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virtual-internship · 1 year

Text

Virtual Career Simulator: A New Way to Launch Your Career

Introduction:

The pandemic has changed the way we work and learn, and internships are no exception. With many companies and organizations shifting to remote work, virtual career simulator have become an increasingly popular option for students seeking real-world experience in their field of study. A virtual internship is an internship that takes place entirely online, allowing students to gain valuable work experience from the comfort of their own homes. Just like work from home, these are internships from home.

Students are seeking virtual internship opportunities as they have a lot of benefits along with learnings. Let’s look at them separately.

Benefits of virtual career simulator for students:

Flexibility:

Firstly, they offer a flexible schedule, allowing students to balance their work and study commitments more easily. Secondly, they often provide students with the opportunity to work with companies and organizations located anywhere in the world, providing them with a unique and valuable experience. Lastly, as they are internships from home, they are often more accessible to students who live in remote or rural areas, or who may not have the financial resources to relocate for an in-person internship.

Powerful kick-start to their careers:

For students who are looking to launch their careers, virtual career simulator is an excellent opportunity to gain real-world experience and build their professional network. By participating in virtual career simulator, students can build their skills, work on projects that interest them, and develop a professional portfolio that showcases their work and accomplishments.

Take career aptitude test online:

virtual career simulator can also provide students with the opportunity to take a career aptitude test online. A career aptitude test is a tool that assesses an individual's natural abilities and personality traits and helps to identify careers that may be a good fit. Taking a career aptitude test online can provide students with valuable insight into their strengths and interests and help them make informed decisions about their future careers.

Plethora of opportunities:

If you're interested in participating in a virtual internship, there are many opportunities available. Many companies and organizations now offer virtual career simulator for students, including technology companies, non-profit organizations, and government agencies. To find virtual internship opportunities, students can search online, visit career services offices at their universities, or attend virtual career fairs.

When applying for virtual career simulator, students should be prepared to submit a resume, cover letter, and portfolio of their work. It's also important to research the company or organization before applying and to have a clear understanding of the responsibilities and expectations of the internship.

Learning’s a student can gain by pursuing virtual career simulator:

virtual career simulator and online internships for students are increasingly becoming popular as they offer a unique set of benefits that traditional internships do not. With virtual career simulator, students can gain valuable experience and skills while working from the comfort of their own homes. Here, we will explore ten key learning’s that students can gain by pursuing virtual career simulator.

Time Management:

One of the most important skills that students can develop through virtual career simulator is time management. With this, students are given a lot of flexibility in terms of their schedules, and it is up to them to balance their responsibilities and meet their deadlines. This can help students develop strong time management skills that will benefit them throughout their careers.

Technical Skills:

They often require students to use technology in order to complete their work, such as video conferencing, project management tools, and online collaboration platforms. This provides students with an opportunity to develop and enhance their technical skills, which can be valuable in the modern workforce.

Communication Skills:

Communication is a key component of virtual career simulator, as students will need to communicate effectively with their supervisors, colleagues, and clients. This can help students develop their written and verbal communication skills, which are critical in the professional world.

Remote Work:

These provide students with an opportunity to experience remote work, which is becoming increasingly common in the modern workforce. By participating in these online internships, students can gain a better understanding of how to work effectively from home, which can be valuable when they enter the workforce.

Independence and ownership:

virtual career simulator require students to take ownership of their work and be self-motivated. This can help students develop a sense of independence and confidence, which can be valuable when they enter the workforce.

Networking Opportunities:

They provide students with valuable networking opportunities, as they can connect with professionals from around the world. This can help students build a strong network of contacts, which can be beneficial for their future careers.

Industry Exposure:

They help students to get the relevant exposure to various industries and companies, which can help them determine their career paths. By participating in these, students can gain a better understanding of the industries that interest them and the types of companies they may want to work for in the future.

Career Preparation:

They can help students prepare for their careers by providing them with valuable hands-on experience in their fields of interest. This can help students stand out to potential employers when they enter the workforce.

Skill Development:

They can provide students with an opportunity to develop a wide range of skills, such as problem-solving, critical thinking, and project management. These skills can be valuable in a variety of industries and careers.

Flexibility:

One of the biggest benefits of virtual career simulator is their flexibility. Students can participate in virtual career simulator from anywhere in the world, as long as they have an internet connection. This can help students balance their academic and personal responsibilities, while still gaining valuable experience and skills.

In conclusion, virtual internship opportunities are valuable for students to gain hands-on experience and develop a wide range of skills that can benefit them in their future careers. By pursuing virtual career simulator, students can learn valuable time management, technical, and communication skills, as well as gain exposure to various industries and companies. With their flexibility, virtual career simulator can also help students balance their academic and personal responsibilities while still gaining valuable experience.

#virtual internship #virtual career simulator #internship for students #online internship for students #internships from home #virtual internship opportunities #career aptitude test online

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freeblogsubmission · 2 years

Link

#Quantitative Aptitude #ssc #ibps #mock test online

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twinsimming · 8 months

Text

New Scholarships by Twinsimming 🎓

"Need some extra simoleons for university? Sims University now offers a variety of scholarships for prospective students!"

This is a script mod that can be placed in your Packages folder. It was built and tested on 1.69 but should work fine on 1.67.

