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#literally vibrating in my seat like a chihuahua
hippolotamus · 8 months
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WIP Wednesday 💍
Tagged by @daffi-990 @welcometololaland @wikiangela @giddyupbuck @forthewolves @disasterbuckdiaz @eddiediaztho Thank you loves 💕 (Make sure you check their snippets if you haven’t!)
More from - what else - you’re where I wanna go directly follows prev snippet (longer snippet today and tags under the cut)
Lucy and Ravi have been an unexpected source of comfort. She quickly accepted that Buck needed somewhere to go with all his frenetic energy, and never once made him feel like an annoyance. That’s why most evenings it was easy to find himself at Donato’s. He would start by talking to Ravi until closing, catching up on any news of the day. Then, after Ravi left for the night, Buck would sit on a crate or pace, babbling about any number of things while Lucy completed her closing tasks.
Some nights, if the shop was particularly busy, Buck visited Bobby and Athena instead. He considers both of them to be more like family, with more parental love in their little fingers than Margaret or Philip. For all the years Buck has felt alone and abandoned it’s a foreign concept to consider that he not only has family, but that it might be expanding. That Lucy and Ravi are in his life so willingly, seeming to already fit in seamlessly.
However, it’s just him right now straightening his white bow tie, ensuring his silver cuff links — a simple pair engraved with his initials, that he only wears for important events — are secure, and smoothing the jacket hem so the tails sit flush with his knees. His black lace up boots are freshly polished, delivered just this morning, and Lucy’s ring rests securely in his pocket.
Buck takes a deep breath to center himself. He inhales the familiar scent of ink and paper from the stacks of books sitting in piles around his bedroom; luxuriates in the warm, golden sunshine that streams through the window and pools at his feet. He curls and flexes his fingers, and stands on the balls of his feet to stretch his legs, hoping to relieve any last visible bits of anxiety or tension.
With nothing left to keep him, he steps out of the room and into the hallway to make his way downstairs, no longer able to delay the inevitable. He’s immediately met by the sweet, calming fragrance of white hydrangeas, strung together in garlands and wrapped around the banisters.
Lucy snickered when Buck told her his mother had chosen them. Apparently they not only represent purity and grace, but also vanity and boasting. She also mentioned they can be difficult, in part because they require constant watering. He agreed that it was a rather poetic choice on Margaret’s part and happily refused to make any attempts to dissuade her.
No pressure tagging @shortsighted-owl @eddiebabygirldiaz @stereopticons @vanillahigh00 @apothecarose @rmd-writes LOML @lizzie-bennetdarcy @jesuisici33 @elvensorceress @monsterrae1 @spotsandsocks @honestlydarkprincess @thewolvesof1998 @chaosandwolves @wildlife4life @spaceprincessem @mysteriouslyyounggalaxy @heartshapedvows @watchyourbuck @your-catfish-friend @statueinthestone @buddierights @911onabc @pirrusstuff @the-likesofus @barbiediaz @steadfastsaturnsrings @fionaswhvre @eowon @loserdiaz @ladydorian05 @cowboy-buddie and anyone else who wants to 😘
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tssidesfics · 1 year
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Credit to @wisecolorthing for helping me come up with this nightmare crack fic. I can't entirely remember how we started talking about it but the conversation wandered to Remus in a Spencer's and this was born. It is pure crack. Completely ludicrous and ridiculous while also being completely in-character because we're talking about Remus, here.
*
God should have skipped the flood and just unleashed Remus on the world a few thousand years early.
Then again, humanity might never have recovered at that point, so what do I know?
Welcome to my little circle of hell, everybody. Yes, you are all correct that my relationship with the others can be best surmised with the "this house is a fucking nightmare" vine, but you don't get any points for it because it's not hard to figure out. I subsist off coffee, spite, and sarcasm (but differently from Janus, who subsists off wine, spite, and sarcasm) and exist solely to, in Remus' words, "vibrate like an overripe chihuahua on meth and five espressos with a dildo turned on up its ass"--AKA I am an anxious mess when I'm not spiraling ever-deeper into the bowels of worst-case scenario-ism. I live in a very weird gay man's head with my roommates, some of which (Logan) feign sanity 80% of the time and the other 20% conduct deranged experiments on furniture, food, and sometimes people like he's the last mad scientist left and has to preserve his culture. Some of them are actually (mostly) sane, like Patton (although we have to affectionately--and in Rage's case, literally, but they have a complicated relationship--beat on him to make him start crying when he needs to, so all things are relative). Some are just plain weird, like Roman (seriously, he's not even a type of crazy I can qualify, he's just unhinged). Some delight in feigned psychopathy (Janus). Some really need anger management therapy (do I seriously need to clarify?...actually, yeah, Logan could use some too). And some, AKA the problem child of this fever dream, defy description, but a DSM-5 edition bursts into flames every time they get a very specific little lopsided smile on their face--the one that slowly dawns like panels of light until it's blinding and suddenly nauseating to look at. That feeling is always proceeded by destruction of property. Always.
And of course Janus and Rage are gleeful enablers. Is it any wonder why I yeeted myself off the first exit ramp out of that 24/7 Mardi Gras festival?
In case it was not made shockingly apparent by literally everything about me, hi, I'm Virgil. Kill me.
My Nightmare #347 began with Patton yanking himself out of Thomas' head into the passenger side car-seat with a giddy smile on his face. "Hi, Thomas!"
Thomas screamed and jumped so hard he swerved. I neglected to appear to him physically--given I didn't want to make matters worse--but I did start fluently cussing and climbed the wall.
"Patton!" Thomas righted to the car as a cacophony of honks chastised him. "Hi, buddy. Next time, not in the middle of traffic!"
"Oop. Sorry, Thomas." At least Patton was appropriately contrite. I didn't often consider him an asshole--"cinnamon roll" is so apt he literally turns into a cinnamon roll sometimes--but today, I could make an exception. "I was wondering if we could all hang out with you at the mall today."
"Pat, it's hard enough with you guys providing running commentary on my every social interaction in my head," Thomas pointed out. "I'd like to just enjoy seeing Joan again while they're in town and I will have to corral at least five of you if I let you out."
"But Thomas..." Patton whined, bouncing frustratingly in his seat. "The Mindscape is boring!"
"You can bake an endless amount of cookies and turn it into whatever you want. I literally don't see how it could ever become boring."
"Logan won't let us change it from your living room."
Thomas sighed. "What are the chances I can convince Logan to lighten up a little?"
I snorted so loud Thomas heard it.
"Thank you for your contribution, Virgil." Thomas rolled his eyes. "If I let the rest of them out, do you promise you won't let them get into any trouble?"
I squawked. "You're expecting Patton to control the others? Are you insane? Patton couldn't control a drowsy teddy bear!"
Patton popped back into the Mindscape to turn hurt eyes on me. I crossed my arms. "No," I said. "I stand by what I said. Your backbone is made of silly putty."
"All right, Virgil," Thomas interjected before Patton could crank up the Guilt Trip'O'Meter as high as it would go. "You raise a good point. Why don't I leave you in charge?"
"I would rather crawl into a hot and rot, thanks."
"C'mon, I can feel how stir-crazy you're all getting. It's making me more antsy than usual."
"I don't see why that's a problem, considering you have never sat still anywhere a single day in your life. Someone could hold Joan over a barrel of piranha telling you they'd drop them if you couldn't sit still for an entire five minutes and it would be all your fault that Joan died."
Too late, I realized my mistake. Remus cackled loudly and sank out somewhere I didn't want to know but had to follow lest he murder the literal only reason Thomas had ever gotten me remotely under control.
"Why would you do that?" Thomas asked dully.
"You see why it's a bad idea to expect me to control these lunatics?"
Logan sighed, adjusting his glasses and snapping his folder closed. God knew what went on in those things; we only got independent internet access when we manifested and he certainly couldn't raid a bookstore without manifesting, yet he always had one in his lap, diligently working. It was morbidly fascinated. "Honestly," he grumbled. "Thomas, I believe that yes, your mental health would benefit from letting us manifest as a group. I can control the others."
"Logan," I began. "Buddy. Pal. My guy."
