got you’ and more headily, ‘you did so well for me, you’re so good, you took me so well’. When you allow yourself to fall to the side of her, she shimmies out of the harness and tosses it somewhere off the edge of the bed, ignoring its clatter as she wraps you up in her arms. You burrow yourself further into her warmth and sigh at the feeling, content.
“Now is it my turn?” you ask, voice low and raked over with exhaustion. The belly laugh she gives is worth all the weariness in the world. “You’re incorrigible!”
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smokbeast · 13 days
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COMMISSIONS ARE OPEN!
Hi hello hi! Commissions are open! if you are interested here is a google form below with all the info at hand about my commissions and workflow! If you have any questions my DMS are open to answer and talk it out, thank you so much, reblogs are extremely appreciated to spread the word as I would like this to be my main post for commissions from now on!
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ufoend · 1 year
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∆ please help us
we can not afford any of our basic needs
i usually try to keep this as light as possible, but i have put this off for long enough that i have to post this. me and my partner desperately need help. we are just two gay people trying to make it alone here with absolutely no support system.
who we are: im j (or jet), im 24 year old trans guy whose had this account since 2014. i married my partner in 2018, we even met on tumblr when we were younger, we've been together for years. my partner is disabled (diagnosed with autism and seizure disorder and others)
what we need: our cat had an emergency surgery two years ago that means he needs to be on a prescription diet (hills urinary food) for his entire life. the vet suddenly said we need to bring him in again to get his prescription renewed and we cant order any more food for him until then, which he will not survive without, and he is not allowed to eat any alternative food without risking his life. we have less than half of a 8 lb bag of it which will not last him through the next month. with the vet, food, and ubers to get to the vet and to the only place they sell the food = 200
to try to summarize our situation, we were kicked out by family and made officially homeless for the first time last year. this is right after we moved across states (wa to az) to support my partners family upon their request, only to be subjected to abuse and kicked out directly due to homophobia in an unfamiliar state after a few months. this left both of us and all of our animals entirely homeless. we luckily have an apartment now but our situation is still not okay. we lost all of our belongings at this time, everything, and have not been able to replace them as we have fixed income. my partner is especially affected by this situation, as it was traumatizing, and they have just had to power through trauma after trauma because of poverty, more than i can say.
i also have severe dental problems that are not covered by medicaid in az and i have no way to afford. this includes wisdom teeth, root canals, and many cavities that will turn into that crazy expensive treatment if i don't fix it. some may remember this (+this). i was only able to have a little bit of work done before we were homeless and one root canal failed. i cant keep ignoring it, because they are worried about two of the cavities becoming root canals, and i want to prevent another infection, but thats at least 250 each.
we are still not going to be able to afford rent in future months because our EBT was delayed last month and i had to spend money we don't have to afford anything, and now we are in serious jeopardy even affording rent, let alone bills. our pets (2 cats 1 small dog) also desperately need vaccinations, which is dangerous to keep going this overdue without with their health problems. our dog has also been limping for the past week and he needs to be seen when that is ever possible.
any donations would go first to the vet appointment and cat food, then the other needs in order of priority. will keep updating this, i know its a lot and i really don't expect anything, i am begging for help with any of this
we are both students, we are trying to work towards stability, while being stuck here. i do everything i can to bring in money to support us on my own. we make 200 less than rent is monthly. i am in school to become a caseworker so i am aware of a lot of resources in my area, and have applied for everything, but we can not do this alone which is why i have to ask for help. i am so sorry for having to do this but i appreciate any support that i do have because of this website. you guys literally save my life. helping out other poor people and getting helped out on here has been the most compassion ive ever been a part of. dollars, even pennies, worth of donations has kept my cat safe, has affected me in real ways. it actually matters to us, no matter the amount.
thank you anyone who reblogs, donates anything, or reaches out.
*
p*ypal email (best): [email protected]
v*nmo: @tobler707
c*shapp: $tobler707
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saetoru · 7 months
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hello everyone here is a lovely infographic from an instagram post that offers a short list of places you can donate to aid with relief for gaza. children are being massacred and families are being completely wiped out, please donate if you have the means to help.
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quietwingsinthesky · 1 month
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in the amelia pond au, amelia’s aunt does still send her to therapy between doctor adventures, but since amelia is now secure in the fact that he’s Definitely Real since both rory and mels have also met him and because she lost a tooth last week from tripping on the stairs of the tardis, she doesn’t bite any therapists this time around. and besides, her therapist is a very funny lady. she reminds amelia of her doctor, with how her voice will flip and jump in volume and accent and tone on a whim, with how she’ll talk to amelia like they’re conspiring together. she keeps the pictures amelia draws of the doctor and their adventures for her, even hangs one or two on the walls. she listens very intently to every detail, which no adults in amelia’s life do save the doctor himself and river song, whenever she’s around. and best of all, whenever she tells amelia’s aunt that amelia is doing just fine, don’t you worry, she’ll grow out of this, she winks at amelia so that amelia will know her therapist is only playing along to wave away her aunt’s suspicion.
it is a little odd, though, that she insists on only being called Missy. but amelia is quite used to odd by now.
