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#mobile deals
jasonadamgilly · 1 year
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Smartphones in 2023 are more powerful and efficient than ever before. These phones have larger screens, better cellphone cameras, and longer-lasting batteries. They will also be able to connect to the internet faster and with 5G. In addition, mobile a new smartphone will become more integrated with our lives, as they will be used for everything from controlling our homes to managing our finances. Top mobile deals, both Android and Apple with fast answers for you.
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peasleelosinger · 1 year
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Smartphones in 2023 are more powerful and efficient than ever before. These phones have larger screens, better cellphone cameras, and longer-lasting batteries. They will also be able to connect to the internet faster and with 5G. In addition, mobile a new smartphone will become more integrated with our lives, as they will be used for everything from controlling our homes to managing our finances. Top mobile deals, both Android and Apple with fast answers for you.
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aswin21 · 5 months
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best mobiles in 2023
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marvey-sideblog · 2 months
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dantakeyoman · 9 months
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𝐍𝐀𝐈𝐋𝐒 | 𝐣. 𝐜𝐚𝐝𝐞
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♡ 𝐣𝐨𝐡𝐧𝐧𝐲 𝐜𝐚𝐝𝐞 𝐱 𝐟𝐞𝐦! 𝐫𝐞𝐚𝐝𝐞𝐫
♡ *𝒐𝒉, (𝒚/𝒏)? 𝒔𝒉𝒐𝒐𝒕, 𝒔𝒉𝒆'𝒔 𝒕𝒐𝒖𝒈𝒉𝒆𝒓 𝒕𝒉𝒂𝒏 𝒂 𝒃𝒂𝒈 𝒐𝒇 𝒏𝒂𝒊𝒍𝒔, 𝒂𝒏𝒅 𝒕𝒘𝒊𝒄𝒆 𝒂𝒔 𝒎𝒆𝒂𝒏, 𝒕𝒐𝒐. 𝒃𝒖𝒕 𝒔𝒉𝒆'𝒔 𝒂 𝒓𝒆𝒂𝒍 𝒅𝒐𝒍𝒍 𝒐𝒏𝒄𝒆 𝒚𝒐𝒖 𝒈𝒆𝒕 𝒕𝒐 𝒌𝒏𝒐𝒘 𝒉𝒆𝒓. …𝒊𝒇 𝒚𝒐𝒖 𝒔𝒖𝒓𝒗𝒊𝒗𝒆 𝒍𝒐𝒏𝒈 𝒆𝒏𝒐𝒖𝒈𝒉. *
♡ 𝐜𝐨𝐧𝐭𝐚𝐢𝐧𝐬 𝐠𝐨𝐫𝐞, 𝐟𝐢𝐠𝐡𝐭𝐬, 𝐦𝐮𝐫𝐝𝐞𝐫, 𝐛𝐥𝐨𝐨𝐝, 𝐢𝐧𝐣𝐮𝐫𝐲, 𝐢𝐧𝐧𝐮𝐞𝐧𝐝𝐨𝐬, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐬𝐞𝐱, 𝐥𝐢𝐦𝐞𝐬, 𝐣𝐨𝐡𝐧𝐧𝐲 𝐝𝐨𝐞𝐬 𝐧𝐨𝐭 𝐝𝐢𝐞, 𝐞𝐭𝐜.
♡ * 𝒔𝒑𝒐𝒕𝒊𝒇𝒚 - 𝒑𝒐𝒗: 𝒕𝒉𝒆 𝒐𝒖𝒕𝒔𝒊𝒅𝒆𝒓𝒔 *
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𝐎𝐍𝐄
"Watch it, Steve!" You exclaimed, giving the boy a quick kick to the ankle as you rolled out from under the car you were working on.
He let out a dramatic howl, jumping and clutching his foot like a cartoon.
"Keep goofin' around like that and this car's gon' take my head clean off."
"Ow, (y/n/n)! Watchu got stones in your shoe or somethin'?" Steve smiled, a flicker of pain in his eye.
"Now, c'mon, you two, let's finish this up. I don't know about y'all but I'm tryna get home tonight," Sodapop sighed, rolling out from his side with a tired look.
You, Steve, and Soda all worked at the DX together, and were working on your last car of the day, before Steve started up his usual shenanigans.
"Home? All the things to do on a Friday night and y'all wanna go home? S'enough to make a grown man cry..." Steve gasped dramatically, wiping away some fake tears.