Requirements

To access all of the scholarships available with this mod, the following packs and store content are required:

The Sims 3: World Adventures

The Sims 3: Ambitions

The Sims 3: Generations

The Sims 3: Showtime

The Sims 3: Supernatural

The Sims 3: Seasons

The Sims 3: University Life

The Sims 3: Island Paradise

The Sims 3: Into the Future

Fit As a Fiddle Violin (The Sims 3 Store)

Artisan Glassblowing Station (The Sims 3 Store)

Stiff as a Board, Light as a Feather Dance Floor (The Sims 3 Store)

Overview

Applying for Scholarships

Types of Scholarships

Maintaining Scholarships

New Moodlets

Online Aptitude Test

New Cheat

Applying for Scholarships

Teen sims and older have a new “Apply for Scholarships” interaction available at the school rabbithole or on the computer under “Sims University Online”. Though they’re less likely to win a scholarship if they apply online rather than in person.

If your sim wins a scholarship, they will not be able to reapply for that scholarship again. If they do not win, they will be given a Disappointed moodlet and have to wait a day before applying again.

Types of Scholarships

There are four (4) types of scholarships your sims can apply for: General, Legacy, Skill Based, and Occult. In total, there are 18 scholarships, each with their own custom moodlet.

Sims have a 45% chance of winning a scholarship in the General, Legacy, and Occult categories when applying in-person and a 40% chance when applying online.

Sims have a 6% chance of winning a Skill Based scholarship at Level 1 of the required skill. This chance multiplies with each skill level, with a maximum of a 60% chance at Level 10.

Certain traits can either increase or decrease your chance of winning a scholarship by 5% (note: this value stacks the more traits your sim has):

Increased Chance Traits - Lucky and Ambitious

Decreased Chance Traits - Unlucky and Loser

Some of the scholarship names are originally from The Sims 2 and the others I made up myself. They are listed below by category:

General

Young Entrepreneurs Award (§750) - Requires Level 3 part-time job, Teen only

Orphaned Sims Assistance Fund (§750) - Requires deceased or non-existing parents, Teen only

Golden Year Scholars Grant (§1000) - Elders only

Gemini Hidden Masters Prize (§1500) - Requires Level 10 in one hidden skill

Legacy

Student Service Workers Fund (§1000) - For sims with a service worker hidden trait (Makes No Messes, Pyromaniac, Can Apprehend Burglar, Can Salute, Immune To Fire, or Pizza Appreciator)

Cultural Exchange Program (§1000) - For sims with one of the hidden culture traits from The Sims 3: World Adventures

Students of Tomorrow Scholarship (§1000) - For sims with the hidden Future Sim trait from The Sims 3: Into the Future

Skill Based

Dreamer Family Artisan Award (§750) - Requires at least Level 1 Artisan Skill

Tsang Footwork Award (§750) - Requires at least Level 1 Dance (Store) Skill

Violin Society of SimNation Scholarship (§750) - Requires at least Level 1 Violin Skill

Occult

Undead Education Scholarship (§1500) - For Vampires, Zombies, and Ghosts

Extraterrestrial Reparation Grant (§1500) - For Aliens and sims recently abducted by Aliens

Spellcasting Scholars Grant (§1500) - For Witches, Fairies, and Genies

Lycanthropy Philanthropy Fund (§1500) - For Werewolves

Bots Opportunity To Specialize (B.O.T.S.) (§1500) - For Simbosts and Plumbots

Forbidden Fruit Fellowship (§1500) - For PlantSims

Real World Acclimation Fund (§1500) - For Real Imaginary Friends

Aquatic Allies Award (§1500) - For Mermaids

Maintaining Scholarships

After winning a scholarship, your sim will get the new custom Won Scholarship moodlet. They have a week to either enroll in online university with my Attend University Online mod, or in-person university to remain eligible for their scholarship.

If they fail to enroll in time, their scholarship will be rescinded and they will have to pay back the money they were awarded. If they can’t afford to pay back the scholarship amount in full, it will be added to their next household bill. (No free money here!)

Once a sim has a scholarship rescinded, they will get the new custom Lost Scholarship moodlet and be barred from applying for scholarships for 3 days.

New Moodlets

Won Scholarship: Given when a sim wins a scholarship, lasts 1 day, +20 mood, each scholarship has its own custom moodlet icon

Lost Scholarship: Given when a sim has a scholarship rescinded, lasts 3 days, -20 mood, makes sims stressed

Online Aptitude Test

Teen sims and older can now take the university aptitude test on the computer under “Sims University Online”. It works the same as the default interaction.

Tuning

All of the tunable values can be found on the mod download page under the header “Tuning”.

New Cheat

If you want to clear all scholarship winners in your world (on a per save basis), enter the cheat menu and type “ClearScholarshipWinnerData” without the quotation marks.

Conflicts & Known Issues

This is a new script mod so there shouldn’t be any conflicts.

Credits

EA/Maxis for The Sims 3 and The Sims 4, Visual Studio 2019, ILSpy, s3pe, Notepad++, and Script Mod Template Creator.

Thank You

Thank you to gamefreak130, Battery, @zoeoe-sims, @greenplumbboblover, and @monocodoll!

If you like my work, please consider tipping me on Ko-fi 💙

Download @ ModTheSims

#sims 3 #ts3 #sims 3 mods #ts3 mod #download #my mods #new scholarships mod

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recruitmentuktests · 6 months

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Looking For An Online Aptitude Test? Contact Us!

