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i-know-my-value-darling · 4 years

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Supernatural stars reflect on the show's undying legacy

Jared Padalecki, Jensen Ackles, and Misha Collins discuss 15 years of fantasy, family, and flannel.

"We only get one shot at this." Sam and Dean Winchester are surrounded. The monster-hunting brothers are standing on the edge of a cliff. They look to Castiel, their brother in arms — or is it wings? — but even he can’t help. One move in the wrong direction could ruin everything. After years of fighting demons, going toe-to- toe with Satan himself, and saving the world multiple times, they once again find themselves in a position of having to perform under pressure. But this situation is unlike anything they’ve ever dealt with before. All eyes are on them as they have one shot…at getting the perfect picture.

It’s a dry, hot August day in Malibu — when people were still allowed to gather outside — as Supernatural stars Jensen Ackles, Jared Padalecki, and Misha Collins prepare for the last setup of their final Entertainment Weekly cover shoot. With a bottle of champagne in each of their hands, Ackles once again reminds them they get “one shot” to do this right. But if their characters can shoulder the weight of the world, surely these three can handle a photo. Read the whole story below

The champagne soaking is meant to be a celebration of 15 years, of making television history. Supernatural, the story of two brothers destined to save the world, is the longest-running genre show in the history of American broadcast television. (So old, the first three seasons shot on this thing called film.) What started as an underdog story, living its first few years on the verge of cancellation, has become an institution, a milestone to which other shows aspire. Supernatural not only survived the move from The WB to The CW after its first season — it’s now the final WB show left standing — but became the backbone of the now highly successful CW network. Over the years, the sci-fi series has aired on every weeknight, helping to launch shows including Arrow and The Vampire Diaries. The network moved it one final time, most recently, to Mondays, to help Roswell, New Mexico expand its audience. “Supernatural is a major link to many of the shows that we have successfully built to market,” The CW’s chairman and CEO Mark Pedowitz says. “Almost every one of our shows has had it as a lead-out or a lead-in.”

And to think, it all started as a promise to bring horror to television. After Supernatural creator Eric Kripke had finished working with Warner Bros. on 2003’s Tarzan series, he pitched the idea of a reporter who travels around hunting urban legends. As he puts it, it was a Kolchak: The Night Stalker rip-off. But when he realized the story would benefit from having brothers at its core, he started writing. “At the time, The Ring and The Grudge were huge hits in theaters,” Kripke remembers. “We said, ‘We’re going to take that experience and we’re going to put it on TV,’ and the initial goal was to be scary.” After Warner Bros. passed on his first, what he calls “uptight,” draft, Kripke had to reassess the kind of show he was creating. “I canceled all my Christmas plans and wrote that second draft in three weeks,” he says. “That was when the show got its sense of humor, because I was locked alone, over winter break, in my office. I couldn’t do anything fun, so I started entertaining myself.”

The show was still scary, but it was also funny and, over the years, would continue to evolve. Sure, you could say it’s a little bit X-Files — in its early days, the show often used the line “The X-Files meets Route 66” — and there were definite Star Wars influences (Sam and Dean were originally based on Luke Skywalker and Han Solo). But no combination of pop culture is going to perfectly describe Supernatural because the show has managed to do something remarkably rare in the age of peak TV, where audiences are so overwhelmed with content that an original idea seems foreign: It’s created a truly one-of- a-kind experience.

For starters, it’s a show about two flannel-wearing, beer-loving, blue-collar dudes from Kansas who for a good chunk of their lives traveled from cheap motel to cheap motel, paying for gas and greasy diner food with a mix of fake credit cards and money they earned scamming people at the pool table. “Almost all television is about rich people or, at the very least, middle-class people,” co-showrunner Andrew Dabb says. “The fact that we’ve been able to take this Midwestern blue-collar approach to this genre feels like we’re breaking the mold.”

But the mold-breaking didn’t stop there. Supernatural might’ve started out as a horror show with some snarky one-liners, but it evolved into some of the boldest, most experimental (and certainly strangest) stories on the small screen. “We’re a show of big swings,” co-showrunner Robert Singer says. “I used to say, with every idea, ‘This will be a home run or they’ll cancel us,’ but every year we wanted to do something really nuts." And when he says nuts, we’re not just talking about the episode with the talking teddy bear or the murderer targeting imaginary friends. Those are just some standard monsters of the week. We’re talking about the black-and-white episode shot like a classic Hollywood monster movie, or the episode that introduced Chuck (Rob Benedict), a prophet — who’d later reveal himself to be God — who was famous for writing a book series called Supernatural. That, of course, led to Sam and Dean attending a Supernatural fan convention as the show continued to redefine what it meant to inject a series with meta humor. And the swings never stopped. Season 13 featured a Scooby-Doo crossover as an animated Sam, Dean, and Castiel solved a case alongside the Mystery Inc. gang. And in season 14, after giving God a sister a few years prior, the show made the Big Man Himself its final villain. “I don’t think any idea, barring some production concerns, has been viewed as too crazy,” Dabb says. “Because we know that our fans are smart and that they’ll follow these guys anywhere.”

So long as each episode features Sam and Dean — and the occasional heartfelt talk on the hood of the Impala — the show can do just about anything, which is another reason Kripke had to rewrite his first draft of the pilot. Originally, Dean was the only brother who knew about monsters growing up, bringing Sam up to speed later in life. It wasn’t until Kripke figured out that they needed to be in this together that the series snapped into place. Because at the end of it all, they’re two brothers bonded by the loss of their mother and a life spent on the road with an absentee father. (It just so happens that their mother was killed by a demon and their father hunted them.) The familial dynamic — the irrational codependency, as the angel Zachariah (Kurt Fuller) once called it — is the most important part of the show. “The first inkling I had that we had something special was shooting the pilot,” Kripke says. “It was the scene on the bridge when Sam and Dean talk about their mother. It was the first time that you really saw their chemistry and their connection as brothers on full display. Because I’ve always said this show begins and ends with whether you believe that sibling relationship.” But Sam and Dean weren’t just the center of the show. For many years, they were the show.

Supernatural has never been an ensemble drama. For the first 82 hours of the series, Ackles and Padalecki were the only long-running series regulars — Katie Cassidy and Lauren Cohan briefly joined for season 3, appearing in 12 episodes combined. But Sam and Dean weren’t just in every episode; they anchored every episode. (They skipped table reads because there would’ve been only two actors there.) “I had many moments of not only questioning, ‘Can I keep this up?’ but an answer of ‘I cannot keep this up,’ ” Padalecki, 37, who’s been vocal about his struggle in the early seasons, says. “I borrowed strength from Jensen.” But even Ackles, 42, admits it was a tough job. “The 23-episode seasons were nine and a half months of filming,” he adds. “It was a lot of work, but I always came back to: I still enjoy it, I still like telling the story, I still like these characters and the people I work with.”

