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Website : https://www.aandrduty.com/
Address : Lagos, Nigeria
Phone : 09069349297
A&R DUTY is an independent A&R company with a passion for music. We are creating a community for A&Rs to come together under one umbrella, training and educating them on how to trade in their business space without being ripped off, and also creating an avenue for a record label and independent artist to hire professional A&Rs when the need arises, so as to increase the population of the artist making hit records in Africa.
Business mail : [email protected]
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Facebook : https://www.facebook.com/AR-DUTY-104896932054423/
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Twitter : https://twitter.com/Aandrduty
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20th anniversary of Peter Pan (2003)
Peter Pan
International theatrical release poster
Directed by: P. J. Hogan
Screenplay by:
P. J. Hogan
Michael Goldenberg
Based on: Peter and Wendy by J. M. Barrie
Produced by:
Lucy Fisher
Douglas Wick
Patrick McCormick
Starring:
Jeremy Sumpter
Jason Isaacs
Rachel Hurd-Wood
Richard Briers
Olivia Williams
Lynn Redgrave
Ludivine Sagnier
Geoffrey Palmer
Cinematography: Donald McAlpine
Edited by:
Garth Craven
Michael Kahn
Music by: James Newton Howard
Production companies:
Universal Pictures
Columbia Pictures
Revolution Studios
Red Wagon Entertainment
Allied Stars Ltd
Distributed by:
Universal Pictures (English-speaking territories and South Africa)
Columbia TriStar Film Distributors International (International)
Release dates:
18 December 2003 (Australia)
24 December 2003 (United Kingdom)
25 December 2003 (United States)
Running time: 113 minutes
Countries:
United Kingdom
United States
Australia
Language: English
Budget: $130 million
Box office: $122 million
#peter pan#wendy darling#john darling#michael darling#george darling#mary darling#captain james hook#mr smee#the lost boys#tinkerbell#peter pan 2003#20th anniversary
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« Music Wama Colourd » by GemValleyMusiQ 🎹 is now OUT ! [Link in bio] 👀 🔝 After last year’s « Abu Wronq Wronq », their first and awesome LP on PSSNGR, Mamelodi East’s GemValleyMusiQ are already back with a new album called « Music Wama Colourd ». This new collection of tracks keeps the Rough MusiQ / Rough Amapiano style alive and kicking, but twists it in different ways. There’s a more dancey, trancey, spacey vibe, sometimes coming with a live feel. The clunk bass is still there but most of the time blends with other elements in the mix, resulting in material that deals more with mesmerizing the dancefloor than making it rock right away. It’s Rough MusiQ but with a little less roughness to it. Lovely pads, warm vocals, ecstatic feelings, delicate percussion patterns, slow build-ups : this is what « Music Wama Colourd » is about and this is beautiful and surprising new turn in GemValleyMusiQ’s career. Among the guests, friends from Toxicated Keys are co-producing one track, as well as the mighty female singer DJ Fonzi. 🔊 Written, produced, mixed by @gem_valley_musiq_012 💻 Digital distribution by @idol.io ✍️ Artwork by @simonycago {{{+}}} @pssngr :cc: @datopten @grandmusiquemanagement @etiennemenu @kingsofroughmusiq012 @team_toxicated_keys @instajessbfox @djfonzi @gwam_ent_musiq @dr_kay98 @pascal_radiofragile @thejaneherself @leobfs @alexraytabet @valery_de_vreese @owgee_burgundy :tags: #gemvalleymusiq #pssngr #amapiano #roughamapiano (à Pretoria,South Africa.) https://www.instagram.com/p/Cpa-nCyL53A/?igshid=NGJjMDIxMWI=
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Tombstone story in Japan (Essay)
It is now a well-known fact that Japan's food self-sufficiency rate is currently 39%, but I turned my attention to a slightly different field and wondered what the "domestic self-sufficiency rate of gravestones" was, so I investigated.
As a start, I interviewed two Masons stores around O city where I live. What I learned here was that a considerable percentage of the tombstones were brought from overseas, and there were many from Brazil, the United States, and China.
"Next, when I looked it up on the internet, I found out that it was a terrible situation."
The website of Sugita Co., Ltd. introduces production areas in Japan as well as overseas production areas.
The company imports tombstones from the United States, China, India, Sweden, Portugal, South Africa, etc.
Then, what is Japan's domestic self-sufficiency rate for tombstones...? I have a blog that answers this question as well.
In "Journey to Eco-village", the article is "It seems that local production for local consumption is also an issue for graves."
Accurate statistics are not available, but although the self-sufficiency rate of tombstones was almost 100% before the war, it is said that the self-sufficiency rate is less than 10% as gravestones are imported from more than 30 countries around the world. Since the latter half of the 1960s, cheap foreign products have become widely distributed, and demand for domestic lumber has declined significantly. However, considering the climate, domestic tombstones are desirable. It is said that it is possible to ensure sufficient durability because it is a stone that has been formed in the hot and humid climate of Japan. Local production for local consumption is desirable for tombstones in order to remember ancestors for a long time.
The food self-sufficiency rate is 40%, the lowest level among developed countries. The wood self-sufficiency rate is about 20%. Tombstone, you too...
Surprisingly, Japan's tombstone self-sufficiency rate is less than 10%. I can see Japanese companies buying stones from many countries. Therefore, it is the Japanese who are doing the act of destroying mountains all over the world. That said, foreign-produced stones are not necessarily suited to the climate of Japan. It may soon become tattered.
I'm an advocate of no need for graves, so (in my sense) I think the work of cutting gravestones out of mountains should also be stopped. Like the 2007 big hit in Japan, "A Thousand Winds" (Masashi Akikawa), I like the view of life and death that people do not live in graves after death, but instead blend into nature. And I think that such a way of being is what human beings should be. (This song is a translation of the American Mary Frye's poem by Man Arai of Japan and put it to music.)
youtube
#tombstone#Japan#mason#the self-sufficiency rate is less than 10%#destroying mountains all over the world#tatter#A Thousand Winds#people do not live in graves after death#but instead blend into nature#essay#Youtube#Rei Morishita
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Electric Guitar Market Overview, Growth Analysis, Trends and Forecast By 2028
This Electric Guitar market report has been prepared by considering several fragments of the present and upcoming market scenario. The market insights gained through this market research analysis report facilitates more clear understanding of the market landscape, issues that may interrupt in the future, and ways to position definite brand excellently. It consists of most-detailed market segmentation, thorough analysis of major market players, trends in consumer and supply chain dynamics, and insights about new geographical markets. The market insights covered in Electric Guitar report simplifies managing marketing of goods and services effectively.