With the help of Recruitment Tests Ltd, candidates can complete thorough online aptitude exams in a more efficient manner. By measuring analytical, numerical, and critical thinking abilities, these exams help companies choose the best candidates. For any further information visit: https://www.recruitment-tests.co.uk/site/main/iq

#online aptitude test

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rahul-shl · 1 year

Text

#language proficiency test #language assessment #english language proficiency test #language aptitude test #language assessment test #communication skills test #language ability test #communication assessment test #english speaking test online #language skills test #language evaluation #english proficiency test for employment #spoken language skills

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learntheta-online · 5 months

Text

Embark on a transformative journey to excel in the Quantitative Aptitude section of the CAT exam with LearnTheta. Our comprehensive online learning platform offers expertly crafted courses, interactive lessons, and real-time practice sessions designed to enhance your quantitative skills. From fundamental concepts to advanced problem-solving strategies, we provide a structured curriculum to help you navigate the complexities of CAT Quant.

#CAT Exam #CAT Quant #Quantitative Aptitude #aptitude #mock tests #questions #online coaching classes #online coaching management software #education

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catherinetheprincessofwales · 2 months

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Kate is not your drama queen Her self-possession drives people wild - Jenny McCartney UnHerd.

Just over a decade ago, the late novelist Hilary Mantel delivered a lecture to an event at the London Review of Books and triggered national outrage. In the course of a talk on “Royal Bodies”, which ranged widely across royal women from Anne Boleyn to Marie Antoinette and Princess Diana, she had made what many perceived as disparaging remarks about Kate Middleton, then the Duchess of Cambridge. The Duchess, she said, appeared to have been “designed by a committee and built by craftsmen, with a perfect plastic smile and the spindles of her limbs hand-turned and gloss-varnished”. Indeed, Mantel said, Kate “seems to have been selected for her role of princess because she was irreproachable: as painfully thin as anyone could wish, without quirks, without oddities, without the risk of the emergence of character”.

At this, the newspapers were soon in uproar. The prime minister David Cameron called the comments “completely misguided and completely wrong” and the Labour leader Ed Miliband agreed they were “pretty offensive”. Mantel doggedly refused to back down, saying that her remarks had been twisted out of context, and that she was in fact writing with sympathy about the perceptions that are forcefully projected on to royal women, the cage in which they are held to be goggled at. That was true, but also perhaps not the entire truth, for there was still a perceptible trace of authorial vinegar in the portrait: which of us would be happy to learn, even in sympathy, that we were held at low risk for “the emergence of character”?

Royals are public as well as private figures, of course, and authors are free to hang intellectual ideas on them to try out, as designers do with clothes. Yet while much of the lecture was sharply perceptive, I didn’t agree with the portrait of Kate. That word “selected” had rendered her passive, when in fact her behaviour thus far had suggested both an active intelligence and an unusual degree of self-discipline. The context of her entry into “The Firm” was different from that of other royal brides. Unlike Diana, who had barely emerged from the fractured chrysalis of her troubled aristocratic family when she first met the much older, more worldly Prince Charles, Kate was a contemporary of Prince William’s at the University of St Andrews. Her family background, which appeared warm and supportive, was comfortably middle-class. She seemed generally cheerful and unruffled, even when the press was at the barbed peak of its “Waity Katie” hysteria, trying to goad Prince William into a proposal or abandonment.

After the wedding, in her approach to royal duties, she clearly took the role she had inherited with marriage seriously. The royal whose attitude her own most resembled was the late Queen Elizabeth II, who had long understood the essential nature of the job: to turn up to public events looking the part, intuit precisely what was needed — gravitas, fun, consolation or reassurance — and deliver it while keeping one’s personal emotions on the back burner. This is what a monarchy demands, and the ability to act as an impeccable interpreter of the public mood, year after year, is a particular and testing art. A few have a natural aptitude for it, but most of us do not, and would quickly find its scrutiny and restrictions intolerable.

Grace under consistent pressure is an admirable quality. Were a ballet dancer to execute a string of flawless performances, or a pilot to conduct numerous flights without incident, it would not be deemed evidence of an absence of character: quite the opposite. Yet in Kate — especially for those who increasingly conduct their lives online — serene self-possession seems to drive a proportion of onlookers insane: what lurks behind it, what dark secret is waiting to destroy it, how best might it be disrupted? The uncomfortable truth is that what many people deeply crave in a young and beautiful royal wife and mother is not competence, but crack-up

The increasingly bizarre treatment of Kate, or the idea of Kate, is connected to the most dominant phenomenon of our age: a cultural prioritising of drama over duty. The supply of drama has spilled beyond the confines of the novel, theatre, cinema or television to become a commodity on which our public figures are judged. When Mantel spoke of Kate’s apparent absence of emerging “character” she was assessing her primarily through the hungry eyes of a novelist. In books, central female characters often generate dramatic tension by chafing against their circumstances, by the intensifying dazzle of their discontents, something that Kate refused to transmit. In contrast, Mantel described Diana as a “carrier of myth”: Diana, publicly trapped in the disappointments of her marriage, certainly carried more plot twists than any author had a right to expect. Unfortunately for her, the final one was her shockingly premature death.

Set against this artistic conception of “character” — distinctive qualities or flaws that, one way or another, deliver drama — is the societal judgement “of good character”, meaning someone who is broadly reliable and respected in relation to their behaviour to others. In recent years the electorate, in line with Neil Postman’s warning in his 1985 book, Amusing Ourselves To Death, has proved increasingly ready to select the former over the latter, even to the marked detriment of our civic health. The former prime minister Boris Johnson instinctively understood it as his job not to deliver the detail of workable policy, but to satisfy the public’s appetite for story: “People live by narrative,” he once told UnHerd’sTom McTague. In the US, Donald Trump — that relentless generator of low mockery and high fury — is now running for a second term as president, after his first one ended in his supporters storming the Capitol building.

