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#or a universe where they're all personified animals
stirringwinds · 2 years
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I love your meta about the nations doing stuff, but it's canon in both manga and anime that nations are known by the common people. Like, North italy literally greets his common citizens daily
hey! thanks for the ask and i'm glad you like my meta. to explain; i do take a really loose approach to canon. while i definitely follow some aspects of canon, i'll completely diverge from it if it suits my tastes—whether it's to do with the character's personalities or this sort of in-universe background about how nations are understood. 
so in this case, i feel like having nations always being "known" or understood to their people would be a missed opportunity to imagine some fascinating interactions that could occur if they were generally unknown but then "unveiled" at a particular moment. that isn't to say there aren't scenarios where nations being "known" at least to some people isn't an opportunity for interesting character work— imo, kiku being perceived as a kami by the shogun for example, is an interesting way to integrate their immortality and unearthly nature into their people's cultural cosmologies.
but on other occasions, i personally find it's more intriguing if the nation's existence isn't quite so known and accepted because that set-up is an opportunity to explore all kinds of themes. since in real life, ideas of nationalism and patriotism are heavily contested and people dispute the goodness of loyalty to nations or their very existence all the time. so the way i see it, nations being known and accepted all the time would be missed opportunity to explore them in relation to world history. for example; one interesting set-up might be someone finding the idea of an immortal, personified nation ridiculous because they believe they're living in an era where "science" and "rationality" has driven out anything supernatural or magical, and then having to reckon with the reality of the eldritch hetalias actually existing. or in other cases, like my personal headcanon about young Alfred— him not being accepted but being treated with suspicion by superstitious English settlers in 1600s colonial america because he does not seem entirely English + seems too intelligent and knowing for a young child. i also have similar thoughts about Arthur being perceived as a fae or changeling as a young boy. so generally, i think a nation being "known" and accepted can sometimes be a good background set-up for character exploration, but not always. so yeah, hope that explains my personal approach towards the r/ship between canon and my fanworks. 
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lizze919 · 11 months
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Bendy Theory/explanation.
Ink is split up into four types: Ink, Ink Demon, Toons, and the Dark Puddles.
Basic Ink is nothing real special its pretty much the ink we have in real life. However it can bring up Bold Emotions from inside people to over take the victim, as seen in TLOs [In the Ink World, Ink can be molded to hold shape The Gent tool makers)]
The first time the Ink was run through the machine it created the Ink Demon. The Demons young years were animal like; animalistic instincts and behavior. The Demon is very similar to Frankensteins Monster, a new born animal and from learning and how it was being treated grew up to be the monster. The similarly is very large; both being mistreated by their creators and growing from being animal like to being able to do practically what any human could. The Demon is also able to swim through Ink, control it and fuse into Ink making the Demon larger and stronger, It's unclear why it chooses Bendy as a base, but it's most likely because of all the cutouts and posters around.
When I say Toons I'm referring to both Cartoon characters (Alices, Boriss, and The Butcher Gangs) and Lost Ones + Searchers and other Ink Creatures. These are either human souls, or personified Ink. Souls are people who have been murdered and/or have gone through the ink process. I will be using four exspambles: Sammy, Buddy, Brant, and Alison. In the case of Sammy, he was drenched in Ink and had swallowed it, allowing it to attach to him. It made him obsessed with the Ink. I haven't come up with solid evidence of what his Bold Emotion is, but we do know he had seen the Ink Demon and started worshiping it even before he died, drowning people in Ink as sacrifices. The way he died isn't said, but I believe he drowned himself in Ink. Buddy was stained by the Ink after being lost in the music department and bumping into the Demon. Buddy's Bold Emotion is wanting to be recognized which is why he agrees to uncover the studios secret with Dot. While in the building late at night after saving Jacob, Buddy is eaten alive by the Demon, and was pulled out by Joey and transfer to Boris. (a straight use of the Ink Machine). Brant was crushed by a door and sucked back into the room by the Demon, and theoretically lached onto the Ink around him becoming a Lost One. Alison who isn't a dead person but is still living: needing to eat, and breathe and can still 'die'. These are usually full models and don't look like Lost Ones. They retain memories Joey had of the real life people they're based on. (Alison remembers Tom's name despite never meeting Thomas Connors real world counterpart.
The Dark Puddles are spots of Ink that host souls. They are almost like ponds in some places. The souls (and souless) can hear eachother and communicate and even speak aloud. I like to think of them almost like The Cluster from Steven Universe. "A Screaming Well Of Voices" as Susie says, a mess of souls wanting to escape. The Dark Puddles is where Henry or Audrey end up after dying, still being able to leave and form back to their bodies but with some hardship. Anyone who dies in the Ink World is drawn to these puddles. Don't confuse the Dark Puddles with Searchers, Searchers sit as puddles until wanting to move where they spout up and crawl, but Dark Puddles are simply large bodies of Ink (as towards the start of BATDR)
I wrote this for my friend, very tired, so if I got something that was already disproven or something sorry. I've read all the books and played every game but that doesn't mean I don't forget things lol.
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ageofxail · 1 year
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31, 33, and 1! ^^
31: Look at the country you are currently living in. If they are an official Hetalia character, how do you feel about that character, as well as the country itself?
That would be the United States of America. Alfred F. Jones. I have... mixed feelings about him as a character. I do really love him! But he does not well encompass a lot of things I personally like to see in a representative of the US, hence my own deviating revisions of an American Representative in Daniel King. (And for England in Nicholas & Noel, and, well, all of my muses lmao) America's so incredibly vast and has so many cultural lines that it pretty much necessitates multiple characters to more accurately portray a wider scope of American mindsets and personalities. Alfred can be the bright, loud, annoying tourist and overbearing sort of American that's eager to start a brawl and hark on about the perfections of his Union while Daniel can be much softer-spoken diplomat who would rather adjust his posture and demeanor to match the country he's visiting and take on some of the darker aspects of a country fuelled by Corporate Greed and be the economist side of the legislative feud between Federal and Local jurisdictions. America is a mess and chaos and I could ramble about being fascinated, impressed, disgusted and wary of so many things about this country for literal days on end but this is a simple ask, therefore I will hold myself back. This time.
