If we really get another season for extraordinary attorney woo, Minwoo better be well-developed, or I'll start a riot, no one is buying the sudden change, and I really don't want our spring sunshine to be trapped in the" I fixed the bad boy with my love" trope, I can accept a character change of heart, but you need to show me the damn growth. 

Also, he getting development doesn't mean that we need excuse his bullshit, change, grow as a person doesn't mean automatic forgiveness.

previously on extraordinary attorney woo: doing things the american way™

The way Youngwoo's father reacted to her renewal of contract as a full time attorney is so precious! HE IS SO PROUD OF HIS DAUGHTER JUST LIKE THE ENTIRE WOO YOUNGWOO PROTECTORS NATION!🥹💖

Chapter 2 has been posted! Thank you for liking my story. 😊

Read here:

Extraordinarily Peculiar, Amazingly Brilliant and Beautiful : Chapter 2

Jang Min-Ho "It's okay, it's good" .. 'Golf King 4' Team Mistakes Leader Explosion

Weak Hero Character Names

For those who don't know, the Weak Hero webtoon anglicized a bunch of the characters' first names from Korean to English. They don't do this for newly introduced characters anymore AFAIK, but all the names they anglicized initially have been kept that way.

Since I've gotten a few people asking about the names, so I decided to compile a list of their original Korean names. You can find amost of these on their character profiles on the Weak Hero fandom page, but I figured people would appreciate having a quick reference that is all in one place. Hopefully this helps people learn/connect their original names.

Remember, this is not a full character list, it's for finding the Korean names of the characters that had their names anglicized.

The format will be:

Anglicized Name -> Korean Name (common alternative romanizations will be in parenthesis)

Eunjang High

Alex Go -> Go Hyeontak (Hyun-tak)

Ben Park -> Park Humin (Hoo-min)

Colton Choi -> Choi Hyoman (Hyo-man)

Eugene Gale -> Seo Juntae (Jun-tae)

Gerard Jin -> Jin Gayul (Ga-yool)

Gray Yeon -> Yeon Sieun (Shi-eun)

Phillip Kim -> Kim Pilyoung (Pil-young)

Rowan Im -> Im Juyang (Ju-yang)

Teddy Jin -> Jin Taeoh (Tae-oh)

Daehyeon High

Dean Kwon -> Kwon Hyeokjin (Hyuk-jin)

Jake Ji -> Ji Hakho (Hak-ho | Hagho)

Timothy Park -> Park Taegi (Tae-gi)*

Ganghak High

Jared Sun -> Seon Jongwon (Sun Jong-Wan)

Toby Kim -> Kim Dosik (Do-sik)

Wolf Keum -> Keum Seongje (Sung-je)

Hyeongshin High

Forrest Lee -> Lee Sehan (Se-han)

Myles Joo -> Joo Seungjin (Seung-jin)

Robin Ha -> Ha Minjo (Min-jo)

Sam "Grape" Lee -> Lee Gongsam (Gong-sam)

Yeo-il High

Donald Na -> Na Baekjin (Baek-jin)

Kingsley Kwan -> Kwan Seokhyeon (Suk-hyun)

Yoosun High

Harper "Helmet" Ha -> Ha Huicheol (Hee-chul)

Hugo Yoon -> Yun Hoyeong (Yoon Ho-young)

Jack Kang -> Kang Jeongyeon (Jung-yun)

Jimmy Bae -> Bae Jihun (Ji-hun)

Other Recurring/Relevant Characters

Bryce Oh -> Oh Beomseok (Beom-sok)

Julia Chae -> Chae Yujin (Yoo-jin)

Kenny Ji -> Ji Gwangseok (Gwang-seok)

Lala Lee -> Lee Minji (Min-ji)

Lily Nam -> Nam Jeongah (Jung-ah)

Oswald Yang -> Yang Seonghun (Sung-hoon)*

Sean Shin -> Shin Jeongseob (Jung-sub)*

Stephen Ahn -> Ahn Suho (Su-ho)

Wesley Song -> Song Baekkyu (Beak-gyu)

(* These names weren't on the wiki, so I looked at raws.)

i have so much to say about episode 8!

Su-Yeon shouting in Hanbada’s foyer about how nobody cared when Young-Woo wasn’t hired even though she was at the top of her class and saying that it was all just disability discrimination at Young-Woo, Min-Woo and the everybody else was so great!

Like everybody has so eloquently put it into words. Young-Woo’s dad wouldn’t have needed to use his connections if they had just hired her in the first place. But noooooo they chose ableism.

Also Su-Yeon telling Young-Woo to smack Min-Woo in the head or punch in the stomach when she next see’s him and then Young-Woo threatening to do it was just great!

Now onto Young Woo’s parents. All I did was sigh and ugh during their scenes.

Gwang-Ho/Dad telling her everything about how he and Su-Mi’s history was great. He doesn’t tell Young-Woo everything straight away but I appreciate the fact that he’s honest and upfront about things when he needs to be.

Anyways, as i was saying, their love story was common and sad. They very clearly loved each other and I’m sure that Su-Mi’s parents probably forced her to break it off with him. That or she go scared about possibly living a life of brokeness with Gwang-Ho. I’m glad she didn’t give her up because of her autism, one less thing to be sad about.

She was probably in the car when baby Young-Woo was dropped off to her dad which I’m sure must have been gutwrenching.

But like dad/Gwang-Ho said, everything we do in life is political. Not solely political but still political. I like how he said that Su-Mi didn’t abandon Young-Woo because she hated her. It’s not to say that the political reasons behind our choices are correct. Lol no. But that there are many factors to someone’s choices.

For the record Su-Mi should have never abandoned her. With that being said though was abortion legal 1990′s in South Korea? Even then she was clearly rich enough to travel abroad to get one. I’m asking this because we saw a flashback of Gwang-Ho begging Su-Mi to carry out the pregnancy. This is all a part of the reproductive rights conversation. This rambling paragraph is basically me wondering if she wanted to carry out the pregnancy. Or did Gwang-Ho’s begging change her mind? Or did she manage to convince her parents to let her carry it out because I kind of feel like her parents might of been against it? Or maybe Su-Mi was on the fence about carrying out the pregnancy and she thought that Gwang-Ho would be a good father, even without her?

See all of this wouldn’t have happened if we didn’t live in a classist world!

Gwang-Ho being mad at himself for not being a competent father by not taking the bar exam, opening up a law firm and then having a way of giving Young-Woo an opportunity made me sad.

Like i totally understand his choices. He’s definitely not perfect but I understand him.

Now onto Tae Su-Mi!

Young-Woo and Su-Mi’s final scene this episode (Taesan Law Firm’s building is very cute and chill! Lol i thought they were at a cafe, at first!) was excellent!

Jin Kyung and Park Eun-Bin deserve all the awards for that scene! The women that they are! They will always be famous in this house! ACTING!

Lol but no seriously the shock that turned into heartbreak when Young-Woo told Su-Mi that she is her daughter was amazing. I felt her emotions! 

And then Young-Woo’s instant sadness and grief when Su-Mi asked her if she resented her. I felt all that she was feeling too!

Young Woo saying that she enjoyed standing under the tree, admiring it and the town with Su-Mi broke my heart. The replay of their tree scene made me chuckle because it felt like Su-Mi had died and that it was a one of those death/grief montages. But then it felt like Young-Woo and Su-Mi were mourning what could have been of their relationship.

Su-Mi’s heartbreak on her face, her tears and her asking her if she resented her showed us that she it was a really hard decision that she made (one that she might not have made willingly) and that she probably thought about her everyday.

So sad. She still shouldn’t have abandoned her but I felt things!

The Young-Woo/Gwang-Ho/Su-Mi storyline is making me feel all types of things!!! So many societal issues are key themes as to how and why they are in this situation!

If classism and ableism weren’t a thing then we wouldn’t be here and Gwang-Ho and Su-Mi would probably still be together and Young-Woo would have been hired to a law firm like that! (that’s clearly me being idealistic, don’t mind me!)

Onto a lighter note! Young-Woo confessed her feelings to Junho!!!!! AHHHHHHHH!!!!!!! I love how serious he got when he was about to tell her that he likes her back. so hot! Of course Park Yu-Jin had to run right as he was about to say it back! Also I loved that Young-Woo ran away that night. She’s so cute!

i liked how the umbrella was the key to the case! also Taesan’s matching red umbrellas versus Hanbada’s mismatching umbrellas that expressed their personalites was great. also Myeong Seok getting everyone to look more uniform with their matching blue Hanbada umbrellas said so much! Also Su-Mi used a red umbrella when she was younger too!

Also I liked seeing Myeong Seok’s bedroom, I want to know more about him! I really liked his bed linen and also I have a crush on him! Him and Junho!

Next week’s preview looks like it’s going to be light and cute between Junho and Young-Woo and I can’t wait! Junho being jealous? eeeeeee!!! *squeals*

Love In Contract Review (Spoiler Free)

Someone fire the person who’s choosing dramas for Park Min Young... Her dramas are not great this year.

Choi Sang Eun has a very unusual career, she helps men who need a wife at the moment and marries them, actually, if needed.

However, everything changes when she notices that she might have feelings for her fake husband and there’s a second lead coming into place to shake her world.

At first, this was just a fun drama, but even from the beginning, I saw that not a lot of people enjoyed it.

But I was having fun, as it wasn’t anything serious and just seemed like another Park Min Young rom-com which should be great.

However, the fluffy drama that I waited every week turned into those weekend makjangs. 

There is a very big drama with her nanny and the way she just wanted to use her, there are also second leads for both Sang Eun and the male lead, Ji Ho.

The plot is one of the reasons I started to get bored and skipped a lot of scenes... Suddenly this drama went from one of my favourites of the week to one of the worst that I barely could watch... (If you know me, you know I have a hard time with dropping dramas)

The characters are the other thing that kept bothering me. Only 2.5 characters out of many were likable.

My favourite was Ji Ho, at first, he might seem like every broody, no-expression male lead from the dramas we see.

But we get to know that he’s just more introverted and not that social which we do need this representation in the dramas.

As someone mentioned, I really hated how they tried to make him seem inhuman and how Sang Eun came and ‘fixed him’, it was a bit icky but the main leads were good together, so it was nice to see them grow.

Sang Eun is that 0.5 likable character. I’m not sure how I feel about her, she’s nice and straightforward, but I just cannot understand some of her choices.

They do not seem that rational to me but her character is supposed to go with the emotions meanwhile Ji Ho is the more rational type.

And the last one I liked is Gwang Nam, however, his story was pushed aside for a silly ‘nobody cares’ love triangle.

I would have loved to see his story, maybe falling in love and not just being there to be the token gay friend and help Sang Eun whenever she needs something.

Anyone else? Unlikeable. The second lead was loved at first by many because he seems more extroverted, however, a lot of people turned on him quickly. 

Personally, never really cared for him, so never got disappointed. He was more of a stalker and annoying little man than anything else.

Overall, it wasn’t that fun of the ride... I liked the first few episodes but the drama just kept going downhills.

If you’re making a rom-com just stay with it, we don’t need this absurd chaebol drama that nobody cares about. Plus, give the gay character more screen time.

4/10

HYDE, JEKYLL, ME // KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı: 7 Benim puanım: 8

Drama: Hyde Jekyll, Me

Hangul: 하이드 지킬, 나

Director: Jo Young-Gwang, Park Shin-Woo

Writer: Lee Choong-Ho (comic), Kim Ji-Woon

Date: 2015

Language: Korean

Country: South Korea

Cast: Hyun-Bin, Han Ji-Min, Sung Joon, Hyeri, Lee Seung-Joon

Yıl olarak  benim kırmızı çizgim olan 2016’yı yakalayamamış olmasına rağmen başarılı bulduğum dizilerden biriydi. Aynı zamanda Hyun Bin’in askerlik sonrası çıkış dizisiymiş. Ama benim için Han Ji-Min ile tanıştığım dizi oldu. Koo Seo-Jin(Hyun-Bin) zengin bir ailenin oğlu ve başarılı bir iş adamıdır. Wonderland isimli bir eğlence merkezinin sahibidir. Soğuk, bencil ve kaba bir karakteri vardır. Kimseyle yüzgöz olmaz, gerekmedikçe iletişime dahi geçmez. Eğlence merkezine bağlı ufak bir sirk işletilmektedir. Sirkten kaçan bir goril ortalığı karıştırdığı gün Seo-Jin sirkin yöneticisi Jang Ha-Na(Han Ji-Min) ile dolaylı ve olaylı olarak tanışır. Ve bu yaşadığı aksiyon sonrası, rakamlara da bakarak acilen sirki boşaltmalarını emreder.

Aynı gün, Ha-Na eğlence merkezinde ufak bir kaza geçirir ve onu birebir Seo-Jin’e benzeyen Robin (Hyun-Bin) kurtarır. Önce ikiz gibi düşünülse de aslında Seo-Jin’in çoklu kişilik bozukluğu (Disosiyatif Kimlik Bozukluğu) vardır. Nabzını belli bir seviyede tutar, heyecanlanmaz, üzülmez yani ani duygu değişikliği yaşamaz ise içindeki canavarın çıkmayacağına inanmaktadır. Bu nedenle vücut değerlerinin kontrol eden bir saat ile dolaşır. Herkese son derece mesafelidir. Sirkten kaçan goril ya da onu yakalayan Ha-Na onun bu sakinliğini bozduğu için Robin ortaya çıkmıştır. Robin ise Seo-Jin’in düşündüğü gibi bir canavar değil, düşünceli, eğlenceli, kibar yani onda olmayan ne varsa odur. Hatta Robin’in kendi hayatı vardır. Çok sevilen bir çizgi roman çizeridir. Kendi arkadaşları, ayrı bir çevresi vardır.

Diziyi Kill me, Heal me” den önce izlediğim için çok şanslıyım diyebilirim. Herhangi bir kıyas olmadan boş bir kafayla izlemek daha keyifliydi. Zira ikisi de aynı sene çıkmış olmasına rağmen “Kill me, Heal me” alır yürür. Onu daha sonra anlatacağım. Şimdi sulandırmayayım ama illede sonrada da olsa bir kıyas yapmam gerekirse, bu dizinin diğerinden en bariz farklı kadın başroldü. Erkek başrollerin ikisi de laf götürmez bir şekilde başarılılar. Bu dizideki kadın başrol; Han Ji-Min kesinlikle Hwang Jung-Eum’dan çok daha başarılı bir oyuncuydu. Keşke diğerinde de Ji-Min oynasaydı dedim.

Aslında dizinin konusu bundan ibaretti diyebilirim. Ha-Na’nın sirki kurtarmak için Seo-Jin ile anlaşmaya çalışırken Robin ile yakınlaşması ve Seo-Jin’in kişilik bozukluğunu düzeltme çabası. Hyun Bin için şunu söyleyebilirim ki, hem sert-soğuk karakterin hem de kibar-düşünceli karakterin hakkını tek seferde vermiş. Oyunculuğu şahaneydi. Dizide tabi ki mantıksızlıklar ya da öyle değil de böyle yapılsaydı daha iyi olmaz mıydılar vardı. Genel olarak kdramaların kanayan yarası sonlar olsa da bu dizinin sonunu da güzel toparladılar. Garip ama güzeldi.

İkilinin uyumunu beğendim. Hem yaşları birbirine yakın hem de uyumluydular. İkinci adam krizimiz aynı karakterin bölünmüş kişiliği olduğunu düşünürsek yoktu diyebiliriz. Bence başarılı bir hikayeydi. Tavsiye eder miyim, ederim. Bu tarz dizilerde çok fazla detay işin keyfini kaçırabileceği için uzatmayacağım. Ama sanmayın ki klişelere yer vermemişler. Artık izleyince görürsünüz.  Han Ji-Min kalp.

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

Parasite -Decoding & Deconstructing

Released in 2019, Parasite is a film by director Bong Joon-ho that deals with the issues between the poor and the rich people in society. It is more like a smaller version of South Korea, conveying the stereotype that the rich are happy and the poor are always unhappy. The actors in the film are perfect, but the director put the plot into a movie full of holes. To express and show the problem, it is an ideal commercial film, but it does not reflect the real social issues and is not worth more analysis and reflection. Generally speaking, for a movie with a strong story, there is a minimum requirement for the plot development to conform to the basic logic. Of course, some degree of factual and logical sacrifice is necessary for theme expression and dramatic effect. But this sacrifice of the actual parasite plot does not achieve the same thematic expression effect, which is empty.

First, arranging four family members into the wealthy family, which takes up the first 1/3 of the film, is very dramatic and does not go smoothly with common sense. Suppose the director asked Choi Woo-Sik for a job interview on the first day and suggested that a clip of his sister Kim Ki-Jung would show the character's ingenuity. (19:45 -- 20:37) In the latter part, the director arranged all the members of the Kim family into the Park family was too deliberate. Although the director uses this plot to express the unfairness of wealth and status in the character of the rich who are "naive" and "easy to fool," Bong Joon-ho forgot that the art of cinema comes from the reality of life, above life. This has wholly ignored the plot elements that can foreshadow a character.

If the Kim family moving smoothly into the mansion is necessary for the development of the plot, then they can also be unobtrusively qualified for the work of the mansion; it seems too false and strange. First, being a nanny and a driver for a wealthy family is not a simple job, especially for Gook Moon-gwang nanny, who had worked for years under a former builder before getting used to it. Apart from the work content, the nanny's mannerisms and appearance are entirely different from those of the old couple living in the slum environment. From 50:30-52:00, the director asked Jang Hye-jin to play the role of the nanny, and it can be seen that she was able to do the job very quickly. Then, of course, to convince the audience of the Kim family s deceitful tactics and loopholes, the director features Choi Woo-Sik rehearsing at home (42:00-43:01) and questioning the taste of Jang Hye-jin and Kim Ki-taek with the Park family s son. However, these passages are illogical and undermine the legitimacy of the characters. Let the wealthy family's "easy to fool" side becomes "stupid"; the poor become "Superman."

The screenwriter and director do not understand the appearance of the actual poor and the real rich, divorced from the background of the time to show the characters, will become an artistic puppet that overhead reality. The rich man in the film does not look like the rich man, although the director does not set the image of the successor of the chaebol status or a man born with a silver spoon but is a company boss. Because , the director sets the level of a successful person to be inferior to that of a chauffeur, making people think Park's family got rich by lottery. For example, in the clip (48:00-50:30), Kim Ki-taek made Park Dong-ik and Choi Yeon-gyo believe their fake company, The Care, by using fake business cards to make his wife become the nanny of the Park family. The Park family quickly believed them and did not investigate the company. The rich image played by Lee Sun-kyun is untenable after such content development. Just imagine which wealthy company boss can easily trust others to recommend the company; capitalists rely on exploitation that also has to be social elite. The director does not pave the way for this unexplained plot, nor does he explain the follow-up. Although Bong wanted to use such stories to construct the differences and a follow-up story about the development of parasitic behaviors between the rich and the poor, his characterization was always on the surface. It cannot convince the audience that this is real life. In the movie, the director made Choi Woo-sik and Park So-dam's poor family characters not look even poor. Society has different kinds of poor families because they may have no ability and no chance to get work, but the director only created the poor family with a thoughtful mind, quick-witted, capable of faking and deceiving and planning out the proper lines in advance. For such a family, it would be completely impractical for the director to let them live in a semi-basement setting. If the family's personality is based on reality, it's more likely that viewers will believe that they've already cheated their way to little success.

In addition, on a rainy night of camping, the Kim family occupied the host's house but suddenly encountered a visit from Gook Moon-gwang. Gook Moon-gwang's husband had been hiding in the basement of the house. Both families lived tough, and both think each other is a good person just because of poverty, so there is no surplus sympathy to share with others. They also believe that if they are rich like the Park family, they will naturally live sincerely and kindly. (1:02:55 -- 1:09:17) The director is trying to say that poverty is the reason for them or that poverty is the reason for the original sin. To maintain the most basic survival needs, people can break all moral bottom lines and harm others. But why poor? The director didn't expand the content and touch on fundamental reasons. Gook Moon-gwang's family owes money to loan sharks because her husband failed in business. The Kim family doesn't take things seriously on the job. Here, the director's explanation of the social government is absent. The Park family's rich and the Kim family's poor have also become synonymous with good and evil. The conclusion that rich people tend to be good should be based on the premise that everyone has the same moral height, regardless of the rich and poor. However, the movie does not describe the story of the characters played by Lee Sun-Kyun and Cho Yeo-Jeong, but highlights the characteristics of being easy to deceive. The Kim family always wants more after work by cheating. Gook Moon-gwang's husband even thinks life in the villa's basement is so good that he can always live there. Compared with the generosity of the Park family, the director's plot expression made the poor people deprived of even the people's eyes of sympathy.

It would be impossible if the director did not think to express the difference between the poor and the rich, the rich despise the poor. On the contrary, the director is very self-centered in his expression. For example, "smell" is his focus in this film. In the story, the Kim family has many poor appearance plots and loopholes as they become fake rich workers, but the director would not make the Park family notice. Instead, he uses "smell" as a metaphor to make Park feel the taste of the poor. Of course, there's no problem with "smell" as a cinematic metaphor,  but he mistakenly deliberately highlights it so that this element is overused and boring. The director was afraid that the audience could not see what he wanted to express, and he let Lee Sun-Kyun repeatedly say it from beginning to end, regardless of whether it was reasonable. It seems that whenever the director thinks it's time for a "smell" to appear, it should. As for what reason it occurs, no one knows. For example, it's understandable that the killer escapes from the basement and is filled with hatred to seek revenge on the main character's family. The killer stabbed So-dam Park's Kim Ki-Jung because he saw her in the first spot, which is also understandable. However, the problem came when Park Dong-ik picked up the car keys from underneath the killer after he got killed in reverse. (1:52:50-1:55:50) This time, the appearance of the smell is straightforward, as if all the previous preparation is for this moment; all smells created are meant to rationalize Park Dong-ik's killing. The director thoughtfully clarifies Kim's father's "bad" charges, even not evil people into bad ones.

The climax of the conflict that the director has to create when he starts the story but cannot solve the ending. The same goes for the movie ending (1:55:56-1:58:47), where the director keeps the people he needs and cuts out the characters he feels he can't reasonably explain. An inexplicable appearance at the scene of the criminal, the reporter only said "a homeless death" as the result of the investigation; After Kim killed Park and disappeared from the house, the police did not investigate the house and concluded the investigation with the verdict of "Kim Ki-taek is missing." These are places where the ending of the movie doesn't make sense. But the director doesn't seem to care because he only wants to express this parasitic problem of poverty and wealth that can never break through through Kim, who stays in the basement and writes letters, and Kim's son, who gets letters outside. Kim Ki-taek does not know when her son will see the signal but types Morse code once a day (1:59:20 -- 2:04:06). As you can see, the light flash is visible outside but also inside the house. The director doesn't explain whether the Germans will find out about the ending.

As a drama with the gap between the rich and the poor as the main contradiction, it leads to the intensification of the contradiction in reality, and brings a kind of impersonal negative feeling of "yes, life is like this". As a purely entertaining commercial film, it kind of passes, but as a film that provokes human reflection, it does not make any sense, and even has the opposite effect.

Cited Works

Ho, Bong Joon. Parasite. Neon, 2019.

Venkoba, Kandi Sachin, et al. “Parasite (2019) Is a Paradoxical Experience Where in It Houses inside You and Provides Food for Thought.” FilmSpell, 10 Feb. 2020, https://filmspell.com/parasite-2019-is-a-paradoxical-experience-where-in-it-houses-inside-you-and-provides-food-for-thought/.  

Seo, Bo. “'Parasite' and the Curse of Closeness.” The Atlantic, Atlantic Media Company, 11 Feb. 2020, https://www.theatlantic.com/entertainment/archive/2019/10/parasite-and-curse-closeness/600385/. 

Top 7 October K-dramas that you shouldn't miss this winter

Hey, you! 'Cheer Up!' as a 'Glitch' will happen to your planned schedule. Because from the next month onwards, quite a few of the much-anticipated shows of your choice will be in your planned schedule. Ready to change your schedule but haven't yet done it? Look at these upcoming K-dramas in October and pick up one on your list. 

Top 7 upcoming K-dramas in October 2022

Cheer Up! https://www.youtube.com/watch?v=TyJky5dyf9U A Korean Drama series focuses on the character Do Hae-Yi, who joined a 50 years old cheering squad, Teyia, at Yeonhee University. Her entry into the club is to lessen the severe economic crisis that their family is facing. Being an academic and bright student, she continued her studies even after facing financial problems at home.  However, many things change for her, in fact, especially for her after going there.  She meets Park Jung-Woo, Jin Sun-Ho, Tae Cho-Hee, Joo Sun-Ja, and Bae Young-Woong (former member and alumnus of the university).  Starring Han Ji-Hyun, Bae In-Hyuk, Kim Hyun-Jin, Jang Gyu-Ri, Lee Eun-Saem, and Yang Dong-Geun, this show will surely be going to win the heart of teens.  The drama will be released on and from October 3 on SBS. ALSO READ: 12 Korean Drama OSTs That Every Kdrama Enthusiasts Know By Heart The Witch's Game  https://www.youtube.com/watch?v=m82rKVlQ28M The Korean Romance Drama glorifies motherhood and women in general and depicts revenge.  Directed by Lee Hyung Sun, the story of the drama revolves around a psychological concept, i.e., a confrontation. It is the confrontation of two mothers and daughters who have sacrificed to a great evil.  The plot then continues to depict how those characters manage to punish the great evil.  This show will be aired on Monday, Tuesday, Wednesday, Thursday, and Friday for 35 min from October 3, 2022, to March 17, 2023.  Love That Will Freeze to Death https://www.youtube.com/watch?v=cYAao9-gyWw Also known as 'Icy Cold Romance' or 'Love Is for Suckers,' this rom-com stars Lee Da-hee and Choi Si-won.  Two 30 years old people unexpectedly meet each other after 20 long years.  They meet on a reality dating show, and it shows that both have romantic feelings for them.  Choi Gyu-Sik directed drama, distributed by SkyTV, will be released on October 5, 2022, on Wednesday and Thursday at 21:00 (KST). Bad Prosecutor https://www.youtube.com/watch?v=QigJC9b1Ft8 Starring Doh Kyung-soo and Lee Se-hee. Bad Prosecutor is about the Prosecutor who punishes the corrupted power with trickery and practical help. Doh Kyung-soo can be seen to be the prosecutor as Jin Jung and Lee Se-hee as Shin A-ra, the senior prosecutor, along with the suporting actors Lee Si-eon, Ha Jun, Kim Sang-ho, Kim Tae-woo, Yeon Jun-seok, Joo Bo-young, Lee Hyo-na, Choi Gwang-il, and Yoon Jung-seop. This show is planned to be released on KBS2 on October 5, 2022, every Wednesday and Thursday at 21:50 (KST). Glitch https://www.youtube.com/watch?v=inGM8RB6H00 Hong Ji-Hyo is a girl from a well-to-do family. She has a balanced life with a steady job and a boyfriend.  However, unstable events begin to occur in her life from the night her boyfriend disappears. While searching for him, she discovers the covered secret with the help of the UFO watchers' community.  Roh Deok directed show stars Jeon Yeo-been as Hong Ji-Hyo and Nana as Heo Bo-ra. The show is scheduled to be aired on October 7, 2022, on Netflix. ALSO READ: 10 Korean Dramas With No Romance To Kickstart Your K-drama Journey Vengeance of the Bride https://www.youtube.com/watch?v=fHPtWKlnYGI Eun Seo-Yeon, a pleasant woman, leads her healthy life by running a business producing cosmetics and selling them online. In a make-up salon, she also works as a staff.  One day she learns that their family friend Kang Baek-San, who runs a large cosmetics company, is actually held responsible for her parent's death. To avenge her parent's death, she marries his son Kang Tae-Poong.  The show with suspense has booked to be released on October 10, 2022, and will continue till 2023 on Monday - Friday at 19:50.  The Queen's Umbrella https://www.youtube.com/watch?v=SAlyRsCAJQ8 Aside from the rom-com and suspense, this Netflix K-drama has made its ground.  This historical drama talks about the troublemaking princes for whom their mother or the Queen lives in misery.  However, for the sake of her children, she accepts all the pain. However, this Queen is not like any other; she is very hot-tempered.  Directed by Kim Hyung Shik, the show stars Kim Hye Soo. The 16 episodes drama will begin on October 15, 2022, and will be continued till December 4, 2022, with 60 mins approx runtime.  ALSO READ: Best Kdrama on Netflix: Most popular South Korean Dramas on Netflix Today (2022) Read the full article

TXT (투모로우바이투게더) 'Good Boy Gone Bad' Official MV (Choreography ver.) https://youtu.be/9G9CQdLFwa4 TXT (투모로우바이투게더) 'Good Boy Gone Bad' Official MV (Choreography ver.) Credits: DIRECTOR - KWON YONG SOO ASSISTANT DIRECTOR - YOU WON SIK EDITOR - GWON HEE GYEONG PA - KWON JUNG MIN, WON DONG WOOK, WON DONG SEOK, JOO JAE MIN, JUNG GYU HONG DIRECTOR OF PHOTOGRAPHY - LIM CHI HOON (FLAMINGO) FOCUS PULLER - PARK HYUN JUN, HONG MIN HYUK 2ND AC - KIM GWANG MO 3ND AC - KIM MIN SEO, PARK GA EUL, SHIN HYUN JIN DIT - HO JUNG PIL GAFFER - KWON HOON HO (VIT LIGHTING) LIGHTCREW - KIM DAE JIN, KANG BYUNG GOO, KIM MIN SEO NO HYUNG WOO, HAN JAE YOUNG, LIM HEE JUN, PAIK SEUNG HO YANG JOON MIN, YOO JAE JOON, CHOI BEOM SEOK JIMMY JIB - LEE DONG JIN JIMMY JIB ASSISTANT - LEE JI YONG, JUNG SUNG UM ART DIRECTOR - JUNG BO RAM (RAMI) ART TEAM - KIM HONG YI, KIM SEO A, KIM DAE YOUNG SPECIAL EFFECTS - PARK CHUL YOUNG (DRAGON) SPECIAL EFFECTS TEAM - OH WON JUN, PARK JAE SUNG, SEOL CHOONG YONG PARK YOUNG MIN, JO YONG BEOM LOCATION MANAGER - KIM JUNG YOON(GO LOCATION) CLEAN&2D - DOUBLUE, MEDIA DOT DI- LUCID COLOUR COLORIST - HAEWON KWAK DI CREW - SEONYOUNG LEE,SUJEONG PARK,DASEUL KIM, JIWON SEO DI PRODUCER - ONEW KIM BIGHIT MUSIC. Rights are reserved selectively in the video. Unauthorized reproduction is a violation of applicable laws. Manufactured by BIGHIT MUSIC, Seoul, Korea. Connect with TOMORROW X TOGETHER: https://ibighit.com/txt https://twitter.com/TXT_bighit https://twitter.com/TXT_members https://www.facebook.com/TXT.bighit https://www.instagram.com/txt_bighit https://channels.vlive.tv/BA18A3 https://www.tiktok.com/@txt.bighitent https://weverse.io/txt https://www.weibo.com/TXTbighit http://i.youku.com/txtbighit #minisode2 #Thursdays_Child #GOOD_BOY_GONE_BAD #투모로우바이투게더 #TOMORROW_X_TOGETHER #TXT HYBE LABELS

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괴담만찬 / Tastes of Horror Jahr: 2023 (Oktober) Genre: Horror / Mystery Regie: Sang-hoon Ahn, Yoon Een-Kyoung, Yong-gyun Kim, Dae-wung Lim, Chae Yeojoon Hauptrollen: Kim Joo-Ryung, Jo Jae-yoon, Hyun-min Yoon, So-yi Park, Kim Tae-hoon, Jang Gwang, Kim Dong-young, Eun-soo Shin, Ju-Young Lee, Ho-jung Kim, Da-in Yoo, Lee So-Young, Yeeun, Oh Seung-hee … Filmbeschreibung: Die Montage aus der Serie…

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Hello! I’ve written a fanfic based on Extraordinary Attorney Woo! My take on how Tae Su-mi feels about meeting her daughter and vice versa. I hope you’d like it. 😊🫰🏻 x

I posted it in AO3 👇🏻

Extraordinarily Peculiar, Amazingly Brilliant and Beautiful