"Call me three of those ever again and there will be scalpels plunged into locations you do not want to think about."
"You cannot control them," I told him. "History has demonstrated multiple times that the only person who can control us is Thomas, and he's going to be busy catching up. He's going to let go of Remus' leash. Do you really--and I mean think about this--do you really think the time you want Remus off Thomas' leash is in a mall?"
"Fine. Then we'll leave him behind. At least venting some of--"
"He'll just start shooting off intrusive thoughts like a machine gun. You let more than one out, you open the floodgates."
"You're being paranoid."
"Funny that. I can't imagine why I'd be paranoid. Sounds completely unlike me, I'm normally so laid-back."
"The sarcasm was unnecessary."
"You're finally learning when I'm sarcastic." I was impressed. "Nice, Lo. I was getting worried."
Logan clicked his pen menacingly.
I grinned. Logan was easily one of my greatest allies in the Mindscape--Roman was insufferable, Janus, Remus and Rage were out of the question, and Patton could be obnoxiously patronizing--but never let his capacity for violence be underestimated. I once saw him take Roman's katana to a bundle of sticky notes because one of them gave him a paper cut. Despite that capacity for violence, however, I delighted in pushing his buttons.
"Are we manifesting today?" Roman called down the stairs with barely-restrained delight.
"Unless you can guarantee Remus won't set the mall on fire, hell no!" I called back up.
There was a long moment of silence. "Remus, I'll let you have Mrs. Snuffykins for one night if you behave yourself if we manifest!"
I had absolutely no idea what that was--I wanted to think a stuffed animal, but with Roman and Remus, all bets were off--but Remus' ecstatic screech was enough to tell me I probably didn't want to find out.
Roman looked back down at me. "He'll behave."
I arched an eyebrow.
"Prince's honor."
"Historically meant shit, Princey."
"Yes, but not Disneyally."
"That is not...remotely a word," Logan said, somehow a mix between dumbfounded and awed.
"Look, I'm just not optimistic that letting Remus out when Thomas isn't keeping an eye on him would end in anything except Thomas going to prison for arson, murder, or public indecency. Or worse."
"I'll keep him in line," Roman vowed. "Please, Virgil? I'm going stir-crazy in here, we all are."
I crossed my arms.
Roman pouted.
I snorted.
Roman glared.
I arched an eyebrow.
Roman slumped.
I grinned. "Deal with it, everybody. No manifesting. Get comfy. Janus, think about pushing your luck and I am ripping out each individual one of your scales and burying them in places you don't want."
"How delightfully Remus of you. Except for the part where you'll actually follow through on the threat."
"From Remus it wouldn't be a threat, it would be a bonding activity."
"Speaking of," Patton said shyly. "Didn't Remus run off after you said something about Joan getting hurt, kiddo?"
My eyes bugged out of my head. I sighed and hung it. "Why is it always me?" I mumbled and sunk out to chase Remus through the Mindscape.
~*~
After fishing out Remus' limbs from a pond of piranha he'd dismembered himself into when he heard me chasing after him, I borrowed some super glue from Roman's room and stuck him back together. It should have fixed him up good as new but it was Remus and any attempts I made to change things around here were easily superseded by one half of Creativity. Which meant Remus was now walking around with his penis glued to his forehead, fully erect.
Not as much time had passed by the time we returned as I expected. Which would have been great if not for the fact that the Conscious Mind was conspicuously quiet. All the dishes were clean, there wasn't any crap on the floor, and there were no Sides milling about. I could have taken the time to check each of their rooms upstairs but why waste the time when I knew exactly where they all were?
"Roman, you are in your thirties. A store called Forever 21 is not for you," Logan was saying after I manifested in the general direction of the others. "Hello, Virgil."
I glared. "What did I say?"
"Aw, but Virge--"
"You're inviting a Remustrophe right now, you realize that, right?"
Janus grinned. My blood ran cold.
"I WANT EVERY DILDO YOU HAVE!" echoed across the mall, and with horror, I realized what I'd done.
I'd loosed Remus Sanders on the Spencer's department store.