Alfred's an awesome character, please do not take my stance as hating on him, but I do find many aspects of his characterisation to be extremely annoying and overplayed. I love him, I don't love what Flanderisation has done to him in a lot of the Hetalia fanworks I've consumed over the years.
tldr; love Alfred F Jones, have my own ideas and I'm allowed to play with those.
33: What are some of your biggest headcanons?
Every individual Representative is completely unique. They're all going to have wildly different origin stories and sets of lore behind him. Some more outlandish than others. Sure, majority of my own Reps were humans who were magically selected by the Universe At Large to be an extremely good example of A Perfect Englishman or A Perfect Canadian, but then there's my Prussia who was magically created by occult magical practices by the Catholic Church and then said magic went haywire sideways and created a feral bloodthirsty living weapon who eventually learned self-control. Sort of.
Day-to-day lore also varies wildly; Noel (my Modern England) has extreme wanderlust but finds it physically painful to stay away from England for too long (see: After a decade of living in Australia with intent to retire from being a representative, his general health declined rapidly and forced him into a hard physical reset of his facade); Daniel (America/New York) has a binding magical contract where he cannot disobey - but he can Lawyer! - an order given by a member of Congress; Gabriel (Utah) can hear the Desert Buzz and if allowed to concentrate, can communicate effectively with coyotes and bees.
Representatives are largely unnecessary to the running of a country/state/city/region, and so are not holden to strictly historical paths that rep'd place had gone down. They're individuals and can have their own stories, even ones that are contradictory to what is believed about history. See: Daniel being a loyalist during the revolution. Again, this will vary wildly.
1:What got you into Hetalia?
Studying, actually! While searching for a study guide to assist my AP Euro History class in my sophmore year of high school, I came across a youtube video titled "What if WWI was a Bar Fight?" and while reading the comment section, there were many references to an anime called Hetalia. Curiosity had me looking up the show, watching a couple episodes, continually forgetting it was a thing and yet still revisiting the concept of Personified Representations of Countries as I wrote out summaries of various historical events thru the guise of Reps. I slowly consumed more actual Hetalia content, but by about five years into playing with Reps, I had decided I liked my own developed Personifications better than either canon or fanon Hetalia Reps and largely abandoned Hetalia in favor of simply enjoying my immortal lads as their own creations with loose ties to Hetalia as a starting point. A bachelor's degree in history and fourteen years later, I still enjoy Hetalia, but largely do my own thing.
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outoftimewriting · 4 years
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Imagine (Son of Hades! Percy; Godswapped! Big Three's kids (6/7) or (11/12)
House of Hades Pt.2 - In the Argo II
Hello darlings! Before reading this, there's at least other 11 parts - and I almost had to divide this into two - check on the masterpost - but don't be sad is ending :(
First - I have no idea if I'll divide Blood of Olympus in two because I hate the climax Rick wrote - so probably? Also not sure if I'll need an epilogue - we're not delving into TOA, though.
Second - I'll keep writing! I have a handful of ideas that I want to do next - and the next AU will have Female! Percy - so keep logging in!
Check on the warnings before proceeding, and good reading :))
To say that things are tense in the Argo II is downplaying the major depression the ship seemed to be sunk in since Perseus fell.
Leo and, surprisingly, Nico are the only ones who are able to get anything done in the first couple of days, but they aren't fooling anyone - the white eyes of the son of Zeus seem to be every day a little more bloodshot, and more than one fire happens without no explanation.
Annabeth didn't stop crying for a second - even throughout Will's examination of her and her brother - for at least 12 hours. Then she crashed for another 12 hours - and when Annabeth woke up, she was enraged.
She is going to bring the damned statue back to Camp - and then she will kick her mother's ass. That's her best friend, not collateral damage.
And when her dumbass of a best friend comes back, Annabeth is going to kick his ass too. How dare he fall - for her, not even his closest friend - into freaking Tartarus?
Frank is devastated - he and Piper are coping by planning the future - how they can spend the summer at Camp and live in Nova Roma, how they'll visit Perseus if he decides to go to college in the mortal world. It feels a little like denial.
Hazel and Jason are coping in the totally opposite way. Where Leo and Nico are fueling themselves with determination, Annabeth is anger personified and the other two went in the road of negation - they're both in a deep state of panic.
The sea became too dangerous to travel - the tides answering to Jason's turbulent emotions - and any metal on board keeps exploding or becoming so fueled with energy that no one but Nico and Hazel can touch it.
They pray together - for Neptune, Jupiter, Pluto, Letum, any god that Perseus ever helped (a lot of them) - for his protection. Jason holds evening prayers - just like in Nova Roma - and they offer anything, everything, for Percy to be alive. Everyone goes.
Except for Will, who is in a whole other league. The moment that he arrived at Camp, Percy was the one to settle him, and calm him, and take care of him. It was a side of him no other person in this ship had ever seen - Nico got in Camp in the worst timing possible, and all the others were pretty independent when they met Perseus.
But Will remembers - the nights with hot chocolate, Percy's warm sweaters, a pair of blue gloves messing his hair, the anxiety when the boy left for school, just for him to keep IMing Will every evening - and he misses Percy.
After the Labyrinth, the war, the losses, they reconnected - the prejudices against Percy's parentage long gone - and it felt like nothing ever changed.
It was Percy who helped him coming out for his mother. It was Percy that held Will after he lost Sibele - a daughter of Momus - to her injuries. It was Percy, always Percy.