Electric guitar market will reach at an estimated value of USD 2106.89 million and grow at a rate of 3.50% for the forecast period of 2021 to 2028. Electric guitar market report analyses the growth, which is currently being growing due to rise in the concerts & live performances.
Download Sample PDF Copy of this Report to understand structure of the complete report @ https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-electric-guitar-market
Market Overview:
Rise in the demand for guitars made of eco- friendly raw materials is a vital factor responsible for the upliftment of the market growth, also rise in the disposable income and increase in the affordability & availability of these guitar are some of the prime factors among others driving the electric guitar market. Moreover, rise in the research and development activities and increase in the technological advancements and modernization in the production techniques will further create new opportunities for electric guitar market in the forecast period mentioned above.
Some of the major players operating in the Electric Guitar market are Fender Musical Instruments Corporation., Gibson Brands, Inc, Karl Höfner GmbH & Co. KG., PRS Guitars, Yamaha Corporation., B.C. Rich Guitars, C.F. MARTIN & CO., INC., Cort Guitars, D’Addario & Co, The ESP Guitar Company, G&L Musical Instruments., Godin Guitars, Ibanez guitars., SAMICK MUSICAL INSTRUMENT CO.,Ltd, Schecter Guitar Research and Taylor-Listug, Inc. among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.among others.
Global Electric Guitar Market Scope
Electric guitar market is segmented on the basis of product and distribution channel. The growth amongst the different segments helps you in attaining the knowledge related to the different growth factors expected to be prevalent throughout the market and formulate different strategies to help identify core application areas and the difference in your target markets.
On the basis of product, electric guitar market is segmented into solid body, semi-hollow body and hollow body.
The electric guitar market is also segmented on the basis of distribution channel into offline and online.
Browse More About This Research Report @ https://www.databridgemarketresearch.com/reports/global-electric-guitar-market
Table of Content:
Part 01: Executive Summary
Part 02: Scope of the Report
Part 03: Global Electric Guitar Market Landscape
Part 04: Global Electric Guitar Market Sizing
Part 05: Global Electric Guitar Market Segmentation By Product
Part 06: Five Forces Analysis
Part 07: Customer Landscape
Part 08: Geographic Landscape
Part 09: Decision Framework
Part 10: Drivers and Challenges
Part 11: Market Trends
Part 12: Vendor Landscape
Part 13: Vendor Analysis
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An absolute way to predict what the future holds is to understand the current trend! Data Bridge Market Research presented itself as an unconventional and neoteric market research and consulting firm with an unparalleled level of resilience and integrated approaches. We are committed to uncovering the best market opportunities and nurturing effective information for your business to thrive in the marketplace. Data Bridge strives to provide appropriate solutions to complex business challenges and initiates an effortless decision-making process. Data Bridge is a set of pure wisdom and experience that was formulated and framed in 2015 in Pune.
Data Bridge Market Research has more than 500 analysts working in different industries. We have served more than 40% of the Fortune 500 companies globally and have a network of more than 5,000 clients worldwide. Data Bridge is an expert in creating satisfied customers who trust our services and trust our hard work with certainty. We are pleased with our glorious 99.9% customer satisfaction rating.
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ZNi Embarks on an "Adventure" with New Single and Music Video
ZNi Embarks on an "Adventure" with New Single and Music Video; Secures Digital Distribution with Universal Music Group for Maraire Music
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Seattle, WA, USA - May 16, 2024 - Afrofusion sensation ZNi is set to captivate audiences with his latest single, "Adventure," a vibrant ode to romantic spontaneity. Born in Seattle but deeply connected to his Zimbabwean heritage, ZNi's music reflects a fusion of cultures that is both infectious and inspiring.
"Adventure," which is soon to hit radio, encapsulates the essence of a spontaneous romantic escapade, blending irresistible beats with vibrant lyrics that resonate with listeners. Produced by KloudNine Music, this solo track showcases ZNi's dynamic musical style and sets the tone for his upcoming album, Good Karma.
The release of “Adventure” comes on the heels of ZNi marking a significant milestone in his career as his imprint, Maraire Music has just secured digital distribution with Universal Music Group on it’s future releases and the aforementioned “Adventure.”
Through this strategic collaboration, ZNi's music will reach a wider audience globally, enhancing his visibility and impact in the music industry. The team at OneUmbrella played a pivotal role in facilitating this opportunity, demonstrating their dedication to advancing ZNi's career and expanding his reach. This exciting development underscores ZNi's growing influence and sets the stage for further success in the industry.
The accompanying music video, shot against the stunning backdrop of Bali, Indonesia, was directed by Sam King, who skillfully brings ZNi's vision to life with captivating visuals that complement the song's theme.
Reflecting on his musical journey, ZNi shared, "Music has always been a part of my life, thanks to my family's musical legacy. I started playing instruments from a young age and eventually began writing and producing my own music as a way to express myself creatively."
ZNi's previous successes include features on various radio stations, including Motsweding FM in South Africa, and appearances on renowned blog sites such as The Breakfast Club, Billboard Sound, and Earmilk, which have amplified his reach and fanbase worldwide.
Looking ahead, ZNi is excited to continue promoting "Adventure" while working on new music and collaborations. Fans can stay updated on upcoming shows and tours by following him on social media @znimusic and visiting znimusic.com.
Expressing his gratitude to fans, ZNi added, "Your enthusiasm and love for my music inspire me every day, and I can't wait to share more of my journey with you all. Keep streaming, sharing, and spreading the word about ZNi!"
About ZNi:
ZNi is a Zimbabwean American artist based in Seattle, WA, known for his vibrant Afrobeats sound that blends infectious rhythms with heartfelt lyrics. With a musical journey deeply rooted in his cultural heritage, ZNi aims to connect with audiences worldwide through his unique and uplifting music.
Adventure is available now on all major streaming platforms.
For press inquiries, interviews, or bookings, please contact:
Email: [email protected]
Website: www.znimusic.com
Follow ZNi on social media:
Instagram: @znimusic
Twitter: @znimusic
Facebook: @znimusic
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28th April 2024.