~*~
The good news: nothing had caught fire yet. Potential loss of life was yet to be determined as Patton yelped and rushed over to the prone body of the clerk behind the counter. That also proved fine when I saw him slump in relief after probing her neck for a pulse.
The bad news: Remus had slipped the superglue I'd used to piece him back together out of my pocket and was now using it to attach dildos, ripped out of their packages with plastic and cardboard shredded across the floor, to his costume. He was also dripping with something viscous, disincentivizing me from touching him to stop him from unleashing more chaos.
By rights, seven dildos glued to his top should have torn the damn thing, but it was made of sturdier stuff than that. I studied him for a long moment, trying to work up the nerve to approach, while he just continued to wreak havoc. Janus, meanwhile, the only one not preoccupied with horror or despair at Remus' antics, meandered over to the bowl in which they kept their sarcastic pins, perusing them idly.
"You better be planning to pay for those," I warned, then looked around. "Wait. Where's Rage?"
Logan glanced around. "Likely inflicting property damage on a jewelry store. He rather dislikes those."
I pinched my sinuses. "Logan, could you rein in your alter ego, please?"
"I am too evolved for my alter ego to be that idiot," Logan told me with overblown indignity.
"Yeah, yeah, whatever, you're the only one who can talk some sense into him. The cameras may not be able to recognize Thomas' face on all of us, but the less reason the cops have to potentially stuff him in a cell, the better."
It was true. Somehow, whatever bizarre magic allowed us to manifest in the real world also confused cameras and people so no one could trace the destruction of property likely to follow us back to Thomas. It was the only reason I wasn't already in the fetal position on the floor forgetting the basic components of breathing.
Logan rolled his eyes and broke off to track down Rage. I turned my attention to Roman.
"No," Roman said firmly.
"He's your brother," I told him.
"Yes, and it's your fault he's here. You were supposed to watch him."
"I wouldn't have had to take my eyes off him if you guys hadn't snuck out in the first place. I'm one Side. Do you really think I would have stood a snowball's chance in hell of keeping Remus from doing exactly this?"
"And I have any better chance?"
"No, but the alternative is explaining to Thomas what you guys did."
Roman glared at me.
I glared back.
Roman pouted.
I continued glaring.
Roman stomped his foot and whined.
I pointed at Remus, who was now smashing glasses on the ground and eating the shards. Blood was rushing from his mouth and gathering in puddles on the floor. He was still dripping.
"I hate you," Roman informed me bluntly.
"Oh, like you've ever made a secret of that?"
Roman adopted a punched puppy expression at that one.
I sighed. "Yeah, yeah, you've been doing better, now go wrestle your brother into a cage or something."
Roman dragged his feet over to Remus and summoned a hasmat suit he put on. Remus sliced into it with a rather sizable shard and sprinted away before Roman could catch him. Without thinking, I lunged after him, only succeeding in sliding down the length of his body like he was covered in lube.
Oh, wait, it was lube. It smelled like one of Remus' worst farts and tasted like it too. You would have thought the dildos would have either failed to stick with his clothes soaked in lubricant or at least they would have given me something to hang onto to stop him from escaping, but all they did was slap me repeatedly in the face with silicon penes of various sizes.
Remus left a slimy trail behind him as he cackled deeper into the store. I was positive he was headed somewhere with matches so he could set the building on fire.
I pressed my face into the floor, into a puddle of lube, and sighed. Miserably, I hauled myself to my feet and turned back to everyone else. "You are in so much trouble," I assured them without passion, dragging myself off to find Thomas and get him to suck Remus back into the Mindscape before additional damage could be done.
I found him in the food court, blissfully unaware of the chaos unfolding deeper into the store. Altogether the world seemed relatively unaware of the happenings, another magical defense mechanism. It wasn't that people never noticed what we were doing, it was just that they were less likely to find it alarming. Although once the fire alarms started going off, people would pay attention.
"Thomas," I greeted without etiquette, coming to pause next to his table.
"Holy shit," Joan summarized perfectly. People aware of our nonsense were usually pretty good at spotting us and processing our appearances.
Thomas looked dejected. "No."
"Remus escaped."
Thomas flopped forward like a fish on land and smacked his head full into the table. The pain reverberated through my skull. "Time to--"
The fire alarm blared. Rage ran past with a shotgun, screaming, "Adios, coppers!" as he went.
Thomas watched him run past. "We don't have to stop him, do we?"
I considered it for a moment. "Nah, he can stay. As long as everyone goes back in, we should be able to keep Remus there."
People ran past screaming. A panicked exodus spilled from the food court. Some people knocked into me and I stumbled. Thomas caught my hoodie sleeve, then gagged and pulled his hand back.
"Remus," I explained.
"Right." Thomas looked in the direction everyone was running from. "I guess I have to go toward the fire to stop him, huh?"
I nodded sadly.
"Sorry, Joan," Thomas explained. "Next time, my place."
"Deal. Want some help?"
"You don't need to see what I'm about to see."
With that, Thomas and I made our begrudging way toward the fire.
~*~
It resolved relatively easily once Thomas gave Remus a disapproving stare. We all didn't do well with Thomas' disappointment, even Remus, so he moped back inside the Mindscape without much complaint. Everyone else returned to the living room in my doghouse and I locked myself in my room, refusing to emerge. Rage stayed out for a while longer and later we found out three police stations had been set on fire with all prisoners escaped. No loss of life, which I didn't know how to feel about.
Later, through mystical means, the stolen dildos Remus had taken were discovered in Ron DeSantis' home. We laughed for a week.
I amend my earlier statement. Maybe we really do need to use Remus as the next great flood. He'll just focus his attention on the fascists and we'll all be better off.
Yo, God, you should get on that.
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thepeakmoment · 7 years
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More Peaks Returns
It appears to me that Lynch is inserting some heavy commentary about societal behavior, the most obvious being the “fix your hearts or die” assertion about Denise Bryson’s transition. Another clear instance is the decay of social norms exemplified by the elaborate unfolding drug storyline. Several characters are being depicted wheeling and using drugs, and Lynch-Frost are telling an updated version in P5 of the illicit activity, how it has already effected Shelly’s daughter and husband, a continuing cycle of abuse and dysfunction still playing out.
I also believe Sherrif Frank Truman is a personification of Lynch’s transcendental meditation wisdom. Harry Truman’s brother is an honest character and to be trusted absolutely as a transparent truth teller. His name is the very meaning of honest, open, direct — Frank. His earnestness is exemplified when Doris Truman shows up at station spouting domestic house anxieties while Truman remains sitting, saying nothing at all throughout. It reads like a subtle teaching of how not to respond to anxious energy, worry and dis-ease — do not engage with it. This is classic buddhism — how everything arises from conditions, has a presence in the moment, then decays when conditions change — thus, everything changes, no reason to get wrapped in unnecessary entanglements, including the wrath of someone overreacting to common occurrence. See impermanence.
A Twin Peaks Podcast: A Podcast About Twin Peaks and Deer Meadow Radio are two of the better podcasts on The Return worthy of listening.
Random
Richard Horne — is this the first clue from ?????’s prophetic clues, “Watch for Richard… and Lynda.”
Richard Horne passes bribe money in a pack of Morley cigarettes… the brand of choice for Cigarette Smoking Man.
Salesman asking Lucy at desk for Sheriff Truman, Lucy asks which one? An in-joke allusion to another Sheriff Truman duality, Harry-Frank.
There was a bonsai plant on side table next to Sam sitting on couch in P1, which was also featured in original series’ S2 Windom Earle arch.
Marjorie Green carries her dog, Armstrong, a small Mexican Chihuahua.
Here’s a good article on the absence of Badalamenti music thus far in The Return. 
No white dot in Bob Cooper's pupil/eye — life-less .
End of P4 before Bang Bang Bar is blue rose scene… shot in blue tint
Owl cookie jar on counter behind Dougie Cooper during breakfast 
A lot of Lynch visuals hearkens to Eraserhead, coming full circle in his cinematic journey of a master’s craft.
On Jun 4, 2017, at 9:59 AM, Dom wrote: I think I made a nice discovery which I posted on Reddit (Fred_Truax).