Men are often permitted to survive the frantic generation of drama: it is everyone around them who suffers. Yet women — in art and life — have a greater tendency to be destroyed by it. There is no strutting female equivalent of the male “hellraiser”, but rather a woman who, soaked in the crocodile tears of the tabloids, is tragically “causing concern” among friends. Art and its audiences have always relished the restless struggle and disintegration of female characters who are, or become, unmoored from the harbour of marriage and children. Flaubert’s Emma Bovary — her imagination inflamed by reading novels — is bored with her marriage and disenchanted with motherhood; she seeks solace in affairs and excessive spending, the consequences of which hasten her suicide. Zola’s Nana, a courtesan who ruthlessly captivates Parisian society, has her beguiling face eaten away by smallpox. Janis Joplin and Amy Winehouse, immolated on their blazing talent, are hung posthumously high in the musical hall of fame, next to Sylvia Plath in the poetry section and Marilyn Monroe in cinema.

In Jean Rhys’s Good Morning, Midnight,a middle-aged English woman called Sasha Jansen, mourning an unhappy marriage and a dead child, finds herself in Paris, a vulnerable drifter seeking solace from stray men. Rhys herself, who died at 88 after a precarious but surprisingly long life, had much in common with her literary creations. As the writer and editor Diana Athill crisply put it: “Jean was absolutely incapable of living, life was just hopelessly beyond her. When she was young, she floated from man to man in a hopeless way… by the time she was old, she floated from kind woman to kind woman.”

In Rhys’s latter years — hard-drinking, irascible and impoverished — Athill and a small group of female friends formed what they called “The Jean Rhys Committee” which met regularly to ask “what should we do next?”. Rhys’s claim to such loyalty, I suppose, was the weight of her literary talent, her ability to exert an odd kind of fascination, and the fortunate soft-heartedness of her friends. The dramatic collided with the dutiful, and was kept alive by it.

From what I can see, the Princess of Wales exists at the opposite end of the feminine spectrum from Jean Rhys. Pinned firmly in place by her royal obligations, her wealth, her marriage and three children, she belongs to the realm of the respectable and dutiful rather than the erratic and dramatic. She is not a “character” in the artistic sense, nor does she desire to be, but both a survivor and upholder of an institution: hers is the territory of the prompt thank-you note, the kept promise, the commitment to public service, the uncomplicated pleasure in children, the stoic endurance of difficult times in the hope that better ones will come along soon. The public senses an emotional solidity in her, and it is partly why she is held in broad esteem. In this age of insistent self-definition, duty to others might be an unfashionable concept, but it is nonetheless one that keeps families and institutions from chaos and collapse.

With the advent of the internet, however, anyone with a keyboard can become a form of author, with the freedom to insert a toxic form of drama into real-life situations. What was extraordinary, during the Princess of Wales’s recent health problems, is how speedily and carelessly such speculations overrode the bounds of decency. It was already known that she had undergone major abdominal surgery, and was taking time to recover. And yet — egged on by the participation of silly celebrities and malicious US comedians — conspiracy theories about cosmetic surgery and affairs and nervous breakdowns spread like knotweed. According to social-media researchers, these were also vigorously introduced and amplified by fake accounts set up on Twitter and TikTok, some associated with Russia-linked disinformation eager to spread the termites of mistrust and doubt in Western institutions. Only the Princess of Wales’s revelation of cancer, which carries a testing drama all its own, served to shut up the majority of them.

Unlike these callous gossips, Mantel recognised her own complicity in dehumanising royalty. Upon encountering the late Queen, the novelist said: “I passed my eyes over her as a cannibal views his dinner, my gaze sharp enough to pick the meat off her bones.” The Queen looked back at her, she said, briefly hurt. Mantel warned of the way in which “cheerful curiosity can easily become cruelty” precisely as it has done in recent weeks. Her talk concluded with a prescient instruction for those who comprehend monarchy mainly as a source of entertainment: “I’m asking us to back off and not be brutes.”

In the midst of treatment and recovery, the most hitherto stable of royal women could be forgiven a keen sense of injustice: her job description, it seems, must now include the ability to weather the online public’s fits of brutish mania for drama. With its contempt for duty, and its savage appetite for story, it is hungry to chew up far more than just the Princess of Wales.

#ktd #kate middleton #british royal family #brf #princess of wales

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thepastisalreadywritten · 2 months

Text

Just over a decade ago, the late novelist Hilary Mantel (6 July 1952 – 22 September 2022) delivered a lecture to an event at the London Review of Books and triggered national outrage.

In the course of a talk on “Royal Bodies,” which ranged widely across royal women from Anne Boleyn to Marie Antoinette and Princess Diana, she had made what many perceived as disparaging remarks about Kate Middleton, then the Duchess of Cambridge.

The Duchess, she said, appeared to have been “designed by a committee and built by craftsmen, with a perfect plastic smile and the spindles of her limbs hand-turned and gloss-varnished."

Indeed, Mantel said, Kate “seems to have been selected for her role of princess because she was irreproachable: as painfully thin as anyone could wish, without quirks, without oddities, without the risk of the emergence of character.”

At this, the newspapers were soon in uproar.

The prime minister David Cameron called the comments “completely misguided and completely wrong” and the Labour leader Ed Miliband agreed they were “pretty offensive.”