𝐒𝐮𝐧𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟒. Lena appeared for the fourth time on Junior Showtime. ITV 4.05pm - 4.50 pm.
𝐒𝐮𝐧𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟒. Lena flew out to America. her departure had been delayed as she had caught German Measles and had to stay in England to recover.
𝐌𝐨𝐧𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟓. Lena signed copies of Lena Zavaroni in South Africa at Game Discount World, Durban, S.A. at 12.30 pm, in the Smith Street branch.
29 April 1975 at 3.30pm, at the Brickhill Road branch.
𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟔. Lena appeared at the Montrose club, Liverpool in aid of children's charity. she was photographed with 79 yr old Sid Clare who sixty years earlier wrote the words to Ma! He's Making Eyes at Me
𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟕. The Stage published the final details of The Royal Show, to take place at the King’s Theatre, Glasgow on 17th May, and broadcast on 23rd May.
𝐅𝐫𝐢𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟖. The Motherwell Times reported that Lena had recorded the first episode of Cabaret Showtime on Tuesday evening at the civic hall. It was broadcast on 13th June.
𝐅𝐫𝐢𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟖. The Nottingham Evening Post advertised the SOS charity show which was to take place in The Theatre Royal, Nottingham in Sunday 14th May.
𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟕𝟗. The BBC distributed photographs of Lena to publicise her upcoming series Lena Zavaroni And Music on BBC 1.
𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟖𝟕. The Birmingham Daily News reported that Lena was in love.
She was described as "Trouble-Torn", a refreshing change from "Tragic".
𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲 𝟐𝟖𝐭𝐡 𝐀𝐩𝐫𝐢𝐥 𝟏𝟗𝟗𝟑. In the Daily Record, a reader wished that he was as hard up as Lena, who had to sell her house for £85,000. Further on in the newspaper there was a photograph of her in an article about Anorexia.
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2032, Delay Pedal Market, Size, Share Report by Reports and Insights
The Reports and Insights, a leading market research company, has recently releases report titled “Delay Pedal Market: Global Industry Trends, Share, Size, Growth, Opportunity and Forecast 2023-2031.” The study provides a detailed analysis of the industry, including the global Delay Pedal Market Share, size, trends, and growth forecasts. The report also includes competitor and regional analysis and highlights the latest advancements in the market.
Report Highlights:
How big is the Delay Pedal Market?
The delay pedal market to register a CAGR of 4.3% during the forecast period.
What are Delay Pedal?
A delay pedal, alternatively known as an echo pedal or delay effect, is a musical device utilized in guitar and other instrument setups to simulate multiple repetitions of a sound. Its functionality involves capturing an audio signal and subsequently playing it back after a brief delay, with adjustable parameters such as delay time, feedback, and level. This effect ranges from subtle and atmospheric to pronounced and rhythmic, enriching a musician's sound with depth, texture, and ambiance. Widely employed across various music genres including rock, pop, ambient, and experimental, delay pedals contribute to crafting distinctive sonic textures and enhancements in live performances and studio recordings.
Request for a sample copy with detail analysis: https://www.reportsandinsights.com/sample-request/1933
What are the growth prospects and trends in the Delay Pedal industry?
The delay petal market growth is driven by various factors. The Delay Pedal market comprises a variety of musical devices crafted to replicate multiple repetitions of a sound, granting musicians creative control over delay effects in both live performances and studio recordings. Experiencing notable growth due to heightened demand from musicians spanning diverse genres aiming to enrich their sonic landscapes, this market offers a diverse selection of delay pedals tailored to individual musical styles and preferences. Leading companies in the Delay Pedal market provide cutting-edge solutions featuring advanced functionalities like customizable delay time, feedback, and level adjustments, meeting the evolving demands of musicians globally. Moreover, ongoing technological advancements and a growing interest in music production contribute to continual innovation within the market, ensuring its sustained expansion and relevance in the music industry. Hence, all these factors contribute to delay petal market growth.
What is included in market segmentation?
The report has segmented the market into the following categories:
By Product Type:
Analog Delay Pedals
Digital Delay Pedals
Tape Delay Pedals
Multi-Effect Delay Pedals
By Connectivity:
Wired Delay Pedals
Wireless Delay Pedals
By Power Source:
Battery-Powered Delay Pedals
AC-Powered Delay Pedals
USB-Powered Delay Pedals
By Material:
Metal Casing Delay Pedals
Plastic Casing Delay Pedals
By End-Use:
Guitarists
Bassists
Keyboardists
Studio Professionals
By Distribution Channel:
Online Retail
Offline Retail
Market Segmentation By Region:
North America
United States
Canada
Europe:
Germany
United Kingdom
France
Italy
Spain
Russia
Poland
BENELUX
NORDIC
Rest of Europe
Asia Pacific:
China
Japan
India
South Korea
ASEAN
Australia & New Zealand
Rest of Asia Pacific
Latin America:
Brazil
Mexico
Argentina
Rest of Latin America
Middle East & Africa:
Saudi Arabia
South Africa
United Arab Emirates
Israel
Rest of MEA
Who are the key players operating in the industry?
The report covers the major market players including:
Boss (Roland Corporation)
Electro-Harmonix
Strymon
TC Electronic
Eventide
MXR (Jim Dunlop)
Digitech (Harman International Industries)
Line 6 (Yamaha Corporation)
Walrus Audio
JHS Pedals
Wampler Pedals
EarthQuaker Devices
Source Audio
Fulltone
Catalinbread
View Full Report: https://www.reportsandinsights.com/report/Delay Pedal-market
If you require any specific information that is not covered currently within the scope of the report, we will provide the same as a part of the customization.
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Reports and Insights consistently mееt international benchmarks in the market research industry and maintain a kееn focus on providing only the highest quality of reports and analysis outlooks across markets, industries, domains, sectors, and verticals. We have bееn catering to varying market nееds and do not compromise on quality and research efforts in our objective to deliver only the very best to our clients globally.
Our offerings include comprehensive market intelligence in the form of research reports, production cost reports, feasibility studies, and consulting services. Our team, which includes experienced researchers and analysts from various industries, is dedicated to providing high-quality data and insights to our clientele, ranging from small and medium businesses to Fortune 1000 corporations.
