#lewis rudin | Explore Tumblr Posts and Blogs

oscopelabs · 4 years

Text

Unbroken Windows: How New York Gentrified Itself On Screen by Jason Bailey

It was 1972, and Lewis Rudin had a problem—specifically, a Johnny Carson problem. Rudin, a real estate developer and committed New Yorker, had founded the Association for a Better New York (ABNY), an organization dedicated to cleaning up the city’s image (and thus, its attractiveness to corporate clients) via aggressive campaigning and spit-shine marketing; the organization was, for example, instrumental in the development of the iconic I ❤ NY campaign.

But all the good work ABNY was doing, Rudin fumed to the organization’s executive director Mary Holloway, felt like pushing Sisyphus’ boulder when he switched on NBC late at night: “How can we change the image of New York when Johnny Carson's opening monologue every night is about people getting mugged in Central Park?”

As reported by Miriam Greenberg in her book Branding New York: How a City in Crisis Was Sold to the World, Rudin went to the trouble of meeting with network heads, imploring them to pressure personalities like Carson to lighten up on the “New York City is a crime-ridden cesspool” jokes. In 1973, Mayor John Lindsay himself called network executives and even some comedians to a City Hall meeting where he made a similar plea. This was in stark contrast to the usual modus operandi of the Mayor’s Office of Film, Theatre, and Broadcasting, which prided itself on avoiding censorship or editorial interference in the making of motion pictures in the city—indeed, several of the grimmest, grimiest portraits of life in New York (Death Wish, Panic in Needle Park, Little Murders, The French Connection) were borne of this period. But people had to go out to see those. Johnny Carson came into their living room every night to tell them what a shithole New York was.

Rudin and Lindsay’s efforts were ultimately unsuccessful. Johnny Carson continued to roast the city—especially after escaping it when The Tonight Show relocated to Burbank, California in 1972—and prime-time comedies like All in the Family, Taxi, and Welcome Back, Kotter mined similar veins of urban unrest. Meanwhile, gritty crime series from Kojak to Cagney & Lacey to The Equalizer presented a similar picture of the city—dirty, grimy, and dangerous—to that of films like Taxi Driver, The Taking of Pelham One Two Three, The Warriors, and Fort Apache, The Bronx.

But in the 1990s, that all changed. And there’s a compelling case to be made that the change began with Jerry Seinfeld.

If we talk about Jerry Seinfeld, of course, we have to talk about Woody Allen, and not just their obvious similarities (roots in stand-up comedy, neurotic Jewish New Yorker persona, tabloid mainstay). In the 1970s and 1980s, while most New York movies were dwelling in the horrors and shortcomings of the city, Allen insulated himself in his upper-class Upper East Side neighborhood and made movies about people who were mostly untouched by crime, homelessness, and graffiti. In films like Annie Hall, Manhattan, Hannah and Her Sisters, and Crimes and Misdemeanors, Allen’s characters sip wine and trade hard truths and pointed witticisms at the city’s finest restaurants, parties, and apartments as the city burns around them; in Manhattan (which, by its own opening monologue admission, romances the city “all out of proportion”) he even edited out a joke about muggings from a Central Park carriage ride sequence, so as not to spoil the delicate mood. Allen’s New York was “not another world,” Martin Scorsese once said. “It’s another planet.”

That vision of New York—upper-crust, erudite, sophisticated—wasn’t entirely absent from the big and small screen in the ‘70s and ‘80s, thanks to films like An Unmarried Woman and Kramer Vs. Kramer, and such TV shows as Diff’rent Strokes and The Cosby Show. But Allen’s films, and even more so Rob Reiner and Nora Ephron’s Allen-esque When Harry Met Sally (a far bigger commercial success than any of Woody’s work), created a vision of comfortable, upscale, wise-cracking New York living that would reach a mass audience via Seinfeld, which debuted in 1989.

The first two brief seasons of Seinfeld (or, as it was originally titled, The Seinfeld Chronicles) struggled in the ratings, but it slowly built an audience and climbed in the Nielsens, and by season five (1993-1994) it was one of the top five shows on the air, anchoring NBC’s “Must See TV” line-up of Thursday night sitcoms. In September 1994, it was joined on Thursdays by another comedy, in which urbane New York pals joked, dated, and shared the horrors of city living. Friends, however, was a rating smash right away, and not only because of its killer schedule placement. It sanded away the rougher edges of Seinfeld; its characters were more likable (or, at least, intended to be), and its humor was less spiky. It ran even longer than Seinfeld, ten seasons, every one of them in the top ten, all but one in the top five.

Even as these New York comedies—and others that followed, like Mad About You, Caroline in the City, and The Single Guy—were topping the ratings, the face of the city was changing. “Don’t forget to in the late ’80s, you came off of a couple of financial crises, some bad times,” explains agent Chris Fry, of Elegran Real Estate. ”It was a little bit more affordable, things were dropping. And I think the shows that you’re talking about definitely had a positive effect on what people perceived New York City to be.”

Crime was on the decline across the country, but especially in New York City, a drop that began under Mayor David Dinkins and continued under Rudy Giuliani. The latter, in coordination with NYPD commissioner William Bratton, instituted an aggressive policy of enforcing so-called “quality of life” crimes like graffiti, turnstile-jumping, and panhandling; this philosophy, modeled on James Q. Wilson and George L. Kelling’s controversial “broken windows” theory, held that if these comparatively minor yet highly visible crimes were eradicated, the city would look clean and controlled, and thus psychologically discourage a lawlessness that would result in fewer serious offenses like murder, rape, and theft.

This vision of the city was certainly reflected in NBC’s Thursday night lineup. The early ‘90s comedies found fodder in the minor inconveniences of city life, but rarely trod into the seediness and crime that defined such earlier sitcoms as Night Court and Barney Miller. Paul and Jamie Buchman’s apartment wasn’t burglarized; none of the Friends were mugged in Central Park. When a blackout hit New York City in the summer of 1977, there were over one thousand fires, over 1500 damaged and/or looted stores, and nearly four thousand arrests. When a blackout hit NBC’s Thursday night New York City in the fall of 1994, Chandler Bing got trapped in an ATM vestibule with a supermodel.

If these sitcoms were the television reflection of the “broken windows” theory, their creators had a much easier time cleaning up New York City—in part because they weren’t shooting in it. Much like the films set in New York City before Mayor Lindsay established the Mayor’s Office of Film, Theatre, and Broadcasting, all of these series were shot on soundstages and backlots in California, with the exception of the occasional second-unit exterior establishing shot. So they took place in New York City, but the version of New York City they presented was highly fictionalized. Just as Paul and Jamie, Jerry and the gang, and the Central Perk crew were funnier and sharper than real New Yorkers (and lived in apartments far beyond their means), the New York they lived in was squeakier and clearer.

“I love Friends,” says Sire Leo Lamar-Becker, who was inspired by the shows of the ‘90s to leave California and move to New York, where he currently works in the fashion industry. “But Friends was so sterile. It didn’t feel real. And what Sex and the City offered was, I felt, a more nuanced portrayal of the city.”

Like the New York movies from the late 1960s onward, Sex and the City had the advantage of authenticity: It was shot entirely in New York, the exteriors and the sets (constructed and filmed at Silvercup Studios) and everything in between. “If you’re familiar with this series, and the movies, the city is integral to it,” explains tour guide Lou Matthews. “They've called it, like the fifth girl is the city. It's really crucial.” As a guide for the “Sex and the City Hotspots Tour,” which On Location Tours has conducted since 2001, Matthews has seen, firsthand, the psychological effect of that particular show.

“I've definitely met girls in their twenties, or maybe they’re still in college, on the tour who are saying, ‘Yeah, I fell in love with Sex in the City and New York City because of Sex in the City. And like, I’m already trying to figure out how I can get a job here.’ And then I’ve definitely met a few where the reason they moved here was because of Sex in the City, like they wanted the life that Carrie has. And here they are.”

The life they found was, in most cases, not exactly what these shows promised. “As someone who has lived here for 10 years,” laughs Lamar-Becker, “sure, there are some things that are unrealistic—like, Carrie being able to afford all her shoes. That’s unrealistic. But the feeling of the city is always captured well.”