Mantel doggedly refused to back down, saying that her remarks had been twisted out of context, and that she was in fact writing with sympathy about the perceptions that are forcefully projected on to royal women, the cage in which they are held to be goggled at.

That was true but also perhaps not the entire truth, for there was still a perceptible trace of authorial vinegar in the portrait:

Which of us would be happy to learn, even in sympathy, that we were held at low risk for “the emergence of character”?

Royals are public as well as private figures, of course, and authors are free to hang intellectual ideas on them to try out, as designers do with clothes.

Yet while much of the lecture was sharply perceptive, I didn’t agree with the portrait of Kate.

That word “selected” had rendered her passive, when in fact her behaviour thus far had suggested both an active intelligence and an unusual degree of self-discipline.

The context of her entry into “The Firm” was different from that of other royal brides.

Unlike Diana, who had barely emerged from the fractured chrysalis of her troubled aristocratic family when she first met the much older, more worldly Prince Charles, Kate was a contemporary of Prince William’s at the University of St Andrews.

Her family background, which appeared warm and supportive, was comfortably middle-class.

She seemed generally cheerful and unruffled, even when the press was at the barbed peak of its “Waity Katie” hysteria, trying to goad Prince William into a proposal or abandonment.

After the wedding, in her approach to royal duties, she clearly took the role she had inherited with marriage seriously.

The royal whose attitude her own most resembled was the late Queen Elizabeth II, who had long understood the essential nature of the job:

To turn up to public events looking the part, intuit precisely what was needed — gravitas, fun, consolation or reassurance — and deliver it while keeping one’s personal emotions on the back burner.

This is what a monarchy demands, and the ability to act as an impeccable interpreter of the public mood, year after year, is a particular and testing art.

A few have a natural aptitude for it, but most of us do not, and would quickly find its scrutiny and restrictions intolerable.

Grace under consistent pressure is an admirable quality.

Were a ballet dancer to execute a string of flawless performances, or a pilot to conduct numerous flights without incident, it would not be deemed evidence of an absence of character: quite the opposite.

Yet in Kate — especially for those who increasingly conduct their lives online — serene self-possession seems to drive a proportion of onlookers insane: what lurks behind it, what dark secret is waiting to destroy it, how best might it be disrupted?

The uncomfortable truth is that what many people deeply crave in a young and beautiful royal wife and mother is not competence, but crack-up.

The increasingly bizarre treatment of Kate, or the idea of Kate, is connected to the most dominant phenomenon of our age: a cultural prioritising of drama over duty.

The supply of drama has spilled beyond the confines of the novel, theatre, cinema, or television to become a commodity on which our public figures are judged.

When Mantel spoke of Kate’s apparent absence of emerging “character,” she was assessing her primarily through the hungry eyes of a novelist.

In books, central female characters often generate dramatic tension by chafing against their circumstances, by the intensifying dazzle of their discontents, something that Kate refused to transmit.

In contrast, Mantel described Diana as a “carrier of myth”: Diana, publicly trapped in the disappointments of her marriage, certainly carried more plot twists than any author had a right to expect.

Unfortunately for her, the final one was her shockingly premature death.

Set against this artistic conception of “character” — distinctive qualities or flaws that, one way or another, deliver drama — is the societal judgement “of good character,” meaning someone who is broadly reliable and respected in relation to their behaviour to others.

In recent years, the electorate, in line with Neil Postman’s warning in his 1985 book, Amusing Ourselves To Death, has proved increasingly ready to select the former over the latter, even to the marked detriment of our civic health.

The former prime minister Boris Johnson instinctively understood it as his job not to deliver the detail of workable policy but to satisfy the public’s appetite for story:

“People live by narrative,” he once told UnHerd’s Tom McTague.

In the US, Donald Trump — that relentless generator of low mockery and high fury — is now running for a second term as president, after his first one ended in his supporters storming the Capitol building.

Men are often permitted to survive the frantic generation of drama: it is everyone around them who suffers.

Yet women — in art and life — have a greater tendency to be destroyed by it.

There is no strutting female equivalent of the male “hellraiser,” but rather a woman who, soaked in the crocodile tears of the tabloids, is tragically “causing concern” among friends.

Art and its audiences have always relished the restless struggle and disintegration of female characters who are, or become, unmoored from the harbour of marriage and children.

Flaubert’s Emma Bovary — her imagination inflamed by reading novels — is bored with her marriage and disenchanted with motherhood.

She seeks solace in affairs and excessive spending, the consequences of which hasten her suicide.

Zola’s Nana, a courtesan who ruthlessly captivates Parisian society, has her beguiling face eaten away by smallpox.

Janis Joplin and Amy Winehouse, immolated on their blazing talent, are hung posthumously high in the musical hall of fame, next to Sylvia Plath in the poetry section and Marilyn Monroe in cinema.

Rhys herself, who died at 88 after a precarious but surprisingly long life, had much in common with her literary creations.

As the writer and editor Diana Athill crisply put it:

“Jean was absolutely incapable of living, life was just hopelessly beyond her.

When she was young, she floated from man to man in a hopeless way… by the time she was old, she floated from kind woman to kind woman.”

In Rhys’s latter years — hard-drinking, irascible and impoverished — Athill and a small group of female friends formed what they called “The Jean Rhys Committee,” which met regularly to ask “what should we do next?”

Rhys’s claim to such loyalty, I suppose, was the weight of her literary talent, her ability to exert an odd kind of fascination, and the fortunate soft-heartedness of her friends.

