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theactioneer · 28 days
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RoboCop newspaper ad (Paul Verhoeven, 1987)
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atomic-chronoscaph · 1 year
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Excalibur (1981)
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doctorbleed · 6 months
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Ways the movie First Blood promotes positive, non-toxic masculinity:
Emotional openness: Rambo breaks down crying at the end of the movie due to his trauma. This isn't treated as a joke, and Rambo isn't humiliated or treated as less of a man for it. His emotions are understandable, validated and respected.
Conflict Resolution: By the end of the movie, rather than a massive gunfight, Rambo and his commander negotiate peace. The plot is resolved not by domination, but by cooperation.
Violence against police officers: A fun and productive activity Rambo engages in.
Machine Guns: Machine guns are cool and Rambo fires a big one at some point that has a totally badass bullet trail cuz its like spewing hundreds of rounds per second or something.
Abandoning modern society for life in the woods: As Ted Kaczynski outlined in his manifesto "Industrial Society and Its Future" the...
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brokehorrorfan · 1 month
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RoboCop 2 will be released on 4K Ultra HD + Blu-ray on June 18 via Scream Factory. The 1990 sci-fi action sequel was the final film directed by Irvin Kershner (Star Wars: The Empire Strikes Back).
Comic book legend Frank Miller (The Dark Knight Returns, Sin City) and Walon Green (Eraser) wrote the script. Peter Weller returns to star with Nancy Allen, Dan O'Herlihy, Tom Noonan, Belinda Bauer, and Gabriel Damon.
RoboCop 2 has been newly scanned in 4K from the original camera negative with Dolby Vision and DTS-HD Master Audio 5.1 Surround and 2.0 Stereo. Special features are listed below.
Disc 1 - 4K UHD:
Audio commentary with author/CG supervisor Paul M. Sammon
Audio commentary with RoboDoc: The Creation of RoboCop documentarians Gary Smart, Chris Griffiths, and Eastwood Allen
Disc 2 - Blu-ray:
Audio commentary with author/CG supervisor Paul M. Sammon
Audio commentary with RoboDoc: The Creation of RoboCop documentarians Gary Smart, Chris Griffiths, and Eastwood Allen
Corporate Wars: The Making of RoboCop 2 – Interviews with director Irvin Kershner, producer Jon Davidson, actors Tom Noonan, Nancy Allen, Galyn Görg, executive producer Patrick Crowley, associate producer Phil Tippett, cinematographer Mark Irwin, and author/CG supervision Paul M. Sammon
Machine Parts: The FX of RoboCop 2 – Interviews with Phil Tippett, Peter Kuran, Craig Hayes, Jim Aupperle, Kirk Thatcher, Paul Gentry, Don Waller, Justin Kohn, Randal Dutra, and Kevin Kutchaver
Interview with RoboCop armor fabricator James Belohovek
Interview with comic book writer Steven Grant
OCP Declassified – Archival production and behind-the-scenes videos including interviews with director Irvin Kershner and actors Peter Weller and Dan O’Herlihy, and a look at the filming of some deleted scene
Theatrical trailer
Teaser trailers
TV spots
Still Galleries – deleted scenes, behind-the-scenes photos, stills, posters and lobby cards
When Detroit's descent into chaos is further compounded by a police department strike and a new designer drug called "Nuke," only RoboCop (Peter Weller) can stop the mayhem. But in his way are a sinister corporation and a bigger and tougher cyborg with a deadly directive: take RoboCop off the streets … permanently.
Pre-order RoboCop 2.
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Orion Pictures.
Anthony Hopkins as Hannibal Lecter being fed a French fry by the late Director Jonathan Demme, while Charles Napier as Lt. Bill Boyle watches on the set of "Silence of the Lambs" (1991).
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boardchairman-blog · 6 months
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**Shots of the Movie**
Hannah and Her Sisters (1986)
Director: Woody Allen Cinematographer: Carlo Di Palma
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omercifulheaves · 2 years
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The Return of the Living Dead (1985)
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ruinedholograms · 8 months
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(1984)
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yojabari · 26 days
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First Blood by Chris Miller
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“Elvira vê seu espetáculo ir por água abaixo e Jessica está desiludida com a carreira de atriz onde vive sempre fazendo a mesma femme fatale. As duas amigas decidem jogar tudo para o alto e fazer uma alucinante viagem de carro cruzando o país. No caminho, elas serão acusadas de um crime que não cometeram, serão perseguidas impiedosamente por um astuto caçador de recompensas e ainda precisarão lidar com um terrível monstro. Vai rolar muita confusão e aventura quando... ELVIRA E JESSICA SAEM DE FÉRIAS!”
Imaginar uma aventura com duas das minhas musas favoritas juntas num grande filme oitentista... obvio que me diverti DEMAIS!!! A ideia de um crossover do tipo me soa tão louco, insano, impossível... mas ao mesmo tempo tão maravilhosamente engraçado! Consigo visualizar muito facilmente as interações e conflitos entre essas duas personagens tão diferentes; Elvira com seu jeito inquieto, impetuosa, impulsiva, meio piadista e sarcástica, enquanto Jessica Rabbit é elegante, sofisticada e polida.
Isso seria tão, TÃO divertido!
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brothertedd · 2 months
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theactioneer · 4 days
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Florida Straits (Mike Hodges, 1986 )
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RoboCop (1987)
This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.
RoboCop has several scenes with machine guns, which include close-ups of bright muzzle flashes. There are several moments of glitching screens, which include the entire frame on occasion. Some scenes have emergency vehicle strobe lights at night.
Handheld cameras are frequently used, sometimes with minor shaking. Multiple scenes take place on high floors or roofs of skyscrapers, and a few take place in moving vehicles.
Flashing Lights: 10/10. Motion Sickness: 5/10.
TRIGGER WARNING: There is a graphic surgery sequence, a scene where a man’s skin is melting, and further body horror and gory violence throughout the film. A violent rape is attempted.
Image ID: A promotional poster for RoboCop
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outrun20xx · 1 year
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demifiendrsa · 2 years
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Robocop hit theaters nationwide on July 17, 1987. Happy 35th anniversary!
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rickchung · 2 years
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On the Count of Three (dir. Jerrod Carmichael).
In his feature directing debut, Carmichael (who also stars) crafts a pitch-black buddy comedy with a bleak tone thanks to a very dark suicidal premise involving two best friends struggling with their mental health and making a pact to spend one last day together before taking their own lives. What should be a very tricky story that could easily flirt with glorifying violence or self-harm offers a rather thoughtful mediation on true desperation.
Abbott is believably sullen with a genuine sadness that permeates the screen. There’s a natural chemistry between the two aided by a strong supporting cast made up of mostly comedians and comic actors who all treat the dark material with a sincere effort without trivializing the seriousness of wanting to end your own life.
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