#not the point of this post but. please do imagine amelia and rory and mels and the doctor all having escaped from Real Actual Danger#rory has the energy of a cat with its fur all puffed up and looks like he’s either going to start crying or yelling at the doctor#mels is standing on the box the doctor got her so she could see the tardis console better and studying the way he flies it very intently#and amelia is still full of energy and adrenaline and can’t stop racing around the tardis like a hyperactive gerbil. because if she stops#she might have to be scared instead but if she can run long enough she’ll forget to be scared at all and when she collapses exhausted all#she’ll have left are the exciting happy memories#and then she misteps racing up the stairs. shouts! the doctor and mels and rory are all at attention immediately. mels moves first but rory#is closer and helps amelia back up. and then the doctor is crouching down in front of her. ‘let me see. oh that’s a lot of blood. that’s.#how much blood are you able to lose again? its more than this. probably.’ amelia’s whole face hurts. but the doctor’s rambling is familiar.#it helps. and he’s only so talkative when he’s sure he has a solution. besides. rory’s head’s nestled on her shoulder and mel’s got her#hands. the doctor wipes blood off her nose and her chin. tilts her head up and goes ‘aaa’ sticking his tongue out until she does it too.#and he tells her to feel her upper row of teeth with her tongue. she does until she finds the gap.#it still hurts. hurts more when she nudges it with her tongue all bleeding and raw. but she just lost a tooth! and you know what that means.#they have to find it. or else how will the tooth fairy leave her any money?#(the doctor hears her say that to mels as they search. and he glances off to the side and makes a note to go back and make sure it *was* her#aunt leaving her those coins. and not something else. which he does. and finds out her aunt wasn’t leaving her any coins at all.#he can’t just let that stand! so the doctor becomes amy’s tooth fairy as well.)#and that is how amelia loses a tooth on the tardis.#amelia pond au
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reasonsforhope · 5 months
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Crowdsourcing a question
Okay totally personal post here because, now that search engines suck, my research is failing me. So I'm crowdsourcing my question about the residential care work industry!
Hoping at least some of my followers have experience in/with the industry and some intel on this:
Actual question: How common is it for jobs in residential care work (residential centers, btw, not home care) to actually have two people on the night shift? vs. just saying they always have two people on the night shift in interviews and their official policies, and actually it's not true?
Because my current job was, it turns out, apparently totally lying about "you'll never be on shift alone with clients" at orientation (when it comes to the night shift, anyway). Which, holy fucking safety issues, Batman!
Suffice to say this was a very fun thing to find out like three days before my first regular shift
So, I'm thinking realllll hard about switching companies, and I'm trying to figure out if I could expect to actually have a coworker at a different company, or if it's like an open secret in the field that actually, basically all the night shifts end up being solo shifts, because the industry is so chronically understaffed or w/e
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not-poignant · 11 months
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Techniques for writing a bad drug trip:
We're going to be using excerpts from one of my own chapters here from my story Eversion to discuss the kind of writing techniques that will help make a bad drug trip more believable. In context, the character Connor has nonconsensually been given a synthetic made-up highball of drugs that gives him a horrible time, and this does not accurately reflect what bad drug trips look like across all drugs, for example sometimes throwing up on ayahuasca is a feature, and not a bug. What I'll be focusing on instead are the actual narrative techniques that indicate an affected mind and body vs. specific technques for specific drugs.
Beginning Stages:
Firstly, pre-bad-trip, it's useful to depict your character beforehand as being fully - or as close to fully lucid as possible. Have them realising things, actively thinking, describing their surroundings, and doing things in a kind of logical way - show them doing something mundane even, like walking into a room, or a cafe. In this case, Connor walks into a cafe, describes the cafe, makes some mental notes and then has a lucid conversation.
Next, most of the time any drug gives you physical symptoms even before the bad trip part, so describe those. In this case:
Seconds later Connor’s heart began to race
The needle slid free and Connor hardly felt it.
He stumbled over nothing as he passed the group of cyclists, staring at them as his heart beat harder and harder, as sweat broke out over his forehead.
At this point in the story, another character takes over, the person who gives him the highball picks up the conversation because Connor is overwhelmed by the physical sensations and doesn't feel like talking. He stops thinking about his environment accurately and starts to notice things while dropping others. His thoughts are already being affected.
This is when you can start using techniques like time skipping, forgetfulness, memory loss, or alternatively focusing on one thing a lot and a lot of other things a little.
Connor nodded, thinking that he needed to get away, that he needed to go somewhere. He reached for his phone, but it wasn’t there. Where was his phone? His vision slanted, time slipped away from him. He was beneath a tree, throwing up while Gabriel petted his shoulder and waited beside him.
Here we have a strong time skip - Connor goes from looking for his phone, in the next paragraph he's throwing up by a tree. This progression of events has no logic, except for the bad drug trip. Which means we now know Connor is being really affected by what's happening. These two paragraphs also show forgetfulness - Connor needs to get away / needs to go somewhere, but can't remember where. He looks for his phone, but has forgotten Gabriel took it from him. You don't even need the 'time slipped away from him' description, vision slanting or blurring tends to indicate to readers in situations like this that someone is being quite seriously affected by what's happening to them.
Middle Stages:
Then, he was walking, but couldn’t think past the scattered, rushing noises in his ears, looking like black jags across his vision.
He landed hard on his knees and stared down bewildered at the grass. He looked around, vision turning to brightness, cars zooming by too fast and too large, the sky distorted, the clouds inverting. He raised a hand to his head, but another hand – warm and gentle – rested at his temple, thumb gently stroking. Connor leaned into it, whimpering.
We're doing a lot of time skipping now, alongside mental symptoms.
The writing technique itself is changing. In one sentence we cover a lot of choppy subjects - vision turning bright, cars too fast, sky distorting, clouds inverting. It gives a sense of too much information happening at the same time - Connor's senses are overwhelmed.
This kind of choppy information can be delivered in short complete sentences, but I liked one run-on sentence here because it gives that sense of 'and then this and this and this and this and this' which is sometimes how it feels to have too much information coming in at once.
It's also making use of the senses. We have vision and hearing and touch all in the same paragraph. We also have 'too fast' 'too large' - things are too much. Not only that, but describing things as distorted indicates strongly that Connor's already hallucinating and hasn't realised yet.
At this point in your bad drug trip, you should not be using your regular writing style. If your character isn't thinking like normal, you might want to consider also not writing 'like normal' for that character.
(This is the same for when a character is having a flashback, is overwhelmed, or is experiencing something intense for any reason).
He took great, shuddering breaths and then pressed shaking fingers to his stomach. The knot of pain in his thigh was manifesting there as well.
Now, for the bad drug trip to truly be bad, we also have the physicality of the experience. The body comes along for the ride and it often feels like it's dying during a bad drug trip.
Huge shuddering breaths and shaking hands can indicate an overloaded nervous system, also someone who might be going into shock, or who is hyperventilating, or who is literally experiencing respiratory distress. We don't have to know what it is - one or all of them could be true! A person on a bad drug trip, unless they're a medical professional or experienced with bad drug trips, will not know or be assessing what is happening to them as it happens.
He flinched back when he saw black inching out from beneath his knees on the grass, dimly knew it as a hallucination before that awareness vanished and he pushed himself back and away.
Boop a hallucination. Connor was already hallucinating, but now he realises too. You don't need to include this. I was writing a smart, analytical character, and he does know he's having a bad drug trip, so he's allowed little moments of realisation. Your character might know more, or they might know less.
Intense / Peak Stages:
He could feel the way his body pulsed at discordant rhythms, too fast, too slow, never in sync throughout his body. The tips of his fingers were throbbing. His feet felt like stones. He looked at Gabriel’s perfect beard and thought of tearing his face off. It would be brief, brutal, bloody, but then he could just lie down.
Writing emotional distortion here is that Connor feels like behaving violently, which - to this degree - isn't normal for him. The drug overdose is making him vengeful. We know it's part of the drug overdose because the first part of the paragraph focuses on all his physical symptoms. The drug trip might make your character too terrified to function, it might make them aroused (i.e. fuck or die sex pollen scenarios), it might make them giddy. Have some emotional distortion going on on some level. Even if it's extreme anhedonia or apathy in the face of potentially dying.
The hospital was clearly giving him too many sedatives. He didn’t know how to tell them that he had no tolerance, he couldn’t take the dosages that his father was pushing for.
Now we hit full flashback. Connor now believes he's being overdosed with sedatives in the hospital, and is no longer in the present at all. He's not even 'I remember' - he's just there. Flashbacks won't happen with every bad drug trip but they are common to any bad drug trip that is hallucinatory in nature.
Connor stared up at the ceiling of his apartment, and his hands rested on the floor. His heart was beating far too fast, fluttering in his chest. He felt hazy. Every now and then he had to clench his hands into fists so tight that his knuckles ached. A compulsion. He couldn’t stop himself from doing it. He’d feel himself shake, and then he’d stop, and he’d stare upwards. He was lying on the floor.
Connor stared ahead. The corner of his mouth felt wet. He was drooling. His fingers and toes kept twitching against his will.
What Connor is describing now is seizure activity.