Percy is much more of a father then Apollo - and much better as a brother then some of Will's siblings. So Will just locks himself up in his infirmary - and grieves. It's weird in such a hard mission to remember that Will is just fifteen and that he is a veteran of war.
The mood lingers, even when they start fighting regularly against the Apennines - and isn't this a whole other mess.
The mountain spirits are pissed - because Hades/Pluto and his wife are really pissed. It's Malcolm - the only one with a phone and a good connection to the internet - that tells them that the world started having earthquakes every few days.
The mortals are confused because most of these are not even close to the tectonic plates - and none of those cause turmoil at the sea. It's just Hades - mightly pissed his only son is beyond even his reach.
Three days in fighting the Ourae - who don't like having their mountains shaken over and over again - the sky also starts thundering. Coincidentally, it's July 30th - they've been traveling for twenty-two days - which also marks Thesmophoria - the greek festival of harvest.
But, alas, nothing is blooming. Persephone is as dangerous as her husband - and Demeter seems to follow her daughter's lead. With the Earth corrupted - the crops aren't growing.
Jason doesn't blame his matron - he is not really happy himself. Besides praying for Perseus' safety, he spends most of his days in patrol against boulders and rocks of all things.
Leo barely sleeps - too busy keeping the ship from falling apart - and Nico is, most of the time, right behind him keeping the ship steady. They try using canons and fail miserably. There's no way to fight against mountains - it's like Dom Quixote fighting against the windmills.
The others, even Will, rotate between fighting rocks and sleeping. Four days after Thesmophoria, Leo decides it's enough, turns the ship around, and solves to not cross the Apennines.
He just hopes Perseus can last another seven days.
Hazel - the only one awake, because this is supposed to be her patrol and Leo finds her the most reasonable out of all their friends, who would probably insist on keep fighting the freaking mountains - is praying. Like always.
Leo doesn't know how he feels about praying. His extended family was very catholic - they prayed for a god that they couldn't see or touch. But Leo met the gods - or, if Annabeth is to be believed, one set of them - and he doesn't like them.
They're petty children who have no care for the fate of their children - the ones who fight for them, go on their errands, keep them alive, y'know. Leo doesn't want to praise them. He doesn't think they deserve it.
But Hazel's prayers are answered when her venti, Tempest, appears aboard. Hazel tells Leo to go on without her - she'll be back soon.
He is concerned for her - like always. Of all new people, Leo seems to be the closest to her - his overall cheeriness and electric behavior are endearing to her, a light in these dark times. Sometimes, his smile makes her flush - just like Frank's did and still does.
Hazel mounts Tempest and the venti takes her, through mountains and hills, to a door. There's mist curling at her ankles and a chill in her spine.
She isn't very thrilled by meeting Trivia - Hazel heard stories of her greek son by Perseus, who seemed to hold the guy in high standard, but she knows gods. The goddess of magic wants something.
Trivia is an imposing woman - taller than Hazel, she has the same midnight skin as Perseus, though hers looks purple-ish, and her eyes are entire universes - stars bloom in her irises and twin moons rise in her pupils.
The goddess is fickle - she seems to be there and not, at the same time. Ghostly. There's three of them, then one, then five.
Trivia beacons to the daughter of Jupiter and she follows, the cursed little girl she is. The goddess offers her three options: Perseus, prone in the ground as she, Leo, and Annabeth battle an invisible foe, the two demigod installments at war, or the Argo II.
Hazel chooses the Argo II, but she promises herself, and the goddess, that she will save Perseus, and that no demigod blood will be spilled by other demigod's hand. Not again.
She will learn how to control the Mist. But Trivia is very mistaken if she thinks Hazel is going to become her acolyte. She remembers well what happened last time - she died.
The Argo II is traveling without much hassle - when they're crossing Monte Falterona, in the Campigna National Park, they are attacked by a new mountain spirit - and this one talks.
"Get Pluto his brat back, you useless halflings!"
Like the boulders the immortal is throwing at them will help. Leo screams this back at the mountain, who is not impressed at all.
Their next foe is in San Marino - a chimera. Most popular knowledge is wrong about those monsters: chimeras are not just goat-lion-snake mixes. They are an amalgamation of any three or more animals.
This one, in particular, is a very... candid mix of a Pyrenean chamois, a monk-seal, a mouflon, and a goose. Not very lethal or hazardous - just very angry. It's the first time they hear Annabeth laugh since Perseus fell.
While Malcolm is chasing and being chased around by an evil goat-goose-seal-weirdass deer chimera that he is fending off with an encyclopedia, the others can't even bring themselves to help. It's ridiculous - the thing is not even big. It's just ugly and it sounds like a honking clown.
Eventually, they get around to killing the clown chimera - it honks as it vanishes - and following route to Bologna. Frank tries to mutate to the chimera during the travel - to different levels of failure - which makes everyone laugh.
Thanks to their two encounters, the crew gets to Bologna at two in the afternoon.
Frank can't help counting the days as they pass him by. He is not the only one - he can see Annabeth muttering the time every now and then - but it feels like a countdown. Can Perseus survive one more week in Tartarus?
Even with the pressing worry for his lost friend, he can't stop thinking about Hazel and Leo. The two of them are thick as thieves - and Frank wants in.
But he knows it's wrong - Leo is a boy. Hazel is younger. Leo bares a power that could kill him. Hazel is his best friend. They're two people. - but he sees them flirting and can't keep his eyes to himself.
It's wrong. Soldiers aren't supposed to date men. Men who dated men are prostitutes, entertainers. Less. And two people at the same time? Outside of a bedroom? Preposterous.
Frank wishes he was more like Perseus. Perseus is all about duty: he would eventually marry Reyna. Or Annabeth, or other pretty and intelligent warrior, and have two point five kids with a picket fence.
But no. Here he is - midday, they are stopping for lunch, and he can't keep his eyes off Leo and Hazel - who are quietly chatting in the other end of the long table.
Frank ponders what would they think. Would the two be repulsed? Would they laugh at him? He can deal with laughter. Their disgust, however, would cut his heart in half.
Nico is in a very similar, and yet completely different, situation. He has been in love - or as close as love could be when you never dated the person - with Perseus Jackson.
He knows it's okay to be gay - he is friends with Will and Jake. He lives on CHB since he was a pre-teen. Perseus himself was - is - queer.
But the thing is, he'll never have a chance with him. Not the chance he is longing for gods know how long. He failed Perseus yet again - he let the demigod fall.
Perseus can have anyone. Perfect Annabeth Chase, Shrewd Reyna Arellano, Magic Alabaster Torrington, anyone. And he wouldn't have a problem with that - no. The problem is that he can't make a choice. Because he is in Tartarus.
Because Nico. Let. Him. Fall.
He isn't even sure if he let Perseus fall on purpose. A part of his mind knew someone would have to go. It was always meant to be Perseus. Did he purposefully let him go?
The rational part of his mind knew that if he tried to fly them off, all he would accomplish is falling into Tartarus with Perseus, probably dragging Annabeth with them.
But the guilt creeps into his heart - again, yet again, Perseus suffers for something he did or failed to do. He can't sleep. He doesn't know how anyone can eat.
A rock for him in these difficult times has been Jason. The son of Neptune seems to be as affected as Hazel or Annabeth - but Nico would never be able to rely on them.
Hazel has her own problems - a lot of them since Trivia appeared - and Annabeth is a painful reminder of everything Nico is unable to have.
Jason, however, is different. They had dreams of each other - something about their conquests, Nico didn't pay attention - and that apparently brought them close. Jason, differently from Annabeth, isn't a competition. He isn't vying for Percy's attention and love.
He is just a close friend - like Nico pretends to be most of the time - incredibly worried about the son of Hades. Nico would tell Jason about how he feels - but the militar roman's sensibilities might not be adjusted to the greeks' freedom yet.
Nico, however, is also not the only one with heart problems. Piper finds himself entranced by Annabeth Chase - even when she knows, she knows because of her powers, that Annabeth is painfully straight.
And Piper knows it's not love - it's the heat of the upcoming war and the hormones of being cooped up with just other teenagers for twenty days. She sees the blossoms of young lovers everywhere.
The yearning between Leo, Hazel, and Frank; Nico and Jason unconsciously sharing long-term crushes on Perseus; Will missing Jake and his parental figure;
She wishes she was more like Malcolm. Malcolm is asexual - besides being the only other transexual person on board.
Before this war spiked from nothing, the boy was just back from his mission for Hermaphroditus - a two-month search for a missing choker. He is still adapting to his body - it's bigger and broader and he doesn't have to wear a binder. Piper thinks it's amazing - he tells her it isn't that easy.
It's not a slow transition. One second your body is something - and then it isn't. One morning, the demigod caught him holding a red binder in his hands. Sometimes, she sees a shot of testosterone tucked in his pocket.
One day, he was a boy stuck in a girl's body. Then, he wasn't anymore. He has the body he dreamed of for forever - and it's difficult accepting it. Malcolm tells her is not exactly body dysphoria - is just difficult to conciliate.
Piper thinks after this, she'll get her body. After all of this, she deserves it - her body, all hers, with boobs and a killer jawline. Maybe then, it'll be easier to like girls as well. Maybe then, she'll shave half of her head and get a piercing. And maybe, a couple of tattoos.
But while this doesn't happen, she is whining to her asexual friend about her crush in his sister. Malcolm crushes her with logic - "Annabeth has only shown interest in men. She might be bi or pan or even a lesbian, but the odds aren't on your favor" - and she tries to put the blonde out of her mind.
Lunch, however, is a little ridiculous for her. As a daughter of love herself, that table is such a mess of yearning and pining and infatuations.
Malcolm seems to be the only rational - but even he is a little flushed. Piper totally saw that picture of Mitchell in his drawer last week.
She couldn't blame him really - her brother is hot. All demigods are - in very different ways of course, but their godly blood made them more or less otherworldly compared to mortals. Didn't matter their ethnicity, their gender, if they're disabled or not - they are all hot.
Piper, however, doesn't spend all her time freaking over hot people. She is a teenager with a friend who has a good connection to the internet, so she does that a lot - but most of her time these days is looking at Katoptris.
She's waiting for a vision of Perseus. Anything - just proof that he is alive, that he hasn't curled in a ball on whatever is the ground down there and went mad.
It doesn't come. She is looking at this ridiculous lunch table, eating vegetarian burgers, and waiting. Just as it seems like her dagger starts glowing gold - two monkey twins sweep down and steal it. And Leo's tool belt and Archimedes' Sphere.
Piper is really pissed. She wants this mission to end - she wants to find Perseus and stop Gaea, and that's her magical item. It's important. So she and Leo go after the twin monkeys.
Using one of the armory's javelin - for lack of a better option - they sprint over roofs and marketplaces. Bologna is a beautiful city - but they have no time.
They corner the twin monkeys, get their things back - and some things pertaining to a god of harvest - Triptolemus. Perhaps if they make an offer to him, Demeter and Persephone will be more cooperative. Maybe Persephone will be able to calm her husband.
Piper really doubts it. If she learned anything in the nineteen days she traveled with Perseus, is that he calls Persephone "Kore" or "Mater". The only other person he refers to with such open childish joy is his own mother, Sally.
The guy IMed both of them twice a week - enough that Piper knows their voices. While Hades isn't high in the demigod's list of people, his wife seemed to be at least number #2.
But they go back to the ship and relay their plan anyway. They set route to Venice. In the hour that it takes them to get there, they're delayed twice: once by the personification of River Ádige - which enabled them to pass until Jason helped with a small problem - and then by a couple of ventis - which Hazel sent off.
Frank, Annabeth, Hazel and Nico venture into the drowned city - Piper declines to go, saying that she is waiting for Katoptris to cooperate - being Nico the only one who actually speaks Italian in the ship.
The city is infested with anteater-like herbivorous monsters called katoplebones, which are pointedly not from the Greek pantheon. It's pretty rare for monsters to cross pantheons - and the Egyptians are pretty good in keeping them under lock and key - but sometimes, this happens.
They aren't capacitated to deal with those. Annabeth has half a mind to call the Kanes and demand an explanation. Pretty sure they were possessed by the gods to avoid this kind of situation.
She doesn't have much time to think - Hazel is quickly overwhelmed by the poisonous breath of the cows. Of course - is there anything in Egypt that isn't connected to snakes?
They find Triptolemus - who is not thrilled with their presence. Demeter - his mistress - and her daughter are distraught by Perseus' missing status - and he blames Annabeth and Nico for it.
Annabeth tries to persuade him - after all, they have Jason on board, and he is blessed by Ceres. Triptolemus - a very greek god - is not swayed.
"Your trickster words shall not fool me, daughter of Athena."
That's how Annabeth became a rosemary bush - good for memory and brainpower. Nico, when he tried to fight back, became a corn crop.
Mars is whispering in Frank's mind - he is not really fond of his father but uses his help to kill the evil Egyptian cows and get a python for the god's chariot.
He can't let Hazel die. He can't see the light go off her eyes - to see the same pain reflected in Leo's eyes. But Frank is so using Nico's stunt as a corn plant as blackmail material later. Not with Annabeth thought - she would stab him.
Triptolemus, pleased, turns Nico and Annabeth back to human and heals Hazel. Then, he tells them they have to eat barley cakes - so they can survive the poison needed to enter the house of the dead.
Proceeding south down the Adriatic toward Greece, a journey that should take about half a day, the crew of the Argo II is first accosted in Koper - a city on the coast of Slovenia - by four monocerus in the middle of the night.
Monocerus, in Leo's very succinct explanation, are "evil unicorns with big feet that can't fly and shouldn't be in a flying ship".
Whoever, the monsters apparently don't care where they should or not be - and Annabeth - still reeling for her time as rosemary - takes two of them out, keeping the horns as a prize. Nico takes one, who is so beat that leaves nothing, and Malcolm kills one with a handgun.
It's not the most practical weapon, because celestial bronze is not that easy to fabricate/find/obtain - so to use it in bullets that will explode and render it unusable it's kind of a desperate - but it's the first thing he could get - Malcolm's double tessen was being repaired by Leo.
Because yes - not only was the twenty years old able to fight with normal blades, he also fights with freaking fans made of iron.
After the run-in with the evil unicorns - Annabeth looks really cool covered in gold blood and curved silver horns in her hands - they proceed across Croatia.
It goes well for about thirty minutes - in Zadar, they cross paths with Sciron. Sciron is a bandit and outlaw, who - for some reason, is assisted by a giant predatory sea turtle.
While Hazel tricks him into throwing himself off the cliff using her new-discovered Mist, Jason talks to the turtle. It says its name is Chelone - that it's the turtle who took Aphrodite Ourania from the depths of the sea to the shores of Cythera - when she was still young, with remains of other goddesses in her anima - Innana and Ishtar.
He convinces the turtle to stop killing people - mainly by saying that he should hunt elsewhere, deeper onto the sea. It may become a problem for his father, but Jason has bigger issues right now.
They go to sleep, and Hazel dreams. She expects any god to come - but who comes to her is none other than Pluto and his wife, Proserpina.
Proserpina is shrouded in black, and her eyes are not green - but yellowish, like dead leaves. She talks - and tells Hazel that the Doors of Death are in the bottom of the Necromanteion - her powers over metal energy would guide her - and will be guarded by Pasiphae, vengeful of Pluto - and, by default, Perseus - for the lack of punishment for Minos.
Her husband is a silent presence by her side. He is not in mourning... probably. It's difficult to tell, as he is always in black. But his eyes hold a weight easy for Hazel to understand - he just lost a son to the abyss. No matter that Perseus might be alive - he wouldn't get back whole and safe.
Proserpina ends her dream by telling her to wake up Piper - the goddess is putting all her strength to send a vision of Perseus to Katoptris - they need one much more than her, seeing that they are able to interfere.
What Piper sees don't tell them a lot - Perseus seems mostly okay, with some sort of companion that Nico says it might be Iapetus, a brand new scar over his face and a bad limp.
It's the last they'll see of him until their eventual meeting face to face, but it gives them hope.
Annabeth herself has a dream - a dream that the Romans give the statue to the greeks. She sends an iris message to Rachel - so she can meet personally with Reyna.
Reyna, on the other side of the world, mounts her pegasus, Scipio, and leaves. Not only her co-praetor is in freaking Tartarus, but they are on the verge of two simultaneous wars. They need peace.
As soon as she is out of the roman range, however, she sends an iris message to Jason - telling him to go to their hero's place of rest - she had a vision from Mars. That she will meet them in Greece. Jason tells Leo to set course for Split, in Croatia. There's a roman scepter there.
Of all of them, the most capacitated for this mission are Frank and Jason, who are both educated Romans, and Nico, who can fly - a very good power to have in unstable ruins.
They're confronted by Favonious, who takes them to his master, Cupid, in Dalmatia. Nothing good can come of talking to the personification of love - such an old concept that the god has been reborn twice.
"Well, well, well"
"What do we have here?"