Not only did the guys stick around, they built a reputation of having created one of the warmest sets in the business, with a number of crew members staying with the production all 15 seasons. It all dates back to a talk Kripke had with his stars during the filming of the series’ second episode. “I said, ‘The show is about your two characters, and with that comes this responsibility,’ ” Kripke says. Padalecki remembers the exact setting of what he calls their “Good Will Hunting moment,” a bench in Stanley Park in Vancouver, where they film. It was a chat both actors took to heart. “We’d both been on other sets,” Ackles says. “We knew we wanted to enjoy it, to have fun with our crew; we wanted them to like us and us to like them and to have fun doing what we do.” It’s an attitude Pedowitz hopes bleeds into other CW shows, an attitude that launched an annual tradition where the CW chairman/CEO takes his new casts out to dinner with the Supernatural guys, a chance for the vets to share advice. “It’s always the most flattering situation,” Padalecki says, recalling a moment he had a few years back with the late Luke Perry, who was a part of the Riverdale cast. “Luke was sitting next to me and he was like, ‘What y’all have done and what we hear about you guys, it’s really cool to be associated with y’all in some way, shape, or form,’” he recalls. “And I’m sitting there pinching myself.”

It’s a behind-the-scenes legacy that’s perhaps just as impressive, if not more so, than the onscreen legacy. Collins, 45, who started as a guest star and the show’s first angel in season 4, has become the show’s third-longest-running series regular, and he still remembers walking onto set his first day. “When you’re coming onto a show as a guest star, it can be a little bit nerve-racking,” Collins says. “Coming to this set, it was an immediately different vibe. Think- ing about working on other shows in the future, that’s something that I aspire to bring with me.”

A similar reputation extends to the fans as well. Not only is the #SPNFamily one of the most dedicated fandoms out there, it’s also known to be a pretty nice one. (Not many fandoms can say they’ve helped launch a crisis support network for their fellow fans.) But their dedication isn’t just about seeing what crazy twist God throws at Team Free Will next. Thanks to fan conventions and social media, the viewers are just as invested in the lives of the actors. Supernatural’s not just about the words on the page, it’s about the actors saying them. “When you’re dealing with the public taste, there’s an alchemy of great writing, a great idea, and the close-up that’s required,” Peter Roth, chairman of Warner Bros. Television Group, says. “You need stars who you want in your living room.” And you need stars who want to be in your living room, and who, even after 15 years, care so deeply that they get emotional while taking photos in Malibu.

"It's going to be a long eight months," Ackles declares. Standing on that same ledge, an hour before the champagne shot, Ackles, Padalecki, and Collins walk away from a group hug after unexpectedly starting to tear up. It might be the setting — looking out over the ocean — or the occasion: their last-ever photo shoot. Or maybe it’s the fact that they’re almost a month into filming their final season.

It had been a question posed to the stars for years: How long will this show continue? How long can it continue? “Even my mom and dad were like, ‘When are you going to be done with this?’” Ackles says with a laugh. It was a decision the network and studio had ultimately put into the actors’ hands, and it was a conversation they’d been having for a while. Back in 2016, Padalecki told EW, “If we don’t make it to [episode] 300, I think Ackles and I will both be truly bummed.” But in season 14, they hit 300…and then kept going. While filming episode 307, they announced the upcoming 15th season would be the end, which will bring them to a total of 327 episodes when all is said and done. “[Jared] and I were always married to the fact that we never wanted to go out with a diet version of what we had,” Ackles says. “We wanted to have enough gas left in the tank to get us racing across the finish line. We didn’t want to limp across.” Padalecki remembers the moment it hit him — not the decision to end it, but rather the opposite. “We had that moment where he and I both realized that we didn’t want it to end,” he says. “It finally got to a point, ironically, where it was like, ‘I never want to leave this. I could do this until the day I die, and then if I get the choice when I’m dead, I’ll re-up!’ But you never want to be the last person at a party. We just knew. That’s not to say there haven’t been vacillations, but we all trust the decision that was made.”

Starting in July 2019, the cast and crew returned to Vancouver to begin filming the final season, but in March 2020, with two episodes left to go, they were sent home. For years, fans had wondered what, if anything, could stop the Winchesters, and now it seems we have the answer: a global pandemic. As sets closed amid social-distancing measures due to the spread of COVID-19, it didn’t take long for fans to start connecting the dots, sharing relevant GIFs from episodes that featured viruses, most notably Chuck telling Dean to hoard toilet paper “like it’s made of gold” before the end of the world in season 5’s “The End.” (Did we mention that Supernatural is also kind of psychic? In a season 6 episode, Dean calls Sam “Walker, Texas Ranger,” which just so happens to be the role Padalecki has lined up after this ends.)

When production paused, it all felt a little like we were living in an episode of the show, just waiting for Sam and Dean to drive up in Baby, open those creaky doors, and save us. They might not be able to do quite that, but the thing with the Winchesters is that they never stay down for long. When Supernatural is able to safely resume production, it will. And though there are only two episodes left to film, fans will enjoy a total of seven unseen hours, including the return of Charlie (Felicia Day) and a mystery woman who visits the bunker and, for some reason, gives Sam and Dean all the holidays they never got to celebrate. “She makes Christmas for them and Thanksgiving, birthday parties, and all that. It’s a very good episode,” Singer says, adding, “I don’t know when it’s going to air.”

That’s the thing—no one knows, not even the guys who took out Yellow Eyes, stopped Leviathans, defeated Death himself, and are supposedly destined to be the messengers of God’s destruction. But Sam and Dean do know the value of a good plan B. “Obviously it’s a horribly unfortunate situation we’re in, but the silver lining is that it gives us an opportunity to recharge,” Ackles says. “We had just finished episode 18, we shot one day of episode 19, and I was reading these two monster scripts thinking, ‘It’s like we’re at the end of a marathon and they want us to sprint for the last two miles.’ I feel like this almost gives us an opportunity to refocus and go into the last two episodes and hit them with everything we got.” Because when they do return to set, shave their quarantine beards, and step back into Sam and Dean’s shoes for the last time, they’ll have one shot at ending this thing…and they’re determined not to miss.

Photos: Peggy Sirota for EW

https://ew.com/tv/supernatural-stars-cover-ew-to-reflect-on-the-shows-undying-legacy/

#supernatural #jensen ackles #jared padalecki #misha collins #last season #season 15 #entertainment weekly #cover story #dean winchester #sam winchester #castiel #full post #SPN #spn family #new photo #new photos

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socialyawkdude · 5 years

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The Road So Far: A Overview of Supernatural

Hello, again my socially awkward friends and its time again for another review. Well, it's not a review in the normal sense, it is more of an overview. What is this mystery show, at that I will be covering? If the title didn't give it away let me give you a little background on the show.

Premiering on September 13, 2005, on The WB network; it is the longest-running American fantasy tv show. That isn't the only thing, this show is the last remaining original WB network show remaining. Yeah, I'm talking about the tv show supernatural. I'm guessing that you already know that supernatural's 15th season will be the last.

