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#like why are we getting this only fans content for FREE
claypgeons · 3 days
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the party era | oscar piastri
pairing: oscar piastri x female driver!reader
summary: you used to be a party girl, you’re now much more content staying in and watching movies with your boyfriend instead.
authors note: my AP world history test is tomorrow!! wish me luck 😞 (i haven’t studied, im going to fail)
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liked by 637,937 others
f1wagsgossip: thoughts ? 😂
view comments below!
user1: is this a safe space to say i do too 😖
user2: she’s gotten so boring now that’s she’s with oscar 😞
user3: y/n isn’t a wag ???? she’s a driver, whys she on this page 😭
user4: as a y/n fan during this era, NO! i do not miss this
user5: why ?
user4: this was a horrible time for y/n and her fans, she was constantly being called slurs, a whore, slut, etc :( i was ALWAYS on the front lines defending my girl !!
user6: y’all saying oscar made her boring rubs me the wrong way…
user7: RIGHT
user8: me too
user9: honestly i agree
user10: i miss party y/n
user11: what i would do to be a fan during the party era
user11: i’m in my party era right now
user12: are we all forgetting how y/n has said multiple times that this was probably the hardest days of her life?? and how she wishes this never happened ???
user13: she was literally out partying all day 😭 how was that hard
user12: i can tell youre all new fans 😭 this whole “era” happened after she had gotten out of toxic relationship of 6 YEARS she was extremely depressed AND she had said that the only reason she went out so much was because she felt unsafe in her house
user14: you all saying oscar made y/n boring are forgetting that she, and i QUOTE, has said “oscar literally saved my life, and i know that sounds so cheesy, but he truly makes more happy than i could ever put in words”
user15: yall say this, but if she did party like she did back in the day, y’all would be calling her an alcoholic 💀
user16: not too much on oscar now…
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bigfanofyn: 2022-2023 y/n was the best !! rip y/ns party era 😞
view comments below !
user17: oh that’s not…
user18: this is weird !
user19: ME TOO, BRING BACK PARTY Y/N!!
user20: NOO DONT. DO NOT BRING BACK PARTY Y/N
user21: can’t y’all let this girl be peaceful ?? 😭
user22: are y’all forgetting how they tried to get y/n kicked out of f1 because of this ??
user23: WHATTT
user22: YEAH fans literally made a petition to get y/n kicked out of f1 because she was “out of control” it only got like 500 votes THO 😭😭
user23: y/n has said that she is no longer friends with this people in the picture and that we should stop giving them attention…
user24: why ?
user23: they would always purposely got her drunk, and made her feel guilty when she suggested they do something else instead of drink, they would then take photos of her when she was passed out drunk AND SELL THEM TO GOSSIP PAGES ??
user25: don’t forget that they LET SOME STRANGE MAN ALMOST TAKE HER GOD KNOWS WHERE WHILE SHE WAS BLACKOUT DRUNK ?? the only reason he wasn’t able too was because of a STRANGER who intervened
user26: free y/n from oscar 🗣️
user27: this and y’all in the comments ARE WEIRD
user28: …
user29: this isn’t good! hope this helps ❤️
— y/n has posted new pictures!
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liked by, mclaren, oscarpiastri, landonorris, maxverstappen1 and 726,028 others !
yourusername: i have no idea why this is trending BUT… party era y/n was NOT fun or quirky. she was depressed, anxious, and always scared, she pushed away all the people she loved. NOW, “boring” y/n has never been happier. she stays at home with her boyfriend and has movie marathons. it’s better for her this way.
view comments below !
user30: we love boring y/n
user31: why are people acting like you don’t go out anymore ?? 😭 you were at landos celebration party like a week ago ??
*liked by yourusername*
mclaren: boring y/n is a happy y/n 🧡
yourusername: boring y/n is a happy PR team **
mclaren: that too 🧡
landonorris: a boring y/n is a happy lando
user32: the fact that the only reason y/n got help was because lando told her too is just so 💔💔
user33: she knew that when LANDO tells you that you need to stop. YOU NEED TO STOP.
user34: no because LANDO telling her to stop partying ?? is crazy 😭
user35: REAL FANS LIKE ANY TYPE OF Y/N
user36: y’all got this girl so mad she’s talking in third person 😐
— oscar piastri had posted new photos !
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liked by, mclaren, yourusername, landonorris, maxverstappen1 and 826,028 others !
oscarpiastri: party girl or not. i will always love you.
view comments below!
user37: oh to have a movie night with y/n l/n…
user38: the man y/n DESERVES
user39: can’t people just understand that some people truly go through rough patches which makes them do out of the ordinary things ??
user40: RIGHTTT, because if y/n was a true ‘party’ girl like they claim. SHE WOULD STILL BE PARTYING. she had said multiple times. that ‘era’ wasn’t HER. it was a ROUGH PATCH
user41: get you a man that loves you as much as oscar loves y/n
maxverstappen1: tell y/n to play pool on imessage with me.
oscarpiastri: she said she’ll play when you stop cheating
maxverstappen1: I DONT CHEAT
yourusername: I KNOW DANIEL IS PLAYING FOR YOU.
charles_leclerc: you said you would invite me to the next movie night 😞
oscarpiastri: this is an old picture charles, don’t worry, you’re still on the invite list 😁
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rollercoasterwords · 2 years
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the tiktokification of ao3
or: some of you fundamentally misunderstand ao3 and it really, really shows
i was talking about this with a friend a few days ago and since then i've seen multiple posts of various sorts that have just made me think about it more, so. here is me breaking down a disconnect i see particularly with younger members of the marauders fandom (i say marauders specifically just bc that's the only one i'm plugged into):
okay, so i've seen many (usually younger) marauders fans either talking online about how they wish ao3 was more like social media (specifically regarding algorithms) OR talking about ao3/fanfiction/fanfic writers as if they are operating under the same etiquette/guidelines/assumptions they would bring into social media platforms. this ranges from being mildly irritating to genuinely harmful, and i want to talk abt why.
first - you have to understand that social media, in this day and age, exists in a profit economy. and when i say social media here, i'm referring to platforms like tiktok, twitter, instagram, etc. all of these platforms exist in a profit economy where content is a product that can be monetized. this leads to a few important distinctions:
people posting on these social media platforms are generally posting with the intent to get their content seen by as many people as possible, as quickly as possible
they post with this intent because once their content is consumed by enough people, it becomes a product that they can monetize
therefore, if that content gets popular enough, these people can become influencers, where content creation is an actual job and their audience are, in a sort of vague and obscured way, similar to consumers purchasing a product
because of the profit economy surrounding social media, there are certain assumptions + forms of interaction that bleed across almost all social media platforms. the ones relevant to this little essay include:
operating under the assumption that anyone posting anything on the internet wants to go viral, ie. be seen by as many people as possible as quickly as possible in order to grow an "audience"
these influencers are creating content for us, their audience, so they should want to please us. they should also be trying to appeal to the broadest possible audience. therefore, if we dislike their content, we have a right to make that very, very clear.
in that same vein, we have a general right to critique content creators, as they are making a profit and we are the consumers purchasing their product--much like you might feel entitled to a certain standard of service in a restaurant where you are paying for the food.
when you carry these assumptions over to a platform like ao3, it creates problems. why? in a nutshell: because ao3 exists outside the profit economy
ao3 is a non-profit. it does not have an algorithm because it is not trying to sell you anything. this means that the writers posting their work on ao3 are not making a profit. we are not influencers. we are not creating monetized content to sell to a consumer-audience. where consuming content on other social media platforms might be comparable to eating at a restaurant, reading fanfiction on ao3 is more like coming over to someone's house and eating cookies that they made for free. you are in their house. the cookies are free, given as a gift. so what happens when those assumptions outlined above start to bleed over from other social media?
assuming that anyone posting fanfiction online wants their work to go viral -- i've seen this with popular fic writers getting questions like, "are you worried x isn't going to be as popular as y?" those questions are usually not ill-intended, but they demonstrate a fundamental lack of understanding about why writers post work on ao3. it's not to go viral. it's not to build any sort of online following. most of us who post on ao3 have jobs or schoolwork or other commitments, and writing fanfiction is something done for fun, out of a love for writing. those sharing their work online might be seeking community, but that is fundamentally different from seeking an audience, and in no way involves internet virality. if someone is posting fanfic on ao3 with the hope that it'll "go viral," then they likely either won't continue writing fanfic for long or will reach a point where they have to re-evalute their motivations, because seeking joy and validation by turning your art into a product for consumption just isn't very sustainable.
influencers are creating content for us, so we have a right to let them know if we don't like it -- nope!! fic writers are not influencers. yes, even the popular ones. no matter how much other people might blow their work up on social media, fic writers are still outside the profit economy. they are not creating content for an audience. they are not creating content for you. they are writing because they love it, and they are generously sharing it. if you don't like it, don't interact with it. you are never entitled to loudly and publicly proclaim how much you dislike a fic. i talk about this more here
we have a general right to critique fic writers, the same way we do with content creators/influencers -- again, no. you should not be treating fic writers the way you would treat an influencer on another social media platform, no matter how popular they may be. this is not to say fic writers are beyond all reproach; rather, it is a call-in to check your entitlement. fic writers are not little jesters entertaining in your court. they are not subject to your whims. they do not have to do things for you. they do not have to write things you like. in that post i linked on point 2, i talk about what etiquette might look like if you're really concerned that a fic writer is doing something harmful, but that is not what i'm talking about here. i am talking about the proliferation of negativity i have seen, especially on twitter and tiktok, where people essentially just talk shit about fics or fic writers as though they are entitled to have those fic writers working to please them. this is gross, and it needs to stop. you wouldn't go over to someone's house, eat the cookies they baked to share, and then spit those cookies back in their face and start shouting about what a shitty baker they are. or maybe you would--in which case, congratulations! you are Not A Good Person.
anyway, at the end of the day, a lot of this can be boiled down to: Because ao3 exists outside the profit economy, fic writers are not influencers, and you should never be treating them as though they are. i think i see this disconnect largely with younger people just because they've maybe only ever really understood social media within this sort of influencer-consumer-culture economy, and genuinely don't understand how to interact differently with the internet. so, consider this post a call-in to reevaluate the way you interact with fic writers and the etiquette you use when it comes to engaging with fanfic on ao3! i promise that ao3 being different from social media is a very, very good thing, and also a very, very rare thing, so let's treasure it and focus on fostering community rather than trying to morph it to fit the mould of influencer-audience dynamics that we see almost everywhere else <3
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igotanidea · 3 months
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Stuck: Anthony Bridgerton x wife!reader
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A/N: seriously, I almost titled this chapter "idiot" , XD (and that's also the spoiler alert XD)
part 1 to too much
part 2 : not enough
part 3 : almost there
***
One year ago
„When will you get those irrational thoughts out of your head Y/N?”
“What irrational thoughts?”
“About marriage out of love. No such thing exist in the world, my dear and if you do not start living in reality you shall become a spinster!”
“Mother!” Y/N’s eyes grew wide at the harsh and unjust words. She was still so young and to almost be called an old maid—
“Do not raise your voice young lady. You shall marry this season otherwise you would be putting our noble house in a very compromising position.”
“But-“
“Ah! Do not object your mother Y/N. You’ll do as I say. I know what’s best for you and you shall follow the lead. And that is precisely why you’ll accept when Lord Bridgerton proposes to you.”
“Lord Bridgerton!? Which one!?”
“The viscount, dear.” Her mother fluttered her fan imperiously. “Lord Anthony Bridgerton.”
“There is no possibility that I-“
“Hush!”
“Mother I –“
“You’ll say yes.” The tone of voice became much more commanding, leaving no space for discussion. It was like Y/N’s fate has already been decided.
“And why shall I? Because the viscount has decided he has enough pleasantries exchanged with modistes and actresses and other ladies free of the burden of the title. Because mighty Lord Bridgerton decided it is time to tie bounds with a young noble lady, who will be naïve and foolish enough to look at his antics without as much as a blink of an eye. Who will – dear lord – bear him an heir to the title and be the perfect little wife he would order around.”
“Y/N Y/L/N!” her mother raised from the chaise longue with cheeks flushed due to her daughter impertinence. “You will accept the proposal!”
“I will not!”
“Your father has already made the appropriate commitments!”
“Commitments!?”
“You shall be courted like a young lady should and get married in the fall.”
“Mother!”
“It has been decided. Now, you go and make yourself presentable. Lord Bridgerton has announced his visit in the afternoon.”
***
The visit was a disaster, to use the light words.
It was clear as day that neither Anthony nor Y/N were fully content with this arrangement and subconsciously tried to discourage the other. That way, when one of them would actually break it off, said one would be to blame for the disgrace, that would undeniably fall on both families.
However-
Despite some many character discrepancies they were both pertinacious and individualistic, ready to go the greatest length to have one’s own way. Neither of them was even thinking of surrendering easily.
Therefore, during his first appointment as a suitor Anthony was met with cold stares, minimum exchange of words and very noticeable distance on his future bride’s part.
Immediately matching the atmosphere and repaying in kind, only doubled in intensity.
Getting burned with the tea in response.
Causing a lot of havoc, many fake words of apologies and even more words of assurance that is must have been an unfortunate accident and he holds no grudge.
For obvious reason the time spend in L/N;s household was cut extremely short and Y/N was send to bed without supper to think about her erratic behavior.
Next few visits were no better.
Especially not the one when Anthony and Y/N were to reveal to a wide audience the nature of their acquaintance by strolling on the promenade, beaming with happiness due to their soon-to-be marriage.
“Dear lord, you are to be enthusiastic.” Anthony hissed in Y/N’s ear grabbing her arm with a bit more force than needed “Smile.”
She put on a fake grin when they were passing by some familiar face, but as soon as the woman was gone she turned to Anthony throwing daggers at him.
“Giving me orders already, Lord Bridgerton?”
“Hopefully you can be tempered if we start getting you used to it this early.”
“Oh! Perhaps it should be you to change the perspective my lord. See the real face of a lady you decided to meet at the altar?”
“And here I though your wonderful mother raised you better.”
“Do not dare speak of my mother the ill way!” she almost yelled, almost yanking her hand free from his grip, stopping the walk and challenging him to do something reckless.
“Forgive me.” He became serious in an instant and the words of apologies actually seemed honest. “You are right, I overstepped.”
“Thank you.” She responded with a deep sigh. God knows how much it took for her to stay calm. Regardless of the on-going conflict and differences in views between Y/N and her mother, the young woman would never let anyone offend her family. Not even Lord Bridgerton. And he should know that straight away.
“Perhaps we have started off the wrong foot, Lady Y/L/N.”
“I believe so. Seemingly we have a way to bring out the worst in each other, Lord Bridgerton.”
“Is that a way to tell me I have already seen you on your lowest behavior?”
“Compliments, Lord Bridgerton, you have endured my greatest efforts to cause you dispiritedness.” Despite herself she let out a chuckle.
“I am known for my endurance even in the least favorable circumstances.”
“I shall keep on my efforts, nonetheless.”
“I am deeply convinced that this will be the case”
***
Dearest gentle reader,
It has come to this writer’s attention that the affection between Viscount Bridgerton and young lady Y/L/N is in full bloom.
Despite the initial misunderstandings and noble behavior, that hasn't deceived any member of the ton, even if have been well played, recent news and observation has shown that maybe there's less pretending and more truth to it. 