Jason falls onto the ground - "You think you found true love, haven't you? But alas, I was where you last expected me" - and he hates love, for that single moment.
"I shall give you what you want, Romans, if each of you is able to tell me - who do you love the most?"
Nico trembles - guilt is a difficult pill to swallow - and Frank visibly wants to bolt out of there.
"Oh, are you afraid? But there's no hiding in the face of true love"
Jason - always the brave one - gives a look at Frank. His friend never met the greeks. He might hate Jason after this.
But they need this scepter.
"Perseus Jackson"
Two heads whips in his direction - one unbelievingly, and the other distressed.
"Ah, love crafted in dreams - the perfect mix between me and my wife. Tell me, Jason Grace, was it bad when he looked upon you and saw naught but a myth?"
A laugh creeps upon Jason's spine, and he turns around. His blade hits something hard, and he is on the floor again.
"Such luck, to be able to even graze love. Perhaps yours is the purest of all - not yet tainted by failures and mistakes. On that note, why don't you go next, Nico di Angelo?"
Nico shivers - he... they have no time for that. That is unnecessary drama - to cause unnecessary problems.
A memory rushes to the front of Jason's mind - that quick chat with Reyna in Nova Roma. "The blond girl, Di Angelo"
Nico loves Perseus. It rushes to Jason now - the way that the younger boy stared adoringly at the son of Hades. The drunkness of his lovesick gaze. The despair when Perseus fell.
"Tell them Nico di Angelo" Cupid prompts "Tell them all about your guilt, your mistakes, the way you let him down, again and again, and again."
Nico floats a little off the ground. It's years of pain and sorrow that won't bring Perseus back.
"Will you fly off yet again, in the face of rivalry? Will you be my next servant - just like Favonious, consumed by jealousy, Nico di Angelo?"
Jason sees the memories. Nico screaming at Perseus. Grover reluctantly telling him about their adventures. The way he betrayed Percy - and a dozen more scenes he never saw from Nico's perspective, only Percy's, that made him unable to speak.
"It's okay Nico... I.... I get it."
It's painful to utter these words - it's almost like he is giving up Perseus. But they have a war to get through - and then, when the other demigod is back, they can figure this out.
"P-Perseus Jackson"
And then it's Frank's turn. But Frank is as pale as a ghost - he seems to be close to vomiting.
"It's a costly thing isn't it, looking at the true face of love. Now it's the turn of the brave son of Mars. Will you tell your friends easily, or shall you be a coward like the son of Zeus?"
Frank doesn't talk. Jason doesn't understand why - it's Hazel, isn't it? Is it because of Nico? He mentions talking to the son of Zeus, but Di Angelo doesn't look at him - the Cupid knew very well how to play his game.
"Come on. Tell them - tell them of whom you think before you sleep and who dominates your first thoughts every morning."
"You don't scare me"
"Oh, I scare you very, very much. Face me. Be honest."
"H-Hazel. Levesque."
"That's just half my question, little half-blood. If you want to lead the roman legions, you must answer it fully."
"I love H-Hazel. She is the one I think before I sleep and when I wake up."
"Still hiding. You're not strong enough, Frank Zhang."
Frank tries to charge at the wind, but it just mocks him. It's weird seeing Frank crying - it looks like the world is crumbling at his feet.
Jason, yet again, doesn't understand. Nico is also confused - he looks between the Romans as if he never saw any of them before. But then it dawns on the son of Zeus.
"Not only my sister. That's why you keep gazing at them, isn't it?"
All the fighting and denial leave Frank at once. His sword clangs in the ground.
"I love both Hazel and Leo. Together." He spits out, still trembling. "That's the truth. Are you happy now?"
"I wouldn't say Love always makes you happy. It can make you incredibly sad, sometimes. But you have faced it now. It's the only true way to conquer me."
Cupid appears - in a flash of white wings. It might be the god Jason hates the most - his eyes seem to penetrate his very soul. There's a scepter in his hand.
"Only a true child of Mars Ultor can yield it. It's your destiny, Frank Zhang."
Then he promptly disappears. The demigods look at each other - there's a flurry of emotions deep inside their chests. Frank looked at both of them, waiting for an attack, or for them to start fighting.
"No one has to know" He starts "I'm s-so-..."
He doesn't end. There are copious tears rolling through his face - his cheeks are a deep shade of red. A sob escapes his throat.
"P-please, p-pleased-don't t-te-tell anyone." Frank sobs, and it's such a jarring sight that both Nico and Jason rally to reassure him, leaving their own issues aside.
"There's nothing wrong with loving two people at once. No one will have a problem with it, Frank - fuck, this isn't Nova Roma. Most of us are greek."
"Hazel would hate me though. This is unnatural- I- I can't."
"You don't know that. Hazel loves you, Frank"
But the son of Mars just keeps crying until they both promise not to tell another soul what they saw. It's enough for the weird atmosphere to return.
Midway in the trek back to the ship - a six-hour walk - Nico is too riled up to safely fly with two people and none of them being too fond of air right now - Frank summons enough power to ask the question.
"So... uh... hm... Perseus?... like, uh, I can see the appeal-... but... both?... forget I asked, just....uh oh, sorry."
Jason and Nico pointedly avoid looking at each other. It's very bizarre - Jason knows a lot about Perseus, but now he knows Perseus also from Nico's perspective - and this is all messy.
They go back to the ship, relay to Annabeth that they got the scepter, and immediately go back to their cabins - to cry, to scream, to think.
It's been a day and a half - and they're still eleven hours off Epirus. Leo is pissed - because not only their three heavy-hitters are pissed at something and won't communicate, and they're of course.
Emerging from the infirmary for something other than to eat and mend people is finally Will - at least. He takes patrol in place of Nico - the boy quietly mumbled at his friend that they had a run-in with Cupid. Will can imagine how that went.
