PAYDAY

aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!

this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it

happy @mcyt-valentines exchange !!!!

click for better quality!

are you gonna start climbing, or what? / needletail

Wow. surprisingly peaceful domestic moment. When will it be ruined? /ref Bones + Spock @ Jim (mcspirk)

here ya go anon !! thank you so much for the req<33

the reason bones and spock are always arguing is because every time they agree on something the universe will make jim do something completely reckless and stupid just to fill the old married couple bitchiness deficit in the space-time continuum. (also psst if jim hadn't interrupted his husbands in panel two spock would totally have worked his way up to resting his hand on bones' shoulder lmao)

really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:

(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")

this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks

i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:

(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)

freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama

Feel free to ignore this but as someone who also goes to art school, I find it really interesting how other art schools also have a “don’t date your peers” sort of faux pa. Like so many people I know (including me) refuse to date anyone else who goes to my college 😭

I wonder why that is tbh, small school thing maybe?

being so serious i didn't have anything against dating other art school peers when i first came here and i think most freshmen dont but once you have one or two art school relationships under your belt you realize why all the upperclassmen avoid dating each other like the plague

this is how it feels to chew 5 gum being a barnaby/howdy enjoyer. im Unwell

"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias

+ Seb not getting what he ordered

+ the usual

Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!

Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;

The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.

I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.

He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.

Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.

Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.

Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.

I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.

Me: //brushing up on my old Paperhat fanfics to make sure I'm getting details right for the new one//

Me @ my past readers:

I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.

Oh my goodness gracious I’ve been bamboozled

Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.

He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?

Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).

And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).

Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.

Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.

dustfinger spends 90% of his life seeing how close to getting his ass beat he can get without actually getting hurt and guessing wrong almost every time

How's it goin'? :D

Not well! Here, have this scene because I don't know if or when I'll write again:

[Akutagawa x reader, suggestive content, fic excerpt]

“It just occurred to me that my sister has seen you naked more than I have.”

You squawk out an indignant laugh, dropping your pen and putting your face in your hands to hide your blush. “What in the hell?!” you ask through your laughter. “No!”

Ryuunosuke’s footsteps pad across the room, and his hands slap against the tabletop as he leans over you.

“You bathe together after you work out. You’ve been doing it for months.”

“Do you look at the guys you bathe with?” You ask, looking up at him. He isn’t angry, he’s a bit… pouty.

“I don’t take public baths.”

“That’s very 21st century of you.”

“My own sister,” he emphasizes, and you get up, still giggling, and round the desk toward him.

“You know damn well that people don’t usually look at one another in the bath. Yes we may be there at the same time, but don’t make it weird.”

His hands reach for your waist unashamedly. He pulls you forward, turns, and presses you up against your desk, pinning your body there with his.

“She says you’re beautiful as if I don’t already know that,” he says into your neck. “She has no idea how beautiful you are for me alone.” One of his hands roams from your waist down your back to your butt. He squeezes and at the same time begins peppering kisses across your neck and up your jaw.

“‘Nosuke,” you gasp softly, putting your hands on his chest. “What if there are hidden cameras-- you can’t--”

“--Who’s going to stop us?” The growl in his voice makes your breath catch in a small gasp. He starts to lift you onto your desk, and you jump up, helping him.

“Kiss me,” you say, and he complies, sliding a hand into the hair at the back of your neck to hold you in place while his lips work over yours.

Dabi is surprisingly a lightweight. You honestly would’ve never figured by looking at him, but as you think back on it, you’ve never really seen him drink a lot. Not when there were celebratory parties, or when things didn’t go right for him. It’s why you’re so shocked when you convince two shots into his system, why he suddenly looks so loose, why his grin splits so wide.

He’s a clinger, you’ve also learned as you’ve started observing the blue eyed man where he shoves his face into the crook of your neck. His body bends over almost uncomfortably to fit into the position, and you can’t help but flinch a little when his damp breath blows a quiet little raspberry on your flesh.

omg wait my favorite thought is of you not even necessarily being a heavyweight, you can just handle your liquor a little better than anyone expects. you love to knock back drink after drink, convince Dabi into some stupid competition that he falls for because he’s such a little nerd and secretly wants to impress you. he does it thinking you’ll be the drunk one first, the one hanging off of his arm and hopefully his dick by the end of the night.

it belatedly shocks him when it’s the exact opposite. when he’s slurring a little and smiling at you, when you watch him through low eyes with a wide grin, when he wraps himself around you like a python, when you shake his face gently as you squish his cheeks together in hand. he’s just so utterly obsessed with you in these moments, and maybe it’s the liquor in him, but he knows his lowered inhibitions are only bringing forth the feelings he’s always suppressed.

drunk sex with Dabi where he’s the one too loose limbed and limp and weak. he flops onto bed like some rag doll with his arms and legs spread wide, but he musters up enough strength to release the heavy weight of his cock from its confinements. doesn’t do much besides lift his head from the pillows with a point to his crotch and a lazy grin, an announcement of, go ahead and hop on already before he’s flopping back down again, ready to lay back and get fucked like how he knows he deserves.

i wrote a 500 word dynamic poem for neo-twiny jam :-)

i rewrote this in a few different ways with a handful of different drafts before settling on just doing a poem; this originally came from a full branching narrative i've had stewing for a while, and i might come back to it one day. but for now i enjoyed channeling that into this poem, which has also been very influenced by the fact that i've been writing hungry vampires for almost 2 months now.... it was also my first time messing with audio in twine, which ended up being way easier than i expected (i'm sure it helped that i only used one audio sample tho)

faith does contain sexual content, and while not super explicit, it is the main theme of the poem.

anyways hope you enjoy and check out the other entries here!

something lowkey funny about me getting into a minor car crash while reading a hijack fanfic (i’m okay dw 👍🏽)

How tf does Dogman manage to have a better redemption arc story then Hazbin Hotel

My grandmother today, apropos of nothing: Well, why did they make Buck gay?

Me, bristling already: Because sometimes that’s the way the world works

My grandmother, ignoring me: Well, I never knew he had a crush on Eddie

Me: