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beatcroc · 2 years

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tl;dr+disclaimer: this is NOT intended as some kind overarching review or analysis, just my thoughts on various things, and while i am absolutely enthralled by nge’s narrative tone/style/execution, i dont really give a shit about what the narrative is actually saying. This is not a writeup on its plot or themes, but rather the way they are presented and explored. [actually mostly a lot of obsessing over small details and side characters]. the end of evangelion movie is not included here and will have its own post.

secondary disclaimer: apparently nge has a fuckload of cultural context and stuff about How it exists as a commentary or subversion of stuff of its time or whatever. rest assured i know neither jack nor shit about any of it, and am just seeing how it functions as its own thing in a vaccuum. alright here we go.

earlygame evangelion was absolutely nothing like i was anticipating, and as a person who Generally Does Not Enjoy Anime, i cannot stress enough how much this was to its benefit. first thing i noticed was a distinctive Lack of those ‘anime visual gag’ type of character expressions/reactions; refreshing just for my own petty disdain for them, but also notably important to its overall tone. eva’s tone is absolutely one of the best things it has going for it; i’ll get into specifics as i go, but even before i would get to seeing how it strengthens both individual plot beats and the narrative at large, it was by far my biggest draw to the earlygame.

i think i can best describe it as “contemplative”. there’s very little real dialogue in the sense of characters having 2-way conversations. there’s a lot of emphasis on weighted silences, a lot of minor exposition delivered through background noise/chatter like radio broadcasts, a lot of just... the world moving around and contrasting with the characters as they Exist. The ep where shinji runs away definitely has the biggest focus on this, but it’s noticeable as a unique tonal thing right out of the gate. I feel like anime often tends to explain things too directly, whether it be story or lore; or a character's feelings or intentions. here, you rarely get more than a simple zoom in on a character’s face to denote They Are having Thoughts About This. No internal monologue rambling walking you through their whole thought process, It’s left to just their expressions and reactions. evangelion’s execution of “show, don't tell” still holds up pretty well in 2022 imo. maybe not the best out there these days, but definitely still effective. I’m far from well-versed in media like this, but i’d still say eva’s fairly standout, and anything that manages to do that after nearly 30 years deserves some kudos

Very related to that, “Doing a lot with a little” i think is the best way to sum up all of eva’s strengths. The subtleties and things left unsaid, as it were. Aside from the obvious jab at their making do with a nonexistent budget, this sort of thing comes through in its somber and down-to-earth tone, its character writing, and most especially, its support cast.

Both in the handling of the characters themselves and their dynamics with the main cast, the nge side characters are really, really good; like, probably the actual best i have encountered in any media ever. Each of them in their own way provide perfect backings and contrasts to everything the main cast has going on, they’re laser-focused efficient to enhance the others’ characters and arcs and the overall narrative messages--and yet they never feel like plot devices and are still really solid and wholly enjoyable as their own individual Characters, all without overstepping their boundaries AS support cast in terms of both screentime and narrative presence/influence. suzuhara and akagi demonstrate this best from very different angles and from here out this thing is pretty much just gonna be a breakdown of thoughts by character, but i’m doing suzuhara first because his being much more narratively dynamic means he gets to shine in a plethora of ways, so most of the Cool Narrative/Tonal Shit i wanna say about nge can be said by talking about him.

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you’d think the character whose introduction is “beating up the kicked puppy protag because he’s pissed” would be pretty one-note and uninteresting; i still wouldn’t really call suzuhara deep, per se, but….well, again, they do a lot with a little.

usually for this role you’d get something like “i’m gonna bully shinji because he’s stupid and lame ”, and it’s not like this would be misplaced because like... shinji IS lame, other kids DON’T like him, but suzuhara’s motivation being his hospitalized sister instead of anything with shinji himself changes the entire dynamic here to a pretty profound degree. it’s still a really simple and understandable motivation, but it lets him say a ton more than you usually could with this kind of role. the overt message still just sits at “we’re gonna make shinji hate himself life a little more“, but instead of just, like, making him feel shitty because there’s Mean People who will beat him up even though he’s trying his best or whatever, the implied message is more along the lines of “you’re hurting people you can’t see, but they’re still people who mean something to somebody, and they can damn well see you.”, and it’s for sure noticeable this is the kind of stuff that’s weighing on him the next couple eps. It’s not that he’s afraid of some random bullies that could jump him at any time, it’s that he’s now acutely aware the consequences of him messing up are exponentially larger than he can see.

it also gives suzuhara much easier room for growth! He doesn’t need some huge distracting character-altering event, he just needs to see that this is all way bigger than him and that he was out of his lane and being a shithead. getting caught face to face with an angel is a pretty effective way to do that, i’d say! Being saved by shinji specifically and having to see his trauma firsthand is an especially great note coming out of that too, realizing that shinji is neither a cocky asshole nor some incompetent coward, but that he’s really just. Yknow. Trying. I also think it’s a really…. Idk, cute? detail that while the scene in the cockpit clearly Affects him, he doesn’t apologize or offer comfort right away and just spends the next few days kind of sulking/angsting about it instead. Just a fun little humanizing err for him i think.

not a lot happens with him for awhile from there but i do really like him and his little nerd friend as just background pals for shinji. Comic relief isn’t usually a very…esteemed title in terms of narrative value, but in this case he’s earned it. Which isn’t something you’d usually say about comic relief characters! So good for him i guess.