He doesn't have a clue about Frank - but Jason and Nico? They have the same long-lasting crush on Perseus - everyone on board knows that. Except, apparently, for each other. And Perseus - because his mentor/kind of brother/bother figure is a dumbass.
When they're passing through the coast of Albany, they're attacked by Khione - who is still very pissed her ex-lover's son doesn't want to spend eternity frozen with her. Leo ends up being sent away - for the distress of both Hazel and Frank and the anger of his best friends, Piper and Jason.
Piper ends up stabbing Khione - while Frank transforms into the giant dragon and burns her - making her unable to freeze them. Eventually, she runs away.
Leo, however, wakes up on an island. There's a sad girl at his side - she is using a modern blue dress, and there's a crown of black flowers upon her head.
"You were not the one I was expecting."
The son of Hephaestus wants to scream. Well, he didn't want to be whatever here is either! But her face is so sad - her gaze down to her bare feet. She seemed to be crying. He settles for asking who is her.
"I... I am sorry. My name is Calypso. This is Ogygia."
It startles him. Mainly because he has heard this name before around camp - wasn't she supposed to be freed?
"What happened to you?"
The immortal girl relays her tale - how she got freed for a year, and then the war started. The gods - Zeus - didn't trust her not to turn against them. So they locked her up - she was not the only one. Leto, Themis, Rhea - good titans or their offspring. Locked away.
She, after a year of freedom that Perseus got her, was back into her old shackles. Calypso is waiting for him for months now - but she thinks he forgot her.
So Leo tells her what happened - the bits he knows anyway. Juno/Hera, Nova Roma, the mission. Calypso seems calmer. They stay together for a while - friends it seems.
Calypso tells him about her year - about how she wanted to explore the world. She tells him she wanted to join Artemis' hunt - but, courtesy of Odysseys, she is no maiden.
He tells her about Hazel and Frank, Perseus, and the love hexagons he doesn't even know he is in - omitting the part that he is now in Tartarus. They talk about Festus - Calypso tells him about how his father is good to hear - how he came to visit, sometimes.
A week passes, maybe a week and a half. Leo vows to take Calypso off the island once the war ends, and she believes - once, a hero as brave as Leo made her the same promise, and stuck with it through the end.
In Cancun, Africa, Jason and Nico are having daily audiences with Auster, the Roman god of the south wind, in connection with the Seven being able to proceed on their way to Epirus - seeing that their ship is all broken and they have no Leo.
Auster is indolent and seems increasingly disinclined to cooperate with Jason and Nico: he dislikes the son of Zeus, and the wind never had a good relationship with the sea. Annabeth also tries her hand at it - but it's rebuffed at every turn. Piper is prohibited from entering the palace because of her magic voice.
Jason and Nico - even though they aren't speaking to each other - have for a long time admitted they don't fit completely at either camp. Jason is still too militar for CHB. Nico is too old for CHB. Both are too free with their personal lives for Nova Roma.
Auster agrees to meet with them and tells them to commit to one side - greek or roman. They deny it - they're both. The gods are both, they have been thrust in a war of both sides, they commune with gods on both aspects and they ask them to run errands for both pantheons. They have the right to be both.
Auster is not happy with this - mainly because he believes they should keep the sides separated. But it's the first time Nico and Jason agree on something - and they fight together for it. No god has the right to define those petty things when the demigods are fighting their war.
Auster merges with his greek counterpart Notus - an amalgamation of both his carefree and his militar side - and sends The Seven on their way when coerced by the threat of a hurricane and a typhoon.
He sends them to Valletta, Malta, where they find the Argo II fully repaired and in the harbor. In the port, on a small cafe, there's Leo - sitting and raging internally against the gods, who once again, fucked up something.
They trade stories, and Leo just rages more. He isn't sure how Perseus didn't ally himself with Kronos in the first war if that was the bullshit he had to deal with every day.
First Khione, then Zeus locking Calypso up, then this Notus guy - they are a week and a half late. Is Perseus still alive after nineteen days in the Pit? Is he sane? Did he tried to get out - and they weren't there?
It's with a shocking gasp from Annabeth that they realize that Perseus's birthday is in three days. They have been traveling together for thirty-seven days now - and they have to get Perseus out of Tartarus before the 18th, at least. Is the minimum.
It takes them a day to get to Epirus. There are enough monsters in their way to start a menagerie - Gaea is actively trying to stall them, so there must be a reason. Perseus might be alive.
Arriving at the Necromanteion, which they learn is just a very fancy name for catacombs, Hazel, Frank, Leo, Annabeth, Will, and Piper descend into the ruins, leaving Nico and Jason - who are both completely useless under the earth - behind with Malcolm - who, since Arachne, is pretty much claustrophobic.
They eat the barley cakes to protect themselves against the toxic potion they must drink in order to enter the temple. It's difficult to swallow poison - it burns as it goes down.
The mist tries to confuse them at every turn - Hazel diverts it. Her power over metal energy guides them - she can feel the basis of the building, way down where they are.
Katoptris burns in Piper's hand. It shows her Perseus' face - he looks cadaveric, shrouded in death. Sometimes he flickers, like a ghost - but he is alive, and heading to the Doors just like they are.
It's enough to spur them forward. Perseus is doing the same journey - from a much difficult side. They will meet in the middle.
Earthquakes strike the caverns, making part of the floor collapse. In a side, Piper and Will, surrounded by monsters in all sides. In the other, Frank, Leo, Hazel and Annabeth. The son of Mars doesn't think twice - the scepter.
He uses the Scepter of Diocletian to summon ghostly Roman soldiers, and as a Legatus Legionis, he does have the power to command all of them. It would be more controlled if he was Praetor, but the actual Praetor is Perseus, and so, in his absence, Frank will have to do.