When the news of the final season, came across the wire, I was shocked. I had just recently started watching again, in season 13. Supernatural has always been my go-to show, in times of boredom. Hey, how could it not be? Supernatural has been in Syndication since January of 2010 and i could always find a episode, at the most random times.

All good things must come to an end and supernatural was going to end at some point. Which brings us to present day and I'm doing a full-on binge of supernatural. The current goal is to watch every single episode of supernatural by the October 10th, 2019 premiere date. Currently, I'm in season 8 around episode 16.

So in honor of the final season, I'm going to my 10 favorite supernatural episodes.

10. Season 7 Episode 20: The girl with the dungeons and dragons tattoo

FELICIA DAY ("THE GUILD," "EUREKA") GUEST STARS - Dick Roman (James Patrick Stuart) acquires Frank's hard drive that contains sensitive information about the Winchesters and gives it to an unsuspecting brilliant hacker named Charlie (guest star Day) telling her she has 48 hours to crack the firewall or she is fired. Sam (Jared Padalecki) and Dean (Jensen Ackles) are tipped off that Dick has the hard drive and race to get to Charlie before she breaks the code. Meanwhile, Bobby (Jim Beaver) tries to help the brothers, but his rage towards Dick for killing him starts to get in the way.

9. Season 8 Episode 11: LARP and the real girl

FELICIA DAY RETURNS! - Sam (Jared Padalecki) and Dean (Jensen Ackles) investigate the mysterious deaths of two LARPers (Live Action Role Playing) who were playing a game entitled Moondoor. The guys are thrilled to discover the Queen of Moondoor is none other than Charlie (guest star Felicia Day). The three learn that a fairy (guest star Tiffany Dupont) has been commandeered to harm people and the only way to stop her is to find her master.

8. Season 8 Episode: Pac-Man Forever

DEAN INTRODUCES CHARLIE TO CHEAP PANTSUITS - Concerned about the physical toll the second trial took on Sam (Jared Padalecki), Dean (Jensen Ackles) benches his brother from hunting until he heals up. So, when geektastic hacker Charlie (guest star Felicia Day) stumbles upon a case and finds the boys, Dean decides it's time to teach Charlie how to be a hunter-in-training. While happy to see "her highness," the boys suspect Charlie is hiding something; a secret that could get her killed.

Supernatural was my introduction to the wonderful Felicia Day. If it wasn’t for supernatural, i would’ve never have never ave seen The guild.

7. Season 12 Episode 6: Celebrating the life of Asa Fox

THREE WINCHESTERS ARE BETTER THAN ONE – When hunters gather together to celebrate the life and tragic death of one of their own, Sam (Jared Padalecki) Dean (Jensen Ackles) and Mary (guest star Samantha Smith) must take action when a demon starts picking off hunters one by one.

My favorite moment I love the most about this episode is hearing Man in a Box by Alice in Chains. In my opinion, this one song made this episode.

6. Season 11 Episode 4: Baby

NOBODY PUTS BABY IN A CORNER — Seen entirely from the POV of the Impala, Sam (Jared Padalecki) and Dean (Jensen Ackles) go on a road trip to fight monsters and demons

5. Season 13 Episode 16: Scoobynatural

JINKIES! "SUPERNATURAL" GETS ANIMATED WHEN SAM, DEAN, AND CASTIEL ARE TRANSPORTED INTO THE WORLD OF SCOOBY-DOO – Sam (Jared Padalecki), Dean (Jensen Ackles) and Castiel (Misha Collins) are transported into the animated world of Scooby-Doo where they join forces with the Scooby gang to solve a ghostly mystery.

Try and watch this episode and not think its awesome.

4. Season 13 Episode 10: Wayward Sisters

KATHRYN NEWTON, KIM RHODES, KATHERINE RAMDEEN, BRIANA BUCKMASTER, CLARK BACKO AND YADIRA GUEVARA-PRIP RETURN – When Sam (Jared Padalecki) and Dean (Jensen Ackles) go missing, Jody Mills (guest star Kim Rhodes) calls Claire Novak (guest star Kathryn Newton), the rebellious rogue hunter, and tells her it is time to come home – they need to find the Winchesters. Claire returns and reunites with Alex Jones (guest star Katherine Ramdeen), who has stayed behind with Jody and tries to balance a "normal" life with being a part-time hunter. While Jody is happy to have Claire home again, she's plagued by Patience's (guest star Clark Backo) disturbing vision involving her adopted daughter. Claire and Alex search for Kaia Nieves (guest star Yadira Guevara-Prip), the dreamcatcher responsible for opening the rift that Sam and Dean went through, as she holds the key to their whereabouts. Jody calls her friend, Donna Hanscom (guest star Briana Buckmaster), to round out the team and the women head off on the most important hunt of their lives.

3. Season 5 Episode 5: Fallen Idols

PARIS HILTON GUEST STARS - Sam (Jared Padalecki) and Dean (Jensen Ackles) decide to start hunting together again and their first case leads them to a small town whose inhabitants are being killed by famous dead icons like Abraham Lincoln and James Dean's car. However, after two teenage girls come forward and claim their friend was kidnapped by Paris Hilton (in a cameo role as herself), the brothers aren't sure what they are hunting anymore.

his one is pretty simple, I get to watch Paris Hilton get shived.

2. Season 12 Episode: Don't call me Shurley

ROB BENEDICT RETURNS – Amara (guest star Emily Swallow) unleashes a dark fog on a small town, causing everyone to go mad. Dean (Jensen Ackles) and Sam (Jared Padalecki) realize this is a stronger version of the original black vein virus Amara previously unleashed. They team up with the sheriff to protect the town but their old remedy no longer works. Meanwhile, Chuck (Rob Benedict) returns with an interesting proposal.

Chuck is god! What else can I say? I had my suspicions, that something was up with chuck, but it wasn’t this. Also Rob Benedict’s cover of fare thee well, blew me away.

1. Season 4 Episode 8: Wishful thinking.

A WISHING WELL THAT REALLY WORKS BRINGS CHAOS - Sam (Jared Padalecki) and Dean (Jensen Ackles) investigate a small town where the wishing well really works. A teddy bear comes to life, someone wins the lottery and the town geek gets a hot girlfriend. The brothers realize that while everyone is happy now, the end result will be disastrous.

My all time favorite episode of supernatural. Why is this season 4 episode ,y favorite?, you ask. Well, the answer to that question is quite simple, really. Teddy! Seeing a giant teddy bear try to blow his brains out, with a shotgun, always has me on the floor.

So there is my top 10 list of supernatural episodes. What are your favorite episodes? I would love to read your own top 10 list. Like always; don't forget to like, share, follow, and reblog. until the next time we meet, stay awkward my friends.