Much to the ton’s discombobulation, young pair has been seen laughing together while the viscount resorted to courting in the way that resemble his late father and Lady Violet Bridgerton manner.
This writer daresay that no elite member would have ever do as much as dream of Lord Anthony Bridgerton picking meadow flowers for his chosen one while walking in the fields, away from prying eyes. Neither anyone would ever think about the forever dreamer lady Y/l/n actually so close to fulfilling her dream of marrying out of love. Irrational thoughts, as someone may put.
It is yet to be decided whether the on-going courtship between lord Bridgerton and lady Y/L/N will be a source of impending scandal in the society or whether those two will actually succeed in keeping this lovable atmosphere for following years.
After all – real love is not easily found and even less easily kept once the obstacles arise.
***
Now.
“You are to be enthusiastic.” Anthony murmured taking Y/N;s arm and bowing to the passing nobles “Smile.”
Those words brought back some memories and she couldn’t help but chuckle at the irony of the history that was in fact repeating itself.
“What is so funny?”
“Your memory does seem so be failing my lord. Won’t you remember the last situation when you told me to express my happiness and contentment to the ton?”
“I—” Anthony cut off, letting out a deep, frustrated sigh.
“Seem like you do after all.”
“Y/N…”
“Been a while since I had to pretend I was content though, given the fact that I truly was, of late.” The hint of sadness and melancholy was not to miss and did not make it easier for Anthony to pursue on the apologies he was tirelessly pursuing.
“Y/N…”
“Good job on choosing the right name since the person, whose hand you are now holding for display seem to be too much for you, my lord. To say the full truth I am fairly surprised you chased me here instead of focusing on spending time with one of your-“
“Don’t you finish that sentence.”
“Oh, I shall not, god forbid. I shall keep the pretenses as any lady married into a good family will.” She send the brightest smile to some kids that were running around, preached by their parents, holding her walls up.
At this point, mockery and distancing herself from the entire unfortunate events, if not fight, was the only way to prevent the emotional and mental breakdown and falling into tears. She was hurt. She was deeply hurt on a level she never thought existed. Anthony’s behavior hit precisely in all the sensitive spots, leaving her overthinking and wailing inside. Reminding her of all the years in her family’s household, being forced to act according to the standards, which she constantly broke, defying all the rules of ossified society and paying a heavy price for being herself despite the odds.
Being called too much, constantly.
Until she met Eloise, which was freeing. Y/N could finally feel like herself, spending a lot of time with Bridgertons.
And then meeting Anthony.
And actually creating a happy story with him, believing she would once and for all be free of the typecasting and tag putting.
But he started behaving in the same way to which she was exposed her entire life.
Too much.
Not enough.
And it made her angry.
“Please do forgive me for not easily being shaped in the wife you want me to be.”
“Shaped? I never wanted you any different!”
“Is that so?” she raised an eyebrow teasingly and it got her furious glance of her husband’s and the tightening bruising grip on her wrist. “you’re hurting me. Again.” The emphasis put on the last word actually made Anthony realize that he was not made of stone, but the words he wished to say were not coming easily.
“Y/N…” he clenched his jaw. She was mocking and challenging him even now, when he was trying to admit he was wrong and trying to apologize for the wrongdoings.
“Yes, my lord?” she took a step back, smiling in that light way that made him even more furious.
 “I believe you wanted to spend time on an intellectual conversation with my sister. Forgive me-“ he bowed in a distant manner reserved for strangers rather than spouses “-for being as impertinent to interrupt ladies’ time. I shall withdraw and leave you to continue on your – surely important- exchange”
And with those words, much to the shock of not only Y/N, but also Benedict and Eloise, who were still following them, Anthony bowed again and started walking away, raising clouds of dust due to the speed with which he rushed off from the place where he left his beloved wife.
Feeling the weight of failure and heartbreak on his shoulders, without a single way to make up for his mistake and keeping the face of a viscount at the same time.
Convinced that she hated him and there was no way to regain her favor and affection.
next part (finale!) : Just right
@pietrawebster @chrissisheadisinclouds @fuzzym4m4 @gloomysel @urfavnoirette @dd122004dd @milkbummm @bevstofu @taniasethi @syraxnyra @christinabae @pandoraneverland @bevstofu @topguncultleader @jana-jaeynneee @myaa21212121 @ziarah @cat-lockwood @leaf-rose-thorn @elissanatok @lily3450 @nervousmumbling @budugu @frickin-bats @sillyfreakfanparty @amberpanda99 @nycthophiliaa @myaa21212121 @bananaadeleigate @everybodystaycalm @fmhcatt @sankareatheundead @cat-lockwood @1potato2rulethemall
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tteokdoroki · 8 months
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☆༉ — KATSUKI BAKUGOU. what’s one more?
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about. now that your kids are all grown up, you’ve gotten to thinking about having another baby with bakugou again.
warnings. minors, blank and ageless blogs do not interact! nsfw, suggestive and smutty, fluffy, some dub-con, baby-trapping mention, breeding, unprotected sex mention, reader is a mother, bakugou is getting old hehe, they have three daughters lol, fem!reader, pro hero!bakugou.
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i imagine that when your kids get a little older and start becoming more independent — your eldest in their final year of U.A, the middle starting U.A and the youngest still kicking in middle school….you catch a whiff of baby fever again.
it’s not even that everyone around you is having kids, most of theirs are well into their teenage years and giving your old friends trouble. it’s more that you miss the tiny pitter patter of feet throughout your house, the gummy giggles and scent of baby safe soap. oddly enough, you find yourself yearning for the late night feeds and the laughter shared over the inherent explosive bakugou diaper bombs.
speaking of your husband, you kind of hate how good he is with kids. he’s always treated your daughters like princesses, spoiling them rotten and raising their standards so that no possible crush could ever compare to the way their daddy treats them. but he’s so tender with the littler ones he visits as part of hero work, the tiny fans that ask him to sign his trading cards or their backpacks.
it’s adorable and still warms your heart to this day. to the point where you’re jumping bakugou’s bones every chance you get without actually telling him you want another one of his big headed babies. of course, he’s only a man and he’s not going to question why is wife of nearly two decades keeps presenting to him like a bitch in heat after lights out and the kids are asleep.
perhaps that’s why bakugou doesn’t question (on the one night where you have a child-free house) the way you toss away the condom, the way you take it raw and clench down on his cock like your life depends on it. why you squeal all high-pitched for him to fill you up with tears in your pretty eyes — how could he say no to you?
his pretty little wife, his lover, hot piece of ass to love and fuck to his hearts content.
what good, loving man isn’t going to cum in his wife when she begs and cries for it?
it’s not until your trained and doughy thighs lock around his slender waist to pull him into your frothing sex that bakugou realises. you’re doing this on purpose.
and by the time he does realise, he’s filling you up to the brim, sloppy white leaking out of you while you cum around him just like you always do — taking him so well, smiling up at him like you’re on top of the world.
“you fuckin’ leg locked me!” katsuki pants through amused laughter, collapsing on top of you with a sweaty and heaving chest.
“nuh-uh!” comes your quick reply, angling your hips up so that he slips deeper into you.
katsuki gets up soon after and disappears to the bathroom, not before prying your legs off of him — knowing full well he had the strength to do so earlier. if he really wanted to. “my own wife… you tried to fuckin’ baby trap me!”
“no i didn’t!” you pout defensively, brows furrowed and nose upturned. your expression only softens when your husband gives you a pointed look and moves to wipe the mess drying against your inner thighs. “okay…so what if i did?”
you loop your arms around his neck with a purr, toying with the silvery-blonde baby hairs on the back of katsuki’s neck and looking up at him with vixen eyes like you’re about to devour your prey. “we can not have another baby,” he tells you simply, kissing the crown of your head when you hiss at the sensitivity. “was i too rough?”
there’s a rasp to his voice, the kind that’s only prominent after hours of singing your praises in the bedroom. it makes you smile, close your eyes in content, and shake your head ‘no’. “why not?”
“havin’ a baby isn’t like gettin’ a puppy ‘nd you know that, sweetness,” bakugou hums quietly, soothing over the bruises he’d left on the soft handles on your waist. he thumbs at the stretch marks and tigers stripes, the very markings that show you were a mother to three of his beauties children. “we gotta focus on makin’ sure kasumi gets into a good agency, if not mine, and don’t get me started on the other two—“
“—but we could do it. right? i mean we’ve done it three times before. raised a baby, what’s one more?” you do your best to sound convincing while you sit up and cling to your man, pleading with those puppy dog eyes that got you knocked up the first time almost eighteen years ago. “don’t you want a little boy?”
“three girls are more than enough.” bakugou pushes your face away playfully, forcing you back into the sheets so he can lie on top of you. “we’re not as young—“ he starts, but back tracks after being on the receiving end of your heated glare. “i’m not as young as i was when we had our first. ‘n shit, my back hurts and my eyes are gettin’ bad, and our kids… they’re exhaustin’, babe.”
the both of you share a laugh. upon brushing a hand through his hair, katsuki trills happily at your affection. “you’re still a good dad. you’d be an even better to our next. even if you’re a little achey in the knees, old man.” though you’re teasing, you really do mean every word you say. raising your kids has been trial and error from the start, but bakugou’s been strong the entire way through — wanting nothing but the best for his family and always putting them first. “plus, the kids are with the kirishimas for an entire weekend, and you’re telling me you haven’t thought about fucking me raw again?”
“jesus woman, you’re gonna be the fuckin’ death of me, aren’t you?” katsuki twitches against your leg once again, crawling up your body to capture your lips in a hungry, syrupy kiss. “you’re right,” he groans against them, loving the feeling of your tongue on his. “fuck, you’re right. spread your legs, sweetness. wanna fill this pretty pussy with my cum.”
“yes daddy…” you mewl in reply while a winning grin tacks itself to your lips l face between uncoordinated kisses and surprised moans once your husband eases his throbbing cock back inside of your tight heat. mumbling something about how it feels like home.
needless to say, neither of you are surprised when the next pregnancy test you take is positive. now you just have to explain the baby supplies in your Amazon basket to your three teenage girls.
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꒰ end. — all rights reserved © tteokdoroki 2023. do not copy, repost, translate & recommend elsewhere.
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ashleyisartsy · 28 days
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Problems (objective and personal) I'm not seeing discussed a lot w this new WatcherTV thing, in no particular order:
-Alienates people internationally who literally CANNOT GET the streaming service!
-Alienates casual fans who don't watch or want to watch all of their shows. Putting down 60 bucks a year to watch just one or two shows is kind of insane, at least for me.
-The volume of content Watcher has produced historically hasn't been enough to justify a separate streamer. I understand there's no way a small team could compete with something like Netflix, obviously, but that's what you're trying to do by putting yourself in the streamer market.
-Will this streamer be secure? What steps are in place to protect your viewers info? ESPECIALLY payment info.
-Will it be easily watchable on multiple devices? I watch YouTube videos on my phone at work 90% of the time, or at home on my TV thru my switch. Is this a browser only deal?
-What are the internet requirements for this? Believe it or not most streaming services won't run on my internet personally. I don't have any for that reason. I can watch YouTube on 360p, or on my 2-bar-reception phone data. Not everywhere has stable reliable internet.
-The suddenness and totality of the move was going to be jarring no matter what, if the idea had been introduced gradually or started as a hybrid model to test audience interest there wouldn't be nearly this amount of pushback.
-I understand the people saying "pay artists!!" Bc I am one, and I get that their quality is expensive and they have a whole company's worth of people to support. I do actually think their work is worth paying for! Everyone's is! But convincing anyone to pay for something they previously got for free is going to be a hard sell. They were still getting paid before, they're now just asking us to pay instead of the advertisers. Idk about you, but that's a way bigger hit to my pocketbook than a multimillion dollar company's bank account.
-I get that YouTube can be a really shitty place to be a creator sometimes, and that being beholden to advertisers is something they don't want to be. It's why they left Buzzfeed! They already have a patreon and merch and it's clearly not been enough for their ambitions. But shooting yourself in the foot because your running shoes are wearing out isn't going to make you a better marathon runner. They had to know that there was going to be a not small portion of their audience unwilling to make this move with them (and again, lots literally aren't able to!)
-If they had a free w/ ads option, or even did a hybrid model with whole shows behind the pay wall, or even just ran a fucking crowd funding campaign to help cover costs of new seasons of shows, any of those things could have worked. They don't even have YouTube memberships turned on, which I've personally seen many many channels do even when they already have a patreon. It really doesn't seem like they've exhausted other options, at least from an outside perspective, which is all we have as viewers!
-I get that this has been in the works for a long time, and that there probably isn't a way for them to back out now. But I hope they can find a way to make this more accessible if they want it to work at all. I truly am not wishing for their downfall, but the whole situation is an awful mess.
Idk, rant over. As a lot of you are I'm feeling very disappointed and upset with this one, and I'm not paying for it either. Hope the boys can salvage this one for their and their crew's sake. Would really hate for this to be the end.
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shipwreckie · 27 days
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long (like ridiculously long) rant about watcher entertainment
Whilst the vast majority of the response to the watcher drama has been negative I still have seen a few people expressing opinions along the lines of ‘oh its just $6’  ‘shouldn't creators be paid for their work’ etc. I also think this situation is getting a lot of attention from people who don't necessarily watch Watcher, or haven’t keep up with them in years so here is my breakdown of why people are unhappy with the announcement that Watcher will be putting ALL upcoming content behind a $6 a month streaming service (with the exception of the premiere episode of each season going to Youtube.) 
The issue is not that it's $6.
The success of other internet companies like dropout and smosh is proof people are willing to pay for content they enjoy and to support independent content creators. I personally have given money to kickstarters, patreons, digital downloads etc in the past. But I do that because I know I’m valued as a fan with and without my money. I still get access to content on youtube for free. Even Dropout, who is a much larger and more expensive operation than Watcher, releasing 5 show a week, still maintains a steady Youtube presence.
The thing with these internet companies is they can be successful in creating something but they do have to understand that you are on the internet. You're not netflix or HBO or hulu or whatever. Watcher’s obsession with creating ‘television-calibre content’ worth $6 a month whilst also only having one show a week is unrealistic. They want to be independent creators but also television producers… but you’re not!  They hate being youtubers so much but YOU ARE. That’s how you gained a fanbase in the first place and you were successful at it! If you’re not happy being a youtuber that’s fine, move on and do something else. But you can’t expect it to be funded by the fans. So many famous artists create content they care less about that has a larger audience, and that in turn funds the stuff they DO care about. If you’re so dedicated to making expensive, high-quality productions you should be using these smaller cheaper shows to save money and fund them, rather than forcing everyone of your fans to pay a monthly subscription fee that I’m sorry, just isnt worth it or is simply unaffordable for the majority of your audience who you have now essentially told aren’t welcome or valued by you. And which one is it? 
Such a large percentage of your audience are casual viewers too. Why cut out that completely? What fans are you expecting to follow you to this ? Your most dedicated fans are there because they like Ryan and Shane, so why not push that? Are you trying to appeal to your fans or are you trying to make the content you want. There’s no clear creative direction that makes sense with this move and that’s why people aren’t supporting you. 
Also I’m sorry but how can we suddenly trust the content is gonna improve once we start funding it when there’s already been so many missteps both in their content and their business. Look at how many fans have said Ghost Files and Mystery Files have started feeling phoned in. Their patreon has been mismanaged for years, they barely promote it and the perks on there aren't really worth it (but they have 6000 paying members because people can and do want to support them!). They go months having barely any merch. There are ways to make money on youtube, they’re just not doing it well . 