The dramatic collided with the dutiful and was kept alive by it.

From what I can see, the Princess of Wales exists at the opposite end of the feminine spectrum from Jean Rhys.

Pinned firmly in place by her royal obligations, her wealth, her marriage, and three children, she belongs to the realm of the respectable and dutiful rather than the erratic and dramatic.

She is not a “character” in the artistic sense, nor does she desire to be, but both a survivor and upholder of an institution:

Hers is the territory of the prompt thank-you note, the kept promise, the commitment to public service, the uncomplicated pleasure in children, the stoic endurance of difficult times in the hope that better ones will come along soon.

The public senses an emotional solidity in her, and it is partly why she is held in broad esteem.

In this age of insistent self-definition, duty to others might be an unfashionable concept, but it is nonetheless one that keeps families and institutions from chaos and collapse.

With the advent of the internet, however, anyone with a keyboard can become a form of author, with the freedom to insert a toxic form of drama into real-life situations.

What was extraordinary, during the Princess of Wales’s recent health problems, is how speedily and carelessly such speculations overrode the bounds of decency.

It was already known that she had undergone major abdominal surgery and was taking time to recover.

And yet — egged on by the participation of silly celebrities and malicious US comedians — conspiracy theories about cosmetic surgery and affairs and nervous breakdowns spread like knotweed.

According to social-media researchers, these were also vigorously introduced and amplified by fake accounts set up on Twitter and TikTok, some associated with Russia-linked disinformation eager to spread the termites of mistrust and doubt in Western institutions.

Only the Princess of Wales’s revelation of cancer, which carries a testing drama all its own, served to shut up the majority of them.

Unlike these callous gossips, Mantel recognised her own complicity in dehumanising royalty.

Upon encountering the late Queen, the novelist said: “I passed my eyes over her as a cannibal views his dinner, my gaze sharp enough to pick the meat off her bones.”

The Queen looked back at her, she said, briefly hurt. Mantel warned of the way in which “cheerful curiosity can easily become cruelty” precisely as it has done in recent weeks.

Her talk concluded with a prescient instruction for those who comprehend monarchy mainly as a source of entertainment: “I’m asking us to back off and not be brutes.”

In the midst of treatment and recovery, the most hitherto stable of royal women could be forgiven a keen sense of injustice:

Her job description, it seems, must now include the ability to weather the online public’s fits of brutish mania for drama.

With its contempt for duty, and its savage appetite for story, it is hungry to chew up far more than just the Princess of Wales.

NOTE: Additional photos have been included in this article.

#Princess of Wales #Catherine Princess of Wales #Catherine Middleton #Kate Middleton #British Royal Family #cancer #chemotherapy #preventative chemotherapy #disinformation #misinformation #fake news #trolls #bots #click farms #targeted attack #malicious gossips

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rhondafromhr · 23 days

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So I started writing that Max and Steph roleswap AU and I wanted to post this little snippet I have so far and hear everyone’s thoughts because I’m not 100% happy with it yet…idk i feel like it might be too exposition heavy if that makes sense?? Like the backstory is important but idk I feel like I just kind of dumped it and maybe could weave it throughout the story better?? Lmk if you have any thoughts :)

Also Max and Richie’s relationship is going to be platonic in this (bc once again I’m weak for aroace Richie and the power of friendship being treated with the same narrative weight as romantic relationships).

Finally shoutout to tumblr user @idk-imrambling-idk who said in the tags of the original post that Max and Steph give sibling vibes in this au because I was like you know what, I love that, yes they do!! And it really inspired their dynamic and relationship in this

Here it is :)

Stephanie learned what it meant to be powerless at the ripe old age of nine. She sat next to her father in the crowd, watching the blindingly bright spotlight shine down upon her mother and beaming with pride as she was crowned Honey Queen. The applause was uproarious, every last townsperson’s gaze fixed solely on her. She’d always known her mom was the sweetest woman in Hatchetfield, but now it was official. Now she had the beautiful, ornate crown upon her head to prove it. As her mother was whisked away to what she assumed was some sort of super special, secret ceremony, her father insisted over her protests that no, they couldn’t go with her, she needed to go home and get to bed. It was a school night, after all, and she’d see her mother soon enough. She didn’t. Her mother never came home that night and with each passing day, Stephanie’s hope that she ever would dwindled even further.

Every woman who’s ever won that pageant has left Hatchetfield and never looked back, but back then, she didn’t know that. She just knew that one day, her mom was there to fawn over her drawings and point out all the little details she liked and put her spelling test up on the fridge and say how proud she was that Steph worked so hard and got more words right than last time and the next day, she wasn’t and there was nothing Stephanie could do about it. She wondered what she did wrong that her mom was so eager to get away from her. To this day, Stephanie doesn’t know where she ended up. She went through a brief phase where she spent hours a day fervently researching online and following every crumb of information she could find, desperate for any answers, but the very few flimsy leads she was able to find turned out to be dead ends. Not long after her twelfth birthday, Solomon told her she really ought to stop digging, because she wasn’t going to find the answers she was looking for and if she did, she wouldn’t be able to handle them. She rolled her eyes at his usual weird, cryptic nonsense, but for once, she didn’t argue with him. She never did figure out how he knew what she was doing. She only did her sleuthing when she was home alone and always made sure to use incognito mode.

As she got older, the list of things she had to do and wasn’t allowed to do and people she couldn’t hang out with grew exponentially. Everything always came back to the next election and how her behavior might reflect on her father. There was to be no hanging out with the smoke club kids, because he didn’t want the public thinking she was some kind of drug fiend (as if they were doing actual drugs. They were seventh graders. They may have upgraded to the real stuff now, but back then, Stephanie’s confident their vices of choice were, in fact, cloves and oregano, whether or not they were aware of it). If there was an option for honors or AP in a given subject, she had to take it, regardless of her interest or aptitude. He didn’t want her looking like some kind of slacker. Ironically, she credits that with how she became one. It was embarrassing trying so hard, only to still struggle to understand the material and receive abysmal grades in return, but it was equally embarrassing to admit to this and ask for help, so she figured the easiest route would be to stop trying. She made sure to keep her grades just barely high enough to keep her dad off of her case, but refused to do anything more. These days, she doesn’t have to sweat it. If she’s really in a pinch, she can just threaten some nerd into doing her homework for her.

As if that weren’t bad enough, the summer before Freshman year, one Greg Jägerman followed in his wife’s footsteps and vanished without a trace. That in itself was nothing out of the ordinary, but it did raise the question of what to do with the son he left behind. Solomon wasn’t doing so hot in the polls and Miss Tessburger decided that taking in the guy’s now-orphaned kid would make Solomon look kind and charitable, two of the last descriptors most voters would apply to him. Of course, nobody asked Steph her opinion. She was just stuck with this annoying pseudo-adopted brother one day and expected to be cool with it. Well, more accurately, nobody cared whether she was cool with it or not. The worst part was that he totally bought into this stupid fake family thing. He still won’t stop calling her sis.

What really infuriates her is that he gets the freedom she’s long been denied. Solomon truly couldn't care less what he does as long as he stays out of major trouble, doesn’t completely flunk his classes and shows up for all the public appearances and family photo ops. To this day, he still calls Solomon Dad as if he has any right to, as if Solomon sees him as anything more than an unfortunate consequence of a bold PR stunt, as if he’s had to put up with a fraction of what Stephanie’s endured from him. Solomon is not his dad and he is not a Lauter, no matter how many people mistakenly call him that. Solomon even praised him once. He came home from his latest lacrosse match and proudly said that they’d creamed Sycamore or whoever. Solomon, nose-deep in the latest poll and survey results Miss Tessburger had sent him, absently said, “that’s nice, son,” and waved him off. Sure, it was insincere. Sure, it was dismissive. But it was still far more than Stephanie had gotten since she was literally nine years old and more than she’s gotten since. It made her blood boil. She’d been jumping through hoops like some kind of goddamn show dog for her father for years and never got so much as one half-hearted compliment. It was just expected of her.

Still, she continued to jump through those hoops. It wasn’t like she had much of a choice and at this point, it was all she really knew, anyway. Unsurprisingly, Solomon still demanded more and just before she went into high school, he decided she was going to do sports. If there’s one defining trait that all of his constituents in town share, it’s their bizarre obsession with high school football, so this was a surefire way to impress them.

“Why do I have to?” she’d protested “Max already plays volleyball and lacrosse, doesn’t that satisfy the sports kid requirement?”

“Stephanie, I’d like to have an intelligent conversation with you. In other words, shut up. You know as well as I do that nobody cares about either of those sports. Clivesdale doesn’t even have a lacrosse or volleyball team and beating them is all these simple-minded hicks seem to care about. If you refuse to bring up your mediocre grades or put your time into any useful extracurriculars or bettering yourself in any way, the least you can do is join the cheer squad. How hard can it be to jump around and do some silly little chants?”

Max was there, too. Of course he was. On the increasingly rare occasions where Solomon was actually home, he was sure to be right there at his side, telling him about his day as if he fucking cared. Calling him Dad as if he had any fucking right to. She didn’t miss the way his face fell ever so slightly when Solomon said that nobody cared about his stupid sports and she couldn’t help but feel smug about it.

“Ha, yeah,” she said with a smirk “volleyball and lacrosse are dumb.”

The brief satisfaction was quickly overshadowed by a more pressing matter. Hell no, she was not going to join cheer. Pep, enthusiasm and silly dance routines aren’t really her style. She wasn’t sure she could do it if she wanted to and she really, really didn’t.

“Well, figure it out,” Solomon told her, looking at her with the usual disdain “it’s either that or football.” He may have said it mockingly, but she decided to take it as a challenge. She breached her own “no putting in more effort than necessary” policy and spent hours a day on the empty football field practicing plays. She’d usually drag Max along with her if he didn’t have practice for whichever one of his unimportant non-sports was in season.

“Hey,” he said during one of these practice sessions as he threw an admittedly decent spiral, his signature dumb, goofy grin on his face “I’ve been thinking about trying out, too. It might be kinda fun to be on the team together.”

She scowled. “No,” was her only response “just shut up and throw the ball, okay?” This was going to be her thing, damnit. He wasn’t going to invade it like he did everything else in her life. He did as she asked and never brought it up again.

She spent hours more at the gym, doing hard cardio until she was as sweat-soaked as that annoying weeb kid she saw around school sometimes and pushing herself to her limits strength training. It all paid off when the day of tryouts arrived and she blew everyone away with her athletic prowess, earning the position of star quarterback. That alone would have been great publicity and the fact that she was a freshman and the first girl ever to make the team in any position were the cherry on top. It spoke volumes that Solomon didn’t have anything negative to say, although he didn’t offer any praise, either.

