#no particular place to go | Explore Tumblr Posts and Blogs

wellntruly · 7 months

Text

If you read the novel Catch-22 (1961), about U.S. Army pilots & sundry stationed on a Greek island during World War II, you will encounter this off-hand description during the period where Yossarian is hiding in the field hospital:

At which you will either pause worryingly, or you’re normal.

I am not normal, because I have watched the television show M*A*S*H (1972-1983), about U.S. Army medical staff in a mobile surgical unit during the Korean War, and which features a character called Hawkeye Pierce, who frequently looks like this:

Now this bathrobe, iconic simply, appears red to the observer. However, deep into the run there is a line in which Hawkeye refers to it as "purple"—great consternation. But film cameras and light waves being what they are (capricious, devilish), it could very well be maroon in life. It could very well be maroon. It’s what I assumed after that comment. But what I'd never asked was, what is it made out of? Is that corduroy, could it be corduroy, could this be—

Oh noooooooo!

Why is Hawkeye the only one who is wearing the robe of patients from the last war, I ask you! Is it for the METAPHOR. To make me YELL. Did the costume department make it for him, or did they just already have one on hand in the WWII storage? Wait it wasn't real was it? Where is it, where is this robe!

Well babe, it’s in the Smithsonian:

A) of all, fucking fantastic, could not be a place I more want Alan Alda’s bathrobe as Hawkeye Pierce to be than the National Museum of American History. B) well well well well well, what do we have here:

[sic]

So looking THAT up brings you nothing that makes any sense, even trying to correct for spelling. But not to fear: historical re-enactors are here.

On the website of the “WW2 US Medical Research Centre,” an absolutely delightful combination of words and spelling brought to you by two European history buffs, and that’s Europeans who are obsessed with history, specifically American medical units in the 1940s, there’s a page for pajamas, and why look who’s here:

OH ho oh HO!

“Progressive Coat & Apron Mfg. Co.” is so similarly bizarre that I would be very willing to bet that something like idk, the imperfect process of digitizing thousands of records for a website catalog, could have absolutely resulted in “Agressive Coat and Manufacturing Company.” Which would mean yeah, yeah yeah: vintage World War II, slash Korea, just five years later. It was authentic, what they gave Alda to wear, along with his dog tags.

Just Hawkeye though still, which is what's odd.

BUT HANG ON.

Heeeeey now!

So I was recently reminded that in the pilot episode, but the pilot episode only, Wayne Rogers as Trapper John McIntyre also has the regulation corduroy MD/USA bathrobe! In fact, he actually has what would appear to become Hawkeye’s—observe the location of the embroidery. Pocket, like Hawkeye’s in every robe appearance after this first episode, the robe that ends up in the Smithsonian Museum. Whereas the one with the embroidery on the chest that's hanging above Hawkeye's cot here, a common variant that shows up when you’re searching around on military history websites, after this appearance I believe is seen just once more on a visiting colonel later in the first season, then quietly vanishes. Alda ends up in Trapper's, and stays in it for keeps, while Rogers gets, of all things, a cheery goldenrod terry number.

But like, why. Why just Hawkeye in the WWII surplus robe. Both Doyle and Watson have avenues here that I like to think about. For the Doylist side, I suspect it was a decision of like, this is simply too matchy. It’s 1972, our TV screens are small, we gotta take any chance we can get to distinguish these tall white men constantly wearing the same of two monochrome outfits.

In fact, I actually wonder if there was a world where Trapper might have stayed in the maroon and Hawkeye could have ended up in Henry’s robe.

The light blue & white striped bathrobe McLean Stevenson wore as Henry Blake was sold at auction in 2018, and the item description contains the curious detail of it having a handwritten tag inside reading “Hawkeye.” Well heeeyy again.

And here’s another curious detail:

There was a blue & white striped Army-issue robe as well

Now Henry’s is clearly NOT vintage WWII, lacking the pocket embroidery, being terry cloth, and also of course: pastel. But it’s INTERESTING, isn’t it? They had to have been GOING for that look, with that same unusual collar shape and that multi-stripe patterning.