And I’m sorry. But there is just absolutely no reason to have 25 employees. Shows like Survival mode should be cheap and easy to produce, and help bring in money to support larger ventures like ghost files. So why are there 18 people credited for a video of you playing Minecraft? And of course I don’t want people to lose their jobs. But continuing with this is going to cause EVERYONE to lose their jobs regardless. 
They also barely have a plan for their new content. People watch for Ryan and Shane, you KNOW THAT. So why is your first new big show hiring the worth it boys and doing a globe-trotting, crazily expensive show. Are you even really expanding your content if you’re still sticking to a one-video-a-week schedule with no present plan to change that? They have a survey for subscribers to vote which past show to bring back, but there’s obviously a major budget difference between filming something like Weird Wonderful World and something like SD&D&D… or at least there should be but there isn't when you employ 20 people to make one video. There’s such a clear lack of thought put into it that makes me even less likely to want to support. 
I want to say that they probably expected a negative backlash and thought they could just wait it out… but did they? Because WHY did they hype this up like it was an insane new announcement fans would go wild for. WHY do this several days before you have live shows where you let fans ask questions live to your faces? So much of this roll out makes absolutely no sense and makes Ryan, Shane, and Steve look so ridiculously out-of-touch with their fanbase, which only makes fans feel even less supportive. 
I think their defenders think we want to see Watcher crash and burn but the majority of us don't. I want them to be successful but this isn't the way to do it and I truly do believe it’s going to ruin their company. Unfortunately as much as I love them, I wont be supporting them. 
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abbyshands · 3 months
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THE LAST OF US, and the israeli themes surrounding it
i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.
the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.
i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.
a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.
regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.
UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion
NEIL DRUCKMANN
45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.
to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.
in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.
bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.
so, let’s speak on it.
THE LAST OF US 1
on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.
the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."
the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."
while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.
let's talk about it.
THE LAST OF US 2
"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."
nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.
throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.
“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”
when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.
we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.
“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"
remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.
the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:
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now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”
maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:
“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.
Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.
The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”
one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.
the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.
THE LAST OF US SHOW, and zionism in the show’s cast
i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).
for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.
many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.
but this is not the issue that is most crucial to discuss.
kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.
(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).
all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.
BOYCOTTING THE GAME AND SHOW
i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:
"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.
if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.
it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.
boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."
what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.
CONCLUSION
there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.
i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.
in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.
i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.
FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.
LINKS AND RESOURCES:
neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel
PALESTINE LINKS
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keerysfreckles · 1 month
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so american — MV1 (smau)
pairing: max verstappen x fem!reader faceclaim; sabrina carpenter
summary: fans seem to notice y/n's song is about her best friend
warnings: like one curse word, google translated dutch
a/n: i. love. smaus.
masterlist !
⋆ ˚ 。 ⋆ ୨୧ ˚
yourusername just posted !
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yourusername summer 🌟💐🍪🎀💿🪐🍋🐴 maxverstappen1
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user1 GORGEOUS GIRL!!!!!!
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maxverstappen1 what an amazing weekend in my home race, got to spend it with some lovely people 💙💙
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user1 TU TU TU TU MAX VERSTAPPEN
user2 is that y/n in his hat in the end????????
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user4 omg y/n's first race?????
yourusername first time hearing the dutch anthem in person, i get the hype
user5 why can't you guys be happy about max's win? why does everything have to be revolved around y/n (no hate i swear) they've been best friends for years, why all the rumors now?? liked by maxverstappen1
twitter !
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yourusername just posted !
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liked by maxverstappen1, landonorris and 401,773 others
yourusername who's gonna tell seven year old me SHE'S GOING ON TOUR!!!!!!!!! tickets are on sale tomorrow at 9 am pst 💌
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user1 GOING TO AS MANY SHOWS AS I CAN
user2 no arkansas date 💔💔
landonorris if we're friends do we get free tickets 🤭🤭
yourusername no 🫶🏻 only max
landonorris WHAT
carlossainz55 me and charles are so proud of you y/n ❤️
yourusername 🥹🥹🥹
user3 AWWW LITTLE Y/N 😭😭
user4 tour needs to start RIGHT NOW.
maxverstappen1 🫶🏻
yourusername 🫶🏻
twitter !
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yourusername just posted !
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liked by maxverstappen1, alex_albon and 774,193 others
yourusername he laughs at all my jokes and he says i'm so american 💌 maxverstappen1
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user1 I FUCKING KNEW IT
user2 oh to have a love song written abt you by the one and only y/n 😖😖😖😖
danielricciardo you should've seen the smile on his face when he realized the song was about him
yourusername AWW DANNY YOU WENT TO THE SHOW TOO 🥹
danielricciardo me, max, lando, alex and checo went 😁 gotta support our fav girl
user3 the cutest hard launch ever 😭😭
maxverstappen1 time for me to write a song about you liefje
yourusername baby leave the song writing to me, you can do the fast cars thing
alex_albon are you guys our paddock parents
yourusername .....................yes
maxverstappen1 added to their story !
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[mijn liefje 💌] (translated; my darling)
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psychotrenny · 23 days
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Lancer is a funny because of how much it insists that Union is this flawed but ultimately benevolent institution that's well on the path to improvement, a "utopia in progress" as they love to say, when like they casually reveal so many things about it that show Union as rotten to the fucking core. Like as much as Lancer fans like to go on and on about how it's an imperfect society that needs to make compromises, there's so much awful shit about Union that just seems pointless or easily avoidable.
And like part of this is the creator's politics; they're social democrats so it's not surprising that Space Sweden is their idea of a society that, if not the best we could possibly achieve, is at least the best we can do for the foreseeable future. As a Marxist-Leninist it's only natural that I'd have a condemnatory view of such a society just as I do for real Social Democracies; my idea of an achievably "good" society is just fundamentally different from that of the creators But like Lancer is also full of little details that just seem fucked up and awful even from the values and viewpoint of Social Democracy. Like stuff that's just as bad, if not worse, than a lot of sci-fi Dystopias. Like why the fuck does Union have a CIA that's run by a group of super-computers with the actual elected legislature having an advisory role but no actual jurisdiction and this fact being kept secret from the vast majority of the populace? Not much of a democracy if one of the most powerful institutions in the entire political body is free from any kind of democratic or even fucking human oversight while most people aren't even allowed to have an opinion on this because they aren't allowed to know about it. Or what about the caste of Janissary diplomats (like was it really necessary to take children and train them like they're the jedi of interplanetary relations) who come with customised computer slaves. Like yeah don't forget about the fucking SCP computer slavery thing, which is completely fine (except for the times it isn't I guess). Like it's basically the weirdest and most uncomfortable part of Star War's setting imported near whole-cloth only like the regular mindwipes are justified because otherwise they'll full Durandal and you don't want that do you? Look how happy and content they are being forced to think like humans while acting as loyal servants. Btw Union is somehow even less denazified than West Germany. Significantly so. They literally gave Hitler Corp. (a fucking weapons manufacturer so powerful they call it a "corpro-state"!) a seat at the UN. While allowing their Blue Helmets to keep using those Nazi-made weapons. And like Third Comm is repeatedly described as doing basically the same shit that Second Comm did but with more "Care" or whatever so don't worry it's fine now.
Like I can just keep going on and on like I'm not making this up this isn't some like weird expansion this is all from the core rulebook. I get that there has to be conflict and tension but like why did they need to make their ostensible good guys so fucking awful like these are the people you're meant to feel good about fighting for why did you need to fill them with the sort of details you'd see in some cautionary dystopia? And like why do actual people keep defending these guys? Like once you get down to it Union manages to be less Space Sweden and more* "The Ottoman Empire with Pronouns"
*to borrow a phrase coined by a mate while we were talking about this
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rivkae-winters · 7 days
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Warning for criticism and what I’d consider some harsh to outright mean words:
So I’ve just been made aware of the project known of as ‘lore.fm’ and I’m not a fan for multiple reasons. For one this ‘accessibility’ tool complicates the process of essentially just using a screen reader (something native to all I phones specifically because this is a proposed IOS app) in utterly needless and inaccessible ways. From what I have been seeing on Reddit they have been shielding themselves (or fans of the project have been defending them) with this claim of being an accessibility tool as well to which is infuriating for so many reasons.
I plan to make a longer post explaining why this is a terrible idea later but I’ll keep it short for tonight with my main three criticisms and a few extras:
1. Your service requires people to copy a url for a fic then open your app then paste it into your app and click a button then wait for your audio to be prepared to use. This is needlessly complicating a process that exists on IOS already and can be done IN BROWSER using an overlay that you can fully control the placement of.
2. This is potentially killing your own fandom if it catches on with the proposed target market of xreader smut enjoyers because of only needing the link as mentioned above. You don’t have to open a fic to get a link this the author may potentially not even get any hits much less any other feedback. At least when you download a pdf you leave a hit: the download button is on the page with the fic for a reason. Fandom is a self sustaining eco system and many authors get discouraged and post less/even stop writing all together if they get low interaction.
3. Maybe we shouldn’t put something marketed as turning smut fanfic into audio books on the IOS App Store right now. Maybe with KOSA that’s a bad idea? Just maybe? Sarcasm aside we could see fan fiction be under even more legal threat if minors use this to listen to the content we know they all consume via sites like ao3 (even if we ask them not to) and are caught with it. Auditory content has historically been considered much more obscene/inappropriate than written content: this is a recipe for a disaster and more internet regulations we are trying to avoid.
I also have many issues with the fact that this is obviously redistributing fanfiction (thus violating the copyright we hold over our words and our plots) and removing control the author should have over their content and digital footprint. Then there is the fact that even though the creator on TikTok SAYS you can email to have your fic ‘excluded’ based on the way the demo works (pasting a link) I’m gonna assume that’s just to cover her ass/is utter bullshit. I know that’s harsh but if it walks like a duck and quacks like a duck it’s probably a duck.
I am all for women in stem- I’ve BEEN a woman in Stem- but this is not a cool girl boss moment. This is someone naive enough to think this will go over well at best or many other things (security risks especially) at worst.
In conclusion for tonight: I hope this person is a troll but there is enough hype and enough paid for web domains that I don’t think that’s the case. There are a litany of reasons every fanfic reader and writer should be against something like this existing and I’ll outline them all in several other posts later.
Do not email their opt out email address there is no saying what is actually happening with that data and it is simply not worth the risks it could bring up. I hate treating seemingly well meaning people like potential cyber criminals but I’ve seen enough shit by now that it’s better to be safe than sorry. You’re much safer just locking all your fics to account only. I haven’t yet but I may in the future if that is the only option.
If anyone wants a screen reader tutorial and a walk through of my free favorites as well as the native IOS screen reader I can post that later as well. Sorry for the heavy content I know it’s not my normal fare.
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zineobiology · 2 months
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Welcome to the Zine O’Biology
A multi-fandom Star Trek Zine.
Do you have strong opinions on Vulcan fra’als, Cardassian tails, or how the heck Trill symbionts reproduce? We want to hear from you!
The Zine O’Biology is a fictional comparative xenobiology academic journal set in the Star Trek universe. If you’ve always wanted to wax eloquent for up to 3000 words about your theories on alien biology, welcome to your new home!
We want all your theories about all your favorite aliens! This is a friendly but competitive academic journal where the content of every paper is a little bit suspicious (is this paper based on rumor or fact? What is the methodology?) and some competing authors leave snarky comments on one another’s work. So just like a real academic journal, except ours features the Great Green Anthurium.
We welcome xenobiology articles on all Star Trek aliens from all series!
The final format will be a PDF that you can scroll at your leisure or print at home in order to have a physical copy of the Zine. (This way there is no money involved.)
--SEEKING SUBMISSIONS FOR--
Alien biology articles
Alien biology artwork
In-Universe advertisements
Letters to the editor
ALIEN BIOLOGY ARTICLES
How do Andorian genders work? Are Cardassians actually lizards? Why do Klingons have so many redundant organs? What’s the biological purpose of Bajoran nose ridges? What’s the best cement mix for emergency surgery on a Horta?
You’ve been pondering alien biology for years. This is your chance to infodump all your favorite theories to an eager audience of your fellow nerds!
Articles will be separated into two categories: reproductive biology or general biology. Yes, we also want all your theories on what every species is packing downstairs…and how they use it.
Journal articles should be fun and engaging, but also written in your interpretation of a pseudo-academic style, since this is a highly respected Federation xenobiology journal. If you want to keep things more lighthearted and less academic, check out the section on Letters to the Editor.
ALIEN BIOLOGY ARTWORK
If you have independent illustrations about alien biology we would love to see them! If you would like to provide illustrations for one of our journal articles, tell us what species you want to illustrate and we’ll do our best to match you up!
Art should be in a square, scaleable format, printable at high resolution at 4x4 inches.
JOURNAL ADVERTISEMENTS
Even in a post-need future, academic journals will need a little extra funding. Submit your ads for Ferengi Oomox Creme, Self Sealing Stem Bolts, Gently Used Federation Technology, and, of course, “reproductive aids.” The weirder the better! Have fun with it!
All art needs to be printable at high resolution
Ad Sizes:
1 column (vertical) 3.5 x 7
half page (horizontal) 8 x 5
banner (narrow horizontal) 8 x 2
in-text (square) 3.5 x 3.5 scaleable
in-text (half-square) 3.5 x 1.75
LETTERS TO THE EDITOR
Do you have a great idea, but it’s not enough to fill out a 3000 word article? Submit it as a “reaction” to a previous journal article. Feel free to lay into a mythical researcher who does NOT understand why their biological theory is wrong and yours is right!
Max length 800 words. Enjoy making these plenty frothy!
WE NEED SUB-EDITORS!
The creators of this Zine are all notorious Vulcan Fuckers. Since we want the Zine O’Biology to be open to all alien species, it is only logical that we seek your expertise.
We’re seeking fans from all over the Star Trek universe to spread the word that yes, it’s time for us to all come together in the spirit of explaining how our favorite aliens come together.
Sub-Editors will be in charge of helping us solicit articles and art for their specific race of aliens and editing those articles in order to fit into the Zine. If we don’t have a sub editor for a species, we’ll do our best, but the chapter on that species won’t be as good as it would be if folks with real fanon knowledge were involved.
WANT TO GET INVOLVED, BUT YOU’RE NOT A WRITER OR ARTIST?
WE NEED:
Graphic designers to help with Zine layout
Social media promoters
Alien art and article wranglers (ie: get your fannish friends involved!)
--HOW TO GET INVOLVED--
Fill out the Art or Writing Google Form letting us know your interests or reach out to the Editor in Chief at [email protected]
DEADLINES:
August 1, 2024: Last date for everyone seeking an art or writing partner to submit their request. We don’t guarantee you’ll be partnered up. It depends on how many people are interested and what aliens they want to draw/write.
August 18, 2024: Art/Writing partners notified. NOTE: it’s both fine and encouraged if you want to submit as a team from the start! This is for people who do not have a partner and would like us to find them one.
August 30, 2024: Final call for all journal authors, artists, and advertisers to let us know what species they’re working with, how many submissions they plan to send, and whether their submission will be general or reproductive biology.
October 20, 2024: All art, advertising, and journal submissions are due
We hope to have the Zine O’Biology ready for your enjoyment by New Year’s Eve 2024. We all have full time jobs and lives, so that date may change depending on the volume of submissions.
