i have come here to personally thank you for giving me more than i asked for 🙏🏻 i am utterly grateful like IDJFKDKKFODOD 🧎♀️🧎♀️🧎♀️ it made me so happy the last doodle has my heart he is so cute i will eat him
also there is a DROUGHT out there for us noritoshi fans like im living on CRUMBS its insane and omg dont even talk to me abt how it feels like to be a kashimo and ino lover (altho they are getting a bit more love now) my nori is still underrated :/ sooo hence im asking ur hand in friendship and in exchange i promise to share my hcs with you abt nori my sweet lil meow meow we're in this together 💪🏻💪🏻
also since its October, do you think he likes horror movies? i feel like he can withstand gory movies but its the jumpscares that get him and he wont tell u he's scared when u watch one with jumpscares owkfkdkd imagine him hiding his face against ur shoulder or something 😭😭😭 (i used to do that with my dad when we watched horror movies and i used to be like im not scared😤😤 when he asked if i was lmfao thats where this hc stemmed from)
N. NORITOSHI HIDING IN YOUR SHOULDER OR SUPPRESSING HIS REACTIONS TO THE JUMPSCARES....... WAS IT AN INVOLUNTARY REACTION TO USE YOU TO HIDE??????? WAS IT BUILT UP TRUST????? DID HE GROW USED TO HOLDING ONTO YOU WHEN HE GETS SURPRISED BECAUSE HE WANTS TO MAKE SURE HE HAS HIS VALUABLES SAFE????????? WAS IT A MOMENT WHERE HIS MIND JUST INSTINCTIVELY GRABBED THE FIRST THING HE WANTED TO PROTECT/BE PROTECTED BY???????? OH MY FUCK.
he's probably used to gore and gritty stuff like that since he sees it often being a jujutsu sorcerer and all. not to mention his technique is literally blood. maybe he's desensitized to gore films, the most you'll get from him is a disgusted scowl.
BUT DID YOU SEE HOW QUICK HIS EYE OPENED WHEN HANAMI SHOWED UP BEHIND HIM. YOURE SO FUCKING FR ABT JUMPSCARES. Noritoshi is that guy who wouldn't scream or yelp but gasp really loudly and jump out of his skin.
i feel like they get him most in horror because of the music building up anticipation. if its one of those fake outs where the jumpscare comes a bit after, he's fucked UP. It makes him instantly miffed, as he tries to regain his composure. He swears he's not usually like this, it got him by surprise is all..!
Noritoshi is the type that'd only watch a horror movie if the story is rich and complex. He's the type of guy to like open endings that make you think.. if it's a guilty pleasure movie where all the protags make stupid decisions, he gets annoyed right off the bat.
He's groaning and complaining about how imbecile the characters are, but would still watch it with you because you personally invited him. If he's lucky you could fall asleep on his shoulder or [insert movie cliche here] how could he pass that up? But Noritoshi wouldn't be able to focus on you if he gets twice as annoyed because its a bad movie + jumpscares. it still startles him, but the movie is so terrible, he's embarrassed it got him, especially in front of you!!!
if you get involved and you tell him to quiet down, Noritoshi would shift his focus towards you. like that awkward guy who thinks he's being smooth and lowkey about how he cuddles up next to you. He wants to be the tough guy who's shoulder you can hide in, and he is!! just not.. with jumpscares.......
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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the thing about rgu episodes 35&6 is its just like...... everything is veering towards a car crash but more than usual. and everyone is more aware of how car-crashy things are going to get than usual, but its like. no one is like ‘hey what if we didn’t get into a car crash though’, or if they are, they’re expressing that sentiment in the worst way possible (shoutout anthy and touga). you have so many tiny and horrendously fucked up moments in those episodes like juri saying utena ‘looks like a girl now’ and making miki consider whether or not that’s a ‘good’ thing, or utena falling asleep at the table with her earrings as anthy just Watches, or the scene where touga holds a carrot in various initially amusing and then promptly emotionally devastating ways as both he and the audience make a series of crushing realisations neither of us are totally comfortable accepting
its like. throughout all of this acknowledgement of ‘hm. this is bad’ everyone is filled with inaction. we are all trapped in our coffins!!! people are prosing but that’s about it. all of the student council know who end of the world is, and they don’t tell utena. im not blaming them for this because its masterful, compelling writing that serves to elevate the show and its themes, but i am pointing it out because what’s endlessly relevant in utena analysis is recognising when characters make choices that ohtori frames as a natural progression or event that is immutable. anthy and touga voice wow i cant believe at least one person has to die at the end of this duelling game, which we like have to do btw. yeah. what do you mean this is all constructed and therefore can be dismantled. oh my god im going to kill you what the fuck. i dont want to kill you. i dont know how else to get you out of this situation. guess ill try and remove you from the system, thereby proving it is a structure that can be left behind and undermining my fragile worldview ive believed to have kept me ‘safe’ all this time. why are you guys talking about coffins so much omgggggggg shut up shut up shut up
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I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:
(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)
[INT. POLICE DEPARTMENT - BRASS' OFFICE]
Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)
Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.
[INT. POLICE DEPARTMENT - HALLWAY]
(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)
(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)
LIKE!!!!!!!
Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.
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EVIILLL (i love that) BUT do they still make out WAYYYY longer then needed even if they're broken up?
oh, Certainly, darling. ;)
here’s the reference post for context.
and actually, that whole music video scene/side plot lives so rent free in my head, that i…started writing it out as a little mini para? i just miss writing stuff and wanted to do something fun and dramatic and spicy with legit crazy amounts of emotional/sexual tension in it.
because…oooough my god, i just know jersey was annoying and extra as FUCK that whole time. which, while diabolical, is also a very bold move bc stan was not speaking to him, like, At All and had no intentions to but kyle, conversely was extremely desperate speak to him so…he saw his opportunity and he took it, baby!
my man was Working! It! every angle, throwing his head back, his jawline could cut glass, his hair was so luxurious i bet it smelled so good, his like billowy tunic thing was falling over his shoulder, which has so many freckles on it…all while he was winking and waving his pretty long ass fingers at stan, smiling evilly.
— and when kyle does the things he did to him as raven back to him, it’s so funny to me because stan had to be blackout drunk and try really hard to exert that level of sex appeal as the biggest boyfailure on planet earth, but jersey quite literally is just That Bitch, does not need to try at all, can do it ten times better and it’s one hundred times more effective on ravenstan —
who is probably in hair in makeup, gripping the table so hard, trying to be unbothered when he’s SO bothered, hot and otherwise, shaking so much the hair and makeup team are like “you need to stay still.”
like stay still???? STAY STILL??? bitch! could you stay still if literally your ex super best boyfriend and the hottest person on planet earth is trying to eye!fuck! you! during the shoot for YOUR MUSIC VIDEO??? which i know that was extra stressful bc it was stan’s music video so it was his concept so he designed his own hell and built it around kyle and wanting to see kyle do it, so he literally played himself, rip bestie.
a mess…a MEEESSS.
and after all that happens which, whEw! a lot was happening, it was Very Ungentlemanly And Depraved, there were a lot of hands…in places that polite young man’s hands should not be…but when they pulled off i Swear kyle was smirking lookin sooo smug and satisfied, absolutely shameless, abt to try and go in for another one like literally tucking stan’s hair behind his ear, like skating his nail down his jaw line slowly and stan was SEETHING. i mean mad mad MAD!!! and stan never gets mad. like he stormed the hell out of there slammed the door And Everything before screaming into his hands.
free ravenstan, stop the violence jersey!!! you know my man is a pacifist and can’t fight back. :/
p.s. pls note that ravenstan looks like a slutty punk rock crimson dawn virgin sacrifice version of victor van dort in corpse bride but like more red than blue bc of raven stans angst divorce hair…do we…do we see the vision? there’s a vision and in it stan looks extremely pretty, wide eyed, easily corrupted & biteable. <3
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