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Music is a universal language that transcends boundaries, cultures, and generations. It has the power to evoke emotions, stir memories, and unite people in shared experiences. From the rhythmic beats of tribal drums to the intricate melodies of classical symphonies, music has been an integral part of human civilization since time immemorial. In this exploration of music, we will delve into its profound impact on society, its therapeutic qualities, its role in cultural expression, and its evolution through the ages.
Music holds a unique place in human society, serving as a medium for communication, expression, and storytelling. Across cultures and throughout history, music has played a central role in rituals, ceremonies, and celebrations. From the ancient chants of religious ceremonies to the anthems of political movements, music has been used to convey messages of hope, love, resistance, and solidarity.
One of the most remarkable aspects of music is its ability to evoke emotions and influence mood. Whether it's the uplifting melody of a pop song, the haunting strains of a classical piece, or the energetic rhythms of a dance track, music has the power to elicit a wide range of feelings, from joy and excitement to sadness and nostalgia. Research has shown that listening to music can have profound effects on the brain, triggering the release of neurotransmitters such as dopamine and serotonin, which are associated with pleasure and mood regulation.
Moreover, music has therapeutic qualities that have been recognized for centuries. From ancient Greece to modern times, music has been used as a form of therapy to heal the body, mind, and spirit. Today, music therapy is widely used to help individuals cope with physical, emotional, and psychological challenges, such as chronic pain, depression, anxiety, and trauma. Whether through listening to music, playing instruments, or engaging in music-making activities, individuals can experience a sense of relaxation, comfort, and empowerment that can promote healing and well-being.
In addition to its therapeutic benefits, music is also a powerful tool for cultural expression and identity. Every culture around the world has its own unique musical traditions, instruments, and styles, which reflect its history, values, and worldview. From the rhythmic drumming of African tribes to the intricate melodies of Indian ragas, music serves as a window into the soul of a culture, preserving its heritage and passing down its stories from generation to generation. Through music, people can connect with their roots, express their identities, and celebrate their diversity.
Furthermore, music has played a significant role in shaping social movements and driving change throughout history. From the civil rights movement in the United States to the anti-apartheid struggle in South Africa, music has served as a powerful tool for protest, resistance, and solidarity. Songs such as "We Shall Overcome" and "Nkosi Sikelel' iAfrika" became anthems of hope and liberation, rallying people together in the fight against injustice and oppression. Music has the power to inspire, mobilize, and empower individuals to stand up for what they believe in and work towards a better world.
As technology has advanced, the landscape of music has evolved, giving rise to new genres, styles, and platforms for creative expression. From vinyl records and cassette tapes to CDs and digital streaming services, the way we consume music has undergone dramatic changes over the years. The internet has revolutionized the music industry, making it easier than ever for artists to distribute their music directly to audiences around the world. Platforms like Spotify, Apple Music, and YouTube have democratized access to music, allowing listeners to discover new artists, genres, and sounds with just a few clicks.
Moreover, technological advancements have also transformed the process of music production, enabling artists to experiment with new sounds, textures, and techniques. Digital audio workstations (DAWs) like Pro Tools, Ableton Live, and Logic Pro have revolutionized the way music is created, allowing artists to compose, record, and produce music entirely within a computer. Virtual instruments, synthesizers, and samplers have expanded the sonic palette of musicians, giving rise to innovative new genres such as electronic dance music (EDM), hip-hop, and experimental music.
Despite these advancements, live music remains an integral part of the musical experience, providing opportunities for artists and audiences to connect in real-time. Concerts, festivals, and performances bring people together in shared spaces, creating moments of collective joy, catharsis, and communion. The energy and excitement of a live music event are unparalleled, as fans come together to celebrate their favorite artists and songs.
In conclusion, music is a powerful force that has shaped human civilization in profound ways. From its therapeutic qualities to its role in cultural expression and social change, music has the power to uplift, inspire, and unite people across the globe. As we continue to evolve and innovate in the digital age, music will undoubtedly remain a timeless and essential aspect of the human experience, enriching our lives and connecting us to each other in ways that words alone cannot express.
Joseph Lemus Attleboro
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Our Black Gay Diaspora Podcast: Visibility For The Invisible Community
Finding podcasts that are ear worthy comes from a multitude of sources - friends, family, co-workers, articles, social media, and even the Ear Worthy Substack site where podcasts are reviewed and recommended daily.
In the case of Our Black Gay Diaspora podcast, I discovered it on the excellent Substack newsletter, BlkPodNews™, which was launched two years ago.
The newsletter's stated mission is "to help readers / listeners learn about and listen to new Black podcasts, new podcast seasons, and best episodes from Black Podcasting Awards’ winners in this weekly spotlight. It is 'The Podcast Industry Trade Paper For Black Podcast Creatives & Professionals.'"
You can sign up to be on their email newsletter list here.
On the newsletter, I came across an article about Our Black Gay Diaspora podcast.
It is a fascinating independent podcast. Our Black Gay Diaspora Podcast is a podcast (video and audio) where Black LGBTQ professionals share stories about their lives, countries and professions. Creator / Host Erick Taylor Woodby interviews individuals who inspire and educate others about who they are, highlighting a population often overlooked by mainstream LGBTQ+ and Black media outlets.
Woody is attempting to offer greater visibility in a world that often tries to make underrepresented communities invisible is such a large task.
Here is an Apple review that sums up the view on this podcast.
"Erick has presented an amazing and diverse group of world citizens with wide-ranging experiences, it is fascinating to hear these stories of how these People Of Color (POC) move in the circles of their lives, embracing their Blackness as well as their place within the LGBTQ+ community. It is so important to share this visibility, so everyone can come to understand the full length and breadth of POC/LGBTQ+, the work they are doing, and how they are shaping the world. This podcast is not just for POC, it's accessible to everyone and benefits people of all ethnicities with the stories being shared. I applaud Erick for realizing this gap existed, and I think he is doing an amazing job of filling in the blank spaces. Kudos to you! :)"
Erik Taylor Woodby is the creator, host, and producer of the global biweekly Our Black Gay Diaspora Podcast. As a contributing writer for the Swedish Krull Magazine, he shares stories and diverse histories chronicling the lives of individuals making a difference in their countries and professions.
Woodby is a writer, podcast producer, and graphic designer with over 20 years of experience working in media from logo and print design to multimedia, collaborating with clients that include a BAFTA-winning documentary protagonist, an award-winning yoga instructor, and an international investment banking firm.
In his bio, Woodby says: "My love of creative communication extends to learning languages and travelling the world as a digital nomad. I’m proficient in conversational Spanish and basic Swedish. And have visited Canada, Denmark, England, Germany, Mexico, Latvia, Norway, South Africa, Spain, and Sweden. Stockholm, Sweden, and Brighton, UK are two of my favorite cities."
Since starting the podcast in late March 2021, Woodby has produced 76 episodes, which is a remarkable feat for an indie podcast. Clearly, because of Woodby's design and media experience, the podcast has slick graphics, excellent sound quality, and the music and is created, produced, and distributed at a high level of quality. Kudos to Woodby for using his multiplicity of skills in podcasting. It's clearly paid off.
On the show, Woodby interviews guests including
Executive Director at PEOPLE Magazine Jeremy Helligar, Palmira Koukkari Mbenga, Swedish journalist, actor, and script editor for Netflix’s Young Royals, and Gamal ‘G’ Turawa, the protagonist in the 2022 BAFTA-winning British docudrama The Black Cop.
One of my favorite episodes was #6 when Woodby interviewed L.A.-based lawyer Thomas DeBoe. Imagine making an episode speaking to a lawyer about business contracts, family law, and joint ventures? zzzzzzzzz. But Woodby's calm, curious style transformed the episode into a fascinating look in DeBoe's life and career.
If you check out the episode roster of Woodby's show, you'll notice that the show length averages about 40 minutes. I personally love that sense of editing and respect for the listeners. Too many interview podcasts believe they can duplicate Joe Rogan and conduct interviews that run for an hour or two. They can't. Woodby has an innate sense of conversational flow.
Woodby is clearly an advocate of the Greek philosopher Aristotle, who once said, "Tell them what you are going to tell them, tell them, then tell them what you told them."
As a host, Erik Taylor Woodby is understated like low-impact aerobics. You still get the benefits but without the histrionics. His interviewing style is gentle but probing, and his cosmopolitan lifestyle has enabled him to glide without friction through numerous countries, ethnic backgrounds, and belief systems.
Two of my favorite episodes are the January 31, 2024 show with Pax Ahimsa Gethen, who is an American transgender vegan atheist, pacifist, blogger, photographer, and Wikipedia volunteer editor. In August 2023, Pax was awarded Wikipedia’s 2023 Media Contributor of the Year. Through their blog site, funcrunch.org, Pax is a dedicated advocate for marginalized communities, highlighting transgender and Black social justice causes and cultural milestones.
In episode 65 in September 2023, Woodby interviewed Rob Berkeley, who is the founder and managing editor at BlkOutUK.com, “a not-for-profit social enterprise run and owned by a volunteer collective of black gay men.” He's also a writer who contributed to the 2014 anthology Black and Gay in the UK. His story is titled The Brotherhood Dilemma. Described as an educationalist with interests in media, creativity, and the arts, Rob has a desire to disrupt power dynamics for the betterment of those on the margins of society.
At the beginning of the show, Woody says of Berkeley, "He is willing to upset the power dynamics for the benefit of those in marginalized communities." That's courage and passion.
Check out Our Black Gay Diaspora Podcast. You don't have to be gay, black or different in any respect to enjoy the show and learn something from the show.
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This review is part of an ongoing series of reviews, recommendations, and essays about Indie podcasters -- their craft, their challenges, and the critical role they play in podcasting. These entrepreneurs display skills as disparate as hosting, sound production, graphic design, scriptwriting, interviewing, marketing genius, and financial watchdog. They are the heart and soul of podcasting.
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Global Femtocell Market Analysis 2024 – Estimated Market Size And Key Drivers
The Femtocell Global Market Report 2024 by The Business Research Company provides market overview across 60+ geographies in the seven regions - Asia-Pacific, Western Europe, Eastern Europe, North America, South America, the Middle East, and Africa, encompassing 27 major global industries. The report presents a comprehensive analysis over a ten-year historic period (2010-2021) and extends its insights into a ten-year forecast period (2023-2033).
Learn More On The Femtocell Market:
https://www.thebusinessresearchcompany.com/report/femtocell-global-market-report
According to The Business Research Company’s Femtocell Global Market Report 2024, The femtocell market size has grown rapidly in recent years. It will grow from $5.56 billion in 2023 to $6.63 billion in 2024 at a compound annual growth rate (CAGR) of 19.3%. The growth in the historic period can be attributed to smart home initiatives, cost efficiency improvement, regulatory support and standards, early iot pioneers, enterprise deployment..
The femtocell market size is expected to see rapid growth in the next few years. It will grow to $13.69 billion in 2028 at a compound annual growth rate (CAGR) of 19.9%. The growth in the forecast period can be attributed to rapid urbanization, expanding mobile data usage, remote work culture, small cell integration, cloud and virtualization adoption.. Major trends in the forecast period include 5g network rollout, iot and smart devices, remote work and telecommuting..
Increasing applications of the smartphone have propelled the growth of the femtocells market. A smartphone is a type of portable device that integrates a mobile phone and a computer into one device. Smartphones are used for value-added services such as voice and data, software, video conferencing, music downloads, and online games. The femtocell works with a cellular network provider to improve cellular portable mobile devices, particularly in areas where coverage by cellular systems utilising big cells is patchy and inconclusive. For instance, in April 2021, according to the survey of smartphone ownership commissioned by a nonpartisan American think tank, the Pew Research Center, the share of Americans that own a smartphone increased from 81% in February 2019 to 85% in February 2021, which was just 35% a decade ago (in 2011). In addition, in 2021, according to the India Brand Equity Foundation (IBEF), the Indian smartphone market observed a 10-fold expansion from 14.5 million smartphone shipments in 2011 to 150 million in 2020. Thus, increased the growth of the smartphone usage for valuable services and network technology such as 4G are boosting femtocell demand.
