round 3.5 poll 2
A Railway Nocturne IV by Marta Zamarska, 2014:
propaganda: kolorystyka; obraz wygląda jak sen; wszystko jest dziwnie znajome; przykuwa uwagę; jest zimny, ale równocześnie ciepły [the colours; the painting looks like a dream; everything is strangely familiar; it calls your attention; it's cold, but at the same time warm]
about the artist: https://martazamarska.pl/pl/biografia
Anubis dancing (Autumn) by Joanna Karpowicz, 2018:
propaganda: bajeczna frajda dla jesieniar; rysunkowość projektu; kolorystyka [what a joy for autumn lovers; the project is very drawing-like; the colours]
about the artist: https://pl.wikipedia.org/wiki/Joanna_Karpowicz
submitted by the wonderful @rascal-rodent <33
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Marta Zamarska :: On the subway
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On tauma
The language of birds, Richard Siken//St. Croix River Lighthouse 1856, Calis, Maine - William Davis , 2020//Haruki Murakami//Eclipsed, Sangram Majumdar, 2009//The Hours, Michael Cunningham//A railway nocturne, Marta Zamarska//Last words of a shooting star, Mitski//Aron Wiesenfeld//The Bell Jar, Sylvia Plath//Early, Aron Wiesenfeld
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Marta Zamarska (Polish, born 1987)
A Railway Nocturne IV, 2014
Oil on Linen
Marta Zamarska is an emerging Polish artist. In 2008 she graduated from the Warsaw Academy of Fine Arts, the Faculty of Painting. The Diploma with honours under the artistic supervision of prof. Krzysztof Wachowiak (painting), prof. Dorota Grynczel (batik, artistic fabrics), Dr. Piotr Szubert (theoretical part). The Railway Journal is devoted to railway, which has been the dominant theme in the artistic creation by Marta Zamarska for many years.
In addition, her works are in numerous private collections in Poland, Germany, France, Belgium, the Netherlands, Greece, Switzerland, Austria, Portugal, Italy, Canada, the UK, the USA, the United Arab Emirates, Kuwait, Australia, Taiwan, as well as in the private collection of the German Ambassador.
Via @celebration women artists in history fb group @abwwia
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words by robert creeley; i’ve lost track of where the base image came from; i coloured over it a lot, which is part of the problem. if you know, lmk. wait - this just in - base image: Marta Zamarska.
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musings on loneliness
sylvia plath, nickie zimov, charles bukowski, masashi kishimoto, haruki murakami, holly warburton, charles bukowski, the beatles, nigel van wieck, marta zamarska, sylvia plath, van gogh
if you like this, you can buy me a ☕
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round 2.5 poll 3
A Railway Nocturne IV by Marta Zamarska, 2014:
propaganda: kolorystyka; obraz wygląda jak sen; wszystko jest dziwnie znajome; przykuwa uwagę; jest zimny, ale równocześnie ciepły [the colours; the painting looks like a dream; everything is strangely familiar; it calls your attention; it's cold, but at the same time warm]
about the artist: https://martazamarska.pl/pl/biografia
Joanna d'Arc (Jeanne D'Arc) by Wiktoria Goryńska, 1929:
propaganda: it's just a black and white woodcut but it's so MAGICAL. the wings! the composition!
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Spotlight Art - Milky Opal III - Painting of the Day by Marta Zamarska
Painting Attribution © Marta Zamarska, Milky Opal III, 2020
Source Attribution https://www.saatchiart.com/art/Painting-Milky-Opal-3/522700/7552187/view
View more works from the Spotlight Art Gallery
Thank you for your visit
Have a wonderful Looking at Art Day My Friend
goffjamesart.wordpress.com
Art Music Photography Poetry Quotation
View On WordPress
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Marta Zamarska.
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Marta Zamarska, Impresja kolejowa XXXI
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Marta Zamarska
Railway Nocturne
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