The Fourth Child stuff coming into play is what really made me pog at this guy and his handling though. Just like. the framing of it. not telling the audience directly but showing that it’s someone all the other main characters already knew+the persistent scene cuts to him after someone brings up or asks who the fourth pilot is.

The character familiarity is cool mostly because of how small eva’s cast is overall. Like there are really not any random passerby citizens ever shown, let alone given dialogue, that they could have tossed in to use. Everybody who could be considered even remotely important/main cast is already occupied, and seeing that both asuka and katsuragi recognize him, it’s gotta be someone they would have met fairly recently–most likely someone we’d already seen on the show–and not some random guy from their backstories or something. They had my curiosity but i wouldn’t have guessed it! At least not without the scene cuts lmao. They do this like 4 times it’s really funny. Oh yeah the 4th pilot? Yeah we won’t say who but heyyyyy check This guy out.

my favorite bit from this is seeing the change in his demeanor in these cuts before vs. after he gets the news; his usual cheeky self in the first couple versus his going out alone to stare forlornly off into the distance in the latter few. I am like such a huge fan of this ok. Once again, things left unsaid: there’s so much he could be thinking about here and refusing to have him say any of it in itself speaks volumes.

What’s in there? Regret? Apprehension? Resignation? You’d need a monologue half as long as this damn post to really get into all the different angles of him unpacking the idea that he could now be the one unwittingly dropping a building on someone's little sister + reflecting back all the fears that he’d left shinji with after that little beatdown, but simply Not Saying It leaves a much stronger impression of the sense that it’s just A Lot for him to be thinking about. very cool in other characters’ reactions to it too; suzuhara himself never explicitly verbally confirms his being a pilot, but everyone notices he’s acting different. Hell, they even used SHINJI to point it out, and he’s usually the guy who’s worst at noticing these things.

small side note but there’s also a delightful bit of last minute rubbing salt in the wound with how bad his nerd friend wanted to pilot eva….seems like that kid is about the only other one who didn’t realize suzuhara is the 4th pilot too, which. lmao.

anyway then he gets in the eva and doesn’t really get to do anything. i don’t have any comments on that it’s the pretty obligatory “oop we gotta have our Angel Encounter for this ep”+”gotta find a newer and more powerful way to traumatize shinji” quota. There’s really good character moments here for some of the other cast which i’ll get to later but uhhh yeah suzahara just gets his shit fucked.

ok now full disclosure here i’m actually a huge bitch about character deaths like this, it is quite possibly my biggest pet peeve when characters go through something that is 100% presented as fatal or a killing blow, only to Not Actually Have Died At That Moment; either so they can give some kind of Emotional Speech:tm: and then die anyway, or by revealing they actually only got wounded or something bc of some kind bullshit plot armor. i thought eva might possibly be the kind of thing that’s brutal and/or disregarding-of-dramatic-narrative-flair enough to actually just leave it at him being dead there in the mech, but to an even bigger surprise i think this is maybe the only thing i’ve seen that’s played “they didn’t actually die in that horrific scene” to a way bigger impact.

The following hospital scene is already pretty interesting just with neither shinji nor suzahara knowing why the other was there; Shinji never learned who the fourth pilot is, and toji shows no animosity for the fact that shinji[’s eva] just beat the shit out of him so apparently he just wasn’t conscious for anything after his mech got taken over? and it’s just kind of like, spooky, to have what has every right to be an emotionally charged character reunion amount to nothing more than vague confusion between them. They don’t even get to talk to eachother! i don’t often see the thing of “audience knowledge vs. character knowledge” used like this; usually it’s the Characters who are sad or angry beause of some knowlege they lack, and You know that things are actually better than it appears to them; in this case you know things are way worse than they look and the characters are spared that burden. it’s weird and cool and potent but it’s not even my biggest takeaway from this. You know the thing that really fucks me up here?

we never see suzuhara again after this.

he isn’t given any sort of real farewell, he’s just gone. not dead, but gone. i’ve never seen that done before!!! it’s like....haunting to realize a guy who had been a minor but consistent constant is just not part of the picture any more, and it’s an especially odd feeling since you can’t really notice until it’s too late. now yeah, part of it was also that the plot had kinda moved beyond having time for side characters, but most of them do still make brief appearances, and we’re also specifically shown a brief scene in the schoolroom where all four pilot kids are conspicuously absent. their friends comment about how the main 3 are missing, and suzuhara is still never mentioned.

i genuinely feel more strongly about suzuhara’s narrative death than anything else in the show. i dont even care that it doesn’t mean anything this is my hill to die on. i love this dude and i love how every single beat with him makes me ape my shit.

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rei is the other end of Stuff Eva Is Really Good At. i mostly want to talk about her Big Reveal here but i do also want to give kudos for their committing so hard to the whole uncaring/ambivalent thing with her. feel like a lot of stuff that tries to do ‘emotionless’ characters chickens out and still gives them like one specific personality trait or thing they’ll react to or care about, probably for the sake of still making them relatable or enjoyable or something. granted, the context for this kind of character matters all the more when they’re Supposed to be empty, but even so this kind of thing is usually done to show there’s something Off about the character; rei’s being so aggressively, blatantly nothing and nonreactive about literally everything is just like. oh there is something OFF with you. Her and asuka’s exchange of “i bet you’d even kill yourself if they asked“ “i would, yeah“-said not out of devotion or depression, but pure disinterest, is probably about the strongest extreme you can take this idea to.

The whole series she’s such a powder keg waiting to blow and they let you smell its smoke in the flashback with akagi’s mom where it seems to be revealed that she’s 1-possibly a clone, and 2-apparently got killed the same day as she was unveiled, which obviously feel like pretty significant revelations but then they move on from it with zero fanfare and i was like huh. Wait. no wait hold on go back. i had actually intended to go back and rewatch that scene just to i’d actually make sure i’d clocked it properly because it was just that was chilling* and disorienting to have left it sitting pretty much unacknowledged for several episodes, but then it comes to ep23 after her dying for real in the eva and she says “i think i’m already the third one” as a soft confirmation and you’re like OH SHIT I WAS RIGHT but then theyre still not done blowing up everything with the actual reveal and it all comes out in the following scenes and it’s just like oh this is all so much worse than i could have imagined. all that was my peak of being Affected By Evangelion. i kinda just sat there In A State for a solid 30 minutes afterwards, just, rotating the series as a whole in my mind. man.

the scene with 01′s awakening is done with a pretty similar structure to this, and even though i actually knew about the twist of eva units being Literally Humans before going into the show, that scene was....hoo. like the knowledge does not prepare you for the presentation. I credit this mostly to its tone as well; there’s something really awesome about how evangelion can pull huge fucked up twists like this, yet the raw shock value of the scene itself [which should not be understated!] never outweighs the gravity of the situation as a whole. Like the takeaway from 01’s awakening isn’t just “oh shit!!!! The government is making fucked up mechs full of blood!!!”, it’s “these measures may be extreme but they are a necessary price to pay for survival[though is it really worth it?]”. And also maaaaybe a little “mankind is hubristic as fuck and we Love to fuck around and find out.” but that’s kind of just the deal throughout the whole series

Coincidentally, it’s also rei’s brief first couple appearances that i think initially help establish that gravity. very often when a character is badly injured it’s only really used to change how either they or another character engage with a situation; usually to remove them from it and/or spur another to action, which IS exactly what her role in e1 was for shinji. Thing is, unless the injury itself is a plot beat to be built upon, it just sort of gets swept under the rug at soonest convenience -so seeing her still really beat up a few episodes later, for pretty much no real purpose other than to say “yeah no that’s gonna take her a bit to recover from” was defintily a striking moment to me.

*spooky, haunting, chilling, i’ve used these words for these turns a good few times now. I know it’s a bit repetitive, but there really is something just so… hollow, so empty about these scenes; something that you know should be there and just isn’t and it feels weird. nge is damn good at anticipating where its emotional beats should be, and then intentionally leaving you with nothing when they come up. You wanted hype? You wanted catharsis? No get fucked. In most situations this would feel cheap or like some kind of buzzkill but with eva’s tone being how it is it’s just sort of… humbling? i know this is a bit of a pretentious read, but eva seems to make it a point to never go to hard into this being A Story, rather than Just Life; in the sense that life doesn’t always have the satisfying narrative conclusions you can expect in a story. They know enough not to Always do this because then the whole show would be actually lame and unrewarding, but the times they choose Not to deliver definitely have…a palatable contrast.