#the road so far #supernatural #supernatural final season #sam winchester #dean winchester #jensen ackles #jared padalecki #bobby singer #paris hilton #scooby doo #scoobynatural #felicia day

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aion-rsa · 3 years

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Supernatural: The Best Episodes

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This Supernatural feature contains MAJOR spoilers up to and including the series finale.

Over the course of 15 years, Supernatural aired an extraordinary 327 episodes, every single one of them starring the same two people, a quite incredible achievement (there were two attempts at backdoor pilots, but both featured Jared Padalecki and Jensen Ackles at least briefly).

In 327 episodes, of course, there have been some stinkers, and there have been moments of brilliance. Supernatural did scary episodes, gross-out episodes, funny episodes, tragic episodes, tragically funny episodes and episodes set on its own soundstage. Here are 25 of the very best.

25/327*. Carry On (Season 15, Episode 20)

*delete according to preference, and see “Dishonorable mentions” below

We’re being controversial right off the bat, as the series finale has fans split right down the middle between feeling pretty pleased with it and absolutely hating it. And for the many fans that hate it, they really, really hate it. If that’s you, we understand your issues with it – see our ‘Dishonorable Mentions’ list.

But for others, while this ending was somewhat marred by coronavirus restrictions (which are surely to blame for Sam’s wife being blurred in the background instead of clearly shown to be Eileen, and possibly for the absence of Castiel as well), there were also moments of emotional catharsis and beauty. Heaven has undergone some drastic improvements since we last saw it and the afterlife is no longer strangely lonely and depressing. The music choices for the episode are perfectly on point – it almost seems strange we haven’t heard ‘Brothers in Arms’ before – and finally the promise of ‘Carry On, Wayward Son’ is fulfilled, as “surely Heaven waits for you”.

Best moment: Hearing the voice of Original Bobby (not Apocalypse World Bobby) for the first time since Season 11.

Quotable: “Always keep fighting” (Dean, to Sam)

Watch if you like: Tragic melodrama, great music, Bobby

24. Devil’s Trap (Season 1, Episode 22)

Supernatural’s very first season finale set the tone for many more finales to come. The arc plot kicked up a gear, Winchesters pointed guns at each other, and the whole thing ended in a nail-biting cliff-hanger. This episode sets up much of how the show will work, including the important detail that demons possess innocent humans, which led to our heroes spending some years trying to avoid killing them where possible (before they eventually gave up on that one). Most important of all, though, this is the episode that introduces Jim Beaver’s Bobby Singer, who would become the Winchesters’ surrogate father, and whose particular brand of caring, with a hefty dose of calling them idjits, was always entertaining with a warmth underneath the humour.

Best moment: Sam refuses to kill his father – the first of many times this sort of decision will be forced on the brothers.

Quotable: “The storm’s coming, and you boys, your Daddy – you are smack in the middle of it” (Bobby)

Watch if you like: Family melodrama, demon arc plots, Bobby

23. All Along The Watchtower (Season 12, Episode 22)

Death and life have always gone hand in hand in Supernatural, and nowhere is that clearer than in this game-changing season finale. We lose one of the show’s few regular characters, Mark Sheppard’s Crowley, along with a newer, highly likeable, recurring character, Courtney Ford’s Kelly Kline, both in moving self-sacrifices that honor the characters and their development. (Oh, and Castiel dies again too, but of course that doesn’t stick). On the other hand, we gain two new characters. We meet Apocalypse World Bobby, and while he can never really replace the Bobby the boys knew and loved, he brings some essential Bobby-ness back into the show. And Jack is born, Castiel’s (and later the Winchesters’) adoptive son, whom Cas is convinced will create a paradise in the future. This episode is full of great character work featuring numerous fan favourites, along with genuinely exciting plot developments that left viewers itching for the next season to start.

Best moment: Castiel took an online doula class in preparation for Kelly going into labour, but it didn’t cover quasi-celestial beings.

Quotable: “Whenever there is a world ending crisis at hand, I know where to place my bets. It’s on you, you big beautiful lumbering piles of flannel” (Crowley)

Watch if you like: Alternate universes, self-sacrifices, Bobby

22. Don’t Call Me Shurley (Season 11, Episode 20)

This episode has shifted down the list since we last ranked it, as the plot developments of season 15 have robbed it of some of its joy, but the episode itself still stands up. It’s well known that Supernatural is often kind of a grim show, and one of the pleasures of watching it is that, however crappy your life is at that moment, it’s not as crappy as Sam and Dean’s. There are occasional moments of satisfaction (like the killing of Azazel in “All Hell Breaks Loose”) and there’s certainly plenty of humour, but real, honest to Chuck, joy? That’s rare, and the best example (Dean’s Heaven) required both main characters to be dead. So there’s something really special about this Season 11 episode, in which God finally comes back (and reveals that He has, in fact, been helping out on the odd occasion all along). The rest of the episode, in which Metatron makes the case for humankind to God, is a philosophical and meta-fictional treat as well, but it’s that conclusion that really makes it something to remember.

Best moment: Dean pulls his old amulet out of Sam’s pocket – signalling that God has returned.

Quotable: “You know what humanity’s greatest creation has been? Music. That, and nacho cheese” (Chuck)

Watch if you like: Philosophy, happy endings

21. Lebanon (Season 14, Episode 13)

Supernatural’s 100th episode (“The Point Of No Return”) was an arc-plot heavy drama; it’s 200th (‘Fan Fiction’) was a delightful and comedic take on the show. For this, the 300th episode, the series went in a different direction again, and focused on the Winchester family unit, bringing Jeffrey Dean Morgan back as John Winchester for the first time since the season 2 finale. Sam and Dean’s whole story has been driven by their broken family life, and before this the closest they’d come to being together as a family was a brief car ride with their parents’ unknowing younger selves while time travelling. Here, they get to spend some proper time together as a family, before it’s inevitably cut short – and as a bonus, we get to see Zachariah (not seen since the 100th episode) and Scary Castiel again as well.

Best moment: All four Winchesters, all alive at the same time, have dinner together. It’s lovely.

Quotable: “Now you live in a secret bunker with an angel and Lucifer’s kid” (John)

Watch if you like: Jeffrey Dean Morgan, family dinners, anniversary episodes

20. Roadkill (Season 2, Episode 16)

Many of the episodes on this list are major arc plot-related episodes, or hilariously funny format-bending episodes, or both. But it’s also worth celebrating episodes that offer just a really good Monster of the Week, and this is one of them. Supernatural was inspired early on by urban legends, and this episode is a sad, scary and effective take on a classic, the Vanishing Hitchhiker. Guest star Tricia Helfer does a great job as Molly, whose perspective we follow throughout the story, keeping her true predicament from both her and the audience until the twist ending. The episode’s conclusion was also the first time we saw a suggestion of something potentially positive waiting for human souls after death, giving all the many, many dead characters on the show a glimmer of hope.

Best moment: The reveal of Molly’s true nature isn’t really a surprise if you’ve ever read a ghost story, but it’s very well done.