And that indefinable but unmistakable quality, that feeling of the city, is what’s shifted most over the past quarter-century or so – through Seinfeld and Friends and Sex and the City into 30 Rock and Gossip Girl and Girls, through When Harry Met Sally and You’ve Got Mail to The Devil Wears Prada, Trainwreck, and even The Avengers. Some of that shift in public perception is merely a reflection of reality, of filmmakers and show-runners pointing their cameras at the city and capturing the gentrified, yuppified, Disney-fied mutation it’s become.

But some of that is also life imitating art. Every day, Lou Matthews’s tour bus is filled with people like Sire Leo Lamar-Becker, members of a generation of viewers whose impressions of New York were formed not by Taxi Driver and Kojak, but by the Sex and the City films and Netflix binges of Friends. They watched those shows and memorized those movies, and then migrated to New York City like so many immigrants before them. Their predecessors flocked to Ellis Island, lured by promises of a new world. These settlers came to the Magnolia Bakery, seeking not so much a new world as a better one, full of enviable careers, witty friends, and all the cosmos they could drink.

Lewis Rudin would have been proud.

5 notes · View notes

art-now-germany · 3 years

Photo

- SOLD - Swamp Forest, Collection: S. Ribbe,, Wolfgang Schmidt

Swamp Forest - Sumpfwald Sincerely to: Andy Hall, Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, Paul Allen, Edythe L. and Eli Broad, Rosa and Carlos de la Cruz, Patricia and Gustavo Phelps de Cisneros (Venezuela and Dominican Republic), Donald and Mera Rubell, Steven A. Cohen, Theo Danjuma, Maria Baibakova, Adrian Cheng, Ingvild Goetz (München), Victoria and David Beckham, Leonardo Dicaprio, Alan Lau, Camilla Barella, Ralph DeLuca, Arthur de Ganay, Ramin Salsali, Moises Cosio, Pedro Barbosa, Monique and Max Burger, Joaquin Diez-Cascon, Luciano Benetton, Roman Abramovich and Dasha Zhukova (Russia), Robbie Antonio (Philippines), Hélène and Bernard Arnault (France), Maria and Bill Bell (United States), Peter Benedek (United States), Debra and Leon Black (United States), Christian and Karen Boros (Germany), Irma and Norman Braman (United States), Peter Brant (United States), Basma Al Sulaiman, Marc Andreessen, Laura and John Arnold, Camilla Barella, Swizz Beatz, Claudia Beck, Andrew Gruft, Robert and Renée Belfer, Lawrence Benenson, Frieder Burda (Germany), Richard Chang (United States), Kim Chang-il (Korea), David Chau and Kelly Ying (China), Pierre T.M. Chen (Taiwan), Adrian Cheng (China), Kemal Has Cingillioglu (United Kingdom), Nicolas Berggruen, Jill and Jay Bernstein, Ernesto Bertarelli, James Brett, Jim Breyer, Christian Bührle, Valentino D. Carlotti, Edouard Carmignac, Trudy and Paul Cejas, Dimitris Daskalopoulos (Greece), Zöe and Joel Dictrow (United States), George Economou (Greece), Alan Faena (Argentina), Mark Falcone and Ellen Bruss (United States), Amy and Vernon Faulconer (United States), Howard and Patricia Farber (United States), Larry and Marilyn Fields (United States), Marie Chaix, Michael and Eva Chow, Frank Cohen, Michael and Eileen Cohen, Isabel and Agustín Coppel, Anthony D'Offay, Hélène and Michel David-Weill, Antoine de Galbert, Ralph DeLuca, Amanda and Glenn Fuhrman (United States), Danielle and David Ganek (United States), Ken Griffin (United States), Agnes Gund (United States), Steven and Kathy Guttman (United States), Andrew and Christine Hall (United States), Lin Han (China), Henk and Victoria de Heus-Zomer (Holland), Grant Hill (United States), Maja Hoffmann (Switzerland), Erika Hoffmann-Koenige (Germany), Tiqui Atencio Demirdjian, Beth Rudin DeWoody, Eric Diefenbach and JK Brown, David C. Driskell, Mandy and Cliff Einstein, Rebecca and Martin Eisenberg, Ginevra Elkann, Tim and Gina Fairfax, Dana Farouki, Michael and Susan Hort (United States), Guillaume Houzé (France), Wang Jianlin (China), Dakis Joannou (Greece), Alan Lau (China), Joseph Lau (China), Melva Bucksbaum and Raymond Learsy (United States), Agnes and Edward Lee (United Kingdom), Aaron and Barbara Levine (United States), Adam Lindemann (United States), Eugenio López (Mexico), Jho Low (China), Susan and Leonard Feinstein, Nicoletta Fiorucci, Josée and Marc Gensollen, Alan and Jenny Gibbs, Noam Gottesman, Florence and Daniel Guerlain, Paul Harris, Barbara and Axel Haubrok, Alan Howard, Fatima and Eskandar Maleki (United Kingdom), Martin Margulies (United States), Peter Marino (United States), Donald Marron (United States), David MartÍnez (United Kingdom and Mexico), Raymond J. McGuire (United States), Rodney M. Miller Sr. (United States), Simon and Catriona Mordant (Australia), Arif Naqvi (United Kingdom), Peter Norton (United States), Shi Jian, Elton John, Tomislav Kličko, Mo Koyfman, Jan Kulczyk, Svetlana Kuzmicheva-Uspenskaya, Pierre Lagrange, Eric and Liz Lefkofsky, Robert Lehrman, François Odermatt (Canada), Bernardo de Mello Paz (Brazil), José Olympio & Andréa Pereira (Brazil), Catherine Petitgas (United Kingdom), Victor Pinchuk (Ukraine), Alden and Janelle Pinnell (United States),Ron and Ann Pizzuti (United States), Michael Platt (Switzerland), Miuccia Prada and Patrizio Bertelli (Italy), Howard and Cindy Rachofsky (United States), Mitchell and Emily Rales (United States), Dan Loeb, George Lucas, Ninah and Michael Lynne, Lewis Manilow, Marissa Mayer, David Mirvish, Lakshmi Mittal, Valeria Napoleone, John Paulson, Amy and John Phelan, Ellen and Michael Ringier (Switzerland), David Roberts (United Kingdom), Hilary and Wilbur L. Ross Jr. (United States), Dmitry Rybolovlev (Russia), Lily Safra (Brazil),Tony Salamé (Lebanon), Patrizia Sandretto (Italy), Eric Schmidt (United States), Alison Pincus, Heather Podesta, Colette and Michel Poitevin, Thomas J. and Margot Pritzker, Bob Rennie, Craig Robins, Deedie and Rusty Rose, Stephen Ross, Alex Sainsbury, Alain Servais (Belgium), Carlos Slim (Mexico), Julia Stoschek (Germany), Budi Tek (Indonesia), Janine and J. Tomilson Hill III (United States), Trevor Traina (United States), Alice Walton (United States), Robert & Nicky Wilson (United Kingdom), Elaine Wynn (United States), Lu Xun (China), Muriel and Freddy Salem, Denise and Andrew Saul, Steven A. Schwarzman, Carole Server and Oliver Frankel, Ramin Salsali, David Shuman, Stefan Simchowitz, Elizabeth and Frederick Singer, Jay Smith and Laura Rapp, Jeffrey and Catherine Soros, Jerry Yang and Akiko Young (United States), Liu Yiqian and Wang Wei (China), Anita and Poju Zabludowicz (United Kingdom), Jochen Zeitz (South Africa), Qiao Zhibing (China), Jerry Speyer and Katherine G. Farley, Susana and Ricardo Steinbruch, Kai van Hasselt, Francesca von Habsburg, David Walsh, Artur Walther, Derek and Christen Wilson, Michael Wilson, Owen Wilson, Zhou Chong, Doris and Donald Fisher, Ronnie and Samuel Heyman, Marie-Josee and Henry R. Kravis, Evelyn and Leonard Lauder, Jo Carole and Ronald S. Laude, Francois Pinault (France), Udo Brandhost (Köln), Harald Falckenberg (Hamburg), Anna and Joseph Froehlich (Stuttgart), Hans Grothe (Bremen), UN Knecht (Stuttgart), Arendt Oetker (Köln), Inge Rodenstock (Grünwald), Ute and Rudolf Scharpff (Stuttgart), Reiner Speck (Köln), Eleonore and Michael Stoffel (Köln), Reinhold Würth (Niedernhall), Wilhelm and Gaby Schürmann, Ivo Wessel, Heiner and Celine Bastian, Friedrich Karl Flick, Monique and Jean-Paul Barbier-Mueller (Genf), Christa and Thomas Bechtler (Zürich), David Bowie (Lausanne), Ulla and Richard Dreyfus (Binningen und Gstaad), Georges Embiricos (Jouxtens and Gstaad), Friedrich Christian "Mick" Flick (Hergiswil and Gstaad), Esther Grether (Bottmingen), Donald Hess (Bolligen), Elsa and Theo Hotz (Meilen), Baroness Marion and Baron Philippe Lambert (Genf), Gabi and Werner Merzbacher (Zürich), Robert Miller (Gstaad), Philip Niarchos (St. Moritz), Jacqueline and Philippe Nordmann (Genf), Maja Oeri and Hans Bodenmann (Basel), George Ortiz (Vandoeuvres), Graf and Gräfin Giuseppe Panza di Biumo (Massagno), Ellen and Michael Ringier (Zürich), Andrew Loyd Webber, Steve Martin, Gerhard Lenz, Elisabeth and Rudolf Leopold.

https://www.saatchiart.com/art/Drawing-SOLD-Swamp-Forest-Collection-S-Ribbe/694205/2784259/view

#conceptual #abstract #fineart #WolfgangSchmidt #realism #expressionism

7 notes · View notes

seanhowe · 4 years

Photo

Seeking information about University Review (NYC publication, c.1969-1975) UR, or University Review, was published by Entelechy Press in New York City. Steve Roday was editor/publisher/founder, as you can see from the 1969 masthead; I’ve also seen articles that name Robert Friedman as the founder. B-movie director Larry Cohen was the film critic in the early 1970s. University Review apparently began as a 16-page insert in various NYC-area college newspapers and later became a standalone publication. A 1971 issue lists the “UR Collective” as including: Murray Bookchin Gino Crocetti John Garber Lynn Johnson Tom Kolb Judith Nicholson Jonah Raskin Ray Reece Steve Roday Jackie Rudin John Sinclair Dave Varney By 1973 the editors were Robert Friedman, Jonah Raskin, and Lewis Cole. In 1974, Friedman acted as the initial liaison between filmmaker Emile de Antonio and the Weather Underground.

#university review #ur #steve roday #murray bookchin #jonah raskin #robert friedman #weather underground #larry cohen #radical politics

5 notes · View notes

dadasoulface · 4 years

Photo

Sent out a tape to my guy @daxnorman_art This is the cover art. Let's see what's all on there. *Sandy Nelson - Mystery Boogaloo *The Jazz Messengers - just for Marty *Johnny Guitar Watson - It's all about the Dollar *Television - Prove it *Chris $pencer - Pine Cone Cologne *Marvin Gaye - Trouble Man *OST Getting Straight - Greengrass *Ramsey Lewis - Mother nature's son *Grand Funk - Inside Looking Out *Infinito 2017 - Physical Demands Cure *Andrew Rudin - Tragoedia *Headhunters - God made me funky Plus Dennis Coffey Leonard Cohen Staple Singers O.C. Crisis George Crumb John Cage toshi ichyanagi and more... #cassettetapes #DADASOULFACE #daxnorman #mixtapecovers #mixtape #collageillustrator https://www.instagram.com/p/B_0grj7gfpz/?igshid=1a7f6nj9rfxcj

#cassettetapes #dadasoulface #daxnorman #mixtapecovers #mixtape #collageillustrator

1 note · View note

outofficial · 6 years

Photo

It's finally here—the day we've all been waiting for ever since the “Moonlight”/ “La La Land” Best Picture fiasco: the Oscar noms have been announced. It's been a tight race, in which “Three Billboards” appears to have established itself as the frontrunner for Best Actress, Best Supporting Actor, and maybe even Best Picture, while “The Shape of Water” has proven a nomination favorite this awards season but not necessarily the most likely to win. It leads this year's Oscars with 13 nominations.

In more exciting news, “Get Out” scored noms for Jordan Peele for Best Directing, Picture, and Writing, making him only the third director ever to receive all three noms on a debut feature. Daniel Kaluuya also scored a Best Actor nomination for the film.

Greta Gerwig, too, did well for herself, earning noms for Best Directing and Writing, and “Lady Bird” also has been nominated for Best Picture, though since Gerwig isn't a producer on the film she can't technically claim the same record as Peele.

“Call Me By Your Name” was nominated for Best Picture, Best Adapted Screenplay, and Best Actor for Timothée Chalamet. Also notable is that “A Fantastic Woman,” the Chilean film starring trans actress Daniela Vega, was nominated for Best Foreign Film.

The Oscars are hosted this year by Jimmy Kimmel and take place March 4 on ABC. Take a look at the full list below:

BEST PICTURE

CALL ME BY YOUR NAME Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers

DARKEST HOUR Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers

DUNKIRK Emma Thomas and Christopher Nolan, Producers

GET OUT Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers

LADY BIRD Scott Rudin, Eli Bush and Evelyn O’Neill, Producers

PHANTOM THREAD JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers

THE POST Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers

THE SHAPE OF WATER Guillermo del Toro and J. Miles Dale, Producers

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

ACTOR IN A LEADING ROLE

TIMOTHÉE CHALAMET Call Me by Your Name

DANIEL DAY-LEWIS Phantom Thread

DANIEL KALUUYA Get Out

GARY OLDMAN Darkest Hour

DENZEL WASHINGTON Roman J. Israel, Esq.

ACTOR IN A SUPPORTING ROLE

WILLEM DAFOE The Florida Project

WOODY HARRELSON Three Billboards outside Ebbing, Missouri

RICHARD JENKINS The Shape of Water

CHRISTOPHER PLUMMER All the Money in the World

SAM ROCKWELL Three Billboards outside Ebbing, Missouri

ACTRESS IN A LEADING ROLE

SALLY HAWKINS The Shape of Water

FRANCES MCDORMAND Three Billboards outside Ebbing, Missouri

MARGOT ROBBIE I, Tonya

SAOIRSE RONAN Lady Bird

MERYL STREEP The Post

ACTRESS IN A SUPPORTING ROLE

MARY J. BLIGE Mudbound

ALLISON JANNEY I, Tonya

LESLEY MANVILLE Phantom Thread

LAURIE METCALF Lady Bird

OCTAVIA SPENCER The Shape of Water

ANIMATED FEATURE FILM

THE BOSS BABY Tom McGrath and Ramsey Naito

THE BREADWINNER Nora Twomey and Anthony Leo

COCO Lee Unkrich and Darla K. Anderson

FERDINAND Carlos Saldanha

LOVING VINCENT Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

CINEMATOGRAPHY

BLADE RUNNER 2049 Roger A. Deakins

DARKEST HOUR Bruno Delbonnel

DUNKIRK Hoyte van Hoytema

MUDBOUND Rachel Morrison

THE SHAPE OF WATER Dan Laustsen

COSTUME DESIGN

BEAUTY AND THE BEAST Jacqueline Durran

DARKEST HOUR Jacqueline Durran

PHANTOM THREAD Mark Bridges

THE SHAPE OF WATER Luis Sequeira

VICTORIA & ABDUL Consolata Boyle

DIRECTING

DUNKIRK Christopher Nolan

GET OUT Jordan Peele

LADY BIRD Greta Gerwig

PHANTOM THREAD Paul Thomas Anderson

THE SHAPE OF WATER Guillermo del Toro

DOCUMENTARY (FEATURE)

ABACUS: SMALL ENOUGH TO JAIL Steve James, Mark Mitten and Julie Goldman

FACES PLACES Agnès Varda, JR and Rosalie Varda

ICARUS Bryan Fogel and Dan Cogan

LAST MEN IN ALEPPO Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

STRONG ISLAND Yance Ford and Joslyn Barnes

DOCUMENTARY (SHORT SUBJECT)

EDITH+EDDIE Laura Checkoway and Thomas Lee Wright

HEAVEN IS A TRAFFIC JAM ON THE 405 Frank Stiefel

HEROIN(E) Elaine McMillion Sheldon and Kerrin Sheldon

KNIFE SKILLS Thomas Lennon

TRAFFIC STOP Kate Davis and David Heilbroner

FILM EDITING

BABY DRIVER Paul Machliss and Jonathan Amos

DUNKIRK Lee Smith

I, TONYA Tatiana S. Riegel

THE SHAPE OF WATER Sidney Wolinsky

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Jon Gregory

FOREIGN LANGUAGE FILM

A FANTASTIC WOMAN Chile

THE INSULT Lebanon

LOVELESS Russia

ON BODY AND SOUL Hungary

THE SQUARE Sweden

MAKEUP AND HAIRSTYLING

DARKEST HOUR Kazuhiro Tsuji, David Malinowski and Lucy Sibbick

VICTORIA & ABDUL Daniel Phillips and Lou Sheppard

WONDER Arjen Tuiten

MUSIC (ORIGINAL SCORE)

DUNKIRK Hans Zimmer

PHANTOM THREAD Jonny Greenwood

THE SHAPE OF WATER Alexandre Desplat

STAR WARS: THE LAST JEDI John Williams

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Carter Burwell

MUSIC (ORIGINAL SONG)

MIGHTY RIVER from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson

MYSTERY OF LOVE from Call Me by Your Name; Music and Lyric by Sufjan Stevens

REMEMBER ME from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

STAND UP FOR SOMETHING from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren

THIS IS ME from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

PRODUCTION DESIGN

BEAUTY AND THE BEAST Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

BLADE RUNNER 2049 Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola

DARKEST HOUR Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

DUNKIRK Production Design: Nathan Crowley; Set Decoration: Gary Fettis

THE SHAPE OF WATER Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

SHORT FILM (ANIMATED)

DEAR BASKETBALL Glen Keane and Kobe Bryant

GARDEN PARTY Victor Caire and Gabriel Grapperon

LOU Dave Mullins and Dana Murray

NEGATIVE SPACE Max Porter and Ru Kuwahata

REVOLTING RHYMES Jakob Schuh and Jan Lachauer

SHORT FILM (LIVE ACTION)

DEKALB ELEMENTARY Reed Van Dyk

THE ELEVEN O’CLOCK Derin Seale and Josh Lawson

MY NEPHEW EMMETT Kevin Wilson, Jr.

THE SILENT CHILD Chris Overton and Rachel Shenton

WATU WOTE/ALL OF US Katja Benrath and Tobias Rosen

SOUND EDITING

BABY DRIVER Julian Slater

BLADE RUNNER 2049 Mark Mangini and Theo Green

DUNKIRK Richard King and Alex Gibson

THE SHAPE OF WATER Nathan Robitaille and Nelson Ferreira

STAR WARS: THE LAST JEDI Matthew Wood and Ren Klyce

SOUND MIXING

BABY DRIVER Julian Slater, Tim Cavagin and Mary H. Ellis

BLADE RUNNER 2049 Ron Bartlett, Doug Hemphill and Mac Ruth

DUNKIRK Mark Weingarten, Gregg Landaker and Gary A. Rizzo

THE SHAPE OF WATER Christian Cooke, Brad Zoern and Glen Gauthier

STAR WARS: THE LAST JEDI David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

VISUAL EFFECTS

BLADE RUNNER 2049 John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

GUARDIANS OF THE GALAXY VOL. 2 Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick

KONG: SKULL ISLAND Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

STAR WARS: THE LAST JEDI Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould

WAR FOR THE PLANET OF THE APES Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

WRITING (ADAPTED SCREENPLAY)

CALL ME BY YOUR NAME Screenplay by James Ivory

THE DISASTER ARTIST Screenplay by Scott Neustadter & Michael H. Weber

LOGAN Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

MOLLY’S GAME Written for the screen by Aaron Sorkin

MUDBOUND Screenplay by Virgil Williams and Dee Rees

WRITING (ORIGINAL SCREENPLAY)

THE BIG SICK Written by Emily V. Gordon & Kumail Nanjiani

GET OUT Written by Jordan Peele

LADY BIRD Written by Greta Gerwig

THE SHAPE OF WATER Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Written by Martin McDonagh

#Oscars #Oscar Nominations #movies #Call Me By Your Name #Timothée Chalamet #Armie Hammer #Greta Gerwig #Saoirse Ronan #Lady Bird #The Shape of Water #Three Billboards #Three Billboards Outside Ebbing Missouri #The Big Sick #Phantom Thread #The Post #Darkest Hour

120 notes · View notes

writemarcus · 3 years

Text

Jun. 23: Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon Join I’M STILL HERE: A Virtual Benefit for the Billy Rose Theatre Division Honoring George C. Wolfe and the Late Harold Prince and Celebrating 90 Years of the New York Public Library for the Performing Arts; Tickets for the In-Person Viewing Party are Available Now

Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon join the cavalcade of stars participating in The New York Public Library for the Performing Arts’ I’m Still Here: A Virtual Benefit for the Billy Rose Theatre Division, airing June 23, 2021 on Broadway On Demand at 8pm EST and 8pm PST. The fundraiser will help raise critical funds for the Library for the Performing Arts’ beloved Theatre Division as it celebrates its 90th anniversary this year.

Tickets to the online fundraiser will be donate-what-you-can, with a recommendation of at least $19.31 in honor of the year the division was founded. To purchase tickets to the one-time-only virtual event, visit StillHereAt90.com.

An in-person viewing party at the Library for the Performing Arts in Lincoln Center for donors has also just been announced, including a pre-screening reception and performance featuring Pulitzer Prize winner Michael R. Jackson (A Strange Loop), and GRAMMY and two-time Tony Award winner Duncan Sheik (Spring Awakening). For details and ticket prices for this limited capacity in- person event, please contact [email protected].

An incredibly special aspect of I’m Still Here is that it will feature clips of Broadway productions from the Theatre Division’s Theatre on Film and Tape Archive (TOFT), shown especially for this occasion with special permission from The Coalition of Broadway Unions and Guilds and the respective talent, creative teams and rights holders of each production. These archival recordings are typically only available to view onsite at the Library for the Performing Arts. The recordings shown will include the original Broadway cast of In the Heights; Angela Bassett and Samuel L. Jackson in The Mountaintop; Brian Stokes Mitchell in Ragtime; Glenn Close in Sunset Boulevard; Kelli O’Hara and Paulo Szot in South Pacific; Craig Bierko and Rebecca Luker in The Music Man; Meryl Streep, Marcia Gay Harden and Larry Pine in The Seagull; Savion Glover, Jimmy Tate, Choclattjared and Raymond King in Bring in ‘da Noise, Bring in ‘da Funk; Bette Midler in I’ll Eat You Last; Christian Borle and Tim Curry in Spamalot; and more.

I’m Still Here will also include interviews with Broadway legends and emerging creatives; and reconceived performances of musical theatre songs, including Stephanie J. Block performing “A Trip to the Library,” André De Shields performing “I’m Still Here,” original Company cast members from 1970-to-present performing “Another Hundred People,” “Wheels of a Dream,” “Love Will Find a Way,” and more. The evening’s honorees are Harold Prince and George C. Wolfe.

Featuring new performances and appearances by Troy Anthony (The River Is Me), Annaleigh Ashford (Sunday in the Park with George), Major Attaway (Aladdin), Alexander Bello (Caroline, or Change), Laura Benanti (She Loves Me), Malik Bilbrew, Susan Birkenhead (Jelly’s Last Jam), Shay Bland, Stephanie J. Block (The Cher Show), Alex Brightman (Beetlejuice), Matthew Broderick (Plaza Suite), Jason Robert Brown (The Last 5 Years), Krystal Joy Brown (Hamilton), David Burtka (“A Series of Unfortunate Events”), Sammi Cannold (Endlings), Ayodele Casel (Chasing Magic), Kirsten Childs (Bella), Antonio Cipriano (Mean Girls), Victoria Clark (The Light in the Piazza), Max Clayton (Moulin Rouge!), Calvin L. Cooper (Mrs. Doubtfire), Trip Cullman (Choir Boy), Taeler Elyse Cyrus (Hello, Dolly!), Quentin Earl Darrington (Once on This Island), André De Shields (Hadestown), Frank DiLella (NY1), Derek Ege, Amina Faye, Harvey Fierstein (La Cage aux Folles), Leslie Donna Flesner (Tootsie), Chelsea P. Freeman, Savion Glover (Bring in ‘da Noise, Bring in ‘da Funk), Joel Grey (Cabaret), Ryan J. Haddad (“The Politician”),James Harkness (Ain’t Too Proud), Sheldon Harnick (Fiddler on the Roof), Marcy Harriell (Company), Mark Harris (“Mike Nichols: A Life”), Neil Patrick Harris (Hedwig and the Angry Inch), David Henry Hwang (M. Butterfly), Arica Jackson (Caroline, or Change), Michael R. Jackson (A Strange Loop), Cassondra James (Once on This Island), Marcus Paul James (Rent), Taylor Iman Jones (Hamilton), Maya Kazzaz, Tom Kirdahy (The Inheritance), Leslie Kritzer (Beetlejuice), Michael John LaChiusa (The Wild Party), Norman Lear (Good Times), Baayork Lee (A Chorus Line), L. Morgan Lee (A Strange Loop), Robert Lee (Takeaway), Sondra Lee (Hello, Dolly!), Telly Leung (Aladdin), Priscilla Lopez (A Chorus Line),Ashley Loren (Moulin Rouge!), Allen René Louis (“Jimmy Kimmel Live!”), Brittney Mack (Six), Morgan Marcell (Hamilton), Aaron Marcellus (“American Idol”), Joan Marcus, Michael Mayer (Spring Awakening), Annie McGreevey (Company), Sarah Meahl (Kiss Me, Kate), Joanna Merlin (Fiddler on the Roof), Ruthie Ann Miles (Sunday in the Park with George), Bonnie Milligan (Head Over Heels), Rita Moreno (West Side Story), Madeline Myers (Double Helix), Pamela Myers (Company),Leilani Patao (Garden Girl), Nova Payton (Dreamgirls), Joel Perez (Kiss My Aztec), Bernadette Peters (Into the Woods), Tonya Pinkins (Jelly’s Last Jam), Jacoby Pruitt, Sam Quinn, Phylicia Rashad (A Raisin in the Sun), Jelani Remy (Ain’t Too Proud), George Salazar (Be More Chill), Marilyn Saunders (Company), Marcus Scott (Fidelio), Rashidra Scott (Company), Rona Siddiqui (Tales of a Halfghan), Ahmad Simmons (West Side Story), Susan Stroman (The Producers), Rebecca Taichman (Indecent), Jeanine Tesori (Fun Home), Bobby Conte Thornton (Company), Sergio Trujillo (On Your Feet), Kei Tsuruharatani (Jagged Little Pill), Ben Vereen (Pippin), Jack Viertel, Christopher Vo (The Cher Show), Nik Walker (Ain’t Too Proud), Marisha Wallace (Dreamgirls), Shannon Fiona Weir, Christopher Wheeldon (MJ: The Musical),Helen Marla White (Ain’t Misbehavin’), Natasha Yvette Williams (“Orange is the New Black”), and Kumiko Yoshii (Prince of Broadway).

Click here to watch New York Public Library’s Doug Reside on Backstage LIVE with Richard Ridge.

The virtual benefit is produced and conceived by co-founder of the upcoming Museum of Broadway and four-time Tony nominee Julie Boardman (Company) and Co-Executive Producer of Broadway For Biden Nolan Doran (Head Over Heels), featuring direction by Steve Broadnax (Thoughts Of A Colored Man), Sammi Cannold (Endlings), Nick Corley (Plaza Suite), GRAMMY Award Winner Ty Defoe (Straight White Men), Drama Desk winner Lorin Latarro (Waitress), Mia Walker (Jagged Little Pill) and Tony Award winnerJason Michael Webb (Choir Boy), choreography by Ayodele Casel (Chasing Magic),Lorin Latarro and Ray Mercer (The Lion King), with new music arranged by ASCAP Award winner Rachel Dean (Medusa) and Annastasia Victory (A Wonderful World), with arrangements and orchestrations by Brian Usifer (Frozen). Casting is by Peter Van Dam at Tara Rubin Casting.

Tony Marx is the president of The New York Public Library, William Kelly is the Andrew W. Mellon Director of the Research Libraries,Jennifer Schantz is the Barbara G. and Lawrence A. Fleischman Executive Director of the Library for the Performing Arts, and Doug Reside is the Lewis and Dorothy Cullman Curator of the Billy Rose Theatre Division. Patrick Hoffman is the curator of the Theatre on Film and Tape Archive. Henry Tisch serves as Associate Producer and Travis Waldschmidt is Associate Choreographer. Animation and Motion Graphics by Kate Freer, Graphic Design by Caitlin Whittington, Sean MacLaughlin is Director of Photography and Ian Johnston is B Camera Operator. Dylan Tashjian is Onsite Coordinator with COVID compliance by Lauren Class Schneider.

HOST COMMITTEE: Ted & Mary Jo Shen, Barbara Fleischman, Agnes Gund, Fiona & Eric Rudin, Lizzie & Jon Tisch, Kate Cannova, Joan Marcus, Daisy Prince, Gayfryd Steinberg, Van Horn Group

LIBRARY FOR THE PERFORMING ARTS THEATRE COMMITTEE: Emily Altman, Margot Astrachan, Ken Billington, Julie Boardman, Ted Chapin, Bonnie Comley, Van Dean, Kurt Deutsch, Scott Farthing, Barbara Fleischman, Freddie Gershon, Louise Hirschfeld, Joan Marcus, Elliott Masie, Arthur Pober, Ed Schloss, Morwin Schmookler, Jenna Segal, Ted Shen, Kara Unterberg, Abbie Van Nostrand, Kumiko Yoshii

THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS DOROTHY AND LEWIS B. CULLMAN CENTER houses one of the world’s most extensive combinations of circulating, reference, and rare archival collections in the field of dance, theatre, music and recorded sound. These materials are available free of charge, along with a wide range of special programs, including exhibitions, seminars, and performances. An essential resource for everyone with an interest in the arts — whether professional or amateur — the Library is known particularly for its prodigious collections of non-book materials such as historic recordings, videotapes, autograph manuscripts, correspondence, sheet music, stage designs, press clippings, programs, posters and photographs. The Library is part of The New York Public Library system, which has locations in the Bronx, Manhattan and Staten Island, and is a lead provider of free education for all.

BROADWAY ON DEMAND is the industry-leading livestream platform housing performance & theatre education programming, & the preferred choice of top Broadway artists, producers, educators & professionals. Broadway On Demand has streamed 2,500 events & live productions—from Broadway shows to concert series, performance venues to individual artists, & original content—in 82 countries to over 300,000 viewers. Thanks to a unique licensing interface, ShowShare, approved middle school, high school, college, community & professional theatre productions utilize the platform to stream to their audiences. Broadway on Demand is available on the web, mobile, Apple and Android app store, AppleTV, Roku, Chromecast, and Amazon Fire TV. For access to the complete and ever-expanding Broadway on Demand library, subscribe at BroadwayOnDemand.com.

youtube

#NYPL #new york public library #New York Public Library for the Performing Arts #Billy Rose Theatre Division #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus #THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS DOROTHY AND LEWIS B. CULLMAN CENTER #George C. Wolfe #Harold Prince #theatre #theater #musical theater #musical theatre

1 note · View note

taylornetwork · 3 years

Text

Nothing's On ep 408 The Poop Bucket

Nothing’s On ep 408 The Poop Bucket

This week guys geek out with a crap ton of marvel news, arrowverse talk and some comic talk!!!! plus emails and what we watched DMX, Shock G, scott rudin,oscar nominations 2021,Ted Lasso, Elon Musk,Alec Baldwin & Kelsey Grammer, Richard Lewis, Falcon and The Winter Soldier, NCIS Hawaii, The Fast and the Furious, Conjuring 3, Syberia, Ray Fisher vs Warner Bros, Werewolves Within, Michael Dorn,…

View On WordPress

1 note · View note

orbemnews · 3 years

Link

Howard J. Rubenstein, Public Relations Impresario, Dies at 88 Howard J. Rubenstein, who softened life’s blows and polished the tarnished photos of the wealthy, the well-known and the flawed for greater than 65 years in turning into New York’s pre-eminent public relations impresario, died on Tuesday at his residence in Manhattan. He was 88. A spokeswoman, Nancy Haberman, confirmed the dying. No trigger was given. In a occupation typically regarded with skepticism, Mr. Rubenstein, the founding chairman and president of Rubenstein Associates, was typically known as a spin physician, a charlatan or worse. However with a bit assist from his associates within the information media, he publicized the triumphs of many achievers, and when crises struck celebrities, politicians, firms or cultural establishments, he was a fixer of alternative, known as in at a second’s discover to regulate the harm and restore reputations. His tons of of purchasers had been among the many best-known names on the town: Donald J. Trump, Rupert Murdoch, the late Yankees proprietor George M. Steinbrenner third, Columbia College, the Metropolitan Opera, the New York Philharmonic and constellations of entertainers, civic and non secular leaders, and Wall Road tycoons, their signed footage lining the partitions of Rubenstein Associates in a midtown Manhattan skyscraper. His enterprise was profitable. Company purchasers typically paid retainers of $10,000 a month, whereas the most important paid $750,000 or extra a yr, based on senior associates of Mr. Rubenstein. He didn’t publicly focus on his firm’s billing practices or revenues. Estimates ranged from $30 million to $75 million in revenues a yr. In any case, they made Mr. Rubenstein rich. He was mentioned to earn $4 million to $7 million a yr. With delicate manners and a smooth voice, Mr. Rubenstein was the antithesis of the swaggering press agent caricatured in movies like “The Candy Odor of Success” and denigrated in newsrooms as a “flack” or “mouthpiece.” He didn’t inhabit nightclubs for gossip. He lived on Fifth Avenue overlooking Central Park, the place even in his 60s and 70s he favored to jog day by day. He dined typically with company, cultural and political leaders. He employed tons of of individuals, preached ethics in speeches and articles on public relations, and impressed purchasers as diplomatic and reliable, though some rivals accused him of utilizing underhanded ways. He had been a good friend of each New York mayor, governor and United States senator because the Seventies, and made seamless nonpartisan transitions between Democrats and Republicans. “It doesn’t matter who it’s,” former Mayor Edward I. Koch as soon as defined. “It may very well be Caligula.” Certainly, together with his huge contacts in authorities, enterprise, the information media and the humanities, Mr. Rubenstein was typically extra energy dealer than public relations man, making connections amongst folks and establishments for mutual profit. He suggested politicians, devised company methods to form public opinion, represented actual property pursuits and introduced leaders of enterprise, authorities and unions collectively to make offers. His energy lay hidden in numerous favors, massive and small. However his most seen inventory in commerce was bother — a marital combat, a star blurting a racist comment, a drunken toot. His personalized rehabilitation plans typically concerned easy public admissions or apologies, then silence to include the imbroglio. The duty, he mentioned, was not protecting a lid on unhealthy publicity. It was controlling its circulate, tone and quantity. He cautioned in opposition to mendacity, though his selective “truths” favored purchasers: Individuals had been by no means fired; they left to hunt new alternatives. “When you could have a disaster, you first must ask, what’s the fitting factor to do and say,” he informed The New York Occasions in 1995. “Not what sort of spin can we placed on, however what’s the fitting factor to do. You don’t let the info dribble out. Generally you do it by holding a information convention. Different instances you do it with a written assertion, relying on how the consumer feels or the power of the consumer to conduct himself or herself in a troublesome state of affairs.” For the sports activities broadcaster Marv Albert, a troublesome state of affairs arose in 1997, when his dalliances with a cross-dresser and a prostitute-dominatrix had been uncovered by his responsible plea to a misdemeanor assault cost for biting a lady throughout a sexual encounter. After conferring with Mr. Rubenstein, he submitted to a information convention and a weeklong tour of the speak reveals — Larry King, David Letterman, Katie Couric and Barbara Walters — elaborating his denials. Then he refused to speak about it anymore. Virtually nothing new concerning the matter emerged, besides a notion that Mr. Albert had forcefully defended himself, and after a interval of withdrawal and rehabilitation, his profession resumed just about intact. In 1996, the talk-show host Kathy Lee Gifford was caught in a scandal after a human rights group reported that youngster sweatshop labor in Honduras was being exploited to fabricate a clothes line in her identify. The Rubenstein prescription in her case was deflection and rehabilitation. Ms. Gifford went on nationwide tv to say she was not concerned in manufacturing facility administration processes, then known as for investigations and campaigned for brand new legal guidelines in opposition to sweatshop circumstances. She even appeared on the White Home with President Invoice Clinton to help initiatives in opposition to youngster labor abuses. Enterprise & Economic system Up to date Dec. 23, 2020, 8:59 a.m. ET Howard Joseph Rubenstein was born in Brooklyn on Feb. 3, 1932, to Samuel and Ada (Sall) Rubenstein. His father was a police reporter for the Customary Information Affiliation, which served New York Metropolis papers, and later for The New York Herald Tribune. Howard and his sister, June, grew up within the Bensonhurst part. He graduated from Midwood Excessive College and in 1953 from the College of Pennsylvania, the place he majored in economics. At his mom’s urging, he utilized to all of the Ivy League regulation colleges and was accepted at Harvard. However he dropped out after two months and went residence, unsure what to do. He declined his father’s concept of a replica boy’s job however was extra receptive to a different. Like some reporters then, his father did a bit public relations work on the aspect, and he taught Howard the right way to write information releases and pitch story concepts to reporters. He additionally helped discover his first consumer, the Menorah House and Hospital for the Aged and Infirm. Howard arrange store on the kitchen desk in 1954. However after his mom refused to reply the house’s phone with the greeting “Rubenstein Associates,” he rented an workplace. His subsequent consumer was Vito Battista, an anti-tax Republican whose perennial quest for workplace ultimately landed him a New York Meeting seat. Mr. Rubenstein rented a camel to plug Mr. Battista’s mayoral candidacy and draped it with an indication saying its again can be damaged by one other metropolis tax. Nonetheless drawn by the concept of being a lawyer, he took evening courses at St. John’s College and earned a regulation diploma in 1959. By way of Consultant Emanuel Celler, a Brooklyn Democrat who was chairman of the Home Judiciary Committee, Mr. Rubenstein turned the panel’s assistant counsel, however give up after six months to renew his public relations profession. In 1959, he married Amy Forman. She survives him, together with three youngsters, Roni, Richard, and Steven Rubenstein, and 7 grandchildren. David, one other youngster, died in 1971 on the age of 9. Mr. Rubenstein continued to be concerned in his enterprise in recent times, however his son Steven oversaw the day-to-day operating of Rubenstein, as the corporate is now recognized, as its president. Richard Rubenstein based his personal company, Rubenstein Public Relations, in 1987. Mr. Rubenstein, nominally a Democrat, signed up a number of politicians as purchasers, lots of them — like Abraham D. Beame, Hugh Carey and Stanley Steingut — beginning careers that might result in seats of energy in Metropolis Corridor, the Governor’s Mansion and the State Legislature. By way of actual property contacts he recruited builders like Fred Trump (Donald’s father) and Lewis and Jack Rudin. By the Seventies he was representing tons of of town’s most distinguished folks and organizations. He additionally served worldwide celebrities, together with Sarah Ferguson, the divorced Duchess of York. Often he needed to drop purchasers — notably 4 state businesses after Mr. Carey was elected governor in 1974, and the Brooklyn Museum of Artwork in 1999 after his good friend Mayor Rudolph W. Giuliani condemned an exhibit there. In each circumstances he was caught in a battle and deemed his friendship and loyalty to the officeholders to be the larger curiosity. The 1990 breakup of Donald and Ivana Trump put a conflict of public relations rivals on show, every with a watch on the underside line. John Scanlon, often called an aggressive disaster supervisor, portrayed Mrs. Trump as an integral a part of the Trump enterprise empire. Mr. Trump, coached by Mr. Rubenstein, performed down her duties. So who gained? Her settlement topped $20 million. However Mr. Trump’s web price on the time was estimated at $1.7 billion to $4 billion. Mr. Steinbrenner, whose harsh remedy of Yankee gamers and managers was a publicist’s nightmare, typically left Mr. Rubenstein resorting to “no remark.” Beginning a decade earlier than Mr. Steinbrenner’s dying in 2010, the publicist orchestrated a tactical retreat for “the Boss.” Reporters mentioned he was shielding an growing older man from public view, however Mr. Rubenstein provided a extra benign interpretation, saying Mr. Steinbrenner’s lowered profile “simply comes with maturity — he simply doesn’t relish publicity the way in which he used to.” One other troublesome consumer was Leona Helmsley, the resort and actual property magnate who was convicted of earnings tax evasion in 1989. She turned a logo of vanity when a former maid quoted her in testimony as saying, “Solely the little folks pay taxes.” Mr. Rubenstein visited Mrs. Helmsley in jail, and after she died in 2007 and left $12 million to her canine, Bother, a Maltese, prompting lawsuits and dying threats in opposition to the pet, he turned a spokesman for Bother, too, as curiosity peaked in its lifetime of luxurious. “The canine is being nicely cared for in an undisclosed location,” he mentioned tactfully. After Mr. Trump turned president, Mr. Rubenstein distanced himself for him. “Whereas I haven’t labored with him for greater than 20 years,” he informed PRWeek.com in 2017, “it was clear even again then that he was a extremely astute communicator.” Alex Traub contributed reporting. Supply hyperlink #Dies #Howard #Impresario #public #relations #Rubenstein

0 notes

dweemeister · 6 years

Text

My alternative 90th Academy Awards

So here’s another annual tradition... my alternative Oscars ceremony. This is what this Sunday’s Oscars would look like if I – and I alone – stuffed the ballots and decided on all of the nominations and winners. Non-English language films are accompanied by their nation of origin (in FIFA three-letter code).

90th Academy Awards – March 4, 2018 Dolby Theatre – Hollywood, Los Angeles, California Host: Jimmy Kimmel Broadcaster: ABC

Best Picture: LADY BIRD

The Breadwinner, Anthony Leo, Tomm Moore, Andrew Rosen, and Paul Young (Cartoon Saloon/GKIDS)

Call Me by Your Name, Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, James Ivory, and Howard Rosenman (Sony Pictures Classics)

Coco, Darla K. Anderson (Pixar/Walt Disney)

Dunkirk, Emma Thomas and Christopher Nolan (Warner Bros.)

Faces Places (FRA), Rosalie Varda (Le Pacte/Cohen Media Group)

The Florida Project, Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan, Alex Saks, Francesca Silvestri, and Shih-Ching Tsou (A24)

Lady Bird, Scott Rudin, Eli Bush, and Evelyn O’Neil (A24)

Phantom Thread, Paul Thomas Anderson, Megan Ellison, JoAnne Sellar, and Daniel Lupi, (Focus/Universal)

The Post, Steven Spielberg, Kristie Macosko Krieger, and Amy Pascal (20th Century Fox)

The Shape of Water, Guillermo del Toro and J. Miles Dale (Fox Searchlight Pictures)

Out of the running in real life are Darkest Hour, Three Billboards, and Get Out. And taking the maximum of ten spots, in their place enter The Breadwinner, Coco, Faces Places, The Florida Project. That’s two animated movies, a documentary, and a neglected critical darling... come at me? I was lukewarm over Darkest Hour, pissed off over Three Billboards, and I honestly don’t think Get Out is as effective a horror movie or a commentary on racial relations that it wants to be.

Lady Bird would be my winner, with Phantom Thread your runner-up and either Faces Places or The Shape of Water as your third spot. For Lady Bird, it would be harder to find a movie with as much empathy as it this calendar year. Maybe not the most technically gifted filmmaking of the nominees, but it accomplishes its conceit with an open ear and an open heart. Bravo.

I noticed that I don’t have time to write on all the Best Picture nominees anymore, like in years past. I only got to Dunkirk and The Post – both of which are on the outside looking in.

Best Director

Guillermo del Toro, The Shape of Water

Greta Gerwig, Lady Bird

Christopher Nolan, Dunkirk

Dee Rees, Mudbound

Agnès Varda and JR, Faces Places

CONTROVERSY. Dee Rees nominated in Director, but Mudbound isn’t nominated for Picture! In all honesty, I couldn’t find the excuse to nudge Mudbound out for any of the nominees I placed above. But to focus on the positive, del Toro is going to make it three Mexican Best Director winners in the last four years... that is exhilarating. Nolan is my close second choice here, and falters a bit because I didn’t personally enjoy the structure of Dunkirk all that much.

Best Actor

Timothée Chalamet, Call Me by Your Name

Daniel Day-Lewis, Phantom Thread

Daniel Kaluuya, Get Out

Gary Oldman, Darkest Hour

Andy Serkis, War for the Planet of the Apes

No CMBYN fans, there will not be any justice for you on my blog either. Because the best performance of the year by an actor of a leading role was done in motion capture... it was Andy Serkis as Caesar in War for the Planet of the Apes. It’s been high time to honor Serkis in what is his best work – aside from his performances as Gollum – to date.

Best Actress

Ahn Seo-hyun, Okja

Sally Hawkins, The Shape of Water

Frances McDormand, Three Billboards Outside Ebbing, Missouri

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

The quieter performances aren’t going to win at this year’s Oscars. McDormand’s flashier performance in Three Billboards will overshadow Hawkins’ nuanced, silent performance in SoW. That’s wrong to me, as I think Hawkins does so much physically that is so taxing for any actor that would dare take a role like that. South Korean child actress Ahn Seo-hyun just sneaks in for Okja.

Best Supporting Actor

Willem Dafoe, The Florida Project

Woody Harrelson, Three Billboards Outside Ebbing, Missouri

Richard Jenkins, The Shape of Water

Bob Odenkirk, The Post

Christopher Plummer, All the Money in the World

My least favorite acting category this year. So I’ll toss it to Dafoe for The Florida Project... who, on Sunday, is probably going to lose to a flashier performance in Sam Rockwell for Three Billboards (who shouldn’t have been nominated). Plummer and Odenkirk are in a close battle for second.

Best Supporting Actress

Mary J. Blige, Mudbound

Tiffany Haddish, Girls Trip

Allison Janney, I, Tonya

Lesley Manville, Phantom Thread

Laurie Metcalf, Lady Bird

This is Manville v. Metcalf for me. And for playing the deeply layered, deeply conflicted, tough-love mother in Lady Bird, this has to be Metcalf for me. It is ta transcendent supporting actress performance. And yes, I snuck Tiffany Haddish in here... because why not?

Best Adapted Screenplay

James Ivory, Call Me by Your Name

Scott Neustadter and Michael H. Weber, The Disaster Artist

Scott Frank, James Mangold, and Michael Green, Logan

Dee Rees and Virgil Williams, Mudbound

Aaron Sorkin, Molly’s Game

If I ran the Oscars, the 89-year-old James Ivory wouldn’t have won an Oscar by now either. I hate to type that, but timing is a funny thing! Fate and time are funny things, aren’t they? This category isn’t close. Dee Rees makes history as the first nominated black woman in this category!

Best Original Screenplay

Paul Thomas Anderson, Phantom Thread

Sean Baker and Chris Bergoch, The Florida Project

Greta Gerwig, Lady Bird

Liz Hannah and Josh Singer, The Post

Jordan Peele, Get Out

I’ve already commented how much I think Get Out is more flawed a movie than most believe. This comes down to Anderson and Gerwig for me... and my Best Picture winner, I think, is blessed with the screenplay of the year for capturing a time, a place, and its characters at a certain point in their lives so wonderfully.

Best Animated Feature

The Breadwinner (Cartoon Saloon/GKIDS)

Coco (Pixar/Walt Disney)

The Girl Without Hands, France (Shellac/GKIDS)

Loving Vincent (Next Film/Good Deed Entertainment)

Mary and the Witch’s Flower, Japan (Studio Ponoc/GKIDS)

SHOCKER. For me, I was considering a tie in this category (which has happened six times in Academy Awards history... so I guess I have to save it for once every fifteen ceremonies or something) between Breadwinner (write-up) and Coco (write-up). This would be Cartoon Saloon’s first win in my alternate universe... in that same alternative universe for 2009, The Secret of Kells would’ve lost to Up; for 2014, Song of the Sea would’ve lost to eventual Best Picture winner The Tale of the Princess Kaguya.