I cannot find Fred[undescore]Truax in any reddit search — author:Fred_Truax yields nothing. I’m not a Reddit reader, the whole thing is a fuck show of multi-threaded comments. It hurts my brain to go there. I can tolerate direct links, though.…
Reading Best Fan Theories at Indiewire, one theory suggests Wally Brando is really dead (source: Reddit /u/chblank), that “Lucy and Andy [are] in denial and shock … of losing her only son as a child.… Sheriff [Frank] Truman may have hired an actor to play their son — a role that fake Wally took literally, considering his “The Wild One” getup and bad “Godfather” impersonation. This could also explain why Wally Brando makes a point of telling his parents that they can convert his childhood bedroom into a study, as a way to help them move on and let go of the past.”
Same article posits that the headless body in the librarian’s apartment belongs to Major Briggs (source: Reddit /u/billy_yllib11). “Although the decapitated head belongs to the dead woman, there is a grotesquely contorted body detached underneath, one that comes from an unknown person. Later, we learn the forensics team has a match on the body, but they need military clearance to unlock its identity. Perhaps the kind of clearance that Major Briggs once had when he was working on top secret projects for the government? Of course, if the decapitated body does in fact belong to Major Briggs, it would also contextualize the appearance of his disembodied head, which floated in space at the beginning of [P3].” …But how does Dougie Cooper’s ring get in stomach?
I also noticed something strange about those two scenes:
In episode one when Sam leaves the Glass Box room the second time to go into the lobby to see Tracey (and the security guard is NOT there) he leaves the small black box of video cards on the step ladder near one of the cameras. The black box remains on the step ladder for the entire scene almost. The box disappears for a moment when they start to take off their clothes, then is back on the step ladder right before they are attacked.
However in episode 2 when Cooper enters the Glass Box and we think Sam is in the Lobby with Tracey, you can clearly see the black box of video cards and his pen on the side table next to the small couch he sits on.
Did Cooper enter this room at a different time they what it appears to be? Is Cooper in a second identical room? I just think its weird the black box is in two different locations in what appears to be the same time?
What do you guys think?
I’m beginning to understand these time shifts as backward dimension bleeding into forward dimension. BOB Cooper begins “‘yrev' very good to see you again old friend” to Gordon Cole when they first see each other again (P4). Relatedly, there’s fervent speculation that Sonny Jim blinks backwards while in back seat of car when Dougie Cooper notices Sonny and sheds a tear (P5).
Backward-forward are the two directions in which one can enter-exit the Black Lodge, shown to us in Classic Peaks and FWWM. Now we’re seeing vertical up-down direction to enter into-exit out of the Lodge, exhibited by the sudden vertical floor vibration as the Arm's doppelgänger appears and Cooper falls down through floor. Or Laura pulled up off the floor screaming into oblivion, as well as  the ghostly pirate-like figure in a jail cell floating up into thin air.
Backwards is a reality dimension different from forward (as normal) dimension. P3 glitchy quick backward-forward movement when Cooper lands into hub in space and interacts with eyes sown shut woman, a reality between the two dimensions (?), existing on the threshold — Dweller on the Threshold?
This new movement is depicted in the opening title sequence when the wavy-flowing red curtains cross fade to chevron pattern panning across floor, seemingly tracking the camera in a circle. I love the new title sequence opening drone shot over the falls, hangs on waterfall from above, dissolves to a slight CU of waterfall spray, then segues to the rhythmic curtains — an abstract version of the classic series opening dissolves from the waterfalls to a flowing river.
I am also convinced that Laura is going to leave the Black Lodge somehow and venture into the real world.
On Jun 4, 2017, at 3:01 PM, Erik wrote: Dom, did you see the Tweet I sent your way? with the info that the Casino Cooper goes to in Vegas was actually filmed in Commerce, CA. (they have actual casinos there) about 35 miles from my house. judge for yourself...
<PHOTO>
Dudes, when we finally graduate from trekking back to Peaks (WA), we have to eat at The Roadhouse Restaurant & Inn. Can’t believe we overlooked this. We’ve done the original Mar-T Cafe (plus the deplorably named and renovated Twede’s) and Fall City Grill (Haps Diner), we gotta do the Roudhouse, regardless if it’s only the exterior.
