Resources For People Studying 'An Inspector Calls'
Videos:
Mr Bruff's Analysis Videos
An Inspector Calls in 5 Minutes
Articles:
Plot Summary
Characters
Themes
Form, Structure and Language
Dramatization
Sample Exam Question
Podcast Episodes:
Act 1
Act 1 Key Quotes
Act 2
Act 2 Key Quotes
Act 3
Act 3 Key Quotes
Structure and Chronology
Setting, Lighting and Dramatic Irony
Character Analysis: Sheila
Sheila Key Quotes
Character Analysis: The Inspector
Character Analysis: Mr Birling
Mr Birling Key Quotes
Character Analysis: Eva Smith
Character Analysis: Mrs Birling
Mrs Birling Key Quotes
Character Analysis: Gerald Croft
Gerald Key Quotes
Character Analysis: Eric
Eric Key Quotes
Mr Birling and Pride
Themes: Class
Themes: Responsibility
Themes: Gender
Attitudes To Women
Blame and Responsibility
Socialism VS Capitalism
Abuse of Power and Corruption
Social Class and Inequality
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ngl I don’t think the books we read in English lit were very interesting or impactful.
Macbeth? Spent the entire time thinking about how I originally wrote McBeth and was gobsmacked that I was wrong. A Christmas Carol? Charles Dickens can suck my dick. Fred is the foil, next. The Hunger Games? Just read it, we weren’t studying it at all. To Kill A Mockingbird? We stopped reading it halfway through bc our Canadian teacher realised that eleven year old kids were dying of boredom and so swapped to thg. The Great Gatsby? Beautifully put together, awful to read. Animal Farm? Okay so governments can’t be trusted and they had dumb names. Boring. Power and Conflict Poetry? Hit or miss. Philip Larkin poetry? Total bummer, bit of a whore.
An Inspector Calls? Flawless. Impactful. Men are awful. The rich are terrible. Responsibility is important. David Thewlis is, surprisingly to me, fuckable. Ghosts may be real. My sins will haunt me forever. It changed me as a person. I still think about it all the time. All the time. Seriously. Inspector Goole is a manifestation of my guilt.
I try to enjoy my blorbos and then I remember that Inspector Goole would drag them (as they deserve) and they simply. would. not. care.
In other words, I’m having a terrible time today.
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HEADCANONS !
—–—–—–—–—–—–—–—–—–—–—–—–↷✩
SHEILA 💍 :
bisexual + cis woman • she / they prnns
↑↓
ERIC 🍻 :
queer + demiboy • any prnns
( severely closeted )
↑↓
GERALD 🏳️🌈 :
pan + cis guy • he / him prnns
↑↓
MR BIRLING 💸 :
trans man ( evil ) + unlabelled • he / him prnns
( out but not proud )
↑↓
MRS BIRLING 👗 :
cishet • she / her ( homophobic 😥 )
↑↓
THE INSPECTOR 🔬 :
agender + uranic • he / she / they + all neo prnns ( no pref )
↑↓
EVA SMITH 💫 :
lesbian + non - binary • they / she prnns
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I did my final essay of An Inspector Calls today! The question was about how Mrs Birling was presented and what the purpose was. I came prepared with notes (it was open book- thank god) n stuff and wrote 4 and a half pages! But tbh i don't think I really managed 2 really expand on the quotes n annotate them n stuff, so I'm kinda scared I'll get a bad grade :<
We're gonna start a new topic after spring term break, it's gonna be about Dr Jekyll and Mr Hyde, and like the tryhard I was, I read that book 2 be ready 4 it . I'm actually so excited for it, I rlly loved that book!! :33
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If Sheila Birling has a million fans, then I am one of them. If Sheila Birling has ten fans, then I am one of them. If Sheila Birling has only one fan then that is me. If Sheila Birling has no fans, then that means I am no longer on earth. If the world is against Sheila Birling , then I am against the world.
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Cabin Pressure Advent Day 21: Uskerty
I absolutely adore this episode as the origin of my single favorite Cabin Pressure line: "You know, between the dames and the horses, sometimes I don't know why I even put my hat on." Nothing will ever beat it for me.