Coco fans, don’t despair though. Keep reading... because your movie isn’t going home empty-handed.

I totally disrespected Ferdinand and Boss Baby didn’t I?

Best Documentary Feature

Abacus: Small Enough to Jail (Kartemquin Films/Public Broadcasting Service)

Faces Places, France (Le Pacte/Cohen Media Group)

Jane (National Geographic)

LA92 (National Geographic)

Last Men in Aleppo (Aleppo Media Center/Larm Film/Grasshopper Film)

I don’t think this would be Agnès Varda’s first Oscar in my alternative universe? I’ll get to doing the 1960s someday. :P

Best Foreign Language Film

Faces Places, France

The Insult, Lebanon

Loveless, Russia

Mary and the Witch’s Flower, Japan

The Square, Sweden

Best Cinematography

Roger Deakins, Blade Runner 2049

Janusz Kaminski, The Post

Rachel Morrison, Mudbound

Jonathan Ricquebourg, The Death of Louis XIV (FRA)

Hoyte Van Hoytema, Dunkirk

Morrison makes history by being the first female nominee in this category and as its first winner. Sorry Roger Deakins! You probably would’ve won earlier in my alternative universe anyways.

Best Film Editing

Michael Kahn, The Post

Paul Machliss and Jonathan Amos, Baby Driver

Gregory Plotkin, Get Out

Lee Smith, Dunkirk

Sidney Wolinsky, The Shape of Water

Best Original Musical*

M.M. Keeravani, Baahubali 2: The Conclusion

Robert Lopez and Kristen Anderson-Lopez, Coco

Benj Pasek and Justin Paul, The Greatest Showman

*NOTE: Best Original Musical – known previously as several other names – exists in the Academy’s rulebooks, but requires activation from the music branch given that there are enough eligible films. To qualify, a film must have no fewer than five original songs. This category was last activated when Prince won for Purple Rain (1984).

You know, this might change some day if I sit down and watch Baahubali 2. I’ve listened to the soundtrack, but I haven’t seen the songs in context. Sorry Indian cinema fans! Coco fans must be getting mighty mad at me for now... but Coco’s musical score – outside of two original songs (“Remember Me” and “Proud Corazón”) and one non-original song (“La Llorana”) – isn’t the best out of context. The Greatest Showman – I think Pasek and Paul are far better lyricists than they are composers (and yes, that’s a problem) – has songs that do very well in and out of context, and takes the win in this category.

Best Original Score

Alexandre Desplat, The Shape of Water

Alexandre Desplat, Valerian and the City of a Thousand Planets

Michael Giacchino, War for the Planet of the Apes

John Williams, The Post

John Williams, Star Wars: The Last Jedi

It really comes down to Valerian, Apes, and Jedi. And in this titanic battle over science fiction and space opera, it is Desplat for the much-maligned Valerian taking the Oscar home. The score combines seamlessly enormous orchestral and electronic elements to a degree that I haven’t heard from Desplat yet. It barely edges Williams for The Last Jedi... which benefits from some of Williams’ best action scoring in years and a repackaging of older themes in ways showing off the dexterity of the maestro. Giacchino is third, with Desplat for SoW in fourth, and The Post in fifth. Jonny Greenwood for Phantom Thread is the first man out.

Best Original Song

“Mighty River”, music by Raphael Saadiq; lyrics by Mary J. Blige, Saadiq, and Taura Stinson, Mudbound

“A Million Dreams”, music and lyrics by Benj Pasek and Justin Paul, The Greatest Showman

“Mystery of Love”, music and lyrics by Sufjan Stevens, Call Me by Your Name

“Remember Me (Recuérdame)”, music and lyrics by Kristen Anderson-Lopez and Robert Lopez, Coco

“This Is Me”, music and lyrics by Benj Pasek and Justin Paul, The Greatest Showman

Also proudly the winner of the 2017 Movie Odyssey Award for Best Original Song (some of you know what that means), “Remember Me (Recuérdame)” has everything you want – interesting musicality (even though I still think that descending line, which begins with “For ever if I’m far away / I hold you in my heart” sounds far more like something Randy Newman would compose than something distinctly Mexican) meaningful lyrics, layers of meaning within the movie it comes from, and a life of its own when separated from that movie.

Showstopper “This Is Me” comes a distant second, with the others in a scrum for crumbs. I really like “A Million Dreams”, though. My sister will take me to task over how much I enjoyed The Greatest Showman’s soundtrack (which I enjoyed despite finding it musically uninteresting).

Best Costume Design

Jacqueline Durran, Beauty and the Beast

Jen Wasson, The Beguiled

Nina Avramovic, The Death of Louis XIV

Mark Bridges, Phantom Thread

Luis Sequeira, The Shape of Water

Best Makeup & Hairstyling

Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick, Darkest Hour

John Blake and Camille Friend, Guardians of the Galaxy Vol. 2

Neal Scanlan and Peter King, Star Wars: The Last Jedi

Thi Thanh Tu Nguyen and Félix Puget, Valerian and the City of a Thousand Planets

Arjen Tuiten, Wonder

Best Production Design

Dennis Gassner and Alessandra Querzola, Blade Runner 2049

Jim Clay and Rebecca Alleway, Murder on the Orient Express

Paul Denham Austerberry, Shane Vieau, and Jeff Melvin, The Shape of Water

Hugues Tissandier, Valerian and the City of a Thousand Planets

Aline Bonetto and Dominic Hyman, Wonder Woman

Best Sound Editing

Mark Mangini and Theo Green, Blade Runner 2049

Richard King and Alex Gibson, Dunkirk

Al Nelson and Steve Slanec, Kong: Skull Island

Matthew Wood and Ren Klyce, Star Wars: The Last Jedi

James Mather, Wonder Woman

Best Sound Mixing

Julian Slater, Tim Cavagin, and Mary H. Ellis, Baby Driver

Ron Bartlett, Doug Hemphill, and Mac Ruth, Blade Runner 2049

Mark Weingarten, Gregg Landaker, and Gary A. Rizzo, Dunkirk

Christian Cooke, Brad Zoern, and Glen Gauthier, The Shape of Water

David Parker, Michael Semanick, Ren Klyce, and Stuart Wilson, Star Wars: The Last Jedi

Best Visual Effects

John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover, Blade Runner 2049

Scott Fisher and Andrew Jackson, Dunkirk

Ben Morris, Mike Mulholland, Neal Scanlan, and Chris Corbould, Star Wars: The Last Jedi

Scott Stokdyk and Jérome Lionard, Valerian and the City of a Thousand Planets

Joe Letteri, Daniel Barrett, Dan Lemmon, and Joel Whist, War for the Planet of the Apes

Best Documentary Short

Edith+Eddie (Kartemquin Films)

Heaven Is a Traffic Jam on the 405 (Frank Stiefel)

Heroine(e) (Requisite Media/Netflix)

Knife Skills (Thomas Lennon Films)

Traffic Stop (Q-Ball Productions/HBO Films)

My omnibus review of this year’s nominees can be read here.

Best Live Action Short

DeKalb Elementary (Reed Van Dyk)

The Eleven O’Clock (FINCH)

My Nephew Emmett (Kevin Wilson, Jr.)

The Silent Child (Slick Films)

Watu Wote: All of Us, Germany/Kenya (Ginger Ink Films/Hamburg Media School)

My omnibus review of this year’s nominees can be read here.

Best Animated Short

Dear Basketball (Glen Keane Productions)

In a Heartbeat (Ringling College of Art and Design)

Lou (Pixar/Walt Disney)

Revolting Rhymes (Magic Light Pictures/Triggerfish Animation Studios/BBC)

World of Tomorrow Episode Two: The Burden of Other People’s Thoughts (Bitter Films)

My omnibus review of this year’s nominees can be read here. I took out Negative Space and Garden Party for my winner In a Heartbeat and World of Tomorrow Episode Two. If you haven’t seen In a Heartbeat yet... first, where the hell have you been? Under a rock? Here’s the link.

Academy Honorary Awards: Agnès Varda, Charles Burnett, Donald Sutherland, and Owen Roizman

Special Achievement Academy Award: Alejandro González Iñárritu, Flesh and Sand

MULTIPLE NOMINEES (22) