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#people are very selfish
littlequeenies · 19 days
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A new photo of Pam from Paris has been released to the public. It seems this photo was posted in a The Doors forum, and the person who shared it on instagram decided to heavily tag Pam's face. It really makes me sad, Pam was a free spirit, she was nobody's posession and the person who shared it on instagram wasn't the photographer, Jim Morrison took this photo. Now... Pam's friends are getting more private everyday as people share their photos, but what would they think if they saw Pam being heavily tagged? She isn't anybody's possession!! she was a unique human being who had family, friends and a life, she was real, not an object to collect or tag!! This instagram has great posts on Pam, but it's sad she decided to tag on her face... just sad.
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"Deep inside, Wilson believes that if he cares enough, he'll never have to die."
What the fuck were the House writers on
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comradekatara · 1 year
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katara’s fatal flaw when it comes to politics and also just general communication is that she cannot fathom why anyone would wish to act in a cruel manner and knowingly harm others, whereas sokka’s is that he does not understand how people can be willfully ignorant or even just plain dumb. it’s why sokka is always having to point out to katara that someone is a malicious actor who is taking advantage of her compassion and idealism (jet, hama, aunt wu, etc) because he knows that not everyone has pure, altruistic intentions, but he also doesn’t understand that king kuei isn’t just sheltered, he is also straight up an idiot (or that hahn isn’t just arrogant, he is also incompetent, etc etc) until it’s too late.
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gyroshrike · 1 month
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I'll be okay if we don't get it, but part of me really wants to see overlord Husk in his prime.
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nats-uvi · 2 months
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Angst time :D👍
You can read my rambling about her in the tags
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thepoisonroom · 19 days
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
#this quote always moves me almost to tears when i remember it#i'm not a trans woman and i don't share the author's specific experiences with transition#but it really moves me that she frame transition as joyfully giving yourself permission to approach your body#not as something that has to be disciplined and deprived and made small in all these various ways#but as a means for experiencing pleasure and joy and delight and for insisting that our feelings and desires are worth#valuing and exploring and treasuring#i always used to think of prioritizing those things for myself as selfish and irresponsible#but who does it harm to want to experience pleasure in your own body?#it's such a beautifully simple and powerful switch to have flip in your head#and equally why are we forced to deny our own pleasure in transition and anything else related to our bodies in the name of moral rectitude#this is why i get so confused and pissed off when other trans people are fatphobic for example#like why are you so invested in politics of shame and disgust that never had any purpose other than#violently disciplining people as if they've violated moral codes by existing in a body#to say nothing of white people being racist in gay and trans communities#like again this system of violence is foundational to homophobia and transphobia#so why are you acting like it has nothing to do with you#even if you are unmoved by the urgency of other people's suffering which btw you should be moved by#what do you hope to gain by acting a collaborator and handmaiden to those systems#Casey Plett#she really is one of my favorite authors i wish more non-canadians read her#this quote is from a series of columns she did ont transition and every single one is a banger#i love when she talks about the people-pleasing elements of dysphoria and transition denial#she's so sharp about noting how many of us deny our own dysphoria on the grounds that others like and validate our bodies#that's how i always felt during my cis conventionally feminine era#it pleased other people so much and also that reception felt so hollow and joyless to me because i hated it#i get less of that positive feedback but that feels so unimportant next to the joy and pleasure i get to experience#said with the understanding that i'm very privileged in being able to prioritize those things without fear. but it was a switch flip#personal nonsense
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bumblingbabooshka · 1 month
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[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium
#web weaving#star trek web weaving#st voyager#Kathryn Janeway#Tuvok#be the change you want to see in the world - make a long post about Tuvok & Janeway's similarities <- angel on my shoulder#I feel like a lot of people see them as 'opposites attract' sort of friends where Janeway is unhinged & Tuvok reigns her in#but in reality I think that while there is that element in there (exacerbated HEAVILY by their delta quad circumstances)#what I see most in their relationship is how they both value loyalty and duty above all and are extremely rigid with themselves#and the people around them. How they both have to maintain distance from others bc of their positions as captain & vulcan#I hate when people dismiss Tuvok as not being remotely interested in Maryana or Noss - it erases an interesting struggle that he and Janewa#both share - their desire to stay loyal to their spouses vs the 70 years of loneliness that that loyalty demands of them#But they BOTH triumph and they BOTH remain loyal (Tuvok until he returns to T'Pel and Janeway until Mark informs her that it's over)#and for both of them it's a little bit insane for them to do that.#Isn't it more interesting that Janeway and Tuvok both have feelings for people other than their spouses but don't give in#to that temptation?#They're both people who live very fastidiously by codes. Either written codes or moral codes - they very rarely if ever do things because#it's what THEY want to do. I'd say they're the least emotion-driven members of the crew and yes I'm including Seven because Seven#has a very...how to describe? It's a blunt and insular selfishness. She does what SHE wants to do and doesn't really care about others.#To me that's emotion-driven. Or...personal desire-driven? Not a bad thing at all but very different from Janeway & Tuvok who#are always more 'this is logical' or 'this is for the crew' rarely do they think 'this is what I want' bc they can't afford to#for different reasons (captain & vulcan)#they both also are in the most 'caretaking' positions on the ship from my POV. Security and Captain - both are directly in charge of#ship and crew safety.#Janeway & Tuvok#star trek voyager#st voy#when I say caretaking I'm NOT saying they're everyone's mom and dad or whatever - I'm saying they're in positions where they always#have to think about the greater good and the crew as a whole and how much danger is acceptable etc etc.#Janeway is always killing herself for the crew but Tuvok is right there beside her
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i vaguely remember seeing a post about the woman on tiktok illegally digging a tunnel under her house to make a storm shelter, but i did not realise that 1) she has 0 qualifications and works in IT, 2) she got into her areas watertable and started pumping groundwater out into her yard, 3) when a fire broke out, she recorded herself putting it out with a fire extinguisher in one hand and her phone in the other, 4) she hit a radon gas bubble, 5) shes located somewhere with big sulphur pockets and as she got into the waterline, she might have produced sulphuric acid which leaks into the aquifer, aka she could be poisoning the local drinking water, 6) she lives on a CUL-DE-SAC, 7) shes just been releasing silica dust whilst not using respiratory gear herself, let alone warning her neighbours, and 8) her neighbours have said the ground would randomly shake sometimes but many of them felt they couldnt report it to local authorities for fear of deportation.
she has now been stopped and seems to think that since shes only tunneling under her property, itll be easy to get permits to continue. she also drives a tesla which... yeah, that sounds about right.
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shorthaltsjester · 10 months
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sometimes people will say “going dark” and then what they’re actually talking about is just people no longer presenting a carefully constructed version of their emotions and experiences.
like. emotional turmoil is not the same as darkness. laudna in this Fictional Universe that has tangibly different stakes wrt to death and killing than our own, is at best like . morally neutral for what she just did like. man has been secretly trying to kill you, and then just tried to do so again, killing him back is a fair choice. and even if i was someone who is excited by delilah’s inability to escape from the narrative, this shit isn’t about delilah. laudna made a choice. if delilah is back or whatever it’s a choice that laudna made because something in that grants her more control than her existing conditions did. this isn’t some Delilah Takes Over, it’s Laudna Expressly Makes The Choice To Call Forth Something within Herself to remedy the lack of control that’s been thrust upon her. if y’all want to Continue to limit Laudna’s agency (as the cr fandom is so, so want to do when a female character makes a choice that isn’t Good according to some weird system of virtue ethics) go ahead.
likewise with orym. little guy is not “going dark” because he has finally made direct action about his emotional turmoil in dealing with a situation which has similarly left him without control and has also placed him in a position where his stalwart conviction towards protecting and honouring those he loves and has lost alike is constantly met with other people he cares for going well.. what if they had a point/we are killing other peoples loved ones/etc. which like . yeah that might be frustrating and in fact might lead him to go, actually, i can’t afford to try and maintain some abject morality where I carry a locket that will literally only provide guilt. orym is completely committed to his beliefs, the locket and what it represents has never been a limit to what he will do, only a reminder of the consequences of what he might cause in those actions. but they Are at war and orym has a billion things on his plate. he can put down the locket. especially when bor’dor is the explicit manifestation of that locket’s symbolism. the subtext rapidly became the text and orym doesn’t need a reminder. it’s there in the fact that team issylra is walking away with two friends, not three.