So yeah, this episode is super funny, but I do want to talk a bit about something that's come up as my go to "look, a THEME!" here- vulnerability. Because as I was listening, trying to figure out what I was taking away from this episode besides "this is all really funny and well plotted" because at a certain point that gets old, it struck me that there are ways that both of our (absolutely brilliant) pairings this episode really strike a chord when considering the role of vulnerability- and lack of it- in relationships.
This is a bit less so in the Douglas-Arthur pairing in this episode, which is inspired (and yay, there's finally a nice airport manager!)- there are brilliant set pieces, and the premise of the bar conversation allows two very different people to kind of sort of attempt to understand each other. There's also a really nice father/son element- we already can perceive, even if it's not said outright, that Arthur doesn't have much of a father figure- his life is very dominated by Carolyn's influence, even in the majority-male flight deck, in a way that I think even tints his interactions with Mr Birling about sports (there's a tinge of eagerness for acceptance), which he's clueless about. Would Arthur know more about sports if he'd had a dad who gave a shit about him? Who knows. But this episode giving him an older man who's willing to open an as-yet-shut door into a men's world that excites him.
The men's world is, of course, the world of the pub. We've already seen a glimpse of Douglas in that milieu in Kuala Lumpur, and usually I'd say the less said about that the better, but I think there's something interesting about how mean spirited and surfacey it could be there, alongside Arthur's misunderstanding what Douglas means about "talking about their lives." He asks a question that is so unexpectedly and deeply personal that Douglas isn't even upset that he asks, he understands that this is another rule of masculine bar/pub conversation that he has to teach Arthur. On a certain level, this is fine on its own- there's a time and place for everything- but if you look at it a certain way, it can reinforce tropes about men and expressing emotions and feelings. And yet... even by following the rules of pub chat that Douglas lays out for him, and trying to fall into its ritualistic norms (like creative insults), Arthur, in part through his own open-book vulnerability, is able to bring things to a place where Douglas is pretty unselfconsciously vulnerable himself, about the place in the world where he finds himself. And by the end, he's fallen more into Arthur's more atmospheric image of two men in a bar. He's loosened up, and isn't playing by the rules anymore. It's just really nice (in addition to being hilariously funny).
The Martin and Carolyn pairing is maybe a bit less novel than the Douglas and Arthur one, but it still works really well in this discussion of vulnerability. Both of them have had pretenses/barriers they try to keep up- and both, incidentally, are related to their own interest in expressing that they are in control- but by now Martin has learned enough to have started to relax his. This actually really helps, as his actions aren't hampered by pretense or pride- he's basically able to function ALMOST competently with the cabbie as a result. But Carolyn is almost on overtime trying to keep her barriers up against vulnerability and it is clearly driving her a bit bananas, hence her complete dysfunction this episode- she has to be ironic and invulnerable about her gift to Herc, to prove that she may be seeing him but she doesn't have feelings (which will of course come to haunt her in Vaduz), and as a result loses all her judgment. And her overtime craziness is, unusually enough, what causes Martin’s misfortune, not his own incompetence! He's the functional one here, not her, because unlike her he's not filtering all his behavior through this one very constricting lens.
Once Martin is able to open her up a bit in the discussion of his salary- where she starts off in control as the boss and is forced to face the fact that Martin is loyal to her even when he shouldn't be*, which could very easily pierce the defenses of her invulnerability as she has to accept this reality- she starts to mellow out. Whereas she starts off saying that she's “not a little old lady” so she can’t do the totally reasonable thing until Martin begs, afterward she manages to chill enough that she can do the, you know, sane thing even though it dings her a bit in the self-confidence. She's not quite as in thrall to her inner barriers anymore.
I'll just end off by saying- this episode may also, in addition to my favorite line, have my favorite closing lines of any episode, with the possible exception of Zurich 2. Though that one's mostly about the nostalgia and emotions. So maybe this is it.
*On this note- when did Martin stop looking for jobs? He was looking in Rotterdam… given my St Petersburg post I wonder if it was before or after that.
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