Also i know i made the jokey post about this already but LITERALLY why did they make rei go to school? There’s no?? Practical advantage to this??? I mean obviously from a narrative perspective it’s just to help sell the illusion that shes a normal human child but like. In-universe. Whose idea was this. Shes not even learning or getting Involved with anything she’s just staring out the window the whole time. She’s regularly absent and they’ve always gotta have people go check on/cover for her, not to mention that she doesn’t retain memories between bodies and they have to cover for her deaths too so like WHAT is the goal here!!!! Literally there are nothing but downsides to sending ur godspawn kid out into the public. Ok anyway. Moving on

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why DO people meme so hard on ‘get in the robot shinji’?? coming into this i really thought it was gonna take him half the damn series to get in the robot and that that was gonna be some kind of Climax, but it actually just happens in the first ep, and no one ever really has to ask or force him do it again after that? yeah he tries to quit half a dozen times, but all it really takes for him to come back around for another go in the eva is a fresh perspective. it’s more or less always his own choice.

i’ve heard a decent bit about shinji being an annoying or difficult-to-like character, and i... don’t get that at all? hes literally just a dude. A fucking babychild. coming into this i understood that he was young but i didn’t know he was Literally Fourteen, good lord dude. he’s definitely not a ‘good’ or standard type of personality for an anime protag but that’s literally the point? Like that is entirely central to what we are doing with this show. I’m not gonna say i’m a shinji Enjoyer; he’s mostly only my fave of the pilot kids by default, since asuka is,,,,,,, well. i’ll get to her in a moment, and rei you’re not Supposed to have an opinion on; but i am a shinji Defender. he has a couple of fun and strong character moments, and doesn’t really do anything egregiously awful or obnoxious so like. Literally leave him alone hes doing his best???

do people dislike him for that little tantrum he threw when he threatened to destory nerv hq? that one i can understand, but personally that was his strongest character moment for me. i’m pretty much always in favor of characters taking bold action for themselves, even if said action is outright a terrible/destructive choice. i think he shoulda done it. i would have supported him. the fact that he didn’t get to though is so.... oof. his most impactful moment for me for sure. Like he absolutely was not bluffing, and the ONE time he really gets it in him to take charge of his own life and surroundings and he just gets such a harsh reminder that he’s still not the one in control.

this is kind of just the whole show with shinji. A friend pointed him out as being “trapped in the narrative” and wow god yeah. It’s just a cycle with him. he goes out in the eva and something fucked up happens to traumatize him and hes like oh my god why am i doing this and then while hes out trying to sort that out something nice happens to make him accept whatever fucked up thing he had to deal with so he gets back in the eva again and then something fucked up in a totally different way happens and rinse and repeat. it’s pretty good at escalating the different types of trauma each angel inflicts on him; if i really cared about plot or thematic analysis it might be fun to pick apart what exactly each does, BUT i dont. The two final ones dealing with having to hurt other humans is definitely cool though.

the one part i felt his characterization was Questionable was when he was going up against the jaws sphere, it is like. Super not his deal to ignore orders and leap into action? Really kind of a ‘he’s gotta do this because the plot needs him in this position’ moment but it was ultimately pretty minor so whatever

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So yeah asuka……Hm. Asuka. good lord. i’m not a fan of the whole ‘tsundere’ thing in the first place, but that alone wasn’t actually grating just bc it plays up against the much more stiff shinji and rei in really fun ways, and it’s also extremely funny just knowing she’s The Progenitor for that whole Type. her concept is fine and she very easily could have been a thoroughly Fun character but uhhhhhhhhhhh. uh oh. uh oh. oh no.

as the unfortunate vessel for most of nge’s Awful Bullshit i can’t say i was ever looking forward to having her onscreen. in the beginning she wasn’t even instigating it they just loved shoving her ass in shinji’s face for no reason or doing the classic wind blowing up her dress and shit like that. now to be clear i know this wasn’t the first instance of Fanservicey Anime Bullshit in eva, but it was much easier to tolerate before because.. well, one, katsuragi isn’t fucking fourteen, and 2 even when that shit happened with rei she didn’t have a Reaction to it. I think its really the reactions that make it insufferable for me. the kyaa! pervert! nonsense and the self-conscious anime girl yelling and the characters being visibly humiliated, also the halting whatever else was going on at the moment to do all this. this also did not happen with the katsuragi ass shots since she was still just having a normal fuckin conversation and carrying on the plot BUT i digress. asuka did start saying weird shit of her own accord later in but i still didn't hold it against Her Character so much as just "the writers are being weird". Yknow like it would just feel so forced and arbitrary every time she made some comment like that. For the longest time the only thing i blamed her character for is being fuckin sexist all the time. ‘shinji youre a man arent you’ he is 14 and traumatized as fuck leave him alone you are making things worse >:|

