#oscar nominated short films | Explore Tumblr Posts and Blogs

thecaffeinebookwarrior · 1 year

Text

My Personal Ranking For the Oscar Nominated Animated Short Films of 2023

I got to watch these shorts in a local theater yesterday, and it was quite a spectacular time.

Note: I am not ranking these based on the quality of the film, but based on how much I personally liked the film. There is definitely a difference. I have come to terms with the fact that I sometimes don’t personally like media that is Objectively Good, and sometimes get unfortunately invested in things that are questionable quality.

With that out of the way, let’s delve in.

1. The Boy, the Mole, the Fox, and the Horse

I, too, am surprised that this was my favorite of the short films. Dare I say, I feel a bit basic. Perhaps I’ll hang up a Live, Laugh, Love sign next.

I’m especially surprised, because I actually have more critiques regarding it than I do with other short films that I liked less. Specifically, the dialogue could sound like platitudes, which is a pet peeve of mine with any media.

But it’s absolutely beautiful. It’s among the most beautiful animation I’ve ever seen, and seeing it on the big screen was nothing short of an emotional experience.

The animation and designs made me love each character, and made the dialogue -- which, in a less beautiful film, might have been enough to put me off liking it -- feel heartfelt. I can’t praise the creative team behind this film enough for the manner in which they brought these characters to life. The voice performances are also commendable.

Perhaps most importantly, it put me in touch with my inner child. Wizard of Oz, Jungle Book, James and the Giant Peach, Spirited Away, Kubo -- there is a timeless impulse among children, it would seem, to be befriended and loved by benevolent talking animals or fantastical creatures.

It is perhaps because of my inner child that I love this film so much. My childhood self might have been oblivious to the beautifully simplistic depth of Ice Merchants, the blink-and-you-miss-it beats that make The Flying Sailor so meaningful, bewildered by My Year of Dicks, and existentially terrified by An Ostrich Told Me the World Is Fake, but my desire for a big white talking horsey is timeless and powerful.

Where to watch it: Apple TV+

2. My Year of Dicks

This one is just. So unspeakably funny. And, despite the fact that I’m a raging Sapphic who’s never been interested in the dicks available to me, I found it intensely relatable.

This may be a controversial statement, but I find that mainstream Hollywood’s attempts to nail down the Female Gaze are often more obnoxious than the Male Gaze itself. Partially because it often revolves around what male executives think The Modern Woman(TM) finds appealing, rather than an actual understanding of the female experience. The Male Gaze, at the very least, feels somewhat organic and based in the personal experience of the filmmakers.

This -- this felt like the Female Gaze. A truly organic trip through the psychology, impulses, and emotions of a fifteen-year-old girl. It treated its female protagonist not as unknowable, but as relatable, with the five unpleasant male characters she was approaching as Other -- each in five wildly entertaining ways. And it was glorious.

The way the main character dramatized her experiences -- making full use of the animated world in which she lived -- was something I could relate to viscerally. I’m reluctant to mention anything else about the plot, as I truly encourage everyone to just experience it firsthand. It’s heartfelt, exquisitely ‘90s, and a beautiful animated tribute to teenhood and questionable decisions.

Where to watch it: Vimeo, Hulu

3. Ice Merchants

Such a beautiful and emotional experience. I would say that this film demonstrates that less is more, but really, it demonstrates that the illusion of less is more. In reality, this film is teaming with detail, from the beautifully textured ice and misty landscape below, to the subtle indications of the characters’ recently experienced loss.

I was so entranced by the visual beauty and surrealist elements of this film, it took me a while to grasp its actual storyline: subtle clues, presented by a yellow mug, indicate the loss of the ice merchant’s wife and the mother of his son, and the cold world in which they live comes to represent their grief.

Without giving much away, the film ends with a view of a spring landscape, representing the eventual thaw of this grief as father and son begin to heal.

Where to watch: YouTube

4. The Flying Sailor

This beautiful and strange animation is based off of a true story, in which a sailor was flung 2 kilometers (1.2 miles) by the Halifax explosion in 1917, and lived to tell about it.

This film is essentially the sailor’s life flashing before his eyes as he soars, naked, over the exploding landscape. We get to know his character through the blink-and-you-miss-it moments that we witness of his life.

My favorite moment of the film was when he lights a cigarette at the same instant a ship in the harbor (unbeknownst to him, full of dynamite) catches fire. His -- and our -- quiet shock as we realize what we’re looking at is haunting. He even steps on the match, as if in a subconscious effort to put out the blaze, just as the contents of the ship explodes and nearly ends his life.

Where to watch it: YouTube

5. An Ostrich Told Me The World Is Fake and I Think I Believe It

Just because I rank this film last doesn’t mean it isn’t good. It’s incredibly good, and an inventive way to portray a character’s existential crisis through a stop-motion medium.

Ultimately, this is a story about a man realizing how meaningless his life has become while working at an unfulfilling office job. But that makes the film sound way more mundane than it actually is. The way in which this existential crisis is portrayed is through the main character realizing that he and his fellow workers are all stop-motion puppets, after he is visited by the titular ostrich.

And I do like it a great deal, but the reason for it subjectively ranking below the other films is the simple fact that the other films left me with a more positive emotional feeling. This one...is kind of terrifying.

I wonder if the director was inspired by the 1965 stop motion The Hand, in which a gloved human hand is used as a source of horror in the world of a stop motion puppet. In a similar manner, human hands look uncanny in this film when contrasted with the main character and his puppet world.

Anyway, go watch it and have an existential crisis of your own. I recommend it.

Where to watch it: Vimeo

Have you seen the animated shorts? Let me know your personal ranking!

#oscar nominated short films #the boy the mole the fox and the horse #ice merchants #the flying sailor #an ostrich told me the world is fake and i think i believe it #long post for ts #film

108 notes · View notes

greensparty · 2 months

Text

Green's Party Guide to the 2024 Oscar Nominated Short Films

Anyone who knows me knows I am a longtime champion of the Short Film categories for Animation, Live Action and Documentary at the Academy Awards, mainly because I have made short films and I know how hard it can be to tell a story in a short amount of time. I am very excited to continue my annual tradition of showcasing the Oscar Nominated Short Films (read the 2017, 2018, 2019, 2020, 2021, 2022 and 2023 guides).

2024 movie poster

This year’s nominated short films are available from ShortsTV both in theaters and online. I’ve watched all of them and here are my thoughts and predictions:

Best Live Action Short Film:

This year's Live Action Short Film nominees is one of the strongest collection of nominees in years! The After (U.K.) was produced by Neon Films and distributed by Netflix. In this heavy drama, after a traumatic experience with his family Dayo (played by David Oyelowo) becomes a rideshare driver and one of his jobs helps him to confront the past. Oyelowo (who also produced this film) has been excellent in a number of films including Selma and The Butler, and this is truly a showcase for him! Red, White and Blue (U.S.) was produced by Samantha Bee. In this drama, a single mother (played by Brittany Snow, another notable actress) bring her young daughter with her as she crosses state lines to get an abortion. Without getting into spoilers, it goes from a sobering to even more sobering and has a lot to say about the need for reproductive rights in all states. Knight of Fortune (Denmark) is about a man who's at a morgue to say goodbye to his suddenly deceased wife and he forms an unlikely friendship with another widower. In a category filled with heavy dramas, this one is among the heaviest, but there's also a humanity to it in showing in a very fragile state how a total strange can lend a helping hand. Invincible (Canada) is based on a true story of the last 48 hours of a 14-year-old boy's life while he's in a juvenile center. While there are some powerful moments, it does feel like at times like it's a feature being squeezed into a short. Netflix's The Wonderful Story of Henry Sugar (U.S. / U.K.) is the most high-profile as it's from director Wes Anderson adapting from Roald Dahl and it was released on Netflix in September. Anderson had previously adapted Dahl's The Fantastic Mr. Fox and this time he's adapted a 37 min. film but with the same scale as a feature. The film explores a variety of stories narrated by Dahl (played by Ralph Fiennes), the main story being about Henry Sugar (Benedict Cumberbatch), who is able to predict the future and see through objects thanks to a book he stole. This one is easily the biggest budget, most star-studded and most visually impressive.

Will Win: The Wonderful Story of Henry Sugar is the clear frontrunner. Wes Anderson has been Oscar-nominated in a number of other categories (Screenwriting both Original and Adapted, Animated Feature director, Directing, and producing Best Picture) and yet he has never won even though he is one of the most critically acclaimed and innovative directors working today. In some ways it is kind of unfair that an A-list director makes a short film on the scale of a feature when so many Live Action Shorts are low budget and trying to make something impressive in a short amount of time and don't have nearly the resources Anderson does to be able to get this cast, the production design and to adapt Dahl. On the other hand there's no rule that says Live Action Shorts are meant for newcomers and directors early in their career...so survival of the fittest. But something that needs to be said about this year's crop of nominees is that there's a lot of heavy drama, and this one is charming and lighter in contrast, which could steal the thunder.

Should Win: I'm going to have to say a tie. Henry Sugar is highly impressive, but Red, White and Blue stayed with me and had a twist that was devastating.

Best Animated Short Film:

This is also a great year for animated short nominees: Our Uniform (Iran) is about an Iranian girl unleashing her memories of school as she looks at her old uniform. The animation style and aesthetic is very unique. Letter to a Pig (Israel / France) is about a Holocaust survivor speaking to a classroom about how a pig saved his life and a student goes into a dream about it. This is very heavy and intense. But I do feel like animation purists are going to have an issue with the fact that is also used some live action footage interspersed with the animation. But either way, this is a very innovative approach to the subject matter. Pachyderme (France) looks at a young girl visiting her grandparents in the Summer countryside. A young female protagonist and/or a woman looking back at her younger self is a common theme in this year's nominees, but this one has some gothic and horror elements to it. Ninety-Five Senses (U.S.) is directed by Jared Hess (yes the director of Napoleon Dynamite is an Oscar-nominee) and his wife Jerusha Hess (writer with Jared on several films and Austenland). An old cowboy (played by actor/director Tim Blake Nelson) reflects on the body's five senses in his lifetime as he's about to run out of time. Let me just say I was not into Napoleon Dynamite at all, but what got my attention more than the directors was Tim Blake Nelson, an underrated actor who shines in everything he's in. I kind of liked how the animation changes within each sense Coy describes and also how it has a sense of nostalgia about the pre-digital era. WAR IS OVER! Inspired by the Music of John and Yoko (U.S.) got my attention immediately as I am a lifelong Beatle / John Lennon fanatic. It was co-written by Sean Ono Lennon, who also co-produced with his mom Yoko Ono. Director Dave Mullins was previously nominated in this category for Pixar's 2017 short Lou. Set during a World War I front, a pigeon carries messages between two soldiers playing chess, unaware they are on opposite sides. There is no dialogue and the music score of Pixar veteran Thomas Newman enhances the powerful anti-war message of this colorful visual feat!

In addition to the official nominees, ShortsTV is including two additional films in the Best Animated Short Film program, both of which were on the short list but did not get nominated. Wild Summon (U.K.) is narrated by Marianne Faithfull and it was produced by Oscar-winner Adam McKay. It looks at the lifecycle of the wild salmon as it looks in human form. While it is a bit long, there is a strong environmental message to it. I'm Hip (U.S.) was directed by animation veteran John Musker, who was nominated for two Oscars for Animated Feature for The Princess and the Frog and Moana. This is about a hip cat who sings a song about how hip he is to the world around him...who don't agree.

Should Win: WAR IS OVER! is the best of this year's strong crop. With the state of the world what it is right now, an anti-war message anchored by a John and Yoko's "Happy Xmas" made a very strong statement. I'm a huge fan of Sean Lennon and it'd be awesome to see him accept!

Will Win: WAR IS OVER! Not only is there the name recognition of John Lennon and Yoko Ono, but the World War I setting completely driven by visuals and no dialogue will go a long way.

Best Documentary Short Film:

This is a great year for Short Docs: Nai Nai & Wài Pó (U.S. with Mandarin subtitles) was a festival hit acquired by Disney+. Director Sean Wang makes a touching and personal profile of his grandmothers who live together and dance, exercise and joke together. There is a sadness about mortality, but there's also a sense of humor to this that makes the subjects seem funnier than it would in another director's hands. The Barber of Little Rock (U.S.) is produced by Liz Garbus (a two-time Oscar nominee for Best Documentary Feature) and the New Yorker. In Little Rock, AR a local barber Arlo Washington has founded People Trust, a non-profit community bank fostering economic progress for underserved and underbanked residents. This doc looks at a number of people who have collaborated with People Trust (each of whom could easily be the subject of their own doc), but the through line is very much Arlo who is fighting the good fight to provide opportunities a lot of banks are not and to help the community as a whole. Island in Between (Taiwan) is produced by the New York Times. The doc's director S. Leo Chiang reflects on his own relationship with Taiwan, United States and China from the islands of Kinmen, just off of mainland China. The cinematography is breathtaking to say the least! The ABCs of Book Banning (U.S.) was produced by MTV Documentary Films. It was co-directed by Sheila Nevins (a big doc producer and executive who is just now directing) and was co-directed by Trish Adams (a previous Oscar nominee for Best Doc Feature for GasLand) and Nazenet Habtezghi (a producer on American Experience). This looks at the topical issue of banned books from school districts in recent years. Instead of just documenting the battles and the politicians who campaigned for book banning, this doc talks with children and in some cases the authors of some of the banned books. This is very thought-provoking and lends itself to a longer conversation after the film is over. The act of saying a book cannot be read in a school district raises bigger issues and concerns about intent and prejudice. By the end of the film, I truly wished we could force Desantis and his staff to watch this! The Last Repair Shop (U.S.) was produced by L.A. Times and distributed by Disney+ and it was co-directed by Kris Bowers and Ben Proudfoot, who are veterans in this category having been nominated A Concerto is a Conversation at the 2021 Oscars and Ben won for last year's The Queen of Basketball. Here Proudfoot and Bowers (an accomplished music composer for numerous films) look at Los Angeles, one of the few cities that offer to repair music instruments for the public school students at no cost. The doc looks at the repair shop, but more specifically the four craftspeople who specialize in these instruments as well as the students who play them. This is very much a doc that pulls at the heartstrings. But what I loved about this is that it is really an analogy about how music can be something that brings people of all walks of life together to make something beautiful.

Should Win: Some highly impressive docs in this category this year, but The ABC's of Book Banning made the strongest statement. But do not discount The Last Repair Shop, also about the need for art in our society.

Will Win: This could go any number of ways, but the fact that The Last Repair Shop is now on Disney+ and was broadcast on ABC-TV, definitely raises its profile significantly. The fact that it was a bigger budget doc with a sweet message is going to go a long way too!

This year's Oscar Nominated Short Films can be seen online from ShortsTV as well as select movie theaters including programs at Coolidge Corner Theatre and Landmark Kendall Square Cinema.

0 notes