Get A Free Sample Of The Report (Includes Graphs And Tables):
https://www.thebusinessresearchcompany.com/sample.aspx?id=8269&type=smp
The femtocell market covered in this report is segmented –
1) By Type: 2G Femtocell, 3G Femtocell, 4G Femtocell, 5G Femtocell
2) By Technology: IU-H, IMS/SIP
3) By End-User: Residential, Commercial, Public Space
Technological advancement is a key trend gaining popularity in the femtocells market. Companies are releasing new innovations, integrating their products with the Internet of Things (IoT), using distributed antenna systems and cloud radio access networks (C-RAN), and investing in small-cell infrastructure to strengthen their position in the market. For instance, in May 2021, Nokia, a Finnish multinational telecommunication, information technology, and consumer electronics corporation, introduced its smart node femtocell all-in-one solution, which would successfully densify networks and provide an excellent customer experience in constrained indoor spaces. It aids traffic control by reducing core network load and enhancing macro resource allocation. It combines uncongested high throughput network performance with currently utilized secure authentication to give a secure connection and SIM-based authentication to ensure the quality required in mobile networks.
The femtocell market report table of contents includes:
Executive Summary
Market Characteristics
Market Trends And Strategies
Impact Of COVID-19
Market Size And Growth
Segmentation
Regional And Country Analysis
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Competitive Landscape And Company Profiles
Key Mergers And Acquisitions
Future Outlook and Potential Analysis
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Broadband Access Service Market Analysis, Outlook & Forecast till 2032
Global Broadband Access Services Market was estimated at USD 400 billion in 2022 and is expected to reach over USD 805.41 billion by 2032, expected to grow at a CAGR of 7% from 2023 to 2032.
The competitive analysis of the Broadband Access Service Market offers a comprehensive examination of key market players. It encompasses detailed company profiles, insights into revenue distribution, innovations within their product portfolios, regional market presence, strategic development plans, pricing strategies, identified target markets, and immediate future initiatives of industry leaders. This section serves as a valuable resource for readers to understand the driving forces behind competition and what strategies can set them apart in capturing new target markets.
Market projections and forecasts are underpinned by extensive primary research, further validated through precise secondary research specific to the Broadband Access Service Market. Our research analysts have dedicated substantial time and effort to curate essential industry insights from key industry participants, including Original Equipment Manufacturers (OEMs), top-tier suppliers, distributors, and relevant government entities.
Receive the FREE Sample Report of Broadband Access Service Market Research Insights @ https://stringentdatalytics.com/sample-request/broadband-access-service-market/7193/
Market Segmentations:
Global Broadband Access Service Market: By Company
• China Mobile
• China Unicom
• China Telecom
• China Railcom
• Unitech Telecom
• Great Wall Broadband Network Service Co., Ltd.
• Beijing Sinnet Technology Co.,Ltd.
• Fiberhome Telecommunication Technologies Co.,Ltd.
• Shenyang Fengchi Software Co., Ltd.
• Bossin Communication Co., Ltd.
• Tianji Communication (Beijing) Technology Co., Ltd.
Global Broadband Access Service Market: By Type
• Broadband Access for Individual Users
• Broadband Access for Commercial and Enterprise Users
Global Broadband Access Service Market: By Application
• Instant Messaging
• Search Engine
• Internet Music
• Web Video
Regional Analysis of Global Broadband Access Service Market
All the regional segmentation has been studied based on recent and future trends, and the market is forecasted throughout the prediction period. The countries covered in the regional analysis of the Global Broadband Access Service market report are U.S., Canada, and Mexico in North America, Germany, France, U.K., Russia, Italy, Spain, Turkey, Netherlands, Switzerland, Belgium, and Rest of Europe in Europe, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, China, Japan, India, South Korea, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA), and Argentina, Brazil, and Rest of South America as part of South America.
Click to Purchase Broadband Access Service Market Research Report @ https://stringentdatalytics.com/purchase/broadband-access-service-market/7193/
Key Report Highlights:
Key Market Participants: The report delves into the major stakeholders in the market, encompassing market players, suppliers of raw materials and equipment, end-users, traders, distributors, and more.
Comprehensive Company Profiles: Detailed company profiles are provided, offering insights into various aspects including production capacity, pricing, revenue, costs, gross margin, sales volume, sales revenue, consumption patterns, growth rates, import-export dynamics, supply chains, future strategic plans, and technological advancements. This comprehensive analysis draws from a dataset spanning 12 years and includes forecasts.
Market Growth Drivers: The report extensively examines the factors contributing to market growth, with a specific focus on elucidating the diverse categories of end-users within the market.
Data Segmentation: The data and information are presented in a structured manner, allowing for easy access by market player, geographical region, product type, application, and more. Furthermore, the report can be tailored to accommodate specific research requirements.
SWOT Analysis: A SWOT analysis of the market is included, offering an insightful evaluation of its Strengths, Weaknesses, Opportunities, and Threats.
Expert Insights: Concluding the report, it features insights and opinions from industry experts, providing valuable perspectives on the market landscape.
Report includes Competitor's Landscape:
➊ Major trends and growth projections by region and country
➋ Key winning strategies followed by the competitors
➌ Who are the key competitors in this industry?
➍ What shall be the potential of this industry over the forecast tenure?
➎ What are the factors propelling the demand for the Broadband Access Service?
➏ What are the opportunities that shall aid in significant proliferation of the market growth?
➐ What are the regional and country wise regulations that shall either hamper or boost the demand for Broadband Access Service?
➑ How has the covid-19 impacted the growth of the market?
➒ Has the supply chain disruption caused changes in the entire value chain?
Customization of the Report:
This report can be customized to meet the client’s requirements. Please connect with our sales team ([email protected]), who will ensure that you get a report that suits your needs. You can also get in touch with our executives on +1 346 666 6655 to share your research requirements.
About Stringent Datalytics
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Syndicated market research reports, on the other hand, are pre-existing reports that are available for purchase by multiple clients. These reports are often produced on a regular basis, such as annually or quarterly, and cover a broad range of industries and market segments. Syndicated reports provide clients with insights into industry trends, market sizes, and competitive landscapes. By offering both custom and syndicated reports, Stringent Datalytics can provide clients with a range of market research solutions that can be customized to their specific needs.
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The Top Chery In Chinese SUVs
The new Tiggo 8 Pro models bring unparalleled offerings to their class
Chery introduced the upgraded versions of its Chery Tiggo 8 Pro and Tiggo 8 Pro Max models to South Africa, at the beginning of August 2023. The new models boast enhanced features, a refreshed design, and a completely reimagined interior.
Buy the previous derivatives by shopping for a used Chery Tiggo 8.
The Tiggos have unparalleled offerings in their class, featuring luxurious amenities like a panoramic sunroof, full leather upholstery, dual-zone climate control, and an integrated voice control system as standard features.