The tunnel collapses. Hazel. Leo. They might be dead - but Frank can't panic right now. They are alive. They will protect each other, they have Annabeth Chase with them. Hazel controls the mist - everything will be just fine.
Anger grew in his chest. Those are his friends, his... his loved ones. This freaking ruin don't get to kill them before Frank summons enough courage to submit himself to the ridiculousness of telling them.
Hazel wants to cry - they left Frank behind. He might be dead - they might be all dead. Leo isn't much better. For all that Zhang seems to hate him, his infatuation with the Canadian never disappeared.
Annabeth however, is practical. She tells them Frank will be fine - the guy can transform into a dragon. Or a chimera. Probably a poisonous one, after the stunt in Venice. He has an army - it's okay.
Pasiphae is a bitch. Leo hates the woman - she reminds him of Aunt Rosa. Or Juno. Or Lady Muddy herself. He and Annabeth let Hazel do the majority of the talking - but both of them bristle as the Doors shake.
An unauthorized presence. Perseus actually did it - they have twelve minutes, in accord to Annabeth - who Leo knows better than to doubt - to open the Doors. Or he is dead, lost forever.
"It's a pity Gaea needs a son of the Earth and a daughter of the Sea... But none of you are children of the Underworld or the ocean, are you? Not even the acolyte of Trivia."
Everything indicates that she'll open the door herself - but Annabeth can't risk she whisking Perseus away to Gaea before they can reach him. So she sneaks past with her cap while they fight.
Pasiphae goes down to Hazel's illusions. Annabeth opens the Doors, before cutting the chains as Hazel and Leo distract Clytius. Perseus stumbles out, a giant tiger in his heels.
Leo didn't think he would ever see a harsher picture. The tall boy was still muscular - but gaunt as if he hadn't eaten since the fall. There were scars everywhere.
He couldn't look more - Clytius is threatening Perseus, but both Annabeth and the tiger stay in his way. Trivia appears - but they aren't truly winning until Piper, Will, and Frank are able to reach them through Hazel's magic.
Will goes immediately to Perseus' side - there's panic in his eyes. Leo can't see much this far - he hopes the son of Hades isn't dead. Piper and Frank fight alongside them. Annabeth is still hovering protectively over her best friend's prone body.
There's not much need for help - between Hazel and Trivia, the bulk of Clytius powers are unusable. The shared power of Piper (love is never where you expect it), Frank (and his undead soldiers), a very angry Annabeth, and Leo is just overkill.
They win. Will is feeding Perseus ambrosia - there's something really wrong because there are tear tracks in the blonde's face. Leo comes closer - their friends follow.
Perseus is destroyed. He looks like he has been through hell - there's a scar crossing his face and his eyes are sunken in. But that's not where it stops.
Leo's gaze goes down, to the ragged clothes that are barely recognizable - the sweatpants he was convinced to wear to go underground, the once-green sweater - and sees what is missing.
Where Perseus' leg once was, there's a metal one. The boy is curled in the fetal position - his metal leg sticks out like a sore thumb, and it looks like he might cry if he wasn't so dehydrated. The tiger nudges its head against the boy's leg and growls at them, but it doesn't attack.
"I... I can't touch him. I touched him and he started panicking... I... We have to take him back to the ship. He is stable, but..."
Frank picks up Perseus in a bride-carry - a month ago, he wouldn't be able to do it. But now, he is stronger - and Perseus must weight ninety pounds wet.
The tiger follows - when they cross to the daylight, they can see it's not a normal tiger. Annabeth - with a distraught look in her face - tells them it's a skeleton tiger. Probably a saber-tooth.
They go back on board - Piper goes up to call Nico, so he can fly Perseus into the ship. He does, but the expression in his face is so crushing Leo almost wishes they had delayed it by destroying property and landing the ship on the street.
The mood of the ship is yet again somber. No one wants to leave the infirmary - but Will forces them to rotate, so as to not overwhelm Perseus. Hypocrite - he is living in there.
Leo, Malcolm, and Piper - the least close to Percy, even though they are friends - let the others take the bulk of the shifts. Annabeth, Nico, and Jason almost get into blows about it - she wins on the fact that she knows Perseus longer.
It's difficult to IM both Rachel - who is a minute away from depression since he fell - and Lady Persephone. It's even harder to tell Sally - they leave the task to Annabeth.
They harbor for two days, waiting for Reyna. She appears from the sky during dinnertime - her horse has to be euthanized almost immediately after a run with the spirit mountains.
They talk - and end up deciding that she will take the statue back to Camp with Malcolm, the most resourceful out of them. Percy would be the logical solution - taking him out of Gaea's reach - but the son of Hades would probably be unable to shadow travel so soon.
While this happens, the others will set course to Athens - to stop Gaea and destroy the Giants. For now, they eat.
Midway through their meal, Will comes into the board - everyone knows what it means. Perseus is awake - on his birthday to boot. They take their food to the infirmary - to see the boy looking at the ceiling.
He gives them a faint smile, but no one misses the way he curls into himself any time there's someone a little too close. Perseus relays his tale - it's heavily edited, Annabeth can tell.
But he tells them about the leg - but not how he lost it - about the tiger - the name is Small Bob, but he doesn't talk about Bob - and about the firewater - but not how he got the injuries.
Small Bob never leaves Perseus's side. The demigod insists that he wants to go outside - he ate enough ambrosia and drank enough nectar that even some of his scars are gone. Not the one in his face though. Will let him go - but Annabeth thinks that he just asked out of courtesy.
He doesn't have green eyes anymore - they darkened to a point they can't distinguish his pupil. They observe as he sits calmly in the deck, metal leg sticking out, and strokes the head of the tiger, who is acting more or less like a giant house cat.
None of them miss the tracks of tears across his face, or the look he gives the night sky - it's bittersweet.
"Bob says hello"
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