(Also, for real 'what the hell even IS this color' fun, this militaria collectors purveyor has one of the maroon versions too, with photos you can page though and laugh as it flips between looking clearly purple and clearly red in every other photograph. Cameras!!!)

Anyway now we turn to the Watsonian explanation, which seems to run like this: the men at the 4077 were just casually passing their robes around to each other. It's about the intimacy in the face of war, etc. I can see bathrobes going missing when they bug out, getting stolen from the laundry by Klinger and scrapped for parts, being handed off to a poor cold Korean kid who needs it more, and then they need to get to the showers and one of them is like hey, just take mine, and then it’s his now. And eventually most of them end up in warmer-looking civilian robes than the Army holdovers that were being distributed early on, but Hawkeye, he just hung on to Trapper's.

And as a side effect, still looks like he's been injured in World War II.

#thank you for going with me on this journey #and thank you in particular: to Joseph Heller #really froze me in place at that line buddy #M*A*S*H #M*A*S*H hours #Catch 22 #Joseph Heller #WWII

207 notes · View notes

twentyfivemiceinatrenchcoat · 17 days

Text

you start calling suguru ”king” as a bit and he absolutely hates it so you just keep cycling through titles (my liege, my lord, your highness etcetc) until you get to ”my emperor” and he gets a sudden shiver down his spine

#IS THIS ANYTHING #i’m just brainrotting all over the place </3 #to be clear this isnt rlly meant to be suggestive or anything i just think he gets a kick out of being called that . sick sick man #makes him feel like a feudal warhungry lord #(he also really likes it when You In Particular call him that but . we dont need to discuss it ok!!)#might sneak this into a fic bc i think it’s funny :3 #”how about… my *emperor*?”#”…..…”#”… oh. did you actually like that one?”#(his ears go red btw)#ari noises ✩

82 notes · View notes

wreckedhoney · 29 days

Text

MASSIVE SPOILER for one of the endings.

it's been a while since i tried looking, but i did hear that something like this happens last year and over time started to think, "was it a fluke?" bc no one posted footage or caps of it then, and i aimed for a completionist run in my first playthrough. turns out it's real! and definitely shines a new light on a character that, for most other types of playthroughs, will not give this much emotion! EDIT: transcript now included, and some stillshots under the cut

[0:28] Marie: Henry, this is the man who kept you from doing the right thing tonight. Kill him. [0:15] Forrest: Henry, you don’t have to do this. If you’ve not killed anyone yet, there’s still time to make the right decision. [0:05] Out of shot: (Gunshots) Henderson Police! Freeze! Marie: No! Henry, get out of there!

#killer frequency #henry barrow #these hands………#so yes MORE spoilers and further commentary ahead here in the tags:#yes this is a fairly tragic ending if you already know how to get it. but again TERRIFIC VOICE ACTING BEFOREHAND AND AFTER.#feel free to reply in post if you want to ask about that part.#i didn't include that in the vid bc it's so visceral and raw but i love their performances. that shit hit hard dang.#but i want to ask anyone if their perspective on henry changes after seeing this? mine does tbh. i didn't expect a possible show of remorse #like at most hesitation! but bc of the context of forrest's dialogue- does it lean into remorse? a large definite shift in his mind!#even if he Has killed already then he's still taking forrest's words to heart and reconsidering everything which DAMN-#-my videogamey headcanon of forrest's character stats showing his Persuasion and Charm MAXED OUT is pulling tf through here!!#also can anyone reply re: would forrest's dialogue change but he still survives if henry kills maurice or murphy? or would forrest die?#and if the devs Actually gave henry other official kills in the game but didn't disclose them in the narrative- then is this the test?#like if henry kills AT ALL in game even though the player isn't privy to knowing which victims are his then is this ending unattainable?#also placing this scene/character moment behind THIS ENDING SPECIFICALLY heck that's cold. dang fellas.#going to eventually pull out a hc i've been holding back for a long time in a later post and i'll mention this scene again then-#-but this part in particular as well as another “easter egg” has really put more fuel to it

47 notes · View notes

silverwhittlingknife · 1 year

Note

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake. He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life. This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth. But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent. He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way. He’s not like David Cain or Arthur Brown, who are abusive monsters. Jack’s not a monster! He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset. He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot. Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!).

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in. Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay! So first: Jack’s a character who IMO is pretty up for interpretation. You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in! I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area. Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away. He's just...not great. Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values. Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic. It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play;

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance;

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...);

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism. Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever. Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot. And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do. When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV. If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really. So what do you do? Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around? Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?

Again: a bit similar to the extracurricular analogy. Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out. How would you react? Well, maybe kind of in some of the ways Bruce reacts. You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him. You’re upset with his dad. But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son. But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it. When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.

This is bad behavior! It is Not Good!

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either. Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust. When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified. When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem. Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious. And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person. So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations. When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies). When Tim disappears or runs away, Jack’s genuinely worried about him. So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!). It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy). Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

#tim drake #jack drake #ask tag #i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333 #anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO #for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick #and i never stop turning it over in my head #he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was #and early!tim makes a BIG POINT of how bruce is not his dad #and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all #(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers #because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life #if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission #which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close #but in their civilian lives no one would assume they're anything in particular to each other #anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone #and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible

482 notes · View notes

butchthirteen · 4 months

Text

by the way i've been going through rtd's non-doctor-who work and the first thing i watched was queer as folk and i have to say. there's a lot going on in that show but my main takeaway is "it's extremely obvious that the guy writing this really wants to write doctor who." there are ten episodes and of those i believe seven mention doctor who in some capacity. the theme starts playing in the middle of gay sex. k-9 is there. the character responsible for most of these references breaks up with his boyfriend because the boyfriend can't name all the doctors. at the end he has a couple lines where i was like "wow this sounds like something the doctor would say" and then the next lines out of his mouth were about doctor who. all of this is retroactively much funnier now that rtd kickstarted a 20+-year-long reboot for the show

#doctor who #like the show itself is not all that similar to doctor who beyond like. rtd having a pretty clear voice as a writer #like the characters aren't similar the plots aren't similar it's a totally different genre #and like. ostensibly doctor who comes up so much because one particular character is a fan #but like. you can *tell* that it's coming from a place of appreciation and knowledge on the writer's part #i don't know. if i'd been an adult in 2004 and i'd seen queer as folk and then heard that that guy was going to be writing doctor who.#well i simply would not have been surprised.#i would've been like. yeah good for that guy. proud of him.#(i also found an interview with rtd from like. 2000. where he was like 'yeah i was going to do doctor who but then someone new came in so #that's probably not happening anymore :/' and again. very funny to read in retrospect)#anyway. the funniest reference was the theme playing mid-gay-sex because for half a second i thought i was watching the wrong show #and it had gone to the opening credits #also i need to find out if they used the original k-9 prop because i think that would be EXTREMELY funny

63 notes · View notes

lemonsharks · 6 months

Text

(ID: That still of Lockwood, Lucy, AND George leaning against the wall, now with speech bubbles

Lockwood: can we stop cropping George out of this photo?

Lucy: what part of "the best of us" did you people miss?

George's right arm: thanks, guys. It's almost like I had a character arc about being disposable and extraneous or something

End ID)

Yeah, I'm salty

First and last time I'll ever add salt to the ship tag, apologies but also can we maybe don't?

#lockwood and co #anthony lockwood #lucy carlyle #george karim #lockwood and lucy #locklyle #*cough cough*#honestly I have one pet peeve in this fandom and it's removing George from this particular still #after his big moment of feeling supported and valued by his friends #then y'all go off and third wheel him?#here of all places?#salty cot3 agenda

103 notes · View notes

carnivalcarriondiscarded · 9 months

Note

Gotta say your au mixed with the art style and such and amazing work in what we seen so far with the horror and some laughs it's just become a treat every time I saw new details (whenever you supplies them up, thanks for that)

I know you already disclosure that it's gonna be bad BAD TIMES for the puppets gang but does it have it's soft ad fluff times??

The shot were Frank ask Wally if they're dying will looking up for the ceiling hasn't leave my brain, such a raw emotional clear on them, I wonder when they were just the two of them for a while they cuddle or hold hands for comfort??

I just.i just want them to have small victories of comfort

of course it has fluff and comfort! a lot of it! having a nice blend of both makes the fluff feel sweeter & the hurt hit all the harder <3 i will now supply some (written (for now)) examples and tidbits. putting it under the cut cause it got kinda Long

Frank & Wally do become very affectionate with each other! ofc as soon as Frank woke Wally was like "ok im holding your hand everywhere we go, this is Non Negotiable". because its dark! he doesn't want Frank to stray too far or get lost! and it's easier to yank Frank outta harm's way if they're already holding hands. comfort factors into it later, when Frank starts initiating & Wally does it purely to make sure Frank is still there. but yeah they get Very comfortable with each other, to the point where when Eddie wakes up he asks Frank - misinterpreting the situation entirely - "if you'd rather have Wally than me, i understand." ofc Frank laughs his ass off bc uhhh no that is Not what their relationship is, Ed

~ similarly, (almost) everyone acclimates to Wally's need to be as close as possible at all feasible times. he's Very physically affectionate and has little to no regard for personal space or boundaries anymore. like, he'll listen when someone asks him to back off or somethn, but until then he does not give a fuck. and this rubs off on the others as they get used to it

and then there's OH WAIT IDK IF I'VE MENTIONED THIS YET but! Wally - during his main exploration phase - found the Welcome Home episode recordings! and he eventually figured out how to work a tv he found, so he added "watch an episode of me and my friends" into his Routine. when the others wake up, he includes them in this. is it horrifying for them at first? yeah. but they get used to it and find similar if not the same comfort and enjoyment in it that Wally does. like in This Scribble, Frank & Wally & Poppy & Howdy are all watching an episode, and are quoting the lines they've memorized. they all cuddle up on a couch together and watch their favorite show <3

& Wally also teaches them (as they wake up) how to repair and care for themselves / each other, sleeping or otherwise. picture a little sewing circle of Frank, Wally, and Poppy, with Poppy giving tips and guidance on how to improve. these sessions provide them with genuine smiles and sometimes even some laughs.

before Wally & Home's divorce, they'd pass much of the time with games! go-fish, charades, i spy, etc. one of their favorites was when Wally would toss a ball at Home's door, and Home would hit it back. additionally, whenever Wally discovered something new, he'd rush back to Home with it - either the information or the actual thing, if he could carry it. ex: when he'd find books or files, he'd bring them to Home and (quietly) read them aloud while resting against them

and just in general know that the Post Office is a place of safety. Wally has made sure it's secure. i like to imagine like... little craft sessions and impromptu dancing lessons and story sharing going on in there among the awake neighbors. they try to have fun despite it all

that's all i can recall for Act One's fluff tidbits rn, but trust me there is More. and also abundant angsty comfort. the downright painful stuff has to earn its existence yk yk this au is Not grimdark

#oh there's also a really specific scene in my mind of like.#poppy taking notice that wally has developed a disregard for his appearance & that he doesn't seem to think he's attractive anymore #and recruits frank & howdy to give him like... a lil spa day as best they can #they tie (most of) his hair up in a ponytail and scrub some of the dirt out & they make a little patchwork sweater for him #and poppy tells him he looks very pretty #and wally has a moment of '...? im pretty? im still...? oh...!'#they notice him putting a teensy bit of attention towards his appearance going forward from this #oh also he makes sure they All get a little 'spa day'#good feelings all around....#rambles from the bog #wh lights out au #they all pick up little Habits towards each other #like wally will hold others' hands and just fiddle with em w/o a real point or goal #frank will adjust his friends' clothes hair if it's a lil Too out of place #poppy will hold her wings around/behind others w/o really realizing it #howdy will pick up / carry the smaller neighbors for no particular reason #eddie tends to keep a hand on the nearest person #etc etc!#there was. Something Else i wanted to add. i don't remember what it was!#but yeah! there are good things. there are Always good things.

89 notes · View notes