It will be interesting to see if the green revolving doors that Cooper has trouble with are actually here as well. So I guess we know where you might stay next time you come out here to Pin Peaks Locations. I thought it would even be fun to get a room and watch the season finale there, then go down to the gaming floor and "Helllloooooo!"
As far as the actual plot...
I have come upon no clues or conclusions at all. It is very dense material. What little I have read online is complex and sometimes implausable, but who am I to say?   I like the scene when Douggie is getting dressed and Sonny Boy … comes out and they make a lot of visual and action references to the Season 2 opening scene. What does it mean?  No clue.
In P4 Cooper is Home — Dougie Cooper says aloud, “Home.” This is symbolized as a birthday with balloons in the kitchen behind him. Similar balloon shapes appear when he is dropped off at outside of work building, when Cooper mimics statue pointing gun. I’m thinking Dougie is the character Lynch-Frost are using to teach the viewer how to assimilate and understand the Twin Peaks world view. From Dougie's point of view, he seems to know little or nothing about the world. He’s in process of making sense of it, and now that he's starting from home, we should follow along and we'll learn together. As viewers, we’re putting some faith in the storyline will resolve eventually, even if only in part. During the following scene when Gordon meets Denise Bryson in her office, she says, "I trust you Gordon." We should trust Lynch.… But how does this all jive with ??????’s “You are far from home”?
Gonna review a bit and start my edible regimen, no cherry pie this week, coffee and donuts YES. Last time, I cracked a beer when it started, had a full bowl next to the food. I did not touch either of them for 2 hours straight. Completely forgot about them actually. Totally engaged.   Only ate pie, donuts and coffee... I'll have messenger open at 5:30PM est standing by.
On Jun 7, 2017, at 4:38 PM, Dom wrote: So who do you think are Richard Horne's parents? Audrey and Cooper? Audrey and Jack? Ben and his wife? Jerry and some random chick?
Definitely not the son of Cooper and Audrey. Cooper’s been in the Lodge and he shot Audrey down at every turn before meeting Annie. The other possibilities are intriguing and any of them are plausible. Audrey and Jack — do you mean John Justice Wheeler? Richard Horne seems to be 25 years old and got hooked up with the wrong crowd, that’s easy to do these days. Ben and his wife? Maybe, they could have reconciled their stormy marriage. Ben does seem to have remained steadfast in earnest goodness since emerging from his civil war. Perhaps Richard Horne is Jerry's son that steals his father’s weed to sell. Or maybe Jerry is a big kahuna now in the drug trade? I doubt it. Regardless who the parents are, Richard is a Bobby Peru/Leo Johnson mutt that fits right into Lynch’s social commentary of prevalent drug use still running amok in the world.
Great to see Mike return too.
Would be cool if Mike and Bobby had a beer together at The Roadhouse, catch up a bit with each other — Bobby asking Mike, “Do you remember Laura Palmer?…” I wonder how Bobby will act around Shelly?
I also have another prediction;
The person Gordon wants to look at Cooper will be Diane play by Laura Dern. That's not much of a shock but...
Remember when Albert says he doesn't know where she lives, but knows where she drinks...
My prediction is that they will find Diane (Laura Dern) in that bar we went to in Los Angeles that night I arrived on my last visit. It has all of the nice woodwork and we had to walk down a flight of stairs to enter.
I have resisted right from the outset of Laura Dern cast as Diane. I don’t really want Diane’s identity to be revealed, would much rather have her remain anonymous on the other side of Cooper’s dictaphone. I know there’s speculation and makes sense that Diane will appear as Dern, but this way too obvious, especially after all Lynch has presented us thus far — even considering how close Dern is to Lynch. But still, I hope it isn’t so.…
I also find it weird that Agent Tammy Preston in episode 4 had to ask Albert who Phillip Jeffries is. She learned about his existence in the Secret history of Twin Peaks as she was the agent in charge of examining the dossier. She even added her own notes about him.
That is awesome about the Casino. Next time I come to Los Angeles, I am so game to go play some slots. HELLO  O  OOO OOOO!
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