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sesamestreep · 1 year

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Nick/Jess, 15!

15. i’ll save you a seat (from this prompt list)

IT’S MILLER’S TIME

The bestselling author of the hit YA series ‘The Pepperwood Chronicles’ opens up about seeing his work adapted for television, his new novel, and becoming a father.

LOS ANGELES - The lunchtime crowd at Gogo’s Tacos in Silver Lake is more plentiful and aggressive than the colleague who recommended the spot for my interview with Nick Miller led me to believe it would be on a weekday, which means I spend the twenty minutes between when I show up (ten minutes early) and when he arrives (ten minutes late and convincingly apologetic about it) fighting off other patrons who are convinced I’m lying about expecting someone and want to steal his seat. His appearance in the busy restaurant is welcome for more reasons than one.

We’re here to discuss the new Netflix adaptation of his bestselling book series, The Pepperwood Chronicles, into a television series. The first season, which drops this Friday on the streaming platform, takes on the Herculean task of adapting the first book in the series (clocking in at 628 pages) into just eight episodes of television. It’s a highly anticipated project for the army of Pepperheads out there, who want to see if Sebastian Stan truly has what it takes to embody the titular grizzled New Orleans detective from Miller’s beloved novels, but it’s not the only project that’s been occupying Miller’s time lately. He’s also got his debut novel for the adult market, the stylishly-titled HoBo, which draws heavily on his childhood in Chicago, coming out in November. But the project he’s most anxious to brag about is one he had—by his own admission—very little to do with, aside from the original idea. The lion’s share of the credit belongs to his wife.

“This is Reggie,” he says, stretching his phone across the table proudly, swiping through dozens of photos of a pleasantly chunky infant in a Chicago Bears onesie. “Oh, and that’s Mario,” he says, when we get to a photo of a dog sniffing the same baby, asleep in a car seat and wearing a hooded jacket with bear ears.

“I know he looks like a funky little alien right now, but my wife says that most babies get really cute around the six month mark,” Miller says, after suddenly remembering that he has tacos he could be eating. He takes an enormous bite of one before making a face. “God, don’t print that. My son is already adorable. I love him.”

We debate whether or not I can actually print that comment (guess who won) for a few minutes before Miller finally allows us to move on. I ask, given his penchant for drawing details from his own life to use in his novels, if this recent development for him means we can expect the next Pepperwood installment to find Julius Pepperwood and his leading lady, Jessica Knight, contemplating parenthood.

“I don’t know about that,” Miller says, with his mouth full. “It’s not that one-to-one for me. Yes, Pepperwood is based on me in some ways, but in many other ways he isn’t, you know? Same goes for Jessica Knight. She’s based on my wife, definitely, but I’ve never felt constricted by that. I’ve always felt like the characters follow their own path, though they take inspiration from my real life.”

In this answer, Miller has given me both an articulate response and neatly sidestepped giving any confirmation of further Pepperwood installments, which forces me to ask the question directly. His face goes blank for a moment afterwards, and he spends a while chewing before he attempts to answer.

“I’m not saying no,” he finally replies, wiping his hands on a napkin, while looking thoughtfully into the distance. “But I’m also not saying yes. There have been people—and my wife tells me not to read the reviews or the comments, but sometimes, you know, shit happens and you see some stuff—there’s people who think Pepperwood is too happy now. They liked him when he was tortured. Now, he’s got the love of his life by his side, he solved his brother’s murder, he made peace with his father. It’s like, where’s the tension anymore? But at the same time, I don’t want to make him miserable again just to sell more books.”

Miller talks about Pepperwood (and Knight and all of his characters) like they’re real people, a fact he shrugs off when I point it out.

“Of course,” he says. “Of course they’re real to me. It’s important to remember that they’ve been with the readers for six books now, but they’ve been with me for longer than that. And they don’t leave me alone when the book is done, either, like they do for my readers.”

They don’t seem to leave his readers alone after the last page, actually, if the healthy fandom producing fanart and fanfiction online are any indication. Miller, of course, has thoughts.

“I’m pleased about it,” he says, with his usual Chicago-born nonchalance. “It’s always made me happy that my work resonates with people, especially young people. I didn’t see that coming, in the beginning. It wasn’t supposed to be a YA series.”

