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lady-harrowhark · 1 year

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Locked Tomb Characters as Taylor Swift Songs

hey there tlt demons, it’s me... your local taylor swift girl. credentials include over 15 years of swiftie experience and a well documented primal urge to infodump about both the locked tomb AND taylor swift. more under the cut because this thing is a beast. let’s get into it.

(update: Spotify link added in the comments)

Gideon: The Story of Us. Listen. Gideon is a Speak Now girlie. I will die on this hill. Everything is so cinematic - the fireworks, the kissing in the rain, it’s just like her comic books! She will absolutely be singing this album in the shower. And if you have anything to say about it? Sucks to have shitty taste, my dude, sounds like you hate fun.

Now I'm standing alone in a crowded room And we're not speaking and I'm dying to know Is it killing you like it's killing me yeah I don't know what to say since the twist of fate When it all broke down and the story of us Looks a lot like a tragedy now... next chapter

Harrow: Hoax. Now, I know what you’re thinking. You’re thinking, “How dare you assign her a song not from Reputation?” And aesthetically, I hear you. She probably wants you to think that, actually. But while Harrow can identify with Reputation’s themes of the juxtaposition of public persona and private identity, she viscerally rejects the sweetness and vulnerability of Rep era tracks like Call It What You Want and New Year’s Day. But Folklore... Folklore is for abject despair. Hoax is Harrow crying into the mattress, remembering what she’s done. Hoax is “I still love you.”

My only one, my smoking gun, my eclipsed sun This has broken me down My twisted knife, my sleepless night, my win-less fight This has frozen my ground Stood on the cliffside, screaming, "Give me a reason" Your faithless love's the only hoax I believe in

Ianthe: Better Than Revenge. We’re not supposed to like this one. In theory, the description of “Diss track about ex-boyfriend’s new girlfriend, written by an 18 year old” doesn’t really hold any appeal for me. But when you listen to it, you can’t help but love it in all its nasty glory. Sometimes women are mean, and I need a song to scream to about it. (Ianthe thinks she’s doing Dress with Harrow. She’s not.)

I never saw it coming, wouldn’t have suspected it I underestimated just who I was dealing with She had to know the pain was beating on me like a drum She underestimated just who she was stealing from

Coronabeth: Mirrorball. Corona is an expert at reflecting back what people want to see. She studies military history for Judith, learns all about shuttles for a boy who wouldn’t look twice at her, she pulls off the long con of convincing the empire she’s a necromancer. She’s a mirrorball.

I'm still a believer but I don't know why I've never been a natural, all I do is try, try, try I'm still on that trapeze, I'm still trying everything To keep you looking at me Because I'm a mirrorball, I’m a mirrorball I'll show you every version of yourself tonight

Palamedes: Champagne Problems. Oof. You must have known this one was coming, right? Unlike most of the songs on this list, Palamedes is the subject of this song rather than the narrator. You know who the narrator is.

Your mom's ring in your pocket, my picture in your wallet Your heart was glass, I dropped it: champagne problems ... One for the money, two for the show I never was ready, so I watch you go Sometimes you just don't know the answer 'Til someone's on their knees and asks you

Camilla: I’m Only Me When I’m With You. A personal favorite of mine that doesn’t get nearly the love it deserves. If this isn’t her and Palamedes, I don’t know what to tell you. And after the events of NtN... um...

And I know everything about you, I don't wanna live without you I'm only up when you're not down Don't wanna fly if you're still on the ground It's like no matter what I do Well, you drive me crazy half the time The other half I'm only trying To let you know that what I feel is true And I'm only me when I'm with you

Nona: A Place in This World. Nona Palona. Kiddie. Junior. No-No. Cutie Pie. Lil Bits. Was there ever any other choice for her? This song is the perfect blend of slice-of-life and the inherent isolation of Figuring Out What Your Deal Is. Some people’s deal is being the soul of a murdered planet in someone else’s body, you know? It happens.

Got the radio on, my old blue jeans And I'm wearing my heart on my sleeve Feeling lucky today, got the sunshine Could you tell me what more do I need? And tomorrow's just a mystery, oh yeah, but that's okay ... Oh, I’m just a girl, trying to find a place in this world

Pyrrha: Right Where You Left Me. Look, I’m sorry about this one. But if you really expected me to pick anything else for the woman who’s spent the past ten thousand years watching every person she’s ever loved leave her behind in one way or another? That’s on you.

Friends break up, friends get married Strangers get born, strangers get buried Trends change, rumors fly through new skies But I'm right where you left me Matches burn after the other Pages turn and stick to each other Wages earned and lessons learned But I'm right where you left me ... You left me no choice but to stay here forever

Alecto: My Tears Ricochet. This song never fails to give me the chills when I listen to it in the car. Taylor’s ghost story metaphor for being taken advantage of by her record label until she was forced to leave maps on eerily well to John’s betrayal. I’ve been trying to be succinct in my lyrical excerpts, but fuck it, Alecto can have two stanzas, as a treat.

We gather stones, never knowing what they'll mean Some to throw, some to make a diamond ring You know I didn't want to have to haunt you But what a ghostly scene You wear the same jewels that I gave you As you bury me

I didn't have it in myself to go with grace And so the battleships will sink beneath the waves You had to kill me, but it killed you just the same Cursing my name, wishing I stayed You turned into your worst fears

John: Dear John. Honestly, any number of characters could be the narrator here, but I’m primarily thinking of Alecto. Mercy was right about putting an age limit on the Lyctor trials: “don’t you think nineteen’s too young?” John is also getting two stanzas to better exemplify the extent of my rage here. Fingers crossed for Alecto shining like fireworks over his sad empty town in AtN!

Well maybe it's me and my blind optimism to blame Maybe it's you and your sick need to give love then take it away And you'll add my name to your long list of traitors who don't understand And I'll look back and regret how I ignored when they said "Run as fast as you can"

You are an expert at sorry, and keeping the lines blurry Never impressed by me acing your tests All the girls that you've run dry have tired, lifeless eyes 'Cause you burned them out But I took your matches before fire could catch me, so don't look now I'm shining like fireworks over your sad, empty town

Kiriona: Would’ve Could’ve Should’ve. Right up front, I will acknowledge that this is a much different context than Taylor wrote this song about. However, the imagery is so spot on for Kiriona’s rage. Taylor was right to save this one for the 3 AM version of Midnights, not because it doesn’t deserve to be on the standard album, but because it would have completely overshadowed every other track with the rawness of her anger and regret. I feel physically ill every time I hear the line “Give me back my girlhood, it was mine first.” And Kiriona’s no stranger to giving someone your whole life and realizing they didn’t even want it.

God rest my soul, I miss who I used to be The tomb won't close, stained glass windows in my mind I regret you all the time I can't let this go, I fight with you in my sleep The wound won't close, I keep on waiting for a sign I regret you all the time

Mercymorn: Anti-Hero. I feel this one so strongly that I have actually already made a separate post comparing the lyrics to specific Mercy quotes (and I kind of want to do the same for Kiriona… hmmm). Unlovable Mercymorn, critical Mercymorn... it must be exhausting always rooting for the anti-hero.

It's me, hi, I'm the problem, it's me At tea time, everybody agrees I'll stare directly at the sun but never in the mirror It must be exhausting always rooting for the anti-hero

Augustine: The Archer. You know, I almost gave him Miss Americana and the Heartbreak Prince just for the drama and scheming, but I think The Archer captures the genteel façade overlaying his true feelings. It brings to mind the conversation during Dios Apate (minor) where he says he wants to believe that he could’ve stopped Alfred if he’d had just a bit more time. Ouch.

All the king's horses, all the king's men Couldn't put me together again 'Cause all of my enemies started out friends Help me hold onto you

G1deon: I Knew You Were Trouble. We know it, we love it, we laughed ‘til we cried over the version with goat noises edited in. He knew he was playing with fire, and look how things ended up.

I knew you were trouble when you walked in So shame on me now Flew me to places I'd never been Now I'm lying on the cold hard ground

Wake: Cowboy Like Me. A country ballad? For Wake? It’s more likely than you think. Cowboy Like Me is the story of two swindlers who didn’t mean to actually catch feelings... sound familiar?