If nobody could stand up to her before, they really couldn’t now. She wasn’t just the mayor’s daughter anymore. She was the star football player and with every victory she helped them score, especially against Clivesdale, the teachers and the principal became less and less likely to discipline her if anyone complained of her so-called bullying. It wasn’t as if they could do much before, but now they didn’t even care to try. With that, her iron grip over the school was secured and she’s thoroughly enjoyed it ever since. She still can’t do anything about her mom walking away or her dad treating her like some kind of accessory whose only use is to make him look good to potential voters or her stupid not-brother encroaching on her life and taking everything that’s rightfully hers, but she can maintain the delicate balance that is the high school hierarchy she’s created and bring order to Hatchetfield High. Really, she’s doing them all a favor. They don’t know what’s good for them and without her, it would descend into chaos.

Max slides into his seat in AP Calc with seconds to spare before the bell rings. He’s slammed two of those vile tasting sugar free energy drinks and he’s praying they’ll kick in soon.

“Alright, we’re going to have a pop quiz today. Hope you’ve been hitting the books, Mr. Lauter,” Miss Mulberry says. He doesn’t bother correcting her. Maybe if he could wear his letterman that has “Jägerman” embroidered on it, people wouldn’t make that mistake so often, but he’s not allowed to. The letterman jacket is Steph’s signature look. Not even Kyle and Jason get to wear theirs unless it��s a game day and they’re her closest friends. Max doesn’t even get that privilege, so he settled for a navy blue flannel with a tiny nighthawk patch poorly sewn into the pocket and his letterman hangs untouched in his closet. Sometimes, he doesn’t mind being called Max Lauter, even if it sounds a little off. Sometimes, he wants to believe that’s what he is. Other times, he wishes people would get it right. That’s the least of his worries right now, though. His chest feels so, so tight and a wave of nausea overtakes him and makes him wonder if ingesting so much caffeine and chemicals was a wise idea. He’s screwed. He can barely pass a test in this class when he has time to prepare and sacrifices several nights’ worth of sleep to study. He shouldn’t even be here. He knows he’s kind of dumb. Stephanie gleefully reminds him on a regular basis. Solomon doesn’t vocalize it, but sometimes Max will say something to him and he’ll just give him this look as if he’s just uttered the stupidest, most incomprehensible words ever spoken, then shake his head and go back to ignoring him. He’s always had a lot of trouble in most subjects, but math is by far the worst. Realistically, remedial algebra would be more his speed, but it wouldn’t be very becoming of a sort-of Lauter. Solomon took him in when he had nowhere else to go. He’s been a lot nicer to him than his own father ever was. He figured the least he could do is make him proud, but so far, that plan has backfired tremendously. Nobody’s going to be impressed with the D plus that he’s clinging to for dear life and can still feel slipping through his grasp.

He glances to his left and sees his neighbor calmly reach into his backpack and pull out his pen and calculator. The sheen of sweat on his forehead would suggest that he’s almost as nervous as Max is, but his demeanor radiates confidence and excitement. Max wonders why that guy wears so many layers if he’s always so sweaty. They’ve been in classes together since the first grade, but they’ve hardly spoken two words to each other. Max has, however, watched his hand eagerly shoot up whenever Miss Mulberry asks a question. He has watched him answer every equation with ease, solving them without fail, even when it all looks like gibberish to Max. If anyone can help Max out of this jam, it’s this guy. He has no real reason to, but Max supposes it can’t hurt to ask. What’s the worst that could happen?

“Hey,” he whispers “Shitlips, right?” He immediately winces. Fuck, he did not mean to say that. That’s how Steph and her friends always refer to him and he let it slip without thinking. Richie turns to glare at Max, clearly not amused.

“Sorry,” he says sheepishly “I meant Lipschitz. Richie Lipschitz, right?”

“Yeah,” he says, still a little irritated “what is it? We’re about to take a test.”

“It’s just that, uh, we’ve been in school together for, like, ages and I just realized I’ve never introduced myself. I’m Max.”

“Yeah, I know, Max Jägerman. The mayor’s kid. Stephanie Lauter’s brother.”

“She doesn’t like me reminding people, but yeah,” Max replies with a self-deprecating chuckle “I feel kinda bad now. I called you Shitlips and you got my name right on the first try. A lot of people think it’s Lauter.”

This gets Richie to crack a faint smile. “Yeah, I always remembered it because it sounds like Eren Yeager.”

“So, you ready for this test?” says Max with a sheepish grin “‘Cause I’m really, really not. Like, nothing in this class makes even a little bit of sense to me. I’m one hundred percent going to fail. Unless you help a bro out.”

“Oh, we’re bros now?” Richie says with a raised eyebrow.

“Sure,” Max says “we’re Nighthawks, right? We gotta stick together.”

“But won’t we get in trouble?”

“Not if we don’t get caught,” Max says “rules were made to be broken.”

“Fine,” says Richie “I’m willing to tilt my paper slightly so you can see it better. Try to keep up, though, I’m not waiting to turn in my test so you can finish copying. That’ll look suspicious.” That much is true. Richie’s always the first person to turn in his test in this class, usually by a substantial amount of time. “And don’t be super obvious about it,” he adds.

“Really?” Max says, his face lighting up in a way that he rarely allows it to “thanks, dude, I owe you one!”

#nerdy prudes must die #npmd #max jagerman #stephanie lauter #hatchetfield fanfic #npmd au #max and Steph roleswap au #richie lipschitz

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