Quotable: “Follow the creepy brick road” (Dean)

Watch if you like: urban legends, scary ghost stories, plot twists

19. Scoobynatural (Season 13, Episode 16)

By Season 13, inevitably some viewers had drifted away from the show, as people will when something runs as long as Supernatural has. “Scoobynatural” had a concept so enticing, it brought some of those viewers back (only out-performed in the ratings that year by the season opener). Not only was the idea of Sam and Dean in a Scooby Doo cartoon too good to miss, Supernatural also has an excellent track record in comedy episodes. These can be hit and miss on most shows, but Supernatural’s comedy misses are few and the hits are plentiful enough that six of them are on this list. Viewers trusted the show to make this work, and that trust paid off – the episode is both very funny and touching, as all the show’s best comedy episodes are.

Best moment: Sam and Dean trying to explain to the Scooby Gang that no really, ghosts are real.

Quotable: “We’ve been stopping real estate developers when we could have been hunting Dracula? Are you kidding me?! My life is meaningless!” (Fred)

Watch if you like: Scooby-Doo, crossovers

18. No Rest For The Wicked (Season 3, Episode 16)

The writers’ strike cut Season 3 short (yes, Supernatural has been going that long), which meant the planned story arc, in which Sam and Dean desperately tried to find a way to get Dean out of the deal he made with a Crossroads demon, also had to be wrapped up in fewer episodes than anticipated. The solution was truly shocking – they failed. Dean was sent to Hell and viewers were left with an image of him being tortured and screaming out Sam’s name. OK, no one really thought he was going to stay there for ever, but it was still a bold move.

Best moment: Sam joining along in a singalong to Bon Jovi’s “Wanted” with his brother, knowing they only had a few hours left.

Quotable: “Family don’t end with blood, boy” (Bobby)

Watch if you like: Dante’s Inferno, soft rock anthems

17. All Hell Breaks Loose, Parts 1&2 (Season 2, Episodes 21&22)

Like “No Rest For The Wicked,” this was a real watershed moment for the show. Sam’s death and the deal Dean makes to bring him back set in motion just about every major storyline since. But these episodes don’t make the list just for that reason. The “only one can live” set up Sam is dropped into is always an intriguing premise, and these two episodes make up a dramatic, satisfying season finale in which the bad guy of two years is dispatched, the Winchester men get some closure, and the mythology gets a bit more development.

Best moment: Sam’s first death. The regularity with which the Winchester boys die and come back to life is a long-running joke and has even been the focus of more than one episode over the years, so it’s easy to forget just what a huge, horrifying moment that first death is, back when they used to take it seriously.

Quotable: “That was for our mom, you sunnnuvabitch” (Dean, to Azazel’s dead body)

Watch if you like: The Hunger Games, Jensen Ackles emoting

16. Abandon All Hope… (Season 5, Episode 10)

Season 5 was Supernatural creator Eric Kripke’s final season as show-runner, and it was written to be the final season of the show. The story arc followed the boys’ attempts to stop the oncoming Apocalypse and recapture the Devil himself, with the stakes getting higher and higher as the season wore on. “Abandon All Hope…” is a turning point, hammering home the seriousness of the situation by killing off half the regular supporting cast, after which the story became increasingly grim until our heroes faced an impossible choice in the season finale. It’s also the episode that introduces Mark Sheppard as Crowley, King of the Crossroads Demons, who immediately cements himself as much more fun than your average demon.

Best moment: Ellen staying with a mortally injured Jo as they sacrifice themselves to save the boys.

Quotable: “Your choice. You can cling to six decades of deep-seated homophobia, or give it up and get a complete bailout for your ban’s ridiculous incompetence” (Crowley)

Watch if you like: Mark Sheppard as Crowley, tear-jerkers

15. Nightshifter (Season 2, Episode 12)

Sam and Dean spent much of the first few years of the series on the run from the law, despite having several police officers in their debt. This would continue until the police thought they were dead, only for the pair of them to turn up again, and the threat of jail time if they were ever caught and identified never quite went away. This episode, in which a shape-shifter is carrying out bank robberies, really notches up the tension as they come to the attention of the FBI in the worst possible way, as well as observing the tragedy of a well meaning civilian caught up in something he doesn’t understand.

Best moment: The brothers escape to the tune of “Renegade,” by Styx.

Quotable: “We’re not working for the Mandroid!” (Sam, to Ronald)

Watch if you like: Bonnie and Clyde, The Lone Gunmen

14. Death’s Door (Season 7, Episode 10)

The decision to kill off Bobby permanently in season 7 was controversial, to say the least, but it’s hard to deny his final episode as a living member of the team is a great one. Poor Bobby’s backstory is revealed to be even more tragic than we already knew it was, but more importantly, his bond with the boys and the reasons their relationship is so important both to them and to him are explored. It also prompts the show to explore a fairly obvious question – we’ve seen plenty of ghosts on the series whose bodies were burned, so even with hunters’ funerals, how is it we haven’t seen more beloved deceased characters return after death?

Best moment: Bobby giving his alcoholic father a proper telling off in his imagination.

Quotable: “As fate would have it, I adopted two boys, and they grew up great. They grew up heroes” (Bobby)

Watch if you like: Bobby and Rufus, daddy issues

13. Dark Side Of The Moon (Season 5, Episode 16)

The earliest episode to acknowledge how often the boys have died and come back to life, “Dark Side Of The Moon” sets its cards on the table by abruptly killing them both in the first few minutes. We finally get to see what happens when you go to Heaven in the world of Supernatural, and it’s a little weird and oddly lonely (with the exception of “soulmates”, everyone is off in their own little worlds – thankfully this is eventually rectified) but it’s a satisfying journey nonetheless. Not that Dean or Castiel would agree, as this is the episode in which they give up on searching for God, having been told He isn’t interested.

Best moment: Dean’s Heaven – playing with fireworks with Young Sam. It’s a truly joyful sequence.

Quotable: “Gentlemen, I don’t mean to be a downer, but I’m sure I’ll see you again soon” (Ash)

Watch if you like: Family drama, nihilism

12. Baby (Season 11, Episode 4)

The Supernatural team have always been clear that the Impala is the third main character on the show (sorry, Castiel) so this Season 11 episode shifts focus to tell a story entirely from the car’s point of view. No, this isn’t a Herbie or Transformers situation – rather, the entire episode is shot from inside the car. What this means for the story is that we get to see different parts of Sam and Dean’s day – while they’re off investigating, we see the Impala get taken for a joy ride by a car park attendant, and Sam and Dean’s traditional emotionally-charged conversations are given a little more space to breathe. This is how you shake a show up while keeping its unique feel after eleven years.

Best moment: All of Castiel’s hilarious phone calls.