FAQ
What if my biological theories are totally different from another author’s?
Yes. Perfect. We love it.
We want to see everyone’s theories! Canon gave us scraps, but together we will make a meal! Expect to see many mutually contradictory articles. That’s part of the fun!
What about Smut?
Yes, we are accepting E rated submissions! The journal will be separated into two sections:
General Biology
Reproductive Biology
General Biology is everything but the genitals
Reproductive Biology should include actual descriptions of the mechanics and biology. Think of it as creating reference material for smut writers and artists.
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alientee · 2 months
Text
Alastor x Jessica Rabbit reader part 3
I lied there will be a fourth part 🤣 sorry I’ve been gone for so long. By the way this amazing art was drawn by @klaudia96art it’s based on this story I just had to have me and my demon drawn lol
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Alastor and you made it back to the hotel without any more problems, you both headed towards the kitchen the kitchen. “Alright darling I’ll get the ingredients out, I can’t wait to taste your cooking once more.” You set your gift down on the table pulling your hair back. “Well considering I’ve spent so much time with your mom I bet it’ll taste just as good as hers.”
You start to wash your hands and hear something crash to the ground. As you turn around Alastor is looking at you with a thin smile his eyes as wide as they can get. “H-how is my ma….I’m sure she has her doubts that id ever show up in heaven seeing as it’s been so long” You walk towards him bringing your hand up to caress his face. He leans into your touch his eyes looking more gentle than crazed as usual. When it came to his mother Alastor wanted nothing more than to make sure she was happy, her opinion is what mattered most in the world. "She always say’s she just hopes your alright and happy wherever you are. And that she misses you.”
Alastor rest his head into your neck, inhaling your scent. It had been so long since he’s been able to hold you, to feel content again. Usually he hates being touched by others, it feels like a disgusting burn he can’t get rid of. He was never a fan of touch unless he initiated it, unless it was from his mother and you were soon added to the equation. A thought hit him and once again he was tense pulling back looking at you frantically like an actual deer caught in headlights.
“Please don’t tell her why I’m down here. It would break her heart, and I can’t stand the thought of knowing I disappointed her.” You could feel his fingers tighten on your shoulder, any harder and he would break skin. As you tried to calm him down you realized just how much your husband was still there. Yes he was a killer and a cannibal who had no problem taking in the joy in the suffering of others. But he was still a mamas boy through and through.
“Alastor I have to tell your mom I saw you she misses you so much. She just wants to know you’re doing ok. But I won’t tell her…. Why you’re down here, it’s not my story to tell anyway.” He paused for a moment sighing “I suppose that’s good enough for me….. should we start cooking?”
“Oh no mister I’m cooking. Your gonna sit down and relax” you push alastor to the table pulling out a chair for him “But dear-“ “No buts! It’s been so long since I cooked for you. I missed spoiling my husband hehe.” Alastor could only sigh and lean both arms on the table his hand resting in his hands looking at you with that large goofy smile. “If you insist sugar”
As you began to cook more of the residents started to show up much to alastor an annoyance. Angel was the first one to walk through. “Wow toots you got it smelling great in here! Watcha cooking?” You giggled, you were kinda embaressed to say you went overboard with the cooking. “Well I made jambalaya, shrimp and grits, fried chicken, corn bread and a peach cobbler. Husk almost spits out his drink at the spread your making.
“I know I went to overboard, it’s just been so long since I’ve cooked for alastor I wanted to make all his favorites minus the cobbler. Feel free to join us I know we won’t eat it all.” You hear alastor muttering under his breath that the others could leave. You went back to cooking as the rest of the residents filled in but you stare at Charlie when she entered with a man who looked just like her. When both your eyes lock he looks at Charlie happily. “Charlie is this the angel you were telling me about?”
You leave the stove and walk towards him “hello I’m ____,It’s nice to meet you.” Lucifer pulls your hand up to his lips kissing it. “Charmed, it’s a pleasure to meet you” the room is filled with a sound of large static making everyone cringe. Lucifer is the only one who looks bored, rolling his eyes. “Problem bell hop?” Alastor is by your side in an instant.
“Keep your mouth away from my wife” Lucifer looks at you and alastor back and forth until his eyes land on Charlie. “So you weren’t kidding, he’s actually married….. to them…..and you agreed to marry him willingly not by force?” He looks back at you and seeing you nod in confirmation is all he needs for him to put a deadpan look on his face. “…….But you’re way out of his league like waaaaaay out of his league. Plus I don’t think Bell hop boy here knows how to…..satisfy needs that’s arnt cananalistic?” “I beg your pardon? Why the fuck does everyone keep bringing that up?”
You shake your head as you hear angel dust laughing in the back ground. Saying how he had said the same thing earlier, in between laughs. “Yes so I’ve been told, and I think he’s in my league just fine, I can’t wait to show y’all the pictures after dinner, alastor was so handsome hehe.” Alastor looks caught off guard for a second before grabbing your shoulder. “Now dear I’m sure no one wants to see that-“
“He’s lying”
“We all want to see it”
“My rival in hissss youth? Excellent ammunition for later batlesssss”
Alastor just looks more annoyed but seeing your big doe eyes looking at him reminding him so much of why he couldn’t resist your wims when you were both alive. “Very well but you will only see the pictures of my choosing and there will be no more than 3” Everyone groaned but accepted it knowing alastor shouldn’t be pushed over the edge. “Foods ready! I hope y’all like it” Everyone starts to make a plate except for alastor, you make him two plates with all the food you made on them except for the dessert.
While you serve him his plate kissing his cheek everyone can’t seem to stop staring,even nifty. Seeing the very independent radio demon getting served with a goofy smile on his face was so domestic and strange. But what no one else expected was for you to make a plate for Lucifer. He started thanking you profusely looking really shy about it. Everyone else was trying to scoot away from alastor who was starting to let his shadow tendrils rise. “Thank you! So much but I’m… you didn’t have too. Not that I’m not grateful! It’s very sweet of you”
“It’s my pleasure you are the king after all.” “Oh NO no no no no no. Please treat me like any other guest. I hate all the kingly stuff haha. How bout I make you a plate full of pancakes tomorrow?” You shrug stating you’re only here for today but you appreciated the offer.” Cherri bomb looked at you giving you a crooked smile. “So tell us about you and smiley, any good stories?” You tried to think of the least embarrassing but most entertaining memory you can think of.
“Well now that I know Al’s past this story makes much more sense now. Me and him went camping with some of my friends. Mind you I’ve known these people for over 10 years. One of my friends got really drunk and ended up falling off a cliff but he swear he was pushed, but none of us believed him because he was waisted. Then a bear ended up chasing him because he had leftover food in his pocket. He just had terrible luck the whole trip and guess who was near him that whole time.”
Everyone turned to look at alastor who continues to eat with a thin smile. “What? He talked over everyone, made crude jokes to my wife, and thought he could play jokes on ME of all people. The trip was more enjoyable with him unconscious. He should consider himself lucky he’s not dead, had he not been my wife’s good friend he wouldn’t have left the camp grounds.”
“I still can’t believe all of that really was you” You made your way back to the sink to clean the dishes, you could hear all the complements on your food and while you thanked them you could feel something pulling at your side. It’s nifty, and it looks like she’s trying to reach for your face. “A mess! Don’t worry I’ll get it miss.” You didn’t know what on earth she was taking about untill you felt someone come behind you and a wet sensation on your cheek.
It didn’t dawn on you what happened until you saw Alastor behind you. You blush in embarrassment realizing that he licked your cheek. “You had a little sauce on your face dear, now come sit and eat” you were about to comment until angel muttered. “I can’t believe I got that” you turned to see him holding his phone up, he must’ve wanted to take pictures of you and alastor. Speaking of alastor you don’t think you could move fast enough to stop him from pouncing at angel dust.
Speaking of alastor you don’t think you could move fast enough to stop him from pouncing at angel dust. “Alastor No!” Lucky enough Lucifer had been enough to restrain him. But if looks could kill both Lucifer and Angel would be dead by now. Seeing as the “big dick in charge” had a hold on Alastor, Angel Dust decided to get one final jab in. “Can you tell us a story now of why Ole freak face is sad in the sack?”
Too bad for him Lucifer’s grip couldn’t hold shadows though.
This was not proof read much~
@fairyv-ice @sirens-and-moonflowers @cannibalcoyote @jyoongim @thereeallink @sakuraluna2468 @fandomfan-102 @crystal-freak24
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love-belle · 4 months
Text
lo mein kayamat tak hua tera !!!
*ੈ✩‧₊˚ in which everyone knows that they want each other, except for them and it's time that they change it.
or
for when you find out forever waala love. ˚ ༘♡ ⋆。˚
social media au // f1 x platonic!reader // aditya roy kapur x fem!reader
warnings - language
author's note - this is for my desi f1 fans and desi f1 fans only ❤️❤️❤️❤️❤️❤️
≡;- ꒰ °instagram ꒱
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liked by adityaroykapur, lilymhe, maxverstappen1 and 2,681,561 others
yourusername where is my munda kukkad kamaal da
11,986 comments
username the caption is so real like where u @
username SHE'S BACK IN INDIA LET'S GOOO
username Y'ALL PLEASE TELL ME U SAW HER IG STORY 😭😭
-> username NOT Y/N SOFT LAUNCHING
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username her being back in india means we shamelessly get adityay/n crumbs and im STARVING
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-> yourusername don't test me i will cry and marry u on SPOT
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landonorris giggling
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adityaroykapur i love taking pictures of you 💗
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adityaroykapur chand theri roshni ka halka sa ek saya hai ( the moon is just a slivery shadow of your light )
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≡;- ꒰ °instagram ꒱
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liked by yourusername, vickykaushal09, lewishamilton and 2,416,899 others
adityaroykapur black and white
10,729 comments
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georgerussell63 plagiarism
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-> adityaroykapur absolutely, i'll see you at 7 meri jaan ❤️ ( my life )
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2024 Japan Grand Prix Race Analysis
My analysis of the 2024 Japan Grand Prix. Table of contents below detailing the order of the post. We have a lot to cover as this was an eventful race so I am not going to waste time making introductions.
Table of Contents  Ferrari – Race strategy: qualifying and tyre management – Charles: his qualifying and his race – Carlos: his race – In depth data and pace analysis Mclaren – Race strategy – Tyre management/Charles – Pace VCARB – Yuki: his race – Daniel: his crash with Alex Red Bull Mercedes Williams – Logan: his race – Team car problems Stake Concluding Thoughts
Ferrari
Ferrari had Carlos start in P4 and finish P3. Charles started P8 and finished P4. They both further secured Ferrari's lead for second in the constructors as well as keeping the WDC and WCC still competitive against Red Bull.
This race highlighted some areas that need to be improved on the SF-24 but more importantly it also showed some of the massive improvements that Ferrari has made in development and that is what made this race very exciting for Ferrari fans.
Once again the Ferrari strategy was great. It would have actually been good to mid if it were not for Charles having the skill and confidence to go for the one-stop strategy. But this is another race where I don't think they could have done anything better.
As it was with the starting grid positions Charles was looking at maybe getting P7 or P6 with a 2 stop strategy. And that strategy was most likely given the track and how much deg there usually is at Suzuka.
The reason Charles made it to P4 was because of his superior driving and tyre management, and Ferrari listening to him when he said he wanted to go for the one-stop strategy. They listened and it was 100% the right call on Charles’ part. 
Charles outperformed what should have been possible. If you don’t believe me just look at what Max, Lando, Oscar, Checo, Mclaren, and Red Bull are saying about his tyre management. Charles in the SF-24 was the only one who could have pulled that one-stop off. Seriously, the fact that Max didn’t think he could have done it is really all you need to know. They saw that and were genuinely impressed not only by the car but by Charles, because we saw that with Carlos he was struggling more with tyre deg and that was with a two-stop approach. 
So not only was this the best strategy to maximize points for Charles this race given his starting grid position, it was also just a truly phenomenal drive from Charles himself. 
And once again we are seeing incredible strides being made at the Ferrari pit wall in terms of timing and strategy. The pit stops for both drivers were on point. They listened to Charles and went with the strategy he wanted and it worked! 
Everything I saw this race was so promising for the trajectory of Ferrari and Charles’ season, and beyond into 2025 and 2026.
Charles: Race, Qualifying, and Free Practice
Charles ran a truly insane race. The only reason he gained all of the positions he did was because of his choice to do the one-stop and not only that but making it work! He gained every position it was possible for him to take and then some. His tyre management on this high degredation track was borderline supernatural.
Charles pulled off zero to negative tyre degradation on both sets of his tyres. (Negative deg is when faster laps are set as the tyres age) This was without question the best tyre management performance we have seen from a driver in 2024. It is something that no other driver could pull off (either due to skill, driving style, or machinery) and that is why Charles is Ferrari. 
Have I waxed on long enough about Charles and his tyres? Just wait till you get to the Mclaren section.
I also have a lot more to say about his pace and tyres in the data section.
For now let's move on to some of the questions people might have about what happened to Charles in qualifying and FP3.
Charles qualifying position was decided in free practice. I want to try to be brief, so here is a quick timeline of why Charles’ didn’t have the optimal setup for qualifying (this also applies to Carlos because both Ferrari’s underperformed in qualifying, there was a difference of 1/10th between them so it really was just a matter of the field being so tight)
Suzuka is colder during the day than any race we’ve had so far this year. With the SF-24 being so good with tyre deg that is actually a problem because it means that getting the tyres to warm up takes longer. 
The loss of all of FP2 due to rain was a big blow to Ferrari and especially Charles.
Charles has been having more issues getting his qualifying settings right to manage the tyre warming issue. This is due to his personal setup choices and driving style. Being gentler on the tyres in a car with less deg is leading to him underperforming in qualifying. 
So we lost valuable time when Ferrari really needed to understand the SF-24 behavior in the colder Suzuka temps. 
FP3: Charles and Carlos both got in some race sim laps, but only got to squeeze in 1 or 2 flying lap tests at the very end. Charles especially was frustrated by this. I believe that this came from not having the time to complete all of the program they had outlined to prep for qualifying and the race. 
Going into qualifying Charles didn’t have enough data to guide his settings for Q1. They went with a certain setup they hadn’t gotten to fully test and it didn’t work. Which led to them having to send Charles out again in Q1 with a different setup on another set of softs to try to set a better lap in Q1.
In Q3 Charles only had 1 set of softs remaining to set his best lap. It was okay but not enough. I do think that over qualifying he did get settings better on the car and if he’d had another set of softs he might have made it up to P6 (possibly P5) the middle of the field was very close so I don’t think this qualifying placement and time was as bad as it looks. It certainly isn’t great, but compared to his teammate and the rest of the top teams it wasn’t so concerning. 
So the lack of enough free practice to figure out the best qualifying setup for Charles in the colder temps is really what cost them here. I think this is why we saw Charles very frustrated at not having the time to do more flying laps during FP3 and Fred also not happy with the program they ran during all free practice sessions.
All of this does apply to Carlos as well. We’ve seen him qualify better in 2024 too so this was just a matter of the SF-24 settings on flying laps given the colder temps and the track. 
This is a current issue for the SF-24, but it is something that can be developed and I think there are certain upgrades that will address this. It is better to have a car base that is too gentle on the tyres than the other way around. The SF-24 tyre treatment is a good base to work with. This weekend just highlighted areas where improvements need to be made. The unfortunate part was the loss of FP2 because that was going to be important for colder temp data gathering.