"Not me. I got somewhere I gotta be. So if you would kindly shut your trap, maybe we could get this done," you glared, giving him another kick to the foot before rolling back to your spot.
Steve let out another loud whine, and Soda rolled his eyes, going back to his spot as well.
"You keep that up and you'll cripple 'im," he chuckled.
"Yeah, and maybe then he'll finally sit himself down."
"You said you got somewhere to be..." Steve smirked, his pain seemingly gone as he sat down next to you.
"Got a hot date?"
You scoffed, "Yeah, right. I'm meetin' Johnny at the Dingo."
At the mere mention of Johnny, the two boys let out loud coos, Steve making obnoxious kissing noises.
"Will you two cut it out?!" You exclaimed, embarrassed as you rolled out from your spot again, the flush on your cheeks clear as day, just like the grease on them, too.
"Johnnycake, you can stay at my house if you like. Johnnycake, could you walk me home?" Steve impersonated in your voice, tossing a rag on his head to make his hair look like yours.
"Johnnycake, it's freezing! Lemme get you a jacket," Soda chimed with a smile, throwing on your voice as well.
"I don't know what y'all are talkin' about," you rolled your eyes, standing up and grabbing the rag off Steve's head, using it to clean off your hands.
"You should. Poor Johnnycake's the only person in the world you're nice to," Steve gave you a playful poke in the side as you wiped your face.
"I'm nice to plenty. Pony, Darry, the man at the drugstore-." "Then why ain't you nice to me?" Steve gasped, offended.
"'Cause you don't deserve my kindness," you smirked, dropping the dirty rag bag on his head, which earned you his childish pout.
Soda rolled out with a groan, stretching his arms, "(y/n/n), we're pretty much finished here so you can head out after we close up."
"S'all right if I go on ahead? I really don't wanna be late," you asked, clasping your hands together and giving him your best pleading eyes.
"I don't know..." he shook his head, "I don't wantchu walkin' out there by yourself. You know the Socs have been real wild lately..."
"Relax, Soda," Steve smiled, throwing an arm around your shoulder. "(y/n/n)'s meaner than a wildcat, and can hold 'er own just fine."
Sodapop groaned, wiping his face before looking back to you, "You got your switchblade on ya?"
You nodded, whipping it out your pocket and flicking it open, "Never leave home without it."
Steve smiled, "See?"
"...I guess it wouldn't hurt none. So long as you're careful," Soda caved.
"YES!" You cheered, running over to grab your jacket off the hook.
"Your brother's gonna skin me when he finds out..." he sighed, shaking his head.
"Oh, now that's a hood. Guy's so grease he glides when he walks," Steve chuckled.
Your brother was a little bit older than Darry but they used to buddy around in school all the time.
Your parents were never in the picture much so he took up the mantle of breadwinner in junior high, and works the same job as Darry, and a couple others here and there.
"If he finds out," you grinned, turning to walk out, "I'll see y'all tomorrow. You two have a goodnight, ya hear."
"Yeah, yeah, just go on an' git," Soda rolled his eyes with a smile, waving you off.
"Do 'er one lil' favor and all a sudden she's all smiles," Steve scoffed, also smiling.
"That girl's a head case."
𝒋 𝒐 𝒉 𝒏 𝒏 𝒚 𝒄 𝒂 𝒌 𝒆
'Damn idiots. Don't know what the hell they talkin' 'bout.'
You'd started your trek to the Dingo about 20 minutes ago, and despite leaving the DX early, you were horribly late.
You sighed, roughly rubbing your hands in your pockets to try and gather some warmth in the cold, September air.
Although you were nearly there, the temperatures were beginning to get to you.
'Shoulda known not to take this flimsy jacket. Damn thing's thinner than Dally's patience.'
Letting out a shivering breath, your mind flashed to the image of Johnny, sitting in the drive-in all by his lonesome.
His sad, pleading baby browns staring up at the screen, open and empty seat next to him, collecting dust while waiting for your arrival.
'Dammit!'
Deciding your brisk walking pace wasn't enough, you kicked it into a jog, which slowly, but surely, turned into a full on sprint.
And with the Dingo's sign in sight, you smiled, speeding up even more.
That is, until you were suddenly grabbed by a set of hands.
A ringed set of hands.
"Whoa, whoa, whoa. Where you goin' in a hurry, grease?" The Soc boy known as Bob sneered, holding you tightly against his sweatered-chest.
"Away from your slimy paws, that's where," you spat, slamming your foot down on his, making him let go of you with a yowl of pain.
But sadly, Socs never travel alone.
In an instead, you were grabbed up by about three other Socs, two grabbing your arms and one taking your switchblade out your pocket.
"You gimme that back or I swear I'll knock in your teeth!" You shouted, your tone venomous and probably flammable if such a thing was possible.
You sharply threw your head to the side, knocking into the nose of the boy holding your right arm.
"Goddammit! The bitch broke my nose!" He shrieked, the boy that took your blade taking his place as the other nursed his poor, bloody sniffer. "This on got a mouth on 'er, don't she? Well, I'm sure we can fix that..." Bob gave you a lidded smirk, his words slurring in a way that made it clear as day that the boy was drunk.
Cracking up his knuckles and winding for a punch, you hardened your look, already prepped and braced for the oncoming beating.
'If this guy don't beat me to death, then (b/n/n) sure will...or even Soda.'
"DON'T YOU TOUCH 'ER!" A familiar voice shouted, that greasy mop of hair you liked so much sprinting out the Dingo and towards you.
"Johnnycake..." you sighed with a smile, relieved.
"Y'all Socs want a fight?! You got one!" Two-Bit added, donning his favorite Mickey Mouse shirt as he ran up right behind Johnny, breaking a beer bottle on the fence next to him.
But suddenly, you were hit with a full force, four ringed punch straight to the mouth, the metal on his hands nearly knocking your jaw off its hinges.
The two holding you let you fall to the floor before they sprinted away from the oncoming crazed dog that was a mad Two-Bit.
And with his running start, Johnny landed his own punch on Bob, with about three times the kick, and sent the Soc tumbling to the ground.
Though the catch was Bob got him as well.
A small gash on his left cheek.
Quickly, Bob scrambled up and scurried away, hopping into the safety of his Mustang and driving away.
With your vision getting clear, you could clearly see Johnny and Two-Bit fussing over you like mothers to an injured baby.
And it didn't help none when you coughed up a bit of blood you swallowed.
"Aw, shit! It looks like it slashed 'er lip real bad! We gotta get 'er to Darry's, quick!" Two exclaimed, throwing one of your arms over his shoulder
"Right," Johnny quickly agreed, grabbing your other arm.
"Don't you worry, (y/n/n). We're gonna get you fixed up just right. Just you hang in there."
Seemed like he was saying that more for his sake than yours.
"Broke one a their noses, y'know," you smirked, looking up at the boys with a bloody grin as hey started running down the street.
You let out a hardy laugh, "Damn thing looks like a bendy straw."
Johnny smiled, giving a quiet chuckle.
Two scoffed, letting a smile crack out the side of his mouth.
"You still got your sense a humor. Glad to see the Socs ain't knock you loopy."
𝒋 𝒐 𝒉 𝒏 𝒏 𝒚 𝒄 𝒂 𝒌 𝒆
"Darry! Soda! It's (y/n/n)! She's hurt bad!" Johnny exclaimed as he and Two-Bit burst into the Curtis house.
A crowd of eyes snapped over to you, and you cursed under your breath as you realized nearly the entire gang was there.
"The hell happened to you, Nails?!" Dallas asked as he caught sight of your face, eyebrows furrowed with concern as he slammed his beer bottle down on the table.
He always called you Nails because you were just like a bag of 'em when you were young.
Still are.
"Same ol', same ol'," you shrugged with a smirk, your head resting on Johnny's shoulder.
"Jesus, get 'er on the couch, quick!" Darry quickly ordered, jumping up from his recliner.
"Soda, go get the medical kit from under the sink!"
"Right!" Soda nodded, hopping off the couch and jogging into the kitchen.
Darry started keeping an emergency kit in the house after a rumble went bad and Steve wouldn't stop bleeding out his arm.
Steve and Dally got up and sat down on the table to give you some room, and Johnny and Two-Bit placed you down on the couch.
"The Socs caught 'er on the way to the Dingo. 'Bout four of 'em," Two panted, placing his hands on his knees to catch his breath.
"The guy with all the rings socked 'er good, cut up her lip real bad."
"Ooo, right in the kisser," Steve winced, Darry giving him a rough elbow.
"I got the kit," Soda announced, moving quickly back into the living room and opening it up.
"I told you to wait for me an' Steve to drop you off. But you ain't wanna listen to me. I though you had your blade witchu?" he scolded, his face trying to be angry
But Soda was never an angry guy, and was truly blaming himself for this happening.
"They all grabbed me an' took it, the bastards," you groaned, sleepily plopping your head down on Johnny's lap.
"I can take on a Soc or two, but four was just too many. I'm not Wonder Woman. Though I did break one of their noses, an' Johnnycake knocked Bob silly after he hit me."
You looked up at the boy above you with a thankful nod, Johnny turning away with a shy smile, "It was nothin'."
"Here," Darry handed Johnny a clean rag from the bathroom, "Use that to get up the blood."
The boy nodded, carefully dabbing the cloth on your face as if you were a porcelain doll, subject to crack with even the slightest hint of force.
"I shoulda never let you go by yourself," Soda sighed, raking a guilty hand through his hair.
"Socs think they're so tough jumpin' one of ours with four in their corner. I say we teach 'em a lesson now before they start gettin' too comfortable," Dally firmly stated, standing up as if he was ready to hunt them down right that second.
"I'm with Dally! We're lucky it was just 'er lip. What happens when it's 'er eye? Or 'er arm? Or there are more of 'em? We gotta nip this in the bud!" Steve agreed, standing up as well and crossing his arms.
"I'm sure 'er brother would join us. (b/n/n) would pound 'em into ground beef," Two chimed, his breath now caught and standing upright.
"No way," you shut down, sitting up. "Don't none of y'all dare bring him into this. He's already got enough on his plate with his jobs."
The whole room got quiet at your tone, even Dally tensing slightly.
"We're not wagin' war on the Socs just 'cause I got a lil' split lip," you turned to the Curtis boys, "If y'all an' my brother get caught in the middle of a rumble, him an' Darry are goin' to jail, an' me, Soda, an' Pony are gettin' put in a home."
The quiet turned to silence as the boys realized the weight your words held.
If the three of you got put in a home, there would be no guarantee that you'd stay together, or that you'd ever see the gang again.
"So, just play it cool. No jazz unless they start it, understand?" You cocked a brow.
A couple of grumbles and sucked teeth echoed around the room, but you figured that was about as much as you were gonna get.
"If that's what (y/n/n) wants, then we respect it. No jazz," Darry crossed his arms, further pushing them.
"Whatever," Dally scoffed, roughly tucking his hands into his jacket pockets.
"Fine," Steve sighed, stuffing a fistful of chocolate cake into his mouth as he sat back down on the table.
You turned to Johnny, about to check on him since he'd been so quiet, only to notice the small gash on his cheek.
"Oh, Johnny, you got cut real bad! I'm sorry I didn't notice," you apologized, placing a hand on his cheek and carefully gliding your thumb over the wound.
"It's fine. ...It don't hurt none, honest," he managed to putter out, red as a beet.
But you didn't seem to notice.
"Nonsense. Lemme getchu a rag," you got up, going straight for the bathroom, not noticing the looks that the boys were giving you and Johnny.
"They're in my room, (y/n/n)," Darry smirked, nodding over to the hallway.
"Thanks," you nodded back, going into the hallway and out of earshot.
And once you were, the teasing ensued.
Quiet whoops and coos slipped from the boys as each one gave Johnny their own little nudge.
"You see 'er? She jumped at the chance to take care of poor, ol' Johnnycake," Steve grinned, chocolate all over his teeth.
"Got 'er hook, line, and sinker, man," Dally took a swig of his beer, giving the boy a rough pat on the back.
"Y'all, cut it out, would ya? Don't know what you're talkin' about," Johnny rolled his eyes, pushing their hands off him with a sigh.
"She's crazy about you, kid. You see how she was all caressing' your face? Was like we weren't even here," Two chuckled, gliding his hand over Johnny's cheek just like you did, though Johnny tore his cheek away with a wince.
"Hush up, I think she's comin' back," Darry whispered, the whole group staging themselves as if they were going about business as usual.
"Hey, Johnnycake, come over to the bathroom! I found the rag," you called from the bathroom.
"Comin'!" Johnny called back, standing up to more coos and kissing noises.
"Go get 'em, tiger," Soda smirked.
"Use protection," Dally loudly whispered, turning around on the couch.
Johnny shot them a sharp side eye, turning the corner to be met with your beautiful smile, which immediately washed away everything else.
"Here," you started, wetting the rag as you motioned for him to sit at the edge of the bath tub. "Imma clean out the cut."
He complied, quietly sitting down and turning to leave his cheek open.