Quotable: “Never use Swayze’s name in vain, OK? Ever” (Dean)

Watch if you like: Classic cars, Bob Seger’s “Night Moves”

11. What Is And What Should Never Be (Season 2, Episode 20)

Towards the end of season 2, as the series started to grow in confidence, Supernatural started to do slightly more experimental episodes that took us away from the straightforward “Sam and Dean hunt a monster” set-up. The first meta-fictional episode was the fun “Hollywood Babylon,” while this was an early glimpse of an alternative timeline – or, rather, an hallucination of Dean’s under the influence of a djinn. The result was a fun “what if” scenario and a lovely penultimate appearance from Adrianne Palicki as Jessica, but it culminated in a truly heart-breaking moment for Dean as he confronts everything he, Sam, and their father have had to sacrifice in their attempts to help others, and is forced to choose life at the expense of happiness.

Best moment: Dean breaks down at his father’s grave.

Quotable: “Look, whatever stupid thing you’re about to do, you’re not doing it alone. And that’s that” (Sam)

Watch if you like: Alternate timelines, wishes gone wrong

10. The French Mistake (Season 6, Episode 15)

In this episode, Sam and Dean are pulled into a parallel universe where they are the actors Jared Padalecki and Jensen Ackles, the stars of the TV show Supernatural. The story takes the highest of high concepts and makes it work beautifully, including an appearance from Padalecki’s real life wife and former co-star Genevieve Padalecki and Misha Collins sending himself up gloriously. There’s even a clip of a much younger Jensen Ackles on Days Of Our Lives thrown in. A joy from start to finish.

Best moment: Sam and Dean trying to act. They are not good at it.

Quotable: “You married fake Ruby?!” (Dean)

Watch if you like: High concept comedy, Misha Collins

9. The End (Season 5, Episode 4)

What better way to raise the stakes early in the season than to flash forward five years and reveal what the world will look like after the Apocalypse has come about? Funny and heartfelt in equal measure, this is a classic alternate timeline story with a twist. It is also a really important episode in the development of Lucifer as a character, here played with squirming intensity by Jared Padalecki, who gets to sit out most of the story while Jensen Ackles pulls double, only to come and steal the show at the end. It also features some advice from Chuck (i.e. God) to hoard toilet paper, which turned out to be remarkably prescient.

Best moment: The reveal of Hippie Future Castiel, who has taken a surprising attitude towards the end of the world.

Quotable: “When you get back there, you hoard toilet paper. You understand me? Hoard it like it’s made of gold. Cause it is” (Chuck – some people clearly took this advice too much to heart in 2020)

Watch if you like: Dystopias, toilet paper

8. Fan Fiction (Season 10, Episode 5)

The show’s 100th episode was an important moment in its then-current story arc, but it was the 200th that really celebrated in style. Watching a girls’ school put on a musical version of the Supernatural story (the Kripke years) sounds like a terrible idea but they pull it off brilliantly, making an episode that is both funny and sweet. Most of all, though, this is just a treat for long-term fans, full of call-backs, references, and in-jokes, and that finally ties up a loose end from “Dark Side Of The Moon” in an emotionally satisfying way.

Best moment: The lovely cover of “Carry On, Wayward Son” at the end of the show.

Quotable: “That is some of the worst fan fiction I ever heard!” (Marie, on hearing what happened after the end of Season 5 – a popular take on just about everything that’s happened since then in some quarters)

Watch if you like: Musicals, subtext

7. The Monster At The End Of This Book (Season 4, Episode 18)

Neither “Don’t Call Me Shurley” nor “Fan Fiction” would have been possible without the episode that introduced Chuck in the first place, though back then he was nothing more than a cowardly writer and (apparently) reluctant prophet. Supernatural had done a few meta-fictional episodes by this point but “The Monster At The End Of This Book” was the moment they took it to new places, creating the fictional Supernatural universe within the Supernatural universe and allowing the show to explore fandom, fan fiction, fan conventions and fan musicals further down the line. The whole concept is a real treat for the show’s real life fans.

Best moment: Sam and Dean discover online fandom and slash fiction.

Quotable: “They do know we’re brothers, right?!” (Dean)

Watch if you like: Fan fiction, meta fiction

6. Faith (Season 1, Episode 12)

This low-key Season 1 episode may seem like an odd choice for the sixth best episode ever out of 327. But there are two reasons for singling out “Faith” here. One is to highlight just how good Supernatural’s early ghost stories were. We could fill a whole list with classic examples of spooky tales done really well from the show’s early years (“Dead In The Water,” “Bloody Mary,” “No Exit,” “Playthings”). “Faith,” though not strictly about a ghost, centres around a faith healer’s wife controlling a reaper. But “Faith” is more than a good yarn done well. It’s also the episode that showed what the series could be, as it started to deal with the deep and complex philosophical themes the show would later explore in more obvious, explosive ways. There’s also a great guest performance from Angel: The Series’ and Dexter’s Julie Benz, and poor Dean finds himself dying from something fairly mundane – not for the last time.

Best moment: “Don’t Fear The Reaper” is put to great use here as the reaper hunts down a jogger.

Quotable: “You better take care of that car, or I swear, I’ll haunt your ass” (Dean)

Watch if you like: Theology, Blue Oyster Cult

5. Mystery Spot (Season 3, Episode 11)

The best comedy episodes of Supernatural are not only side-splittingly funny (and they are), they also have a dramatic punch, an element of real drama behind the comedy. “Mystery Spot” is based around a twist on the Groundhog Day concept, in which Sam has to relive a day on which Dean seems doomed to die over and over and over again, unable to prevent it. Dean’s many, many deaths caused by all manner of strange things (just how did he manage fatally to slip in the shower?) are very funny, but Sam’s increasing difficulty in dealing with the situation, and then his terrible three months without Dean (this was the first time that had happened since the series began) bring sincere emotions to the table as well.

Best moment: Sam working out that the Trickster is behind everything.

Quotable: “OK, look. Yesterday was Tuesday, right? But today is Tuesday too” (Sam)

Watch if you like: Groundhog Day, Final Destination

4. Pilot (Season 1, Episode 1)

Not too many shows can claim their pilot as one of their best episodes. But Supernatural’s Pilot really is a great episode of the show. It kicks off the series’ major plot arc, of course, but it also introduces the show’s humor and heart. On top of all that, the Pilot also features a classic Ghost of the Week that’s spooky and sad and ghoulish, as all good ghost stories should be.

Best moment: Our introduction to Dean’s “mullet rock” music collection, including two classics from AC/DC (“Back In Black” and “Highway To Hell,” of course).

Quotable: “We got work to do” (Sam)

Watch if you like: Mullet rock, ghost stories

3. Swan Song (Season 5, Episode 22)

The episode that would have been the series finale, if the show hadn’t been renewed and taken over (first by Sera Gamble, then Jeremy Carver, and finally Andrew Dabb and Robert Singer). “Swan Song” would have made a great finale as well – it’s thrilling, satisfying, tragic and funny all at once. The main reason it’s not higher on this list is that it is a little bit of a downer – if the series had actually ended there, there would have been a lot of Fix Fic out there online, sorting it out. Granted, that’s true of the series’ actual finale as well, but honestly, think about it, and take out the sequel hook shot of a resurrected Sam at the end of “Swan Song” which presumably wouldn’t have been there – this one is even more depressing.