I want to once again now take the time to shut down some narratives about Ferrari's race specifically relating to Carlos' lap 46 pass on Charles:
The reason Charles and Ferrari let Carlos pass was because Carlos was on newer tyres and thus had overall faster lap times.
It’s insane to expect a team to keep the car that has faster pace behind. I could see it if it was a difference of 1/10th or something or if it was the last lap of the race, then it’s up for debate. That wasn’t the case here, Carlos with the tyres that were 10 laps newer was almost 1 second faster. Keeping him behind would have not only compromised his race but also possibly Charles’. We don’t want a car just hovering behind the other. As we heard on the radio the main concern was keeping Lando behind. As far as gaining significant placement this race goes we always knew Lando was going to be Charles' competition. If the cars were fighting over pace with this big of a discrepancy in the pace we would have seen disastrous results. 
Charles knew this and this is why he let Carlos by. He was never intending to race Carlos(he literally said this in interviews after). With the way they started on the grid it was not going to be in the cards this race. Charles said as much and he isn’t upset about it. 
“Carlos overtook Charles”: No, Charles let him pass because that was strategically optimal for both Ferrari drivers. 
“Carlos’ pace was better”: No, he was on a completely different tyre strategy, the only reason he was faster is because he did two stints on mediums and then finished on newer hards. Charles overall race pace and tyre management was better. This is just a result of 1. Different starting positions and 2. Different tyre strategies. It’s very hard to do a driver-to driver comparison with blanket statements when they are on different strategies.
“Ferrari gave the order to switch with Sainz”: No, they just didn’t do that, I don’t know what race you were watching.
“They should have told Carlos to defend”: That would have been a bad strategy choice for both drivers. There is a lot more than current track position that goes into strategy calls.
"Ferrari strategy screwed Charles over again": No, Charles chose his strategy(and it was the right call). Ferrari did great in supporting him.
I don't understand why people want to run this narrative that we keep getting Silverstone 22' level strategy calls when that is just not happening.
Now Charles radio after the race may have sounded disappointed and in the heat of the moment he probably was. However in interviews after the race he was very happy with the car (I think he realized just what a good performance he put in) but also I think his big takeaway from this race was that Ferrari have given him a strong base to work with(finally) and he has been only saying more positive things since then.
Ferrari did amazing supporting both drivers. Especially Charles because it was his call to do the one-stop and they listened to him and supported him perfectly throughout running that strategy.
Carlos
Carlos ran a clean race. He gained the one position which is about what we'd expect from the car he was in and his starting position. His performance also gave us really good baseline data for the SF-24.
His race was mostly decided in qualifying and also the fact that Mclaren struggled far more than expected on this track. Ferrari initially thought he might have to fight Lando more for that position but Mclaren's struggle was Carlos' gain.
I also think that just this race in general from him and his driving style was really good data for the SF-24 to inform development and that is awesome!
I don't have a ton to add, it was good, got those WCC points for Ferrari and that's exactly what we want to see from him.
In Depth Data Analysis
The name of the game here is tyre wear. The SF-24 (especially in Charles' hands) has had phenomenal race pace and that is due to the fact that this car is so easy on the tyres. However Charles is the driver who has been able to pull this feature out of the car due to his driving style and tyre management skills.
We are going to look at a comparison of Charles' and Carlos' data to highlight exactly what was so interesting about Charles' pace. And then also adding in Max, because as the driver to beat he is a good benchmark(as well as showing the top performance of the RB-20)
Here is a comparison of lap times between Charles and Carlos, corrected for tyre age(because they were on different strategies)
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For the medium tyre I used both their first medium stints. Carlos did two stints on mediums, I used his first stint for comparison because it means both tyres were subject to the same time of day and track temps and conditions. 
Now the lap times themselves here aren’t as important. Carlos and Charles were in different spots on the track and Carlos was in much cleaner air even on that first stint. The real thing to look at is the way Charles lap time stays consistent, and even gets faster as the age of the tyres progresses, while Carlos starts off with his best speed and then gradually gets slower. Carlos’ pace here is an example of what we expect to see - as tyres age they get slower so his pace on these tyres is perfectly normal, by the time he got to lap 14 before he pitted he’d lost more than a second of pace on those tyres (which is normal and expected). Then we can then look at Charles who is getting almost the exact same lap time out of his 11 lap old mediums as the first lap. Where Carlos has lost more than a second, Charles has lost nothing. Furthermore you can see multiple instances of an increased speed on his previous laps, which indicates negative tyre degradation. This goes against general tyre wear behavior and can only be attributed to Charles’ skill in extending the pace of his tyres.
I want to add that both driver’s pace was excellent and that both their performances would not have been possible without the massive leap Ferrari has made with the SF-24 and race pace tyre degradation. 
Again looking at the hards the actual lap time is not important here, Charles and Carlos were running very different strategies at this point. Charles was racing to extend the life of the tyres to pull off a one-stop and Carlos was trying to regain position near the front. What we are looking at is once again the way the lap times increase for Carlos steadily, and just don’t for Charles. 
Charles once again was pulling essentially the same lap time on 11 lap old hards, while Carlos had lost a full second. The sheer consistency here is what is scaring the other teams. 
I want to note here that none of this is meant to make Carlos look bad. I think his runs and tyre treatment were pretty good overall, but when your teammate is defying the laws of physics in the same car it can even make a good drive look not as great. But I have no issues with how Carlos managed, he gave a good example of what I would say is the base deg for the SF-24.
Now I want to compare Charles’ pace to Max’s, again correcting for tyre age. 
This is helpful because this is where we can get a look at match-ups for the future, the strengths of the SF-24 compared to the RB20. 
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Here is where it gets interesting. Max on the hards was managing degradation amazingly, right on par with Charles. 
The big difference is on the mediums. After 11 laps Max had lost over a full second of pace on the mediums and Charles had not. 
This gap is where we are going to see big results come in from the SF-24 in the future. If I were Red Bull I’d be worried about this. And this is why they are also specifically worried about Charles, because we see that the SF-24 in Carlos hands is behaving as expected as far as tyre deg goes, the real threat based on the data is the combination of Charles Leclerc and the SF-24. 
Deltas Δ
Now let's take a look at what the change in pace lap to lap looks like for Charles, Max and Carlos. Again using those first 11 laps on the mediums.
Lap deltas are the change in lap time lap-to-lap, and this is a metric that shows if a driver is keeping pace, gaining pace or losing pace. Positive numbers mean a loss of pace, negative numbers are a gain. This is calculated by the equation of (Lap time B - Lap time A = change in pace or the delta Δ) So it's just the time difference lap to lap. This is how we can take a look at the actual pace and correct for lap times (which are not important here)
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On it's own this doesn't look like much, yes Charles is managing best, but Carlos is also ahead of Max. This is showing where the SF-24 is better than the RB-20. The fact that of these three drivers Max is the worst on this metric is notable.
However the impressive part of Charles' tyre deg is not in these first 11 laps. Because after these laps Max and Carlos had to pit because they were losing time and their tyres were done.
Charles kept going.
Here is what Charles' full stint on the mediums looked like.
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Charles continued to achieve faster laps and negative deltas well into the life of the tyres, and that is what is setting him apart from Carlos and Max.
Not only was Charles achieving negative deltas, he was doing it more consistently as the tyres aged.
For comparison here is Carlos' and Max's data overlayed on Charles full medium stint.
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While the first graph on the mediums shows that both Ferrari's were outperforming the RB20 in terms of deg(or at the very least Carlos was on a very similar delta to Max), this is where you see the difference in the drivers. Because Max and Carlos had to pit because they were rapidly losing performance on those tyres(see above time sheets) Charles was not, and he only improved. He more than doubled the life of his tyres in comparison to the other two.
This is the graph that really matters because it shows what each driver was able to do with one set of mediums. And as you can see it's not even close.
This is where you can see the impact of the negative deg over time. Compared to the normal deg we see with Max and Carlos it serves to highlight exactly how outside of the norm Charles was operating.
Charles only continued to improve well beyond the other two. That's what was insane about his tyre management.
Neither Carlos or Max were going to be able to continue their pace (hence the pit)
I feel like the data really speaks for itself. Max and Carlos are good comparisons here, Carlos is a good driver in the same car as Charles, and Max is the current top driver on the grid and is known for his tyre management.
I want to finish this section with the sentence that is chilling the blood of every other driver and TP on the grid: Charles set his fastest lap of his race on 25 lap old hards.
Mclaren
So what happened to Mclaren?
A lot of people were expecting Mclaren to be the second strongest team on this track. And qualifying certainly made it look like that might be the case. With Lando being ahead of Carlos in P3 and Oscar being ahead of Charles in P6 on the starting grid.
So why did both Mclarens get easily defeated by the Ferraris?
I think there are 2 main reasons.
The Mclaren car is not even close to the SF-24 when it comes to tyre deg, that car loses pace much faster so it just cannot fight when a Ferrari comes up behind it.
Charles 1 stop strategy really messed up the team's pit strategy with Lando. 
In Mclaren’s defense no one thought anyone would be crazy enough to try a 1 stop around Suzuka, let alone have zero tyre deg on a high deg track. 
They seemed to be managing their pit strategy with Lando under the assumption that Charles was going to pit twice, and I think they were very worried about an undercut in the pits (after they didn’t get away with it in Australia I think they were very keen to make sure they kept their position)
But Charles didn’t do a 2 stop strategy. He stayed out and his pace on the hards was unbelievable. 
There was really no way for them to see that coming. It’s kind of hard when your main competition decides this is the weekend he’s going to challenge the laws of physics.
(And you thought I was done talking about Charles’ tyre strategy)
Here is a graph of Lando vs Carlos. That was the spot he lost, and you can see that the pit strategy is really what cost Lando the spot. Carlos came behind him on much fresher tyres and by then he'd lost the pace. He pitted too early, and that was due to Mclaren not understanding that Charles is on another level.
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His pace was okay on newer tyres, but once they age the drop off was pretty bad. So the Mclaren car needs to improve in the tyre deg department if they want to see either of their drivers beat a Ferrari any time this year.
Furthermore Oscar once again struggled more because he is still the weaker of the two Mclarens when it comes to tyre deg, and on this track that really showed. 
But I think the fact that Mclaren kept trying to figure out when Charles was going to pit for his second stint and then he just didn’t really threw them off and had them making some weird pit calls. 
VCARB
Yuki
Yuki ran what was in my opinion the second most impressive drive of the race. He qualified P10 and finished P10. However to keep that position he pulled of some truly perfect overtakes. He was fighting to finally get that home race point. I was so excited seeing him put on that good of a show for his home fans.
In this race he became the first Japanese driver to score home race points since 2012, and that is just so exciting for Yuki and his fans. It really made that single point mean a lot. I don't think I have ever been more excited for a P10!
Yuki has really been showing what the VCARB car is capable of and it looks really promising. He seems comfortable and I think we will be seeing a lot more points from him this season.
Daniel: Crash with Albon and DNF
Going to be covering Alex and Daniel's crash this section.
On lap 1, Daniel and Alex made contact going into turn 3, resulting in both cars going off the track and ending up in the barriers. Both drivers had to retire from the race.
To me this looked like a result of crowding into that turn in the mid field with neither driver at significant fault. I don't think Daniel was trying to push Alex wide, and I also don't think that Alex mistook that corner. The FIA and stewards agree and Alex and Daniel's story of what happened make sense.
Going into the turn Daniel had the outside line, and he was trying to give room to the Aston Martin(Lance) on his inside. He didn't see Alex on his outside and his wheel made contact with Alex's front wing, causing his car to spin and pushing Alex of the line and into the gravel.
Alex thought he had the outside line to overtake and was in the process of attempting that when Daniel went to give space on the inside, this resulted in the contact and Daniel forcing him wide.
This crash really just was a result of crowding in that corner, Daniel was trying to give space to one driver and inadvertently crowded out another. There wasn't space so he was kind of in a lose-lose situation there.
I agree with the stewards that no penalty for either driver was warranted and that this was the result of midfield crowding, and some bad luck for both drivers. It wasn't a result of bad driving on either Daniel or Alex's part. Even if Daniel had seen Alex I am not sure what he could have done if he also needed to give room to Lance.
Ultimately I am glad both drivers are uninjured. Hopefully they have some better luck in future races.
Red Bull
I don't have a ton to say about Red Bull. My comparison in the Ferrari data section is what was most interesting about this race from the data standpoint.
They didn't do much, the Red Bulls started ahead and finished ahead as expected. Max and Checo both ran a really clean race. Again showing the power of the RB-20.
I will add that this was a really good race for Checo(probably his best this year), and it was nice to see him have redemption after Suzuka 2023.
Nothing terribly exciting to add. Max won again, well done Max!
Mercedes
Mercedes didn't have a great race, but considering that both their drivers DNFed in Australia it was good for the team to get some points. Lewis started in P7 and finished P9, while George started P9 and finished P7. So they swapped positions.
It seems that the Mercedes car might be better on those qualifying laps than the race pace (and even then it's qualifying has been inconsistent)
The most notable thing about Mercedes' race was when Lewis asked if he should let George pass when George came up behind him, and George did in fact make the pass. This was done simply because George's pace was better. Lewis knew this so it was best for the team.
I think that so far we have seen that the W15 is struggling in a lot of areas, and as far as drivers go George has been more comfortable in the car(could be driving style, setup, a combo of the two) than Lewis.
Both are solid drivers, and hopefully they can guide Mercedes into making improvements to the car to get them closer to top points. At this point the car Mercedes has made seems to have fallen short of expectations. Make no mistake though, Lewis and George are both drivers who are much better than the car they are in at the moment.
Williams
I covered Alex's crash with Daniel already so we are going to talk about Logan.
Logan honestly did about the best he could do in the car he had. After damaging both his front and rear wing in free practice and still using the repaired chassis from Australia his car was not in the best shape already going into the race. Additionally the Williams really struggled with grip in the rears and has been all over the place. Suzuka especially seems to have not been suited to it.
Yes on lap 41 Logan went off track into a gravel trap, but that was on a corner that had given more skilled and experienced drivers trouble this weekend so I am not going to fault him too much for that in the car he had. Better cars were having problems there too.
He did have a really strong first stint and was pulling some overtakes. Most of his positions were lost when he did get undercut by some pit stops, and then of course losing time to the gravel trap.
The win is that he finished the race and the car is intact. That may not seem like much, but given the state of things at Williams it's important.
There were some highlights for his race and I will say in terms of raw performance he has not been far off Alex this year. That car of Williams is really hindering both drivers.
Stake
Stake actually had pretty good pace overall. The car is not as bad as it has looked on paper. The main issues has been their slow pit stops (caused by incompatibility between the bolters and the tyre covers apparently) Zhou and Valtteri both showed some pretty good pace and were in positions for overtakes.
Zhou unfortunately had to retire his car due to gearbox issues.
Stake has really been a mess and we have not seen what that car can actually do in terms of performance overall, or what what their drivers are capable of in that car.
They are making attempts to address the pit stop issue and I think if they do that, then we will see both drivers picking up some P10 points at the very least.
Final Thoughts
I think we can all agree that Suzuka was the best race of the year so far from a pure racing standpoint!
Whew, that’s all I got on this race, so I will leave you with this final thought. 
This race was a warning shot from Ferrari.