As you started tending his wound, pangs of guilt began to bang in your chest at the sight of it.
A part of you felt responsible. If you had just paid more attention like Darry, or had been more capable like Dally, he would've never gotten roped up in your mess.
Him getting hurt was your fault.
"I'm real sorry, Johnnycake," you admitted, a sullen look replacing the smile he loved so much.
"For what? You ain't do nothin' to me," he asked, turning to you.
"I was late, I got jumped, and I gotchu hurt. I ruined our night," you listed, hanging your head.
"None of them things was your fault. Four Socs is a lot for anyone to take on all alone," he assured, placing a comforting hand on yours and giving you his signature doe eyed look, nearly making you melt right there.
"This cut looks a lot worse than it feels, trust me. I'm just glad you're all right."
You smiled up at him through your beautiful lashes, making him flush as you two locked eyes for a quick moment.
"It was funny seein' you pounce on Bob like that," you grinned, folding up the rag and placing it back on the sink.
"Funny?" He scrunched his nose.
"Yeah! The way you jumped you looked like an angry tabby cat, claws an' all," you snickered.
He smiled, looking down at the bathroom floor with that familiar warm feeling buzzing in his chest, "Yeah, I guess I did."
Little did you two know, there was a crowd of boys right outside the door, a glass to the door as they tried to listen in on your conversation.
"Don't understand why he won't just tell 'er how he feels. They've been like this since grade school," Soda sighed, shaking his head
"A packs of cigs says they break before the year's over," Two smirked.
"I'll take that action," Dally smirked back.
"Two says that (y/n/n) breaks first," Soda chimed.
"With their pace they'll break in the next 30 years," Steve scoffed.
"Alright, to bed all of you. Let's give 'em some privacy," Darry smiled, pushing the boys away from the door.
"I think we've had enough excitement for one night."
𝒋 𝒐 𝒉 𝒏 𝒏 𝒚 𝒄 𝒂 𝒌 𝒆
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kallypsos · 6 months
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OLIVIA COOKE as Alicent Hightower in HOUSE OF THE DRAGON 1.08
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bother-blame · 6 months
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RAPHAEL | Baldur's Gate 3
One might say you're a paragon of luck. I'll be there when it runs out.
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the-ultimate-junkyard · 7 months
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Adventures of Sherlock Holmes except it's a modern college au. John Watson is a medical student. Sherlock is a forensics major, but occasionally sneaks up to the cryonics facility to beat corpses. They used to share a dorm room but the college kicked them out because Sherlock kept conducting explosive experiments in the room. They now share a flat, begrudgingly. Watson keeps having to tiptoe around the flat because Sherlock has a million-dollar worth Stradivarius lying around under hordes of paper on the floor. John tries to stray Sherlock away from his caffeine addiction, and fails. Sherlock once tempted John to steal the local resident skull from the lab in order to help him get over breaking up with Mary Morstan. The professor who owned the skull is still trying to find it. Sherlock usually bribes Lestrade (police-in-training) so he can sneak into crime scenes to conduct research in forensics. Sometimes he solves the crimes. The FBI finds out about the bribery and tells him, "hey. 20-something young man over there. you don't need to bribe Lestrade anymore, we can come over to you if we find some cases difficult to solve. adiós". Sherlock drags John to every single case he's worked on, despite John complaining because 'I HAVE A THESIS DUE AT 2 AM'.
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semisolidmind · 1 year
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Can you draw Alan from My Dear Hatchet Man if that’s ok? 👉👈
briefly revisiting the medibang app on my phone to make this lil doodle
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idk much about this dude
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potatobugz · 8 months
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I think about the implications of Syntax being a human turned spider demon forever, ok ?
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transmasccofee · 7 months
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thinking yet again about Saiki‘s’s final choice in the series being “I’d rather live with my powers than die without them” bc that is seriously the single best ending of a disability narrative I’ve seen. Fuck.
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hashileio · 11 months
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the council will decide your fate, lil Beamer
(possibly might have to click gif for crisper quality)
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elialys · 3 months
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"I'm fascinated with people's comments about Helen, too. Everyone talks about, 'Oh, she's dramatic, she's a mess, she's this,' and I'm like, 'Naaah'. There's a little bit more going on, but it's the 80s, so no one's gonna talk about that either. No one's gonna help, no one's gonna protect, no one's gonna save." Anna Torv [x]
THE NEWSREADER | 1.02 "Once in a Lifetime"
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57sfinest · 1 year
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i wanted to look at the symbolism of the ocean in disco elysium because it features so prominently in the setting. insulinde being an isola comprised of islands, martinaise as a port town financially anchored by its ocean trade. the divisions brought by water that we see in the geography: how the canal separates the working district of martinaise from the even poorer, commerce-less village-- how the river esperance separates the worst ghettos of revachol and jamrock from the more rebuilt and financially stable districts-- how, for example, lilienne looks across the bay of revachol to the wealthy district of la delta, a poignant moment of separation between someone desperately poor and the towers of wealth built out of the ruins of revachol. we see water, and often the sea specifically, acting as a divider in various contexts. 
the ocean of time and distance that separates dora and harry, that separates klaasje from oranje:
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then, further into the idea of the ocean as representative of time: in various contexts i see the ocean as representing the past. memory residing under the waves, and each of us living above water-- in the present-- but often still helpless to the tides when we’re not careful. to me this is cemented by the implication that the pale is commonly theorized as an *outer ocean* (juxtaposed with harry’s introspective skill, inland empire!!): the pale is the past, and if the pale is seen as an outer ocean, then right there is a tangible connection between the two. memory and the past as an ocean, dangerous if you don’t respect its power, but ultimately navigable. there is frequent reference made to the fact that the bombed ruins of martinaise are sinking or lost into the ocean, lost to the past, now only memory. 
and harry, who is living in the past and being consumed by nostalgia like a rot, drives his car into the ocean. harry’s badge, which is conflated with his identity in the aftermath of his amnesia, was underwater before he pulled it from the car: until he got it, his entire identity was lost with his memory in the past. klaasje’s documents, too, presumed lost to the ocean, a loss of who she was or claimed to be (until you meet the phasmid). lilienne’s husband was lost to the waves, and in the same lines she’ll dismiss your concerns-- he’s in the past now, she’s really not too upset. the cleaning lady, abandoned by the world, who has only her own memories for company in her sea-beaten room. in the context of ruby’s near-suicide in the shack, how inland specifies how the “waves had calmed” as she put the gun away: ruby distancing herself from the past that she thinks is chasing her to form a better plan. the working-class husband, who, had his corpse fallen through the boardwalk into the ocean, would have been lost to the past, living only in the memory of billie and their daughters.
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for me, the final dream had some of the heaviest but most subtle inclusions of the ocean symbolism. it’s brought on by looking into the ocean around the seafort and takes place under the ocean somewhere. even before the dream, dora is alluded to in the context of the sea. she moved across the ocean and now, to him, she’s lost under it. she’s trapped in his memory.
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where we see things half-submerged or partially oceanic, we see a bridge between the past and the present being represented. something partially lost to the past but still with a foot in the here and now. harry’s half-sunken car, in part a representation of his career: part of his past, yes, but still very much in his present. one of the primary spiritual practices we hear of is the volta do mar: originally a palefarer’s practice to keep them grounded in an onslaught by the past, and its meaning is *return from the sea*. when harry tries to turn back time, he wants to go back to a time when the sun had not yet sunk into the sea-- when the light in his life didn’t reside solely in the past.
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also in this context, something that really struck me was how harry will sometimes think of himself in the context of the sea. first is the sea monster thought, brought about by the broken plaza: him as a creature submerged in the past, terrorizing the present. and seafaring brought up to represent a kind of compromise between living in the present and acknowledging the draw of nostalgia. even joyce in her limited knowledge of harry compares him to a “half-submerged ruin”. and when harry is prompted into introspection by the dros predicament, inland empire becomes the *inland sea*.
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and i really want to make a final, individual point of this. the whirling-in-rags music is sea power’s song “fire escape in the sea”. there is an explicit reference made to the song by shivers as well, and i think the choice of this song is very intentional. the whirling-in-rags is where harry forgot his whole life, the whole world, and it’s where he wakes up and begins to piece it all back together. the whirling-in-rags is harry’s fire escape in the sea. his bridge between his past and his present, his last-ditch attempt at escape from the tortures of his subconscious. 
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(this is by no means exhaustive, there are a lot of other moments where the sea comes in, but i included the moments that spoke to me most. you’re welcome to add your own!)
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stoatsaturday · 1 year
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behold the Aerialist, professional climber of very tall things, taker of zero fall damage, deliverer of impossible messages, and perhaps most importantly, beloved emotional support rat,
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retro-friki · 6 months
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