these are character who have at every turn denied their own emotions in various forms while still being acutely aware of what they deny, whether that awareness was/is fully realized or not. many of laudna’s early convos with ashton show us that there is some awareness to the lighthearted spooky goth girl and how that persona fades when she thinks too much about what has led her and maintained that reality. likewise the entirety of orym’s story thus far is defined by his grief in a very literal sense, it Has extended from that grief to also the commitment he had to the purpose of figuring out the assassination attempt on keyleth but as we have seen, that purpose has fallen apart. paired with the quasi-reopening of his grief that was getting to see will again only to have to turn away, i don’t think there’s a lack of awareness in orym of how much he hurts. but between his actions and 4SD, that hurt tends to get buried under guilt or Responsibility.
and now, finally, both of them have admitted to that Not in the safety of small introspection or one-on-one conversations but with actions that they cannot shy away from or deny. laudna killed bor’dor and orym encouraged her to. and it Is a complex situation but truly I don’t really think it’s a “going dark” one. because they’re not giving into some overhanging Darkness of Morality™, they’re admitting that they are hurt and have long been hurting.
or, y’know, tldr for those who continue to deny laudna and orym agency or fully villainise them for whatever weird reasons . you could listen to laudna and ashton’s conversation that pretty much lays it out explicitly. laudna claims she’s weak for having chosen to kill bor’dor. ashton denies that and affirms instead that, no, she’s hurt.
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fromtheseventhhell · 3 months
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It's crazy that people still uphold show!Sansa as a well-written character and pretend that liking her is the pinnacle of feminism when it would be infinitely more impactful to acknowledge her terrible and misogynistic writing. This is the same character who, while written by two men, was thankful for the abuse she suffered because it allowed her to grow. The same character who we had to be told was smart because the writers were too lazy to develop or show her intelligence. The same character who had to rely heavily on the men surrounding her and ended up accomplishing nothing on her own merit ( and no, thinking that she deserved to be Queen doesn't mean that she earned it). She is not well-written, she is not complex, and she is not a feminist character. Which is fine! If you enjoy her then good on you, but please stop pretending that she's something she isn't just because you feel the need to justify liking her character
#anti got#anti d&d#anti show sansa#anti sansa stans#like literally one of the worst written characters on that show because they tried so hard to make her the most important#while being entirely incompetent and their only method of doing so was to steal from other characters which ruined the plot#the only arguable achievement was defeating LF but even then it's written in the script that she had to go to Bran to explain things#/she rallied the Vale army!/ no she didn't 😭 she wrote a letter to LF and he did everything. instead of showing her arc in the Vale and#her learning about politics to rally them herself they took the quickest route to give her a /badass/ savior scene#which only ended up making her look selfish + power-hungry for putting her brothers' lives at risk for not telling anybody about said lette#and idiotic in the aftermath after relying once again on LF even though he was very obviously manipulating her#/pawn to player/ sounds catchy on paper but without seeing that growth/development it doesn't work#Arya was terribly written but at least we /saw/ her training in a way we never did with Sansa#and people try to apply this same logic to the books and think she's gonna suddenly spring forth as a political mastermind#when that's not how George writes...we see characters develop and make mistakes on page and get actual earned growth#feminism isn't defending the writing of two men who gave her a rape plot not in the books because they thought it was /interesting/#when the only aspect of that plot they adapted was a woman suffering abuse :/#and as per usual with stansas their only /evidence/ of her being well-written is accusing you of being misogynistic if you don't like her
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fruitageoforanges · 1 year
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i think one of the things i find compelling about rhaegar is that he’s a very good example of how selfish and destructive a martyr complex is. from what we know, it doesn’t feel like his obsession with the prophecy was overtly egotistical — less ‘i’m great ergo i’m the prince that is promised’, more ‘oh fuck, if this is true then unless i do these very specific things everyone and everything i know is doomed’.
and yet. there’s still something selfish about that. about assuming you have to be the one to solve the world’s problems. even when it eats you up, even when it isn’t some glorious purpose but a terrible shadow hanging over you. to assume you’re the only person who can do something — and, ironically, in trying to fulfil the prophecy and prevent the destruction of everyone he lover, he doomed pretty much all of them.
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antianakin · 4 months
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I think part of the reason I have a hard time considering any of the characters in Star Wars "antiheroes" is because I think the real message of Star Wars sort-of goes against the entire CONCEPT of an "antihero." An antihero is generally defined as someone who does "the wrong thing for the right reasons." Or, in other words, someone with heroic and noble intentions but who perhaps uses less noble and heroic methods in order to achieve that ultimate end goal. And while there are absolutely characters in Star Wars who fit that description, the message of the story tells us that there isn't really any such thing as doing "the wrong thing for the right reasons." If you're doing the wrong thing, there is no right reason. There are ONLY wrong reasons for doing the wrong thing.
For example, you could argue that Anakin is an "antihero" because he commits a genocide and throws a galaxy into tyranny and fascism, but he does it to "save Padme from dying." Saving Padme sounds like such a good, heroic goal, even if his methods are obviously horrific and evil. But the message of that whole story is that Anakin isn't really doing this to save Padme. He's doing it to keep himself from having to live with the pain of losing her. He's doing it because he can't accept change. He's doing it because his own fear of that pain is more important to him than anything else, including the lives of innocent children or the wellbeing of an entire galaxy. He's not an antihero according to Star Wars's own messaging, he's just a villain. The moment he decides to murder a bunch of innocent people for his own selfish desires, he chooses to become a villain. There's no middle ground where his slightly sympathetic reasoning puts him into the "antihero" category. He's JUST a villain. Immediately and completely. None of his reasons are right, they're just selfish.
There is no "heroic intention" that outweighs the less than heroic means in Star Wars. There just isn't, because the heroic intention doesn't actually exist. So while many of the characters fall under the traditional definition of an antihero, the actual message of the story (at least if it's written by Lucas or someone who actually cares about his story) doesn't support the idea of an antihero at all.
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lecinea · 4 months
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Once again I have to shout into the void that Jiang Cheng was a sect leader and all of his actions and opinions reflected not only on himself but on the entirety of Yunmeng Jiang.
Which means that while Wei Wuxian was able to distance himself from his sect, Jiang Cheng never could so if he decideded to do something politically charged like take the side of Wen, the other sects would have a reason to attack his sect that was only just recovering from a massacre. Yes, that sounds like a responsible thing to do.
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zeb-z · 3 months
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Thinking about how Apotheosis starts by showing a world that’s already grim - dark fantasy with wealth inequality and bored or absent gods - and it only gets worse, following a band of god slayers who start more like villains than anything. A world without sun, without justice. But still the core of its message is that there is still hope, even if you have to make it and care for it yourself. That there cannot be joy or love without the contrast of misery and loss, and that even a world slighted by the gods has worth because of the people that inhabit it. It’s dark with people and gods alike who hurt others for no reason other than to serve their own purpose, or worse just out of boredom - but there’s people who help others, too, for no other reason than for the act of kindness itself. No thought behind it, simply compassion. It feels doomed from start to finish, yet somehow we still get a happy ending - a world that’s lost everything only has everything to gain, and because there is great suffering this means the brighter times are that much more meaningful. It’s like in Lord of the Rings - there will be hope and love in spite of it all, and it’s the small things that end up making the biggest difference. It’s very “there’s still good in this world, Mr. Frodo - and it’s worth fighting for”
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theeflowerofcarnage · 11 months
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POV: you played AC syndicate and now everyone gotta be dressed up in vaguely victorian era clothing 😞😌
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i-like-anything-water · 8 months
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another thing I like about Chlonette is the fact one of them gives too much, and one of them takes too much.
Marinette gives too much of herself to other people, be it as her or Ladybug. She gives and gives and gives. It's concerning sometimes but it's kind of second nature to her.
Give. Be kind. Help.
Meanwhile, Chloe takes and takes. Takes a lot of power, takes a lot of time from her friends, takes a lot of things she can't promise. It's how she grew up, it's how she's taught to survive.
Take. Be one step ahead. Win.
But then it's them facing each other. Marinette tries giving and Chloe tries taking. But what could Marinette give to her rival? Pastries? She has money for that. Gifts? She could just order her butler. Friendship? She's...not sure but she tries.
Chloe tries to take it. She can't.
She tries again but it keeps slipping off her fingertips. She's getting frustrated, what was she doing wrong?! She was doing everything the people around her taught and did and yet she couldn't take what Marinette was giving. She couldn't keep it.
Marinette is getting agitated. Chloe isn't taking what she's giving and it feels wrong and strange. So she tries again and again, and again.
There's a boundary and suddenly they're more distant than close.
Chloe starts giving, but only to her. Only to Marinette. She starts giving what she has which she's aware isn't much. She looks down at her hands and she wished she wore her heart more on her sleeve.
And Marinette? She takes what she's given. She takes and takes. Even if it's small, even if it hurts a bit.
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