In the end though, and i cannot believe i am saying this, i do think all of that was at least conceptually justified. Not in execution, because all that came through there is their insistence on shoving naked 14-year-olds in your face, but conceptually the idea of asuka’s desperation to be seen as capable and mature manifesting as forced aggressive sexuality is honestly really solid. She wants to be seen as an Adult, so she jumps to the first idea she has for Things That Adults Do, which i guess is sex. This is kind of a fantastic notion for her character because 1, it’s shallow-showing she’s A Goddamn Child who has no actual understanding of what adulthood really means, and 2, it’s loud-a very visible and hard to ignore thing which bolsters her all the more to stick to it. While portraying this is obviously a super touchy subject, i can’t help but feel it wouldn’t have been. All that hard to so without it being,,, this bad. Don’t show it to the audience? Literally just don’t show the audience. I get they need to make the other characters uncomfortable to land the concept but like. Dont put asuka herself onscreen while it’s happening jfc. i still would have been HARD side-eyeing at it that way too but just. anything had to have been better than this bro.

ANYWAY. that nonsense out of the way, she did end up being kind of fascinating for her own. i have never seen a character so extremely, terminally, self-damning as asuka. i hear a lot about shinji being hopelessly miserable, and like, sure, but asuka has it so, SO much worse??????? shinji is miserable because he’s directionless; he doesn’t know what he wants or how to get it, but he knows a glimmer of hope when he sees it and never squanders it. were he ever given direction or a way to Find his path to happiness–or to at least a way to care about finding his path to happiness, i’m sure he’d be able to chase it pretty easily.

asuka does not have a path to happiness, or at least not for the time presented in the show. While it’s true if half her issue here is just “being 14”, her “i’d rather be dead than pitied” ideology isn’t something that will automatically solve itself with age. It stays mostly out of the way as long as she never fucks up but as soon as she DOES make any kind of big mistake it becomes pretty much her entire character. damaged pride is one thing, but usually the remedy for that is just other characters lifting her up if she can’t do it herself. here, this is not only not an option but also actively detrimental. It’s already incredibly self-destructive on its own, but i still wouldn’t quite call it “damning” yet just because like. If you’re ride or die committed to your personal philosophy, you’ll still die, but there’s probably some kind of underhanded gratification in it to chase it to its end. The thing is though that she’s not committed to it, and it’s honestly kind of hard to say to what extent she even believes in it at all.

this, i feel, is asuka’s defining moment, especially after her extensive agonizing in previous eps about having to be rescued by both shinji and rei. She can’t live with being helped because she wants to be independent, and yet she can’t live without help- with being alone-because she’s desperate to be seen and regarded as worthwhile.

both of these are damned-if-you-do-damned-if-you-don’t situations! this kid is damned 4 ways ‘till thursday and the only way to get around it would be her undergoing some kind of minor ego death, and she is extremely not interested in letting this happen. shinji takes a blow and goes off to sulk for 3 days, has one positive interaction/experience, and gets a whole second wind. asuka takes a blow and falls into a pit of self-loathing [or really everything-loathing by the sound of it], aggressively refuses positive interactions, and tries to kill herself. It’s just like. Very telling i think that even though “everyone's depressed and miserable and dealing with shit Badly” is a running theme in this show, asuka is the only one who attempts suicide.

If my interpretation of all this seems a little weird it’s because “i’d rather be dead than pitied” is uhhhhhh unfortunately an ideology i’m very personally familiar with, and even though characters with that general idea aren’t too rare in media, i’ve never seen it BASICALLY stated verbatim, so. needless to say seeing asuka’s arc go the way it did did some things to me. whoops! anyway.

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i have to talk about katsuragi now ok. Ok. katsuragi is absolutely the hero of this show for me and it’s a little baffling she’s not like, A Recognizable Eva Character in laymen’s circles? Like coming into this I knew the pilot kid trio and a handful of the angels just from seeing stuff floating around the internet, and i could least recognize gendo from memes, but katsuragi? Entirely new territory here. what gives! She’s an incredible character and people should talk about her more because i am NOT about to be out here being the foremost katsuragi enjoyer in 2022. Come on

anyway man where do i even start. she’s everything. she’s got a cool car. she’s fiercely competent. she’s the man with the plan. she’s a domestic disaster. she notoriously cant cook for shit. she has a pet penguin [?!?]. she adopts two kids. shes a little bit crazy. She’s the butt of a lot of jokes. shes a rogue agent. she fucked her ex in an alley [??!?]. She has a drunken breakdown and needs help to get out of it. she hates her father. she has complicated feelings about her father. she’s on a vengeance quest. She accidentally gets attached to the kids in her care. she fucked her ex for government secrets. She’s sick of the expectations on her. she’s petty and emotional and weird, and most of all, she’s allowed to do all this without ever undermining her skill and authority, and the respect other characters have for her. im going to be real i don’t quite think all of her traits and flaws were intentionally written to be enjoyable but damn if i didn’t enjoy them anyway. Katsuragi has this real edge of emotional roughness to her that i feel like most female characters aren’t allowed to get into, and i really just??? Love her for it???? I thought i was gonna have a ton to say about her but honestly it all just comes back to “i really really really like how her flaws are written/handled alongside the rest of her character”.