Now you hang from my lips Like the Gardens of Babylon With your boots beneath my bed Forever is the sweetest con I've had some tricks up my sleeve Takes one to know one You're a cowboy like me And I’m never gonna love again

Pash: philosophical exemption

Judith: Enchanted. I knowwww, it seems a little frilly and glittery for Judith, but hear me out. How starstruck she was over Marta, how working with her for the first time did absolutely nothing to change that. Thinking of no one else until she’s able to suggest her for her cavalier, secretly reading, ahem, “materials” and dreaming about making things different between them... Yeah, Judith was definitely enchanted to meet her.

This is me praying that This was the very first page Not where the story line ends My thoughts will echo your name, until I see you again These are the words I held back, as I was leaving too soon I was enchanted to meet you

Cytherea: Look What You Made Me Do. The old Cytherea can’t come to the phone right now. Why? Cause she’s dead! I love this for Cyth, not just for surface level content, which certainly fits, but for the context of the song. When LWYMMD was first released, the public consensus was that it was a response to the whole Kim/Kanye situation. In the years since, though, it’s become public that behind the scenes, Taylor was struggling to regain control of her work from her record label. With that context, much of the lyrics and music video reflect that conflict, rather than the one everyone assumed. In the same way, Cytherea’s motivation and actions look much different through the lens of what we learn throughout the next two books.

But I got smarter, I got harder in the nick of time Honey, I rose up from the dead, I do it all the time I got a list of names, and yours is in red, underlined I check it once, then I check it twice, oh!

Dulcie: Bigger Than The Whole Sky. This one hurts. In a series full of tragedy, the fact that this delightful menace never got to meet Palamedes and Camilla in person is enough to break my heart. Our sweet little malign fairy, who has never done anything wrong in her life.

Goodbye, goodbye, goodbye You were bigger than the whole sky You were more than just a short time And I've got a lot to pine about I've got a lot to live without I'm never gonna meet What could've been, would've been What should've been you

Abigail: September. Not a Taylor Swift original, but her folksy cover of the classic is so soft and cozy. Comforting, in that Abigail way. If she and Magnus danced to this one, I can’t blame him for keeping a scrap of her dance card.

Our hearts were ringin' In the key that our souls were singin' As we danced in the night, remember How the stars stole the night away

Magnus: Starlight. More songs for saving dance cards! I can imagine him both sweetly dancing with Abigail AND being a huge dork and embarrassing Isaac and Jeannemary to this one. (Noooooo Magnus, don’t dance to Taylor Swift!)

And I said, "Oh my, what a marvelous tune" It was the best night, never would forget how we moved The whole place was dressed to the nines And we were dancing, dancing Like we're made of starlight, starlight

Isaac and Jeannemary: Long Live. Because that’s what they should’ve been able to do, ugh. I sort of meant this as a joke but when I went to copy the lyrics over I started getting all teary-eyed, so, you know. It’s fine.

Will you take a moment? Promise me this That you'll stand by me forever But if, God forbid, fate should step in And force us into a goodbye If you have children some day When they point to the pictures Please tell 'em my name Tell 'em how the crowds went wild Tell 'em how I hope they shine Long live the walls we crashed through I had the time of my life with you

Cassiopeia: Vigilante Shit. I love the image of Cassy as a contract lawyer vigilante, but I also love the implications in this song that she was working behind his back with his wife Alecto. Gotta make sure she gets the Benz in the divorce, and if the FBI get involved? Well, that’s out of her hands at that point [sips coffee].

She needed cold hard proof so I gave her some She had the envelope, where you think she got it from? Now she gets the house, gets the kids, gets the pride Picture me thick as thieves with your ex-wife

Anastasia: Haunted. The church bells! The drama! So very Ninth. With Haunted, we get both her devastation at “misapprehending” the ascension process and her growing horror at the ways she’s begun to realize they’ve all been manipulated.

Come on, come on, don't leave me like this I thought I had you figured out Something's gone terribly wrong You're all I wanted Come on, come on, don't leave me like this I thought I had you figured out Can't breathe whenever you're gone Can't turn back now, I'm haunted

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