The Tiggo 8 Pro model stands out with its distinctive design, setting it apart from other midsize luxury seven-seater SUVs on the road. The Chery logo in the grille is illuminated, gradually using an array of LED lights, giving an impression of coming to life. This lighting sequence is synchronised with the LED Matrix headlamps and LED daytime running lights.
The rear of the vehicle features light clusters connected by a striking LED light bar. During the vehicle start-up sequence, the rear lights illuminate from the centre light bar to the lower edges of the tail lamps.
The interior of the Tiggo 8 models ushers in a new era of luxury and sophistication in its price range. This car has one of the most prominent digital screen displays, spanning 24.7 inches in length. The screen in front of the driver presents essential vehicle information and speed, while the right section handles infotainment controls.
The climate control experience has been elevated, with every row equipped with its air conditioning controls. Front-row occupants are treated to a dual-zone independent climate control system for added comfort. The air quality system now includes an ion sensor that activates the purifying system when polluted air is detected. Notably, the air quality within the Tiggo 8 Pro range is N95 certified, boasting cleanliness akin to that of a surgical operating room.
The centre console has conveniently positioned cup holders, and a fast 50W wireless phone charging pad, with an air vent to keep the phone from overheating while charging. Every Tiggo 8 comes standard with wireless Apple Car Play or Android Auto. This adds to the convenience of not having to carry cables for charging or connection to Apple Car Play or Android Auto.
The sound system in the vehicle is supplied by Sony. Comprehensive voice controls to the soothing voice of “Hello Chery” allows one to open or close the sunroof, play music, navigate or make calls on command. The Tiggo 8s are equipped with a total of four USB ports, equally distributed between Type A and Type C connections and shared between the front and middle row seats. This makes a welcome change from other brands that either have Type A or Type C.
The front seats are equipped with both cooling and heating systems, which also fall under the voice commands. This is ideal for ever-changing weather conditions in South Africa.
Another convenient feature allows the user, holding the key, to approach the vehicle’s rear and take a step back, prompting the boot to open automatically – this is so useful when carrying bags or groceries
The Tiggo 8 Pro Max is equipped with advanced driver assistance systems, encompassing over 10 intelligent driving assistance functions, like adaptive cruise control, autonomous emergency braking and lane-keeping assistance. The vehicle is equipped not only to assist the driver but also to interact with passengers, pedestrians, and other vehicles. For instance, if the vehicle detects a nearby car in a risky situation during an emergency manoeuvre, it can activate its hazards to warn the other vehicle.
The system also monitors both sides of the vehicle and alerts occupants if it senses an approaching car, indicated by a red ring light around the door-mounted speakers.
If there is any criticism of the car, it would be that the onboard navigation system, as with any other car that has built-in mapping, is not as good as what your phone can deliver.
Buyers of the Tiggo 8 Pro receive a 5-year / 60,000 km service plan and a 5-year / 150,000 km comprehensive mechanical warranty. Opting for the Tiggo 8 Pro Max awards buyers with a 7-year / 90,000 km service plan and the same mechanical warranty.
Chery’s exceptional engine warranty offers 10 years or 1 million kilometres of worry-free driving.
The Chery Tiggo 8 Pro lineup comprises two models:
Tiggo 8 Pro 1.6T Executive: R609,900
Tiggo 8 Pro MAX 2.0T Executive: R669,900
By now you can find one of these new models among older versions of the Chery Tiggo 8 for sale by browsing used Tiggo 8 SUVs here now.
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From https://gadget.co.za/
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ABC NEWS STUDIOS’ ‘THE SECRET LIFE OF DANCING DOGS’ FOLLOWS A PACK OF HANDLERS AND THEIR CANINE DANCE PARTNERS AS THEY PREPARE FOR THE WORLD’S GREATEST DANCING DOG SHOW
Six-Part Docu-Series Explores the Inspiring Connection Between Humans and Their Four-Legged Friends as They Leap, Pirouette and Hop Their Way to Dance Domination
‘The Secret Life of Dancing Dogs’ Premieres Friday, Nov. 17, Only on Hulu
ABC News Studios*
ABC News Studios’ newest docu-series, “The Secret Life of Dancing Dogs,” shines a spotlight on the extraordinary world of dog dancing, also known as “Heelwork to Music,” a competitive sport where people choreograph mind-boggling dance routines with their four-legged canine partners. Performances are judged using a dizzying array of criteria, including musical interpretation, choreography, and the bond between handler and canine.
The six-part series follows seven women from around the globe and their furry friends, whose tails never stop wagging, as they spend months preparing to compete on the world’s preeminent dog dancing stage, Crufts, in England. ABC News Studios captures all the laughter and tears while our cast struggles through national qualifiers, battles fierce rivalries, copes with personal traumas, and manages a tough training regimen, all in preparation for the ultimate dog dancing competition. All six parts of “The Secret Life of Dancing Dogs” begin streaming Nov. 17, only on Hulu in the United States, and on Disney+ in the United Kingdom and select other territories.
“The Secret Life of Dancing Dogs” follows Lorna Syrett and her border collie Nora (United Kingdom), Gina Pink and her working sheep dog Swagger (United Kingdom), Christine Bérczes and her Australian shepherd Meredith (Hungary), Marianne Elise Methi and her border collie Vega (Norway), Jennifer Fraser and her Australian shepherd Daiquiri (Canada), Sachiko Kuniyoshi and her border collie Alena (Japan), and Isa Randle and her chihuahua Lucky (United Kingdom).
Humorous and inspirational, this dog dancing series reminds viewers that there is a star inside everyone. Sometimes, everybody just needs a four-legged friend to let it shine.
“The Secret Life of Dancing Dogs” will begin streaming internationally on Nov. 17 on Disney+ in the UK, Ireland, Balkans, Canada, South Africa, Singapore and Philippines.
“The Secret Life of Dancing Dogs” is produced by ABC News Studios. Edward Hambleton and Claire Weinraub are executive producers, Haewon Yom is co-executive producer, and David Sloan is senior executive producer. ABC News Studios is led by Mike Kelley, and Reena Mehta is the SVP of Streaming and Digital Content.
About ABC News Studios
ABC News Studios, inspired by ABC News’ trusted reporting, is an award-winning, premium news and documentary original production house and commissioning partner of series and specials. ABC News Studios champions untold and authentic stories driving the cultural zeitgeist spanning true-crime, investigations, pop culture and news-adjacent stories. ABC News Studios’ original titles include critically acclaimed documentaries “Pretty Baby: Brooke Shields,” “Sound of the Police,” “The Lady Bird Diaries” and “Aftershock,” and popular docu-series and documentaries, including “Killing County,” “Wild Crime,” “Mormon No More,” “The Randall Scandal: Love, Loathing, and Vanderpump” and “Jelly Roll: Save Me.”
*COPYRIGHT ©2023 American Broadcasting Companies, Inc. All photography is copyrighted material and is for editorial use only. Images are not to be archived, altered, duplicated, resold, retransmitted or used for any other purposes without written permission of ABC. Images are distributed to the press in order to publicize current programming. Any other usage must be licensed. Photos posted for Web use must be at the low resolution of 72dpi, no larger than 2x3 in size.
-- ABC --
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Bibliography (Reference style)
Baudot, B. (2004). Meaning of Life and Purpose of Society: Essential Dimensions of Morality – Report. Triglav Circle. https://www.triglavcircleonline.org/meaning-of-life-and-purpose-of-society-essential-dimensions-of-morality/
Broken Pencil. (2023, September 19). Catalina Cheng on Ceramics and Preservation of Queer Art History . https://brokenpencil.com/folio-2/folio-catalina-cheng-on-ceramics-and-preservation-of-queer-art-history/
Camus, A., & O’Brien, J. (2018). The myth of Sisyphus (Second Vintage international edition). New York: Vintage International : Vintage Books, a division of Penguin Random House LLC.
Freschi, F., Venis, J., Nazier, F., Russell, K. J., Hopewell, H., Carter, L., Miller, S. C., Krishnan, T., McCaw, C., Galloway, M., Wilson, J. K. T., & Campbell, D. (Eds.). (2021). The politics of design: Privilege and prejudice in aotearoa new zealand, australia and south africa. Otago Polytechnic Press.
Jessica, Z. (2023). Combing. Best Awards. https://bestawards.co.nz/spatial/student-academic-spatial/aut-art-design/combing/
Robèrt, K.-H. (2008). The natural step story: Seeding a quiet revolution. Gabriola Island, BC: New Catalyst Books.
Sartre, J.-P. (2003). Being and nothingness (H. E. Barnes, Trans.; 2nd ed.). Routledge.
Sun, Y., & Peng, Y. (2016). Can’t help myself. The Guggenheim Museums and Foundation. https://www.guggenheim.org/artwork/34812
The Cooperative Human. (2018). Nature Human Behaviour, 2(7), 427–428. https://doi.org/10.1038/s41562-018-0389-1
Tuhiwai Smith, P. L. (2012). Decolonizing Methodologies: Research and Indigenous Peoples. Zed Books.
http://ebookcentral.proquest.com/lib/aut/detail.action?docID=1426837
Weir, P. (1989). Dead Poets Society. Buena Vista Pictures Distribution.
Wunderlich, F. M. (2013). Place-Temporality and Urban Place-Rhythms in Urban Analysis and Design: An Aesthetic Akin to Music.
Journal of Urban Design, 18(3), 383–408. https://doi.org/10.1080/13574809.2013.772882
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Live Streaming Platform Market Opportunities and Landscape [2023-2031]
Global Live Streaming Platform Market (2023-2031) latest research report, analyses several areas such as drivers, challenges, opportunities, and threats to provide an in-depth assessment of the market. It contains growth, trends, competitive landscape research, and significant region expansion status. The research includes numerical industry analysis and statistics for developing strategies to boost market growth and success. Live Streaming Platform Market organizes data into segments based on type, application, and region. Market investment scenario by market share and market growth (value and volume) are stated in the Live Streaming Platform Market research.
This report is the result of extensive primary and secondary research into the Live Streaming Platform market. It offers an in-depth assessment of the market's current and future objectives, along with an industry competitive analysis broken down by application, type, and regional trends.
Who are the leading players in the Live Streaming Platform market?
Kuaishou
YY
Twitch
Tencent Music Entertainment (TME)
Momo
Douyu
ByteDance
YouTube
Inke
Huajiao
Yizhibo (Weibo)
Twitter (Periscope)
Brightcove (Ooyala)
Uplive
Mixer
Facebook
Instagram
Snapchat
Vimeo (Livestream)
IBM Cloud Video (formerly Ustream)
Dacast
Smashcast (Azubu)
StreamShark
Regional Segment of Live Streaming Platform Market:
Geographically, the report includes research on production, consumption, revenue, market share, and growth rate, and forecast of the following regions:
- North America (United States, Canada, and Mexico)
- Europe (Germany, UK, France, Italy, Russia, Turkey, etc.)
- Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia, and Vietnam)
- South America (Brazil, Argentina, Columbia, etc.)
- Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria, and South Africa)
The Study Objectives of This Report:
The study objectives of this report are to analyze the global Live Streaming Platform market, understand its demand drivers, evaluate its growth rate, assess production and production value, identify key producers, and analyze the growth factors driving market demand. Additionally, the report aims to examine market trends, challenges, and opportunities, provide insights into market segmentation and competitive landscape, assess pricing trends, explore market opportunities, forecast future prospects, study regulatory frameworks, and understand environmental considerations in the Live Streaming Platform industry. These objectives aim to provide a comprehensive understanding for industry stakeholders and guide decision-making processes.
Key Questions Answered In the Live Streaming Platform Market Report:
What are the major trends influencing the global Live Streaming Platform market?
What are the key challenges faced by the Live Streaming Platform market?
What are the different types of Live Streaming Platforms prevalent in the market?
What is the market share of different Live Streaming Platform types?
What is the geographical distribution of the Live Streaming Platform market?
Who are the key customers/end-users of Live Streaming Platform products?
What are the pricing trends in the Live Streaming Platform market?
What are the emerging technologies affecting the Live Streaming Platform market?
What are the regulatory frameworks affecting the Live Streaming Platform market?
What is the competitive landscape of the Live Streaming Platform market?
What are the key strategies adopted by leading companies in the Live Streaming Platform market?
What are the market opportunities and potential growth areas in the Live Streaming Platform market?
What is the market forecast for the Live Streaming Platform industry in the next five years?
Browse More Details On This Report at - https://www.businessresearchinsights.com/market-reports/live-streaming-platform-market-102147
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