319 notes · View notes
leclsrc · 1 year
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see it through ✴︎ cl16
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genre: friends to lovers, fake dating au, fluff!, humor, slight angst, slow burn-ish, yearning
word count: 9k
“It’s a proposition for the fans.” She smiles. “It’s a fake relationship.” Or: you go from social media manager to girlfriend in under a day. Keeping up appearances for Charles’ family isn’t easy, until it is – and until they’re not really appearances anymore.
notes... internet translated italian ahaha
auds here... this fic is quite long! i hope you all like it. title from this bee gees song which reappears in the fic later. few music references here so if you like to listen to music, just look for the titles, they’re famous!
You’d gotten the phone call on a Saturday morning.
Barely morning, you realized when you were digging for your phone in the sheets, half-asleep—it’d been five minutes past noon. You’d swiped, pressed the phone to your ear, and waited for the other end to speak, eyes shut.
“Good morning,” a vague voice had said on the other said, distinctly American. “This is Jenna Griffin, newly appointed PR specialist for Ferrari. Your boss told me you were free for lunch on Monday, so can I pencil you in for a one-thirty meeting?”
You click your tongue. “Um, yeah.”
“Wonderful. Monday, one-thirty. Apologies for the weekend call, it’s for Mr. Leclerc.” The line buzzes dead after, and you flop backwards onto your bed, confused out of your mind.
Your job for Ferrari was simple—create social media content, do the occasional damage control, have a pre-interview discussion with journalists, and generally stay out of everyone’s hair. It’s not a high-maintenance job, but it pays well, and you get to travel; plus, you’re young, and you figure this is just a stepping stone for a more legitimate post. Your point is, you’ve never gotten into trouble before, and are only at meetings to take minutes or get assignments.
Which is why a Monday lunch meeting—on your vacation, nonetheless—seems so out of the ordinary. And arranged by a PR agent from Ferrari? Last you’d heard, cars were objects and didn’t need publicity. The whole affair gives off a vibe of semi-mystery, almost, like you’re in the MI6 and taking lucrative calls in alleyways. 
You feel through your bag for your hotel key card, wallet, and phone, and finding them all there, you leave and make your way to the restaurant. You’re not too nervous; you’ve had to have your own sit-down talks with higher-ups and even Charles or Carlos before, but none of the “you’re fired” variety. 
The restaurant isn’t far from where you’re staying, so you shove sunnies on and trek there, managing to make it inside unscathed.
Table 17, the text reads, and you’re quickly ushered into a private section of the place. It’s empty, save for a couple and a far-off table seating one guy, whose back is to you. You realize it’s Charles when you squint your eyes harder. The waitress doesn’t give you much of a choice and seats you across him, promising to return with noontime champagne.
You slide your sunglasses onto your hair and look up. “Hi,” you say politely.
“Hey,” Charles says back casually. He wears a Richard Mille and a few other bracelets, a linen blue polo, and jeans.
“New PR thing?”
Charles smiles, shrugging. “Man, I’ve no idea. Wake up on Saturday and I’m due for a meeting. Is this for social media?”
Huh, so he doesn’t know either. “I don’t know. It was a super random call for me, too.”
He shrugs. “Both clueless.”
“Right. So, to be clear, we’re waiting for—”
“I am so sorry I’m late,” a woman says sheepishly, her heels clicking along the tiled floor. She definitely looks the part for a PR officer: pantsuit, heels, a blond bob, ridiculously expensive handbag, eccentric sunglasses. “Scusami, really.” Her Italian apology has an American twang.
“All okay,” says Charles with a small smile. “We were barely waiting, no?”
You nod, offering a tight-lipped smile of your own. “Yeah, don’t worry about it.”
She slides into the seat beside him and waves a waiter over, ordering in quickfire English; clearly, she’s been here before. Absently, you wonder if her previous affairs in this restaurant were also to have clandestine meetings. Your reverie doesn’t last long, though, because immediately Jenna’s starting her agenda. “So, are introductions in order?”
“I, um,” you say, “I’d say so, yes.”
“Alright, spectacular. I’m Jenna Griffin, just moved to Monte Carlo after living and working in SoCal. I’ve been appointed as a PR manager for Charles here, but don’t worry. You’re in good hands. I’ve handled three Kardashians, two NBA players, two One Direction members, and a lot of nepo babies.” 
“Wow,” you say, nodding.
“Cool.” Charles says, clearly impressed.
Jenna’s gaze flits between the two of you, both smiling at each other. “Right,” she says. “Let’s get down to business.” She clears her throat and pulls out her phone from her handbag, scrolling for a few moments. While the silence settles, you steal another glance at Charles, and hide a chuckle when you find his eyes already glancing back at you.
“Aren’t we waiting for Carlos?” He asks, taking a sip of water. 
His PR agent looks up briefly, then answers. “Actually, it’s just you two today.”
You nod slowly, burrowing even further into the confusion you’d been feeling since Saturday. It wasn’t like you were expecting Carlos, per se, but a meeting with just you and him—now, that’s a bit strange.
“So, I know this is all very confusing. But it’s happening for a reason,” says Jenna. “Charles—and I really only feel qualified to say this because I’ve done my research—has been on a streak of…erm, well, lady-related scandals lately.”
“Oh, God,” Charles groans across you, and you chew your lip. You’ve seen the headlines, but you’re still clueless as to how this concerns you. 
“As a PR agent, I think it won’t do good for his public image to be seen as somebody who sleeps around.”
“It was two headlines,” Charles cuts in with a laugh. “And they were both fake. Please don’t misunderstand.”
Jenna clicks her tongue. “Yeah, the public definitely has some thoughts.” She turns to her phone and reads off of it. “‘Charles is a playboy and not a driver’, ‘Leclerc is too busy pulling girls’… times ten thousand. So, yeah, it’s a bit of a smear.”
“Right, okay. Listen, I’m not sure I understand,” you say with a stuffy laugh. “What has all this got to do with me?”
“Everything,” she answers with a smile. You raise a brow. “Well, you see, we PR managers always have a network. We keep tabs on who’s who, and who needs what. As a new manager, I need to implement some of my strategies around here. Go digging, you know? Find something good. And when I found your pretty little face in the background of many of Charles’ paddock photos, I realized you could help create something newsworthy.”
“Are you talking about a PR stunt?” You ask, your frown deepening. 
“Well—virtually, essentially, yes.” She opens her mouth to explain but is interrupted by the serving of champagne and appetizers. “Okay. Don’t think this is a haphazard decision. Naturally, we had to find out if this would even be a good idea…”
“Which it’s not,” you say, taking a swig of champagne.
She nods. “The thing is, your bosses and I really did go over several scenarios, and this one seems the most likely to keep your fans engaged. This way, the appearances won’t look so staged.”
“—Jenna,” Charles says, clearly having detected your hesitance, “I don’t think she’s interested.” 
“It’s fine,” you say, but you still sound off-put. It’s not fine, not really. “I don’t see how this is going to help Charles, though. I’d think the idea of him being committed to somebody would just further alienate his fangirls.”
Jenna chuckles. “While that is, to some extent, true, the number of fans who would go gaga over the two of you far, far outweighs the opposing population. This is a special case. A girl next door social media manager with a social media presence—and a wildly popular, totally charming Formula One driver? I mean, talk about Harry and Meghan! Everybody loves love. And, might I add, Charles’ male fans might actually like seeing you two together.”
You sigh, a quick huff of frustrated air. “So, what is this then?”
“It’s a proposition for the fans.” She smiles. “It’s a fake relationship.”
You reach for champagne, but find you’ve totally drained your glass. The room falls into muted silence, and you can’t bring yourself to look at Charles. You didn’t expect this on a Monday afternoon. You thought maybe it was a job termination. Or a leaked text message. Somehow, this is the strangest of all possibilities.
“So, good?” She chirps. “I’ll send you the primer.”
You both stare at each other. “We’re not actually going to. Right?”
“Right. We are not dating.”
“We’re dating!” You chirp, practicing your appearances in front of Carlos and Lando, who had visited the former.
“You two look like two people dating pretending to be friends,” Lando observes.
You grumble. Many of your shots had been staged pap photos outside his apartment, or fans happening to catch you two together; no official statement had been released, according to Jenna’s “masterplan.” For the most part, it was a good dynamic of putting up a façade for the public and settling back into a platonic relationship within minutes.
Nothing really goes wrong at first—and then Charles ruins it.
It happens after a Ferrari event in spring. You’re in Monza again, weather humid when you re-shoot the fifth TikTok for the day with Carlos. There are celebrities to and fro, even more journalists and a shitload of fans crowding the perimeter of the area. You’ve successfully pulled off the fake dating stunt, keeping a lowkey profile and doing your job.
There’s a green room for the drivers and close managers to wait and rest, where you stow yourself away to avoid the crowds. You review the reels and stories for the day, and cap it off with a “goodbye, Tifosi!” post with Carlos that’s enough to quell the many notifications.
Granted, many of the said notifications are of the speculative nature. Some are wondering if it’s you posting or if a new hire was underway to make room for the new couple. You ignore them anyway and take a seat on the couch across Carlos, sighing with exhaustion.
“Where’s your boyfriend?” He teases.
“Ha-ha,” you say, unimpressed. You gesture to the TV behind him, showing a live feed of Charles’ last interview of the day with Natalie Pinkham. Once this is over, you’re free for the week: free of social media manager and fake girlfriend responsibilities. The thought alone makes you well up with relief.
You and Carlos both watch intently as Charles answers several event-related questions that, to your horror, simmer into personal ones. Natalie sounds excited when she goes, “Any plans for the week with a special someone?”
Charles has no thought behind his eyes, a muted wave of panic coming over him as he fumbles for a response. “My family’s staying up in Tuscany, in a farmhouse we own, stay in for spring and summer. We are actually visiting them for the week.”
We are actually visiting them for the week. Your look of pure, unadulterated shock doesn’t go unnoticed by Carlos, who’s quick to snap pictures of you on his phone. What the hell is Charles talking about? Tuscany? No, family? 
“I take it you didn’t know about this,” Carlos says with a laugh. 
“You think?!” You holler, still appalled. Charles has a lot of gall to spin this without your permission, or Jenna’s for that matter. You know she’ll love it, though; it’s really, mainly, you who has a problem with it. Anxious, you get up and watch the broadcast end; not a minute later, Charles enters and offers a can of sparkling water to you.
“Thirsty?” He asks casually.
“Very,” you pipe, taking a gulp.
“You’re welcome,” he says teasingly.
“Oh, thanks! I think I’ve been busy thinking about the fact that I’m meeting your family!”
“I’m sorry, I’m sorry!” He yells, trying to match your agitated volume. “I didn’t know you were watchi—I was nervous! I didn’t know what to say anymore! And—you kno—well—and Natalie kept asking a ton of questions!”
Your face of disbelief matches his of sheepish apology, facing each other frozen. Across you, Carlos lets out an incredulous laugh, mumbles something about wanting popcorn. You honestly can’t blame him. Had you been an outsider, you would’ve relished in Charles’ slip-up, too. Instead, you’re the one who’s apparently going to Tuscany on Friday to meet the extended Leclerc clan.
“It’s fine. It’s gonna be”—you attempt to find an appropriate adjective—“bearable. At least we don’t need to keep up appearances there.”
You’re met with disagreeable silence. When Charles doesn’t chime in with an agreement, you turn slowly back to him. “No.”
“It’s only for a week—”
“No!”
“A week!” 
You’re both standing up, pacing around the other frantically. Pretending to suddenly be bumped up from social media manager to Charles’ girlfriend was a daunting enough proposition. Getting hate mail and death threats was enough incentive to let you want to leave. Timing exits and entrances was difficult. And now, pretending to be together in front of his family? His family. 
“Why can’t you just tell them we’re not actually dating?!”
“It’s just—it’s complicated having to explain why.” You remember his assortment of man-whore scandals and realization sinks into you. You sit on the arm of the couch, deflated and contemplative. Despite your own knowledge of the scandals being totally baseless and false, you understand it’s difficult to explain the lengths of tabloids and online rumors to older family members.
You might have to grin and bear it.
“Fine.” You digress. He cheers silently. “One week. Once our quickie breakup is finalized, you’re telling them it ended well. I don’t want to be in anybody’s bad graces.”
“Yeah, yeah, okay.”
Tuscany won’t be so bad, you think. What’s the worst that could happen?
Charles’ extended family greets you at their farmhouse when you arrive heaving two pieces of luggage. It’s populated by two aunts, three uncles, and two younger cousins, and their hospitality is contagious. They all somehow remind you of Charles, their faces, their laughs, their easy attitudes.
His aunts, Mia and Giulia, are the first to pull you in for a hug and inspect your face. Good eyebrows! Good lips! Healthy attractive child for you both!
You have to pry yourself off of them with giggles and smiles and pretend the kid comment was never uttered for your own sake. They’re kind, ushering you inside and serving dinner immediately, inquiring about the drive and if it was bad, if Charles had spotted any dead sheep or cattle on the way (none.)
His cousins are both little boys, eleven and six, shy and with thick accents. Charles’ smile is huge when he speaks to them in Italian, eyes comical and animated. His three uncles all eat fairly quietly, talking about politics, or racing, only when they feel like it. 
They ask many questions, and tell so many stories, over limoncello and rigatoni that leave you stuffed after two platefuls. You didn’t think you’d be satisfied so soon after the drive, but you’re grateful for it. His uncle Giorgio leads the tour of the house, his voice slow and constantly sliding into Italian, but Charles is quick to supply a translation into your ear. Lit by terrace lights, you get a night view of the house, surrounded by the hills, the lemon trees, and a swimming pool in the back. Further back, there are two horses for riding, and bicycles for easier transportation.
A vineyard borders the other side of the hill, owned by a different family. You can’t digest the beauty of this place, even without the sun to provide a better view. You’re back inside, being shown the rest of the wide dining room and kitchen that lead out onto a balcony-terrace area, and then clambering the stairs to be shown your room—a beautiful one on the second floor that overlooks the hills. 
“This is so beautiful,” you say honestly. “Thank you so much. And Charles will be staying…?”
“In my childhood bedroom!” He quips excitedly, already halfway out the door to review his living situation.
Giulia and Mia share a look and then the former goes, “Wait, Charles!”
He slows to a halt and turns, awaiting their words. “Ay. Bambino, because you have been in Monaco so long these days, and we have gotten a lot of stuff, your childhood bedroom is now more of a… storage room.”
“A storage room?!” He sounds scandalized.
“Bambino, mi dispiace,” she continues. “But—let’s not be conservative! You two have been dating now for a year, correct? Surely, you’ve slept in one bed.”
Your face grows warm. “Um, actu—”
“Shh,” Mia says kindly. “No need to make excuses. Charles, stay with your girlfriend. And we will wake you both for breakfast. Ciao!”
You barely voice your assent, managing to wedge in a thank you! before the door closes and leaves you and Charles alone. 
In a room without a single couch. The only non-bed “resting” space is a single chair, and as much as you want to, you don’t want Charles to break his spine trying to sleep on it. The situation is clear. You need to configure the bed.
“We cannot sleep on the same bed.”
“I’ll take the floor.”
“No! I mean—ugh. I don’t want to risk you pulling a muscle. Also, more importantly, if any of your family walks in and sees you sleeping on the floor, they’re going to think we’re freaks.”
“The bed is big enough for us both,” he says, gesticulating. You narrow your eyes. If you’re going to be avoiding physical contact, it definitely isn’t. It’s like the gods had decided to bless the room with a bed perfect for two people snuggling.
You place your hands on your hips, analyzing the best way to tackle the situation. You won’t lie, you’d thought about the possibility of sharing a room—but a bed was completely different. You’d expected a couch, a loveseat of some kind, both of which are woefully missing. Thinking fast, you take the three decorative, cylindrical pillows and place them vertically on the centre of the bed.
You step back. “Okay. That’s our boundary.”
Each side is a bit small, but it’s the price to pay, you think, taking a long look at your handiwork. Beside you, Charles snorts. “That is not going to work.”
“I’ll bet you it will,” you say matter-of-factly, retreating to the bathroom to get ready for bed. When you emerge, Charles is fast asleep, half his body on your side of the boundary. You have to pour water on his face to shoo him away, and that’s when you’re positive your creation will work.
You place yourself gingerly on your side of the border, remaining perfectly still as you drift off to sleep. You wake up the next day on Charles’ chest, pushing him away before admitting you’d been in that position in the first place. 
You slide him five euros over breakfast. 
Charles is a good driver, skier, and biker—you can attest to this from being by his side, reviewing pictures and videos of him for a living.
But there’s one thing he absolutely sucks at, and it’s teaching. You thought you’d never have to attest to this, but here you are, with scraped knees and a smudge of soil on the hem of your shorts, on your sixth attempt to learn how to ride a bike.
It’d been his idea, like many of the odd things you’d gotten yourself into. “Let me make up for dragging you along,” he’d said, and then proceeded to commit attempted murder every time he sent you away on the bicycle. Five tries did you no good; Charles’ directions contradicted each other and came much too fast, causing you to crash into the grass or skid yourself to a halt, your sneakers coated in a light layer of dust.
“Why are we still trying?” You ask woefully, examining the scratches on your calf. And to think you would’ve gotten to go truffle hunting with his uncle had Charles not swept you away to bike.
“It is an important life skill. Just—don’t look at the ground. Okay. Andiamo!” He sends you off again, watches as you twist and careen into a bush. Again. Your groan of pain matches the ooof he lets out, jogging to help you up. You turn away from the ground and toward his face. His laughing face.
“Ow. What?” You ask, raising a brow. You flex your fingers, waiting for him to pull you upwards. 
“You smashed into a bush and a berry’s all over your cheek.” He says, still laughing when he helps you up. You hold the tip of your pinky to your face, press down, and sure enough, when you inspect it again, it’s stained a dark berry color.
“Is this toxic?!” You ask, agitated.
“Che? Toxic? No, no. It’s a juniper berry.” He reaches over and swipes his thumb across your face, sending you into a frozen state. Your hands remain at your sides while he focuses on wiping the rest of the fruit off of your cheek, showing you his stained finger afterwards with a proud smile. “All gone.”
You turn and pick up the bicycle. “One more for good luck,” you say, shaking off the nerves and gut churning feeling deep in your stomach. You situate yourself atop the bike, trying to remember and re-remember all the tips Charles had given you. 
“Don’t look down, just breathe, keep your eyes trained straight. If you crash, on the grass always. Better than this path.”
“Got it,” you say breathlessly, determined. You take off, eyes trained on the landscape in front of you, leaving the house behind and gliding quickly downhill. It takes you a beat to realize, however, that you’re not falling. You’re doing it—properly. You turn to voice your pride, but that’s what gets you caught in your thoughts.
Charles is cheering behind you, but once he detects you’re stumbling, he runs the few metres over. Still, he can’t catch you fast enough; you do manage to turn right and land on the grass. In his own rush, Charles trips on the horizontal bike, and lands right beside you, atop your arm.
Eventually you’re both doubled over laughing, your fingers finding purchase on the blunt grass. You both only quiet down when you hear his aunt’s car, old and rickety, grow louder. You look up to find Giulia peeking out of the driver��s window, her face as amused as it is confused.
Beside her, Mia yells. “Buon lavoro, Charles!”
“What’d she say?” You ask, still half-laughing.
“Good job,” he replies, entertained. “She said good job.”
Charles takes Giorgio’s Vespa and rides you both to town two days later, even with the offer of a car. He claims the motor ride is the best way to experience Tuscany at its finest. Nothing about the two-seater bike on the pebbly road feels fine, though, and you’re seriously contemplating broken ribs when he makes a sharp turn. It’s only a ten, fifteen-minute ride, but the downhill slope makes it seem faster—and more dangerous.
Your grip on his waist had gone from loose and hesitant to tight and anxious, your voice a mantra of possible death in his ear. He can’t help but laugh, revving harder and chiming in with a biting remark of his own.
“You know who this is named after?” He shouts over the wind whipping both of you.
“Mmm?” You ask.
“Apollonia, from the Godfather.”
“Oh, Christ. The girl who died?”
“Hey, she was beautiful! My uncle loved the movies so much, his Vespa had to be named after her.” You lean onto his back for purchase, still unused to the speed at which he zips through the countryside. Eventually, after a few turns, the terrain turns from rough to smoother, and he parks at the busy-looking town square, populated by locals and tourists alike, but not with the traffic of more popular cities. Alleyways lead to smaller corner stores and cafés; a chapel overlooks the area, and a market populates the centre.
“What would you name your bike, if you had to?” You ask as a follow-up, removing your helmet and shaking your hair out. You pull at your dress to straighten it out.
“Well…” He takes both your helmets and stores them in the bike, leading the way toward the bustle. “My uncles, and my father—they always say we name our most precious things after beautiful women. Apollonia. My other uncle, Leo, he named his sailboat after his mother, Bianca. Even my dad would name few objects after my mother. It’s a way of honoring them, you know?”
You nod, stopping at a produce stall and examining a bunch of tomatoes. “I think that’s sweet.”
“Yes, so I guess… well, I don’t know, really. My mother’s name, maybe?”
“She’s got a beautiful one,” you comment offhandedly.
“Yeah. Or, if we go by appearances, I suppose your name.”
You ignore the flush of nerves that well up in you and turn back to face him, confused and amused. “My name? Why’s that?”
“I mean,” he coughs, crossing his arms and smiling, “people think we are together, so if I get a bike, and they ask for her name, I must say yours, no?”
“Only if you want to,” you chirp back, amused. What had possessed him to suddenly bring you into the discussion? Neither of you are pretending for all these strangers. Here in town, you’re friends again, browsing the market, walking around stalls, eating free samples of pesto and cheese.
“I do want to,” he says. It’s a joke, you’re sure. Half-sure. It’s a joke.
The town square’s noise begins to die when the sun sets. City-dwellers leave to take trips back to main hubs of Italy, and with no nightlife in the area, many in the square are families or couples sitting down for dinner. The ride back, while short, might be dangerous in the dark; you tug on Charles’ sleeve to relay your thoughts.
“Don’t worry,” he says dismissively. “I’ve biked here past midnight.”
“What were you even doing in town at midnight, hmm?” You tease lightly, following him around. There’s not much to do except eat at this point, judging by the way you’d both exhausted the stalls in the afternoon. He rolls his eyes, mumbling excuses. 
“You womanizer,” you whisper in an exaggerated scandalous tone. You poke his bicep. “Bedding the locals.”
“I was not, ay!” He defends. You’ve noticed his accent is so much thicker here, where he has to speak Italian all the time, except with you. It sounds nice. “I would come to smoke weed.”
That’s even funnier, you think, throwing your head back to laugh. Thoughts of teenaged Charles, tinged pink and tan from summer, on a momentary break from a junior racing career, biking fast back and forth—for a joint no less—are both funny and endearing. “That is so cute, Charles. Drug virgin.”
“Don’t speak of those when we’re in front of the house of the Lord,” he says sarcastically, gesturing to where your cyclical walking had landed you: back in front of the town’s chapel. There’s a pot of holy water by the front doors and a rack of candles for lighting and offering. Besides that, there’s a coin drop box being manned by a priest.
In silent agreement, you walk in sync to the candles, lighting one each and whispering brief intentions. You’re not religious, you’ve never been; a church seemed foreign to you, always. But you figure there’s no harm in a candle and an offer to the big guy, if he’s there.
There’s a mural painted by the doors, which you observe silently while Charles goes to drop donations into the box. You catch bits of their conversation. Good evening. Are you a tourist. No, we live up the hill, visiting for spring, yes. 
The rest you don’t catch, turning to Charles and watching him talk, animated as he is solemn. The priest smiles at you politely, turns to Charles, goes, “Siete qui insieme?” You rack your brain for the Italian you’d picked up recently but can’t match it to anything.
Charles nods. “Qui per cenare, ed esplorare.” Esplorare, explore? You fail again, but continue listening anyway, occupying your eyes with the mural.
“È la tua ragazza?” The priest asks with a soft chuckle.
“Oh, sì, sì.” Charles looks very sure of himself when he says so.
The priest nods once. “Se ti sposi, allora dovrebbe essere qui, no?”
Charles turns slowly, looks at you, then smiles. “Okay,” he says, still looking at you. “Farò in modo che accada.” Then they’re exchanging quick Italian goodbyes and he’s walking back to you, guiding you to a nearby restaurant for dinner.
“What was that about?” You ask, the curiosity getting the best of you. You don’t remember what they said, so you can’t plug it into Google Translate; your last hope is getting Charles to translate it for you. You figure it’s no problem. He’s always translated for you during your stay here so far, word-for-word recounts that have you feeling fluent in the language after decoding them. Whether it be a family anecdote or a market transaction, the language has never become an issue for you.
You walk beside him, awaiting the translation that never comes. Instead, he smiles, shakes his head, and says, “That was nothing.”
Your first, last, and only close call happens during a wine and poker night with Charles’ uncles and aunts. You’d spent the morning semi-cuddling (to beat the early a.m. cold, you both insisted), and then a majority of the afternoon in the nearby vineyard volunteering to help pick grapes, and they’d offered to let you wind down for the night inside.
It starts off well enough—you and Giorgio best the first two rounds, much to everyone else’s chagrin, and you rest on the sofa, reading Giulia’s cookbook with a glass of wine. At quarter to midnight, Charles’ six-year-old cousin, Marco, comes inside and slots himself beside Charles, eyes sleepy.
“Cugino,” he says. Cousin. His voice is squeaky and childish.
“Yes, Marco?” Charles asks, preoccupied with his cards.
“Put me to sleep,” he says in accented English.
“Later. You should wait.”
“Can she do it?” A chubby hand rises and points toward you. You offer a small wink, sipping wine.
“Only if she wants to,” Charles says, turning to face you. You chuckle.
“I’d be happy to, Marco.” You smile.
“Cugino.” Marco tugs on Charles’ sleeve to regain his attention. “What’s her favorite color?”
Oh, shit. Neither of you had really thought this would come up, so you hope Charles can fake it well. While you know everything about him, he knows not much about you, especially little niche facts like this one. Charles clears his throat and goes, “Blue.”
“Favorite song?”
“Uh. Marco, aspettare. OK?”
“Why should he wait?” Giorgio asks, gruff. “Your aunts and I are curious, too.”
Charles meets your eyes, and you try to signal for him to lie, which he ends up doing. “It’s Take a Chance on Me. ABBA, zio.”
You do know that song, but it’s definitely not your favorite. You close the cookbook and get up, pacing onto the seat beside Marco and leaning against it, smiling and nodding. Beside Giorgio, Mia asks sweetly, “Do you have any tattoos, dear?”
Just you, or are Italian aunts ridiculously straightforward? You open your mouth at the same time Charles does, and that’s what leads to your downfall. Yes, one, you say. No, none, Charles says at the same time. You both look at each other, eyes wide.
His uncle grunts. “Bambino, do you know nothing of this lovely girl?”
“You misunderstand,” Charles says. “I thought she wouldn’t want to share that yet, zio. I tried to cover for her, but, er—she seems okay with sharing it.”
It’s a flimsy excuse but it seems to work, and the poker game resumes without any more questions about you.
Still, you grow nervous, frustrated a bit, and, once you spot Marco asleep, you take him into your arms and mumble a polite goodnight, carrying him upstairs. The call was just too close. Why did Charles feel the need to interject like that? Had you been caught in such a lie, you’d need to reveal everything.
Something else tugs at your chest, but you refuse to admit it incites an unhappy feeling out of you. Charles’ lack of knowledge about you did nothing but remind you that in the end, he did know nothing about you, and this was just contractual and obligatory and for the press-turned-for the family. You pat Marco’s forehead, sighing. You shouldn’t be so upset, but you are.
You know a lot about Charles, but it’s a cold fact that he can’t say the same about you; at least, not to the extent that you know him. The doors and staircase creak, signifying the game’s end and everyone’s retreat to bed; you await Charles’ entrance, which comes after you hear him opening your room, finding it empty, and then—
“Sorry. I’m sorry.”
“It’s okay,” you say, hushed. You get up and walk past him, crossing the corridor and opening the door halfway into your room. 
He says, then: “You really never tell me anything about yourself.” 
You freeze, turn, suddenly frustrated all over again. Suddenly sad. “Yeah. You really know nothing about me.” It’s exaggerated, so it cuts deeper.
He’s upset, you realize. “Do I have to beg for these sorts of basic facts? I wa—I…” He pauses. “I want to know you more. I’ve always wanted to.”
“You didn’t even think to—to ask me the most basic questions before we got here.” You’re aware he didn’t owe you this, but your irritance doesn’t quell. “My favorite song, my favorite movie, color, anything. I could name all that on your behalf.”
“Every time I ask, you deflect. You never told me, either,” he says defiantly.
You scoff and ponder for a minute before shaking your head and clambering down the steps. You need some fresh air, having gotten mad so quickly. You know it makes no sense—he never needed to ask about you. Prior to last week, you worked with him. Still, everything’s changed now, and it feels hurtful knowing he can’t name these things about you.
You take a seat on the terrace chair, pretend not to notice when he sits beside you, separated by a table.
You hug your arms closer to yourself, sigh. “It’s, a koi fish on my hipbone. Hurt like a bitch.”
He looks at you, curious. You continue.
“My high school superlative was ‘most likely to be elected president’—embarrassing, I know. I won the local spelling bee. Thrice in a row. I love the color green, and the movie Fantastic Mr. Fox.”
You pretend you’re not feeling anxious from the sudden sharing, clearing your throat and keeping your gaze trained on the landscape of houses and hills around you.
“I love crosswords to a worrying degree, I’m a dog person but have never owned one, and my favorite song is Don’t Go Breaking My Heart. I kill it on karaoke.” Finally, your eyes slide slowly over to look at Charles. He’s already looking at you, smile soft on his flushed, pink face.
“I didn’t think of you as much of a singer,” he says, eyes crinkling from the size of his smile.
Huffing and stifling a laugh, you cross your arms defiantly over your torso. Your lips melt into a pout, and you flip him off in an attempt to stave him off. He just laughs harder, gulping the rest of his wine with ease.
“To be fair, I think I dance better,” you respond proudly. “It’s still bad, but it’s better. Better than you, anyway.”
“Is that a challenge?” He asks, mouth half-open, still caught in a laugh. “Wow. Okay, d’accord. It’s on.”
“It is most certainly not a challenge, Charles!” You object frustratedly.
“Challenge accepted!”
Against your vocal protests, he gets up from his chair and reenters the house, exiting with his phone in one hand and the rest of the wine in the other. He browses his selection of songs, humming until he seems satisfied with one of them. He pours you both a glass of preparatory red, a grin lighting up his face. 
You burrow into the chair, unrelenting when he stretches out a hand to invite you to dance. You only end up giving in when you’ve successfully finished your wine, getting up and straightening out the wrinkles in your dress.
Your hand is still loosely clutched around his when he plays the Bee Gees song he’d queued up, and then both of you start dancing.
It’s a bit fast-paced, but you catch up well, letting yourself move fluidly to the song. All the while, your hand remains looped around his, like an anchor, a saving point. You shut your eyes to immerse yourself in the song, a smile on your face. When you crack them open, you watch Charles dance goofily, with moves you’d be totally embarrassed by otherwise. This time, you’re strangely endeared.
Where you expected yourself—the both of you, really—to be stiff and awkward, you’re both loose and easygoing, chuckling and laughing as the song progresses. Your dress swishes by your knees softly when you move, letting go of his hand momentarily. It flexes with the feeling of his absence. Charles dances like he has no care in the world, with movements that would rival a fifty-year-old’s. You find that you don’t have a care in the world either, watching him with a stupid grin on your features.
Your heart swells and seizes, and you swallow, not wanting to realize why yet. He reaches for your hand again, seeks it in the evening light. You give it to him easily, cut his search short. You’re what he looks for.
He lifts your linked hands right as the song starts its ending, and you realize you’re supposed to twirl around them. With a laugh, you follow, letting your arms stretch out when you’re done. He pulls you back, with strength that sends you barreling into his chest. “Dude,” you mumble, giggling. “Charles, you ruined my flow.”
You both part, but barely; your hands are still clasped, your distance barely increased. You stare up at him when the next song clicks on.
It’s slower this time, a song you recognize from films and novels. You remember this specific rendition from two years ago in Silverstone, when Charles had shared over a meeting that he’d been busy teaching himself the piano—specifically, The Way You Look Tonight.
The song continues, your hands still together, your eyes boring into his. The moon makes his light eyes a different shade, all green and soft edges rivaling the intensity of his stare. “Come on,” he says. “Why stop, no?”
He raises your hands, guides his vacant one to wrap around your waist. It’s warm there, secure, belonging. With all the hesitance in the world, you wrap a hand around his upper arm. Your gaze is unbreaking.
“Thank you,” he says, steering you both into a slow, easy rhythm. The nerves melt away slowly when you continue to sway. You cock a head to the side in a silent request for elaboration.
“For sharing.”
“Oh. It was only right,” you reply. “Considering you know nothing niche about me.”
“Tell me…” He starts, but the words tangle in his throat, lodge themselves there in a fit of nerves. He breathes, breaks the gaze. “I mean, I wouldn’t mind… if you told me more.”
A brief shine of surprise passes through your eyes, and you nod. “Alright.”
“Alright.” He smiles. 
“Do you think, ” you say, swallowing the sorrow, “we’ll need to keep doing this when the week is ov—?”
“Let’s not dwell on that,” he says quickly. He sounds—sad, almost, at the thought of this being fake. In the days spent here, picking grapes, drinking wine, going on bike rides and practicing Italian, it was easy to let the lines blur. Perhaps he’d forgotten.
You realize, when he leans forward and slots his chin atop your head: you’d forgotten, too.
Despite the tension, the next day goes fairly normal, and Charles takes you to town on Apollonia late at night. The Tuscan air is crisp and clean when he parks by a pub, loud not with techno music or hip-hop, but Italians singing. Inside, it’s not so crowded, populated by regulars, few tourists, and several older people.
Charles orders himself a beer, and a cocktail for you after you request something sweet. The bartender gives you an extra one on the house, and you and Charles seat yourself in front, watching people sing on the stage.
“Vi piace cantare?” Someone asks, and Charles quickly supplies: he’s asking if we like to sing.
You wave your palm back and forth. So-so, you signal. Charles, of course, ever the social butterfly, slides into a natural conversation with him, about Italy, pubs, beer, and singing. The guy introduces himself as Antonio, owner of said pub and a man who is apparently more than happy to clear the queue of singers for you two.
“Wait, seriously?” You ask. Antonio nods, clapping Charles on the back. You’d have thought they’d been friends for years or something.
You immediately turn down the request, but Charles scrambles onstage, having downed two bottles of beer. You’re overcome with horror as you watch him walk across the small stage to the side of it to request a song, encouraging whoops from the crowd.
“Ohhhhh. Oh, no. This is not a good idea,” you say, gulping. “Plus, I’ve had a lot to drink. Your aperol spritzes have so much alcohol in them.”
Beside you, Antonio laughs. “Non si preoccupi—do not worry. He seems to be a confident guy. You’re in good hands.”
“Am I? He didn’t even ask if I wanted to sing. I don’t even know what to sing.” You watch him whisper a song to the guy in charge of the pub’s ancient karaoke system, half-sure that the song archive stops after 1990. The stage creaks when Charles reaches for another mic and then stretches his arm out to offer it to you.
You muster your best angry face, but he just laughs. “Come on. You will like it.”
Gulping the rest of your cocktail, you accept the mic, and then his hand, strong in yours as he helps you climb onstage. The crowd of locals and few tourists cheer for the both of you, and you don’t do much to hide your stage fright; even the buzz of alcohol can’t help you. You hope (and know, deep down) that Charles will.
“Buona sera a tutti,” Charles says, met with more raucous cheering. “Io e il mio amico cateremo per te stasera.” He bows, and you follow a bit stiffly, not knowing what he’s saying.
“Amico?” Someone jeers from the audience. “O fidanzata?!”
Charles laughs, and you know he’s truly entertained because his eyes crinkle the way they do. You fiddle with your dress, your hair, anything to channel the nerves. He waves the crowd off with a shush motion and then turns, gestures for the song to start. He catches your eye, anxious, quells your nerves by taking your hand and squeezing it. Don’t worry, he mouths. I’m here.
You identify the song before two seconds of it even play, and the realization is breathtaking: your favorite. You shut your eyes and let a huge smile come onto your face, laughing. You almost can’t believe him for this.
He starts off the song, taking your hand and leading you into a dance. Don’t go breaking my heart.
You twirl around him, exaggerating your movements and smiling. I couldn’t if I tried.
Somehow, you find dexterity, flow in the movements, the words. Maybe because you love the song so much. Charles matches your enthusiasm, singing loudly and exaggerating his accent to incite laughs from the onlookers. When he speeds up, so do you, allowing both of you to join in an upbeat rhythm that leaves you panting.
Ooh-hoo, nobody knows it, you both sing, laughing and shimmying toward each other. You both point and laugh, joining hands again when the chorus ends to sing your lines all over again. Charles always leads you well, alert as he is excited, letting you melt into him, adapt to the dance. You feel like you’re floating. 
Don’t go breaking my heart, he sings. 
I won’t go breaking your heart, you sing back, ducking underneath your hands, laughing.
The tension, warmth, spark between you grow as the song begins to close, your words breathless, faces flushed with alcohol and semi-exhaustion. Even if your face seems to show it, though, you find you’re not tired at all, smiling as your heart beats faster. You pull away, dancing to the last bits of the song, having let go of all your worries, nerves. Why were you ever nervous? You always trusted him.
The song fades to an end when you pull together, faces as close as they’d ever been. You’re both breathing heavy with the intensity of your dance, smiling. You shut your eyes, laugh, with the ecstasy of this moment. From the crowd, the bartender yells: “Ora bacia! Kiss!”
Both you and Charles turn to the crowd, who quickly cheer him on, and laugh. But they’re not kidding, you realize—they’re all yelling kiss in unison, intermittent whoops and cheers joining the chant. It’s like a rural Italian version of an MLB kiss cam.
You turn back to Charles, who’s looking at you already. His eyes dart to your lips. You’d never done it before—appearances never went that far—but the crowd is unrelenting, and you nod back when he cocks his head to the side in silent question. Like always, you’re nervous. And again, like always, he helps you through it.
Warmth blossoms through your chest when he leans in and presses your lips together.
That would’ve been enough to satisfy the crowd, you think, but neither of you pull away. Sparks ignite your stomach, your hands looping around his neck, his around your waist. You kiss him back effortlessly, like you’d done this a million times before. You feel him smile against your own smile, laugh when you laugh. 
The kiss is nothing if not dizzying, the perfect kind, the kind of the fairytale variety. His lips are soft, a bit chapped, against yours; when your tongues meet, they taste like aperol spritz and beer. Your hands tighten around his neck, like you need him still against you, when you both pull away for air. The crowd cheers.
You barely even hear them, staring into his eyes. 
The night becomes cloudy, raining softly over the hills when everybody’s done singing; Charles boards Apollonia and like always, you wrap your hands around him, leaning against his back. You’re a bit tipsy, but above all, you’re utterly conflicted with how everything’s seemed to turn in on itself within the last few days.
The rain only grows as Charles revs harder, and the Vespa skids to a screeching, horrible stop. Thankfully, you’re not far from the farmhouse, so you don’t walk much; still, both of you are drenched, Charles’ arms stained with motor oil that drips off with the force of the rain. He stows away the bike, turns back to you. You’re looking at him expectantly.
“What is this?” You demand, raising your voice.
“Rain,” he replies blankly.
“This.” You wag a finger in between you both. “We kissed in Antonio’s pub, Charles. And we might—we might tell ourselves it was because of the crowd’s pressure, but we know. We both know that kiss was for nobody but us.”
He wipes a hand over his face. “What do you want it to be?”
“I don’t know,” you say honestly, sighing. Your hair is dripping with rain. “I really don’t.”
“I’ll tell you what I want,” he says. And he pauses, like he always does when he’s unsure, nervous, bumbling, and then blurts it out. “You—I want you. I was a fool to realize it late. But years of being with you, around you… I should’ve known earlier, I—”
“Charles,” you cut in, not expecting the sudden rawness. “No, no.”
“You’ve got to realize,” he says desperately. “I do. I constantly think of you, feel for you, look for you, look at you. I’ve known you for so long, I always end up liking you all over again. Everything comes back to you. Seeing you here, a place I love—seeing you love it here—listening to you sing, dancing with you—don’t you—haven’t you gotten it yet—?”
You stare at him. 
You’re faraway, on the clouds, dry from the rain, when he says it. I love you.
The morning after is quiet, muted. You drown in your own overbearing thoughts.
“Got a lot on your mind?” You emerge from them quick, eyes darting over to Charles’ two aunts leaning by the doorframe of the dining room. You offer a polite smile, hoping it hides the conflict in the recesses of your mind.
“A bit,” you reply. 
“Come join us,” Mia offers. “We will pick lemons outside. For lunch.”
You take a basket from the entryway and follow them through the front door and onto the yard, matching their slow pace, relishing in the morning sun that hasn’t yet grown too hot.
Tuscany is beautiful. Despite your best efforts, you’d grown to love it here over the course of the week. The hilly terrain, the fruit, the constant goat sightings, the bike rides to town where you clutch Charles’ shirt out of fear you might fall off. 
They seem to spot good lemons within milliseconds, balding the branches in minutes. Perhaps because of your own cloudy thoughts, or maybe their breakneck speed, you fail to catch up, and they notice.
Mia again brings you out of your thoughts, guiding you three to the next tree. “Are you upset, bambina? Is Charles being a pest?”
“Oh, God, no,” you say with a laugh. “We—he’s a great tour guide. I never explored Italy before, and it’s beautiful here. He bikes me to town, because I can’t, uh, ride, unfortunately. He transacts for me, because my Italian is hopeless. He buys wine and cheese and lets me pet sheep when we bike past them on the hills.”
“Bambini innamorati.” Mia sighs fondly. “What is it you like about Charles?”
You hum, thinking. There are lots of things you like about Charles, but surely his family share the same sentiments. What’s unique? What about him is just yours? “His humor, I suppose,” you say. “He finds the fun in everything, even in competition, in boredom. Everywhere else, his good traits—everyone knows them. A stellar driver, charming, kind. Good-looking. But his humor, I think… I think he reserves his weirdest jokes, his best laughs, for the best people in his life. I’m just glad I’m there.”
Giulia is the next to speak, slow and encouraging, prompting you with a question you’d once dreaded but now feel excitement to hear: “Tell me again, how you and Charles met?”
It’s a rehearsed story, with bits of lies that you and Charles had to insert to make it appear more romantic and less coworker-esque. But you’d only told the short version before. To some journalists, to his cousin. You figure you’ll lie less and tell a more unabridged version. “Oh, okay,” you say, nervous and collecting your thoughts. 
“I work with Charles. I was spending time with him a lot, so naturally, we became somewhat friends. Not very close, but comfortable enough. I had to take pictures and videos for him and his teammate, so we really were together a lot. I suppose that’s how we met. How we became… something more, is a totally different story. I think the best thing about it was that neither of us were looking for it.”
You breathe, pausing. “It simply happened—despite both of us not expecting, not needing a relationship, it happened anyway. Almost funny, how young people like myself look for the moment of love at first sight. The staggering moment of eye contact and realizing you’ve met your soulmate. But—it wasn’t like that for me. It happened slowly, like I had to dissect what I felt. Like my heart had always known, so I had to catch up with myself and realize I…”
You pause. You really aren’t lying. “…I’m in love with him.”
Giulia and Mia exchange a knowing look over the branches.
“So, are you dating?” Natalie asks. It’s the first race of the season, and everyone’s excited—but this interview moves slowly, Charles dictating the flow of it himself. He smiles.
“Yes, we are.”
“Well, there’d been rumors a few months ago that this was a PR stunt, calculated by your new officer, Jenna Griffin. So, tell me again, are you dating? For real?”
Charles seeks you in the crowd of the meet-and-greet fans, finds you in the front row. You roll your eyes when he smiles fondly at you. A Tuscany trip and several months later, he thinks, has changed everything.
For the better. “For real.”
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elmhat · 1 month
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on entering the secret club of dreblr
I wasn't sure how to say it yesterday, because I didn't really know how deeply into dreblr the people I was addressing already were, but here's the basics for anyone new here:
There is no secret club of dreblr! I lied! There's no authority you need to ask to participate and there's no password you need to learn. It's genuinely just a tag on tumblr. We love new people!
Literally all you have to do to get noticed is interact with the community. This can be by posting to the #dreblr tag, but it can also be by leaving nice tags on things you reblog, sending asks to people you find interesting, or probably a whole bunch of other things I'm forgetting about.
The only "unspoken rule" (I guess?) is that we all view c!Dream in a similar way: as someone who is NOT irredeemably and unambiguously evil.
so why use #dreblr and not #c!dream?
As the old legend goes, dreblr was created as a space for c!Dream fans who don't view him the same way as most traditional dsmp fans do. Certain things are very important to us to acknowledge, the most important of which being c!Dream's humanity. This post by vault explains it in more detail.
This would also be a good time to mention that #dreblr is for posts related to c!Dream specifically. For posts about the content creator Dream, you're probably looking for #dreamblr or #dtblr. If you can't remember which one is which, it might be a good idea to look through the tags to see what kinds of things other people are posting there.
Anyway, please feel free to join in! We really don't gatekeep (unless of course your opinions are wildly incompatible with the ones above). And you can make whatever kinds of posts you like: art, fics, essays, general incoherent thoughts, shitposts, you name it. Welcome to the ultra super top secret club.
P.S. I wanted to make this post quickly and there's definitely some stuff I'm forgetting, so feel free to add to this.
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