I don’t have anything to like dissect about this line i just really like it. Eva had built up a pretty good bit of goodwill through its first 7 eps, and this really put a point on it. unfortunately it would then be ruined immediately in ep 8 BUT i did want to bring it up just because it was like. an ‘oh ok i can be justified for liking these characters’ type beat.

Also as far as the series ending goes i do have to be an apologist about her sorry. She literally has not done anything [more] wrong [than any of the other characters]!! they wanna go through and list out all these characters’ insecurities and flaws and they go after katsuragi to slutshame her like “Oh you're lonely so you use men to chase simple pleasures” and like. no?

First of all, every character’s breakdown was “you're lonely and/or afraid so that manifests as x”!!!! if she wants to fuck about it that’s her business! There is nothing inherently wrong with that! this COULD have still easily been a fatal flaw, like they could have presented it as a bunch of partners she’d had in a sort of use-and-abuse fashion and i’d have been like ok yeah this is an issue for you but they didn’t do that! the ONLY thing they talked about was her less-than-stellar relationship--and subsequent messy breakup with kaiji**. Even if said breakup was largely her fault, she already acknowledged this and recognized the issues that led her to it! She has already apologized and openly admitted her fear to him, and that fear was explicitly why she ended the relationship! That is not intentionally “using” someone!!! you cannot call this a fatal flaw without more evidence. she had one messy relationship and she likes to fuck. That's a normal human flaw, try again.

**this is actually a blessing in disguise, as it’s most of why i’m willing to look the other way when it comes to interpreting the more, uh, questionable aspects of her dynamic with shinji in nge. Like if the possible sexual implications there had been a Serious Deal for her character/portrayal i feel like it would have been brought up here, but since it wasn’t im happy to sweep it under the rug so it doesn’t ruin a character i otherwise really love. i do have a decent bit to say on this, but i’m saving it for the eoe post because it’s more relevant there and because, unlike eoe, my feelings towards nge are mostly positive so likewise i want to keep this post mostly positive.

only thing she doesnt get a pass on is the alley sex like come on at least ONE of you has to have more class than that?!?!? It’s gotta be cold and dirty out there you are ON THE CONCRETE GROUND and there is VISIBLY A TRAIN GOING BY someone one is gonna see you!!! You’d have been better off fucking in a goddamn bathroom at that point

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akagi is the other unsung hero of this show, but in an in-universe way. this woman is holding this whole damn operation together. i don’t have much to say on her narratively, she’s got a very small presence, but as with suzuhara i think her lessened involvement really shows how eva lets simplified characters shine. I’m not gonna break down all of her appearances like i did for toji, but she has the same general “every time she’s onscreen they make excellent use of it” thing going on. she’s known the other NERV mainstays pretty far back and they’re really good at showing that familiarity through her dynamics with them. they just Know Things about eachother, and it’s played in a very natural and non-exposition-y way to inform stuff about the other characters’ pasts or motivations or how they’ve changed through the years or something like that. it’s good. she’s good. Always a delight to have you ma’am

Also im gonna say it. She should have been a lesbian. she has the vibes and it would have saved us all from... whatever that lategame nonsense with her and gendo was. c’mon girl LITERALLY anyone but gendo i know you have better taste than this. also x2 her dynamic with katsuragi is already great but i think it could have been even more interesting with some Subtext:tm: at play, even if unrequited. also x3 there is literally official art for this.

its literally right there. come ON

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also on side characters i never learned suzahara’s little nerd friend’s name but he’s really good too. his scene with shinji in e4 is wonderful and i think his being a dweeb does a good bit to enhance suzuhara’s character too, again just showing suzuhara isn’t an indiscriminate bully going after people who are ‘weird’ or lame or whatever since he clearly does not share this guy’s interest in military junk. also him cheerfully apologizing while suzuhara beats shinji up is just a great dynamic.

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I have to bring up penpen real quick just because no one ever told me theres a fucking penguin in this. hello? shinji just opens the door and theres a fucking penguin there and gets told thats his other roommate and we just have to accept that. I was looking at his wiki page and apparently 1. He lives in a spare freezer [very funny], and 2. katsuragi “took him with her from her previous job” HELLO??? Did she steal a fucking penguin???? and what IS this thing’s level of sapience anyway. he eats out of a little doggy dish on the floor and doesn’t seem to have much capacity for communication, but knows how to use buttons and switches around the house, takes his own showers, and is apparently LITERATE???? lots of questions here but nonetheless i am very happy he exists. little guy :)

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kaji is.....*through gritted teeth*...........okay.......i guess. He does a lot of shit i want to kill him for but he also behaved himself at all the most crucial moments [providing gentle support when katsuragi was at her most vulnerable, and flatly ignoring all of asuka’s advances] so that makes him better than a lot of other characters. there’s a lot about him that easily could have gone way, way worse so ill take what i can fuckin get here. i don’t actually care about his narrative involvement at all sorry. i’m taking a petty point on this one. kind of glad he died just for getting to avoid the painfully obvious cliche of being the love interest katsuragi gets together with in the end, especially after treating her the way he does most of the time, and her still being really into him regardless for some reason. Would have felt like a really cheap and bullshit way to “justify” all of that. the most frustrating admission i have to make with this show is that "well, i'd rather it be between misato's tits, but failing that i'm choosing to die right here in my garden" is kind of unironically a fantastic line...he can have that one. That whole gardening scene was just really nice in general, and i do enjoy him as a sort of guide for shinji but other than that jesus christ dude.

i think he’s probably the most messy and plot device-y feeling character, though i recognize at least part of that is my general distaste for him so i have nothing else to say here.

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The little trio of field operations tech type guys…. Listen i know my fawning over literally every minor character is getting absurd at this point but like. I literally enjoy them. Ok. i think it’s really cool having a handful of just Actually Normal Guys along for the ride on this; seeing how The Horrors affect just the average joe kinda guy. For everyone else their own emotional torment is on pretty equal footing with all the impending physical threats, but these guys aren’t already super traumatized and have a much more surface-level relation to the horrors. Idk !i just think it’s neat seeing a different set of perspectives with them that lacks the tint of the Personal stakes/involvement the rest of the cast has with the whole situation; even if their reactions are pretty “generic” and could have been done with any random passerby in the city, i think it adds to it that it’s done with recurring guys, however minor. they are freshly Going Thru It but they persevere and i love them for this.

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gendo is notable just for how much he sucks. like it’s truly astonishing. i dont even mean in the abusive shitty father way. or, well, i do, because he IS also that, but even moreso he is just. so lame? he’s SO lame. all he does is sit there with his hands folded and say edgy ominous shit. some of that was definitely intentional and i think they also just couldn't afford more than one pose for the guy, but also....come on. Get a life loser. even the peppermints guy somehow has more personality and intrigue than gendo and im pretty sure his only purpose is to sit in the bg to be intimidating and to mediate between nerv and seele.

anyway in ep18 he CLEANLY crosses the line from “obnoxiously distant and uncaring/nonreactive” to ”oh this guy is Actually evil”, in a... not really unexpected, but still very brutal way. given his interactions with rei it’s easy to think he’s still a somewhat benign dude overall and just hates shinji for being a failure son or whatever, BUT turns out actually shinji is the rule and rei is the exception instead of the other way ‘round. which, given what rei is... lol. lmao. [you of course don’t know that at this point though.] but no yeah this dude is just totally down to physically destroy some random kid by mentally destroying his own kid. oh and he also killed his wife. literally just astonishing how awful he is.

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oh yeah and kaworu exists. i guess. evidently people actually care about this guy? don’t get me wrong he’s a hell of a plot catalyst, but like as a character? Theres nothing there dude. he only exists for like 1.5 episodes and has zero agency, he’s just there to once again fill the quota of “new angel+traumatize shinji”. To be fair he is very good at this. But yeah i cannot give a shit about him, even as an angel. If i wanted to talk about individual angels i think i’d legit have more to say on that glowing one with psychic beams than the guy whose role is “suck up to shinji for an episode to make it extra painful when he inevitably has to die” i do think it’s insanely funny he shows up in so much of eva’s promo art though, what an absurd way to do a red herring.

--------------------------------------------- ok thats all the characters. umm a few other random misc notes

I moved this part out of the intro bc it’s a longer sidetrack but another thing that hooked me about the earlygame was actually the coverup explanation of the second impact as a meteor strike. It’s the first one you’re given, and a devastating natural disaster plays perfectly to the Somber tone eva thrives on. something unavoidable and unprovoked…. perhaps it is simply the bio nerd in me but the idea of earth and its life just trying to figure out how to exist again in the wake of something like that is awesome to me and did a ton to keep everything down to earth despite the giant robots and otherworldly horrors and whatnot. Definitely kind of a letdown to hear that’s just the cover-up explanation though, sort of turned it into your generic “humanity brought its own end” post-apocalypse thing, which may have been more novel at the time but it’s become pretty overdone these days. granted, eva’s a lot less overtly About said apocalypse than your typical modern post-apoc thing, and the… circumstances for this cataclysm are definitely a bit different, but still. “You couldn’t have stopped this, you can only repair after the fact” is an angle i’m vastly more interested in, and also one i don’t see as much.

coming out of that, 8-17 are definitely the low stretch for me. the introduction of kaji and asuka their Anime Bullshit™, and the tone turning to a more standard monster of the week mech battle thing definitely killed my engagement there. whether there was actually more dialogue or i had just gotten acclimated to the Usual lack conversation i can’t tell, but all the aforementioned stuff put a pretty big hit on my enjoyment regardless. it picked back up HARD with the fourth child stuff though, and the plot motion of the Really Fucked Up Shit from there was plenty enough to outweigh my other gripes.