The origins of The Pepperwood Chronicles are the publishing world’s version of a Cinderella story. Miller initially published the first book in the series himself at the encouragement of his friends, hawking the hand bound (!) copies at local bookstores with the encouragement of his then-girlfriend, as well as his future wife (“Two different women,” he clarifies. “It’s a long story.”) The hefty novel all about the seedy underbelly of New Orleans very quickly found a devoted fan base amongst a surprising audience: teenage girls. Where other authors might have bristled, Miller instead took his unexpected champions in stride.

“Like, there was definitely some initial shock to get over,” he explains. “If I’d known I was writing to teenagers specifically, I would have cut, well, a few things from that manuscript.” He’s referring delicately to some pretty explicit sex scenes and graphic violence, which definitely get toned down in later installments of the series. Confronted with this, Miller shrugs and says only, “That’s show biz!”

Speaking of show biz, how does he feel about the Netflix adaptation of his work?

“It was really interesting,” he offers, thoughtfully. “I’m grateful they didn’t ask me to write it, because it turns out I’m a terrible screenwriter.” Before I can ask him to elaborate on that, he continues, “But the team really did check in with me a lot and they made sure the tone felt right, and the changes they had to make worked with my understanding of the world and the characters. I felt like they really respected Pepperwood, which obviously means a lot to me.”

Miller is being generous, of course, considering he and his wife are both executive producers on the series. When I mention this, however, he waves it off. “They still could have told me to fuck off with my opinions,” he says.

As for working with his wife in that capacity, he’s more than happy to sing her praises. “She’s great. Aside from myself, she’s the person I trust most to get Pepperwood, you know? Like my editors and my agent and everybody, they’re amazing, but if I’m really stuck, Jess is the one I can turn to and be like ‘does this work? Or does it suck?’ And she’ll tell me. She’s always been that person for me. She’s the first person I shared the first draft of the first book with, so her input is invaluable. Or is it valuable?”

“They mean the same thing,” I tell him.

“That’s stupid,” he replies. “I mean, I’m not calling you stupid. The English language is stupid sometimes. My wife’s input is very important to me, is what I’m saying. Her instincts are spot on.”

And they should be, after all. When she’s not producing the Pepperwood TV series with her husband, Jessica Day (yes, you’re reading that right. Miller’s wife and the inspiration for his character Jessica Knight is named Jessica Day. Check the dedication on the first Pepperwood novel if you don’t believe me) works for Scholastic, as a part of their team that handles community outreach to K-12 schools across the country. (Miller’s publishing deal is with an imprint of Simon & Schuster, in case anyone is worried about favoritism.) Before that, she worked briefly in the nonprofit industry and as a middle school teacher and later vice principal.

“She understands the demographic perfectly,” Miller summarizes, fifteen minutes into an endearing monologue about how great his wife is. “I think the writers for the TV show liked having her around even more than having me. She really knows her stuff.”

When I follow up a few days later with Ms. Day for comment, her husband’s remarks amuse but don’t surprise her. “He’s always giving me too much credit,” she says, humbly.

Does it weird her out at all, to have so many people so intensely invested in the fictionalized version of her love life?

“It’s funny. I know the names are really similar and obviously Nick borrows things here and there from our real life,” she says, “but I really don’t feel like Jessica Knight is me. So I don’t take it personally at all.”

This isn’t the first time this attitude has come up in interviews. Last year, when casting was announced for the Netflix series, Day made headlines for defending the production’s decision to cast British actress Gugu Mbatha-Raw as Jessica Knight after many fans claimed she didn’t match Knight’s description in the books.

“Gugu’s a very talented actress. I’ve seen her screen tests and she will blow you away when you see the show, I promise!” Day took to Twitter to say at the time.

“She capture [sic] JK’s energy perfectly,” she added in a further tweet. “Please welcome her to the Pepperwood family as we have!”

Now, Day is less diplomatic in her response. “It was a small portion of fans who were upset,” she says, “but they were the loudest contingency. It was very upsetting, and honestly tacky. So what if she doesn’t look like me? The character isn’t me, first of all. And the books are set in New Orleans, for God’s sake! It would be stupid if the entire main cast was white people.”

When I accuse her of saying the quiet part loud, as the kids say, Day seems nonplussed. “It’s those new mom hormones, I guess,” she replies, as a baby cries in the background of the phone call as if on cue. “I just don’t give a fu…dge.”

Miller, during our interview, feels similarly. “The team went with the best people for the parts, and we made it clear, my wife and I, that they absolutely weren’t trying to cast our doppelgängers. That wasn’t the point. Honestly, it would have freaked me out if they had.”

So he doesn’t think he and Stan look alike?

“No, not at all,” he says, automatically. “Do you?”

“He kind of seems like a more Hollywood version of you, yeah.”

Miller takes a long time thinking this over. “That’s…huh…”

In order to distract him from the existential spiral I’ve inadvertently led him down, I switch us over to the topic of his new book, HoBo. It’s made several lists of most anticipated books for this fall (including this publication’s) but there was a while there where Miller feared the manuscript would never see the light of day.

“The publisher thought it was too dark for the teen market,” he says, without any of the smarmy pride one would expect from the average male author accused of being ‘too dark’ by The Man. “I had no idea! I thought Pepperwood was too dark for teens and they loved it! So, there was a bit there when I was like, ‘okay, so this is the end, I guess.’”

Miller isn’t being melodramatic either. There was a moment, according to him and confirmed by his editor, Merle Streep, where they considered parting ways. Luckily, they came to an understanding once the dust settled and Miller pitched the novel, then titled “Chicago Hobo”, for the adult market. The source of this brilliant solution? You guessed it: Jessica Day.

“My wife’s a genius,” Miller states. “It was so simple and yet none of us could see it. Of course they should market the book to adults, if they thought it was too gritty for teens. Obviously.”

Day, however, downplays her contribution. “The issue with the manuscript came to a head on our wedding day, if you can believe it. On our honeymoon, it was all Nick could talk about. He was worried he’d never publish another book again. I suggested he send the manuscript around to other publishers to see if there was interest, but pitch it as, you know, a book for grownups. I thought it would make him feel better. I had no idea that the minute he did that, his original publisher would come back to him with a deal.”

But that’s exactly what they did. He’s also on the hook for three more books after that, though he’s cagey with details about if those will be HoBo sequels, further Pepperwood adventures, or something else entirely.

“We’re in a really pivotal moment,” Miller says, looking a little bit sweaty as he admits it. “We’ll see how Pepperwood does as a TV show, we’ll see how people feel about HoBo when it comes out.” He pauses to laugh. “We’ll see if being a father completely fries my brain and I never write another coherent sentence ever again.”

Early reviews and chatter are saying that the new novel is every bit as cinematic as The Pepperwood Chronicles, which suggests a screen adaptation is more a matter of “when” than “if.” It is, by Miller’s own admission, even more autobiographical than Pepperwood (the preteen narrator is Travis Tiller, called “Trick” by his friends, so do with that what you will). It’s based, in many ways, on his childhood in Chicago, but it’s also equal parts dystopian speculative fiction and superhero origin story, with a heavy pour of magical realism to wash it down. The cinematic universe practically writes itself.

“We just don’t know,” Miller replies vaguely. No matter what I do, I can’t get him to speculate on bringing this book to the small or big screen. “I don’t want to jinx anything,” he adds, frantically, after many such questions.

Fine. But, as pure speculation, what actor does he think, potentially, has what it takes to bring the eponymous hobo to life on screen?

“Rock Hudson,” he says, after much bullying.

When I inform him that Rock Hudson is dead and has been for more than 30 years, Miller looks crestfallen. What about preteen Trick Tiller, then? Is there anyone Miller would entrust to play his younger self?

“Cate Blanchett,” he replies.

When I point out that she’s both older than him and a different gender, he frowns. “She played Bob Dylan, though,” he counters, confused. I concede that he’s got me there.

We return to the much safer topic of conversation that is the current adaptation of one of his novels. What’s he most looking forward to now that the show is finally premiering?

“Getting to go on a date with my wife,” he says, sincerely, with the dead-eyed stare of a sleep-deprived new parent. “Seriously. We’re getting a sitter to watch the baby, we’re bringing a few of our close friends, who are all getting sitters for their babies. It’s going to be really fun. It’s going to be a classic mess around.”

