can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
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Episode Two: The Running Man
It's odd how little gets said about this ep, considering it's the most direct homage the earlier anime adaptation - but maybe that might be why? Since, as I said, this was my entry into the story, to me it felt out of place. It seemed like it was doing all it could to distract from how the previous ep concluded.
With hindsight, I think that's the idea.
The opening with the radio! I'm so weirdly fond of it. Yeah it's a flashback, but it shows Vash in a private moment without his mask; a glimpse of his secrets. He's not wearing his coat, so you get a look at how broad his shoulders are; he's also handling the tools to maintain his gun skilfully for someone who claims he's not a fighter. As he's contemplating the crash - he was there, obviously, and he has the photo of him, Rem and Nai still - the radio host says without the Plants, our ancestors would have died out long ago. How long ago? Long enough that Vash likely shouldn't still look such a gosh darn pretty boy? Yet it slips by.
(I do not understand the complaints that Stampede had no mystery.)
This is the episode where he's most committed to the bit of being cute but sort of hapless and silly, too, so the contrast is dramatic. I don't think he was actually expecting Meryl and Roberto to clear his name all at once, but I do think he was hoping, I don't know, maybe they'd believe him from the first. But nothing's ever that easy for my boy. I gotta say, Vash, optimism has its limits. Your story is that you're being framed by your previously unknown identical twin brother. You know it's true, I know it's true, but you might have had an easier time with some, I don't know… evidence? It's not surprising the reporters are sceptical.
Oh god, I'm so sorry, do you want a hug or -
(By the way, this means Knives told everyone it wasn't him, it was a one-armed man.)
He's being melodramatic, but I suspect also more sincere than what comes across - which is the whole reason he exaggerates, of course. (What? No, I'm not talking from experience. I have never, ever done this. Never ever in A MILLION YEARS have I exaggerated to obfuscate my sincerity.) The angle changes to show his face, and it's pretty clear how genuinely exhausted and upset even the thought of Knives makes him. Though it is still pretty funny that Meryl just isn't having it.
Also funny: Meryl versus the Worms, round one. Worms 1, Meryl 0.
Roberto greeting Tonis is really cute. He's a grump, but he's never an asshole to kids.
Ahhhh Tonis gives Vash his bugs and Vash pats his head and then he moves to take his hand away Tonis grabs it so he'll keep doing it and then when Rosa tells Tonis to leave Vash look dismayed and waves goodbye and it is so cute and IT IS SO SAD.
Because Rosa loves her son, wants him healthy and happy and safe, wants him shielded from the violence of the world and from decisions like pulling a gun on the hero of your town who's been nothing but good to you, better than you deserve - and yet we saw Rosa come to the decision that she would do this last episode. Right about... here. See the way she moves from standing in front of him, almost protectively, to beside him, clearing the way? By the look on her face, she doesn't want to. Vash proved himself yet again afterwards, saved the town without hesitation the moment it was endangered at great risk to himself. He's a good man, a friend, someone she trusts. But it's not him Rosa's thinking of now. It's not even the town. It's Tonis.
I have to say, Roberto doesn't look shocked or concerned. He just wearily sets down his mug and raises his hands, expression unchanged. Meanwhile Meryl's turned into a cartoon.
Vash understands. He didn't fight back against the MPs. He didn't instigate the duel. It's because of him that this is necessary. That just doesn't mean he's going to make it easy for them.
Ah, that old Stampede special: the undignified leg-spread landing.
Man the English dub is good, but it's this episode I started to realise how good. It's incredibly funny. "The furious fists of the Nebraska Family challenge you to a duel!" "Felt the fury right there!" "Money! Come back!" "I hope you like pancakes, because you're going to become one!"
There's one translation I'm not sold on, though, and it's Nebraska declaring "Power is justice! Power is truth!" I had the same problem in Persona 5 Royal when I played it and the characters kept going on about how they'll "prove our justice". It sounds so awkward.
From what I can tell, the word they're using translates more clearly to "moral rightness" or "righteousness", and the score title for Stampede renders what Nebraska says better: might is right. He's advocating Social Darwinism, basically. It's the natural order of the world: the strong deserve to flourish, the weak deserve to perish.
Nebraska: I hate cowards like you! This whole planet is fighting for survival! Anyone who runs is bound to die like a sorry loser! But you, Stampede! How dare you?! / You coward! I despise waste-of-life cream puffs like you! You have to fight tooth and nail to survive in this world! If those who can't hack it run away and die like chickens, then so be it! But you? I expected more, Stampede!
Vash: You might be right that I'm too timid. But is that such a terrible thing? Is fighting everything head-on so important? Even if it gets someone killed? / Okay, I may not be the bravest, but what's so terrible about being a little timid? Is fighting head-on always right? It risks lives, and for what?
Nebraska: Weapons… are made for fighting! Do you get it now?! There's no future for those who don't fight! / I might as well, huh? It's what the damn thing's made for! That'll show ya! Any snivelling slug too scared to fight must die!
Vash: Come on, can you back off? I really don't want to fight anyone. / Can you guys cool it for a second? I'm really not in the mood for violence.
Nebraska: That's the attitude that pisses me off! / When the world ends, will it ask if you're in the mood?
It's kinda funny that Nebraska keeps going on about it, though, because he also keeps demanding accommodation for his son's weakness. If he was really committed he'd rely only on himself instead of endangering Gofsef. And yet oddly enough, it's the hypocrisy which saves him, because it's how Rosa realises how much they have in common. He loves Gofsef, just like she loves Tonis, and Vash forgives them both.
Enjoy the subtle gag of Meryl mirroring her "parents'" expressions, BTW.
Nabraska judging the townspeople for drinking before 5:00PM as if he didn't just destroy half the place trying to steal their only power source.
Gofsef being creeped out by Tonis's Worm buddies.
And Roberto visibly tuning out as Meryl tells him off.
I think the reason this feels like it's all happening so fast is because this is the place where an episode of the older adaptation would end, leaving some implied time to pass before the next crisis. But this isn't twenty-six self-contained episodes, it's twelve instalments of one story. The running man must continue to run, because it was never humans he was running from.
And I didn't realise this until now, but the drone in Vash's room? It's looking for him, or his things. It doesn't find either.
When it doesn't...
E.G. launches his assault, though the drones had been patrolling since the previous night. Vash was about to leave when he heard the scream from the diner and rushed back to help. And so he stayed long enough for E.G.'s master to arrive in person.
Whatever happened in Jeneora Rock, it seems it was necessary for Vash to witness it, so E.G. had instructions to keep him in place.
So E.G.'s cyborg enhancements look like a bear trap.
Of course.
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this entire chapter was a joy to read but I gotta say I 100% understand knives’ fear of brad—the opening scene was one of the most strangely fear inducing things I’ve ever read. kudos and 10/10 for making me feel nauseous over what turns out to be a very funny scene of knives getting murder-grounded
Love this ask. Love asks about experiences that surprise me a lot, in a good way - part of me is always like 'write a dialectical essay on why you think so???' and the other part is 'the picture and vibes you've painted is incredibly funny and I love it'. Thank you for the ask anyway. Get to talk about Brad and Luida FINALLY.
I'm deciding that this is a victory, because it gave you a great insight into exactly how Knives felt LMFAOOO. He has spent literally this entire story acting superior, holier-than-thou, won't shut up about how he's physiologically and mentally leagues ahead of you puny humans, you're so lame and pathetic and Millions "Genius Cool Guy Surgeon" Knives is soooo much better than you. And then the minute he goes home and sees his foster parents he is suddenly the goodest little boy who you would both introduce to your parents and give a doggy treat. They are two geriatric astronauts and Millions Knives is pants-shittingly terrified of them.
I was legitimately a bit worried that I wrote Brad as too harsh in the flashback scene, or uncomfortable-in-a-bad-way in the beginning scene. I was really careful with both. How Brad and Luida raised Knives is absolutely not a great method of parenting, lmfao. But they weren't really raising a child - they were taming a tiger. I think you can safely assume that Knives was not given a single inch his entire adolescence. He didn't get away with shit. That's how behavioral conditioning works. I really can't stress enough that, although Knives is a pretty good guy in the present, he is still the literal actual Millions Knives. And what 14yo Knives here got up to wasn't all that different from what canonical 14yo Knives was getting up to. The difference is Brad and Luida - and they knew exactly what they were trying to prevent. They knew they couldn't fuck up. They knew what would happen if Knives didn't change. It must have been a lot of pressure.
The sheer balls on the guy who walks up to Millions Knives and just goes, "Okay, asshole. Kill me. Do it.". So insane that it gaslights Knives into believing that Brad and Luida are the only superior lifeforms to himself.
But at the end of the day, what that scene still conveys is - it's a farce. Their family is a social contract: Brad and Luida will give Knives what he wants (a meaning to his life, and on a deeper level he won't acknowledge, a family), and in return Knives politely pretends that they are remotely capable of controlling him. A handcuff is an insanely restrictive method of grounding somebody - and obviously Knives could have gotten outb of it any time. But Knives lets them do it, because if he doesn't then it would break the keyfabe, the farce. And that would destroy Knives' only path towards becoming a good person. Because Brad and Luida told him that they are the only path towards becoming a good person. And if you aren't a good person you have no reason to exist btw. Also we don't love you anymore.
Kinda fucked up if Knives was, like, a regular child? Yes. Only sensible thing to do if the child was Millions Knives? Yes. It's complicated but that's why I really love it. Also for the insane funniness of Knives experiencing fear.
TL;DR Handcuffing your child to its bed is only okay if the child has bad vibes and is unfun to be around.
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