Best moment: The opening narration, describing how the Impala has always been the boys’ real home.

Quotable: “Hey! Assbutt!” (Castiel, to Lucifer)

Watch if you like: Supernatural. Honestly, this one is the conclusion to five years’ story-telling – don’t start here!

2. Changing Channels (Season 5, Episode 8)

Is this the funniest comedy episode of Supernatural? It’s a tough contest, but the genital herpes commercial Sam is forced to star in might just give it the win. But “Changing Channels” is more than comedy. The reveal that the Trickster is actually the Archangel Gabriel in disguise really shouldn’t work, but somehow it does, and it brings a new dimension to the Trickster’s previous appearances (especially “Mystery Spot”) as well as a solid conclusion to this one. But really, the episode’s greatness lies in the fact that it’s just. so. funny.

Best moment: The Impala/Sam as KITT from Knight Rider.

Quotable: “Should I honk?” (Sam/the Impala)

Watch if you like: Grey’s Anatomy, CSI, Knight Rider, cheesy sitcoms, Japanese game shows, adverts for genital herpes treatments

1. Lazarus Rising (Season 4, Episode 1)

What with running for 15 years, Supernatural went through a fair few major upheavals and shifts that sent the show in a new direction, and several of them are on this list. Nothing, though, beats the appearance of real, possessing-someone-else’s-flesh-and-blood angels on the show. This was the episode that made Supernatural what it has become, for better or for worse.

But that alone isn’t the reason we’ve put it at Number 1 of 327 episodes. The episode is hugely emotionally satisfying – although Sam and Dean had both come back from the dead before by this point (Dean technically dozens of times) Dean coming back from being buried for months is undeniably huge. The series needed to show how much of a big deal this was, and they did. We immediately learn that angels are terrifying and that wherever they go, collateral damage follows (it’s easy to forget that the first thing Castiel does on this show is burn out an innocent woman’s eyes).

And then, we finally get to meet an angel face to face. Castiel, in his first appearance, is genuinely something to behold. The deep voice, before it became the subject of in jokes and deadpan comedy, was originally intended to convey gravitas and power, and it works. This is a force like nothing the boys have encountered before, and it is awesome in the classic sense of word – full of awe.

Later, of course, Castiel would become the third member of Team Free Will and one of the most important characters on the show, next only to Sam and Dean. Misha Collins has made the character funny and loveable and awkward and generally indispensable. We wouldn’t change Castiel for the world and certainly don’t mean to suggest that it’s all downhill from his first appearance. Indeed, that later legacy is part of what makes this episode so special.

But really, it’s that entrance we can’t get enough of. We get shivers every time.

Best moment: Castiel’s entrance, of course. Though the rest of the episode is very good as well.

Quotable: “I’m the one who gripped you tight and raised you from perdition” (Castiel’s first line)

Watch if you like: Castiel, angels

Honorable mentions

There were so many great episodes we didn’t have room for here – “My Bloody Valentine” (gory and funny in equal measure), “It’s A Terrible Life” (a classic Angel Shenanigans of the Week story), ‘The Born-Again Identity’ (Castiel’s return after it looked like they really had killed him off this time), “Houses Of The Holy” (the first references to angels on the show), “Everybody Hates Hitler” (a solid adventure during the course of which the boys discover the Bunker that has become their home), and “LARP And The Real Girl” (probably the best and most fun episode featuring fan favorite Charlie, played by Felicia Day) are just a few of the other greats.

Dishonorable mentions

We don’t want to spend too much time focusing on the negative, but we should probably acknowledge that, in 327 episodes, the show has occasionally got it wrong. Generally speaking, any time the show decides to feature dogs (the domesticated variety, not werewolves) the results tend to be less than excellent – “Man’s Best Friend With Benefits” is a real low point, and while many fans love “Dog Dean Afternoon,” we find it cringe-worthy. “Bugs” and “Route 666” (the one about the racist truck) are the two most often picked on by the writers themselves as examples of terrible episodes, though since both are from Season 1, they’ve long receded into most viewers’ long-term memories.

And of course, there’s “Carry On.” For every fan who found it a flawed but satisfying ending, there’s another who ranks it somewhere up there with Game Of Thrones’ and How I Met Your Mother’s finales in the All Time Terrible Series Finales Hall of Fame. There were too many people missing (largely the fault of COVID-19, but that doesn’t really help), especially Castiel and Eileen, whose absences were palpably felt. To leave Misha Collins and Castiel out all together after years of him sharing show-leading duties with Padalecki and Ackles seems very wrong, and many fans were disappointed that we never really see Dean react to Cas’s confession of love for him in ‘Despair’. Dean’s abrupt death felt anti-climactic to many, and the fact he was robbed of the chance to live a life free of Chuck was frustrating. And on top of all that, Sam’s grey-haired wig really was quite terrible. So all in all, while we would still say that for us it felt like a fairly well played conclusion to the story, we can understand that for many, it belongs at the top of the list of Dishonorable Mentions.

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eclecticanalyst · 3 years

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We’re Expecting You...To Boldly Go

[or, a fun exercise in comparing The Love Boat to Star Trek: The Next Generation]

I’ve always had a fondness for shows that aired several decades before I was born. When I was a kid, I loved the TV channel Boomerang, because it broadcasted classic cartoons like Scooby-Doo, Where Are You! and Snorks and The Jetsons. As I entered my preteen years, I graduated to live-action, checking out DVD box sets of The Facts of Life and Fantasy Island and The Love Boat from the library.

I don’t know if other people in my generation are familiar with The Love Boat—it was a television show that ran on ABC from 1977-1987. The show took place on a cruise ship, the Pacific Princess, and a typical episode would begin with the Princess leaving out of its home port of Los Angeles, proceeding to such stops as Cabo San Lucas and Puerto Vallarta before ultimately returning to Los Angeles at the end of the hour. The Love Boat’s claim to fame was its rotating roster of guest stars (with a new lineup in each episode), who were a mix of contemporary actors/celebrities (like Jim Nabors, Florence Henderson, and Sonny Bono) and old Hollywood/Broadway royalty (like Gene Kelly, Ethel Merman, and Zsa Zsa Gabor). These guest stars would provide the Pacific Princess with its passengers. There was a regular cast of characters that helped anchor (pun intended) the show—Merrill Stubing, ship’s captain; Adam “Doc” Bricker, ship’s doctor; Burl “Gopher” Smith, assistant yeoman purser; Isaac Washington, chief bartender; and Julie McCoy, cruise director. Vicki Stubing, the captain’s teenaged daughter, was added to the cast in season 3. In the final few seasons, Julie was replaced by her sister Judy, and the ship gained a photographer in Ace–full name Ashley Covington Evans. (Also, every so often, a guest star would play a member of the crew, like the gift shop manager or the chef, rather than a passenger.)

A standard episode was divided into three storylines that played out simultaneously over the course of a cruise. The vast majority of the storylines were romance-based, but there were others that consisted of family drama or old friends getting together. The regular cast members would participate in the passengers’ stories to varying degrees, sometimes being an integral part of the plot and sometimes only existing on the sidelines. The storylines would all get resolved by the time the Pacific Princess returned to Los Angeles, and the passengers would (almost always cheerfully) disembark, usually never to be seen again. Plotlines did not carry over from one week to the next, and even if a guest star returned in a later episode, chances were they would be playing a completely new character.

Although the guest cast took up the majority of the screen time, I was always more invested in the regulars, and wished we could spend more time with them—learning their backstories, exploring their dynamics with each other, and watching them actually do cruise ship work instead of pal around with the passengers. Because of The Love Boat’s near-anthology setup, not much effort was put into any sort of ongoing character development. Intense romances on the main cast’s part one week would be completely forgotten the next week, family deaths wouldn’t be brought up until it was relevant to that episode’s storyline, and new details about the crew’s past would be added as plot points, even sometimes directly contradicting a previous episode.

(The Love Boat had other issues that have less to do with my criticism of the writing and more to do with an adherence to certain flawed social practices, like how Isaac's love interests were always Black, or how single mothers were greeted with raised eyebrows, or how people of Asian or Latino/a descent were accompanied by specific musical cues–but these issues are not the point of this post so I won’t get into them at this time.)

Star Trek: The Next Generation premiered the year The Love Boat went off the air—1987—and ran until 1994. I only got into Star Trek in college, and TNG was my first series as it was easily available on BBC America. Although it had been several years since I had watched The Love Boat on a regular basis, one day a connection was made in my mind, and it occurred to me that there were a great deal of parallels to be drawn between a certain rom-com/drama at sea and a certain sci-fi adventure in space. I kept this observation in my head for years, but now that I have a blog (and because I have been rewatching a few episodes of The Love Boat in the past few weeks), I have decided to write out all of these parallels in detail.

First: the basic setup. The main cast is the crew of a ship, but we only really meet a handful of the hundreds of actual crew members needed to run the ship. In The Love Boat, for example, we don’t see the engineering crew, but the Pacific Princess must certainly have one in order to function, and although we do sometimes see Captain Stubing hanging out on the bridge, we don’t even know the name of the first officer. As I mentioned above, occasionally a guest star would play a crew member in an episode, acting as if they’d been there the whole time, but we would never see them again after that one appearance. A few times, one of the main cast would interact with an extra portraying a crew member—Julie would ask a steward to escort a guest somewhere, or Isaac would ask a waitress to carry a tray of drinks over to someone—but for the most part it seemed like our regulars did all the work on the ship. When Captain Stubing would have pre-cruise preparation meetings, it was always just with the main cast, who were not necessarily the people a real cruise ship captain would be meeting with right before sailing. (Take Gopher—he was only the assistant yeoman purser, and yet he was in all those meetings while the chief yeoman purser was not. Actually, I’m pretty sure the chief purser never made an appearance in the entire ten years the show was on the air. I believe Gopher got a blink-and-you’ll-miss-it promotion to chief purser in later seasons, but he was definitely assistant-purser-with-odd-authority at first.)

In TNG, the same sort of thing would happen. CMO Beverly Crusher claimed to have other doctors working under her, but beyond a Vulcan named Selar who showed up in one episode of the show, we didn’t see them. Missions that seemed suited to one of the science departments of the Enterprise, like xenobiology or astrophysics, would be carried out by senior staff members—also known as the main cast. There were a few more named recurring crew member characters on TNG than on The Love Boat, like Miles O’Brien and Reg Barclay, but for the most part our bridge crew did pretty much everything. And while it makes sense on TNG for the senior staff to interact with each other a great deal, they should also be interacting with their respective teams—and yet we don’t really see that happen. Geordi and Data are more likely to address an engineering problem on their own in a given episode than Geordi and the actual engineering staff, and we don’t really see Worf running his security teams through drills or target practice. On The Love Boat, Doc and Isaac for some reason are often seen checking passengers in at boarding, when that should not be in their job description at all and what we should see is Gopher supervising his staff doing those duties.

Both shows are more plot driven rather than character driven. Our main cast members in both shows are meant to serve as respondents to new situations brought aboard their respective ships, rather than personalities to be interrogated in depth. The main cast is defined enough that the audience can have a favorite character and know how a Picard story differs from a Worf story, or a Gopher story from a Julie story. But all in all the draw and focus of TNG was more “What is the crisis on the planet of the week?” or “What common ground can be found with this new alien species?” or “What commentary on the human condition can be extrapolated from this shipwide invasion?” rather than, say, Beverly’s mental and emotional state as a widow working under the man who ordered her husband to his death or the nuances of Troi and Riker’s no-longer-dating-but-still-sort-of-in-love friendship. Meanwhile, The Love Boat was preoccupied with “What sort of antics will this week’s cast of characters bring on board?”. Doc joked regularly about his multiple ex-wives, but we never got a character study about how Doc seemed to like falling in love more than maintaining a romantic relationship in the long term.

The Love Boat’s regular cast were pretty much the same season to season—Gopher was accident-prone and quick to goof around, Doc maintained his Lothario status, Captain Stubing was quick to both rebuke and advise. I didn’t really watch the post-Julie seasons, so maybe some character developments happened that I missed, but generally the passengers were the ones transformed by their time on the ship, not the crew. TNG characters did have a bit more of an arc than the crew of the Pacific Princess—Data got more in touch with his humanity and Picard relaxed more around his personnel, for instance. But that didn’t apply to all the characters—I’m hard-pressed to think of any sizeable developments in Geordi’s character beyond being promoted to Chief Engineer. Speaking of that promotion, once the show found its footing and everyone had the positions they would come to be known for—Geordi as Chief Engineer rather than the helmsman he was early on, Worf as Chief Tactical Officer post-death of Tasha Yar—nothing really changed for our main characters’ situations. The status quo was strictly enforced despite events unfolding that would have naturally led to transitions. After “Best of Both Worlds,” it would have made sense for Riker to ascend to his own command, but instead he stayed first officer season after season. Worf resigned his commission to fight in the Klingon Civil War, but once that was over, he strolled back onto the bridge without even any extra paperwork.

That aversion to long-term change was in keeping with the episodic nature of both shows. Nowadays, we’re used to the need to keep up with each season’s developments in a television show and watch every episode lest we miss some important revelation. In the case of TNG and The Love Boat, for the most part, you can drop a new viewer into any given episode and they’ll be fine. The stories are largely self-contained, and everything is pretty much resolved at the end of the hour.

This TNG/TLB comparison, however, is not resolved just yet...stay tuned for part 2!

#the love boat #star trek #tng #comparison

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