Connor isn't consciously clenching his hands into fists, his body is doing that. He calls it a compulsion, but it's not. Feeling your body shake and then stop and then shake again is - in this instance for Connor - active seizure activity.
Not all seizures cause full unconsciousness of the entire brain, for example. Connor doesn't know what's happening to him, but we can tell from the physical symptoms here - heart fast and fluttering, feeling hazy, physical movements completely beyond his control - that he's now in a danger zone.
If you want the bad drug trip to reach 'a normal person would be in an ambulance by now' - this is a good place to be. Focus on strange sensations of the heart, the pulse, shaking, the sensation of overheating or being too cold. If you want, look up the symptoms of shock, or tachycardia.
Aftermath of bad drug trip:
In the aftermath of a bad drug trip, be aware that it can take some time for a person's thoughts to return to normal. Don't write an instant return to normalcy once a person is physically stabilised. Often they show mood shifts that are quite profound. Even a person coming down from MDMA often experiences depression or flatness after a great night out with zero negative memories.
Normal aftermaths/ongoing side effects from bad drug trips include apathy, depression, suicidal ideation, anhedonia, flatness, lethargy, exhaustion (literally, the body physically went through several marathons), pain, and foggy, disconnected thinking (both because the brain went through something traumatic and the drugs take a while to work through the system). GI (gastrointestional disturbances) are common, from 'not going to the bathroom at all' to 'diarrhea' etc. Sometimes these after-effects last days, sometimes they last weeks, sometimes they even last months.
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So! In summary helpful techniques for bad drug trips can include:
Shorter, choppier sentences to indicate overwhelm
Physical symptoms being 'experienced' - character often doesn't know what's happening except in special circumstances
A progression of physical symptoms.
Focus on all of the senses
Hallucinations and/or flashbacks (one usually happens with the other)
Unusual emotional affect or emotional distortion
Time skips / non-linear time jumps
Inability to think properly
Focusing on some things too much and other things not at all
Realising there is a progression, that must include a heavy aftermath (unless you're trying to be special, or unless it's one of the few drugs that can make you feel unusually euphoric afterwards and then there's still usually a crash after that lmao)
Different drugs create different, known effects, however, people will have different 'bad drug trips' depending on their circumstances.
I'm a little bit afraid this post is going to crash so I'm going to post it now! And for that anon who asked me what kind of writing I used - this is it! :D
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chesthighwater · 10 months
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the original thief games are on sale for 97 CENTS on steam ❗❗❗
thief gold is 97 cents! the metal age is 97 cents! deadly shadows is 98 cents for me for some reason BUT STILL THIS IS CRIMINALLY CHEAP. that is less than a pack of gum nowadays!!!
go buy thief do it now
and get tfix for thief gold, t2fix for metal age, and sneaky upgrade for deadly shadows. AND GO EXPERIENCE THE BEST STEALTH GAME EVER MADE
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stinkyme · 6 months
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I hope these make it easier for some people to donate/support Palestine. I was actually collecting legitimate links and photos so you can donate if you are able to or stop buying products that benefit Israel (photos down below), I would also post twitter links, however they are quite graphic & the main point is to help Palestine, you don't have to see the most heartwrenching parts in order to understand the importance and heaviness of this situation. I can share some additional links to people who want more insight about the situation, but my main point was to share links for donations & things that financially benefit Israel so people would stop buying them
donations:
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products we buy that benefit Israel ( + Starbucks, Disney, McDonalds!! are the biggest and main profit!!!)
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please keep in mind that their internet is cut off, they have no ways of speaking up besides us. Media potrays things differently than it actually is, there are innocent people, babies, children, animals, families dying, missing or being injured.
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I can't put more photos, but please also use the link this profile shared!!
https://www.instagram.com/p/Cyud-a_tWP0/?igshid=MzRlODBiNWFlZA==
also, you can donate on this profile as well!!
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starswallowingsea · 1 year
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Every time I think about how the Colleen Hoover fangirlies get mad when people even suggest that they should try and diversify their portfolios I get really, really sad. Like I don't think you have to read classics or anything and be an elite snob but if you limit yourself to just Colleen Hoover and maybe Sarah J Maas and a few other popular booktok authors, you're missing out on so so much. Even if you just want to find good new releases, keeping up with the book of the month club will give you plenty of options (even if you can't subscribe to them and have to get them from the library). Diversify your portfolio. Read older mass market paperback romances or literally anything else.
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mobiusmcqueen · 2 years
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I don't want to say a lot about what is happening in iran mostly because I don't want to get anything wrong, but please help them out in any way that you can.
people are being killed because they want freedom of choice, women are burning their hijabs and cutting their hairs short to protest and still I see so little about all of this.
don't stay silent please, more countries are slowly taking away rights to choose from people and if iranian people manage to win this fight it will mean everything, it'll prove that the will/want of the people is still what matters.
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