As far as the ending goes… yeah it’s good. It’s lame as hell in execution but like conceptually it’s fine and i can’t really be too mad about anything seeing as they were evidently Out Of Money. They stuck the landing effectively enough; really about as well as they could have given such strict limitations, and i do actually think it’s extremely cool that they were able to frame “removing backgrounds and colors and clean lines” and “we literally can only get this part out as storyboards” as a legit storytelling thing. Still sad about the dozen hanging lore threads ofc but getting any followup on those means acknowledging the movie so i’ll gladly cut my losses

I think this might fall under ‘fakedeep’ and ‘not actually good’ but i do genuinely appreciate that while nge looooves to have intentionally confusing presentation, when they Want to say something it’s never really inscrutable and/or buried in metaphor and symbolism. This isn’t a narrative critique or anything i’m just not very smart so i like that it’s still pretty straightforward.

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Obligatory section about the angel designs. Yeah they’re good too. Anyone knows me knows i am allllll the fuck about creature design, and even though these aren’t as in-depth as what i usually go for[mostly due to budget stuff no doubt, judging by what they did with ramiel in the rebuild] [again i havent seen rebuild but hot damn rebuild ramiel my beloved], i still really appreciate just how diverse most of them are. They don’t stick to any particular type of design logic, and it’s rare to see something actually embrace an “anything goes” ruleset as well as this does. Like you got ones that are sort of just fantasy animals, ones that are a funky combination or suggestion of earth animals, ones that are just arcane imposing shapes, ones that are kind of abstract interesting shapes, some that are humanoid, some that are just and then like…whatever the fuck was going on with that dna halo thing. The humanoid ones do feel a bit samey but also anyone who knows me knows thats pretty much always the opinion i have on human/oid designs fdjsdjkfd. They have pretty funky and diverse sets of shapes which is rad, but their attack methods are all… Pretty boring. Pretty much all of ‘em just attack with their hands in some way and i feel like theres a million other things they coulda done there but oh well. Bland attacks are consistent across a lot of them though, like half were just “extrude something through the guy”, though i don’t think i can really be too mean about it because elaborate fight sequences would Also require money lmao.

Anyway my fave is the spider, followed by the weird fuckin orange splatter comet thing and the eel type guy

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i just have to say this as a standalone point but why do people not meme on the part where an angel starts fucking shit up and they just drop the hallelujah chorus oh my GOD. we make fun of the elevator scene and rightfully so even though that wasn’t the only instance of a single frame lasting over a minute, but like. idk maybe they thought the hallelujah chorus souned cool and dramatic or something but it just made me lose my shit when it came on. asuka is going fucking through it and the most sanctimonious singsongy music is playing.

another really funny thing is how every time they do a scene with an eva unit they’re like “oh no! something is going wrong! cut the power! aaah it’s not responding we can’t stop it!! oh no this is unprecedented!”. yes this is very precedented actually it happens literally every time. i know theres no suspense in an easy mission and they’re trying to drive that controlling the evas is janky as hell but you gotta have SOME standard of success/normalcy to compare to sjkdskdfdsf

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on the rebuilds....yeah no i don’t intend on watching them [unless it’s as a group with friends or something] If i’ve communicated nothing else in all this, i’d hope i got across that i admire nge mostly for the incredible efficiency of its narrative. It’s tight, focused, makes the most of that it’s got, and doesn’t go anywhere it doesn’t need to. i wouldn’t have been able to see a purpose for the rebuilds to have a new character in the first place, and after hearing a bit about said character’s evident production hell, uhhhhh. Lmao. i’d already think it loses something by not having by not having such tight budget restraints-since those no doubt factored into the way its tone was played here, but if they’re also adding shit just to add shit i Really don’t care.

that’s it i dont have a cool conclusion to all this or anything. i just needed to get all the thoughts out so i didn’t go insane. thanks for reading!

#nge #neon genesis evangelion #evangelion #oh that i cared to tag individual characters. no #evaposting #also i know i talked abput this thing a lot but i hope i didnt like Hype It Up sjfdjsajdf #there probably isn't anything too deep or interesting in here i just had a lot to say.

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