Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.
The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.
You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Neither romantic nor sexual nor platonic but a secret fourth thing (bonded like stray cats who cannot be adopted separately)
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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
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I'm so sick of Werewolf x Bunny!!!!! There are so many other animals out there!!!!
Lamb/ sheep, an innocent little thing who's never been off the farm, and thinks the wolf is just trying to feel their fluffy tail while the big bad wolf gropes their ass.
Deer being chased and hunted by every wolf in the forest, they're the prize everyone wants to catch, and mount (ha) on their wall. And when they get caught they get claimed while the rest of the pack seethes in jealousy.
Fox/ Cyottee who thinks they're hot shit and likes toying with other little vermin only to be caught off guard by the bigger wolf and fucked into submission.
Fucking wolves eat fish throw in a river mermaid. It doesn't even have to be the whole hunter/ hunted dynamic write a werewolf/ mountain lion pairing. Cowards.
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Shoutout to the maned wolf, which is technically neither wolf nor fox but has its own genus called Chrysocyon! Why -
why are your legs so long?
I mean, intellectually, I understand that it’s because you live in grasslands and have evolved to be able to see over the grass, but emotionally… why? Are they?? Like that??? Surely there was a way to make your body more cohesive and proportional-looking?
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cockatrice (part 2)
early access + nsfw on patreon
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werewolf lore drop ahead!!
although werewolves are classified as a shifter-type monster (same as Horangi or the cockatrice) they're actually unique in a hidden way. Horangi is a hybrid whose lineology originates from the first pureblood haetaes, which had zero human in them. In comparison, werewolves originated AS a human-wolf monster, which results in an interesting relationship between the human and shifted 'full-wolf' form.
While Horangi is the same in his human and haetae form, Soap juggles two souls in one body - one belonging to human side, and the other to his wolf. They are both still implicitly him - the souls run parallel with one another throughout his life - but being a werewolf is very much like maintaining a life-long partnership. Soap and his wolf are a great example of a success story, but some werewolves have difficult relationships with their wolf, resulting in only transforming during full moons when they have to.
In some ways, Soap is perfect in the military's eyes as he has a strong connection with his wolf, and happens to come from a long line of larger-than-average specimens (even though he doesn't care too much about his genealogy, preferring to call himself a mongrel breed). In other ways, he's also a nightmare, because his wolf exemplifies the worst in his rebellious streak, featuring recklessness, fickleness towards authority and an extremely low tolerance for boredom.
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Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick
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