A what?

“Don’t worry about it,” Miller says.

Is there anyone whose opinion he’s particularly anxious about, when it comes to the TV show? Or even his new novel?

“I’m always worried about what the fans think. I want the Pepperwood fans to like the show. I want them to like the new book, even though it’s not about Pepperwood, you know?”

Does he think there will be crossover?

“Absolutely I do, yes,” he says, emphatically. “The kids who read Pepperwood when it first came out—this is terrifying to say, but—they’re grown up now. They’re in college or they’re young professionals. HoBo is written for their age group now. It will be marketed to them.”

It’s kind of like they’ve grown up with him.

“Don’t say that,” Miller replies, putting his head in his hands dramatically. “I’m gonna have a panic attack. Having an actual biological child is scary enough.”

Speaking of scary, to distract him from another existential crisis, I ask if he’s been starstruck at any part of the process of turning his beloved novels into a TV show, and his answer is surprising to say the least.

“I mean, I was a little bit starstruck meeting Alfred Molina the first time. He was already in costume as Schmith, too, which was an extra level of weird,” he says, referring to the iconic love-to-hate-him villain of the first Pepperwood book and a supporting player in many of the series’s other installments. Still, Miller eventually got used to the idea of Doc Ock himself being in the show.

“Oh, I know my big starstruck moment,” he adds. “When Taylor Swift tweeted about the trailer. That was like…Woah! Is this really happening?”

That’s right. When the show’s first trailer debuted in March, the Grammy-winning singer took to Twitter to express her excitement.

“I can’t believe how good this looks,” she tweeted with the emoji of the cat making the Home Alone face. “Is it September yet?!?”

Can we take his excitement over this interaction the confirmation we’ve all been waiting for that Nick Miller is a Swiftie?

“I don’t know what that is, but I like her. She’s really talented. When my wife’s upset, she likes to listen to Taylor Swift and cry while she drinks pink wine,” he says, before taking a troubled pause. “Maybe I shouldn’t have told you that.”

Day laughs when I tell her this anecdote during our phone call and gives me the go-ahead to print it. “It’s true,” she says. “Who cares?”

So, if they had to pick a Swift song to represent Julius Pepperwood and Jessica Knight’s relationship, what would it be?

Miller’s answer is simple: “You should ask my wife.”

Day’s response, on the other hand, is more complex. “I think it evolves over time, you know, from book to book. Probably in the early books, before they get together for real, it’s ‘Out of the Woods’ or ‘Wildest Dreams.’ Maybe even ‘White Horse,’ if you want to go back into her catalog.”

What about for her and Miller?

“That’s easy,” Day says, and the smile is obvious in her voice. “I’ve always thought of ‘Mine’ as our song of hers.”

This conversation mostly just confirms Miller’s assertion that his wife knows his characters just as well as he does. It also begs the important question of whether he’ll use this big moment in his career as leverage to arrange a meeting between Swift and his wife.

“I don’t know,” he says, honestly. “Maybe? I should ask Jess. She might kill me if I pulled that on her with no warning.”

As our meal and interview come to an end, I can’t help asking Miller a question that has been on my mind the whole time: with all this talk of how great and inspiring his wife is, and how integral to his creative process she’s become, does he happen to identify as a Wife Guy?

“I don’t know what that is either. You keep saying these things—I’ve never heard of them before,” he admits. “But I like the sound of it. So, yeah. I guess so. Unless it’s a bad thing. In which case, no. Was that—did I answer your question?”

In this case, just like so many of Nick Miller’s characters before us, we might have to make peace with an ambiguous ending.

•

The Pepperwood Chronicles premieres exclusively on Netflix this Friday.

#forgive any stupid mistakes it should go without saying that I’m not an actual journalist #also I genuinely don’t even know what year to pretend this is set in…who knows tbh??#I have a lot of feelings about the Pepperwood chronicles it turns out phew #new girl #nick miller #jessica day #nick x jess #god this was so fun to write #taylor swift song prompts #firstelevens #homelywenchsociety #<just my writing tag don’t worry about it #IDK IT IS WHAT IT IS!!#there’s so many Easter eggs in this….a whole basket’s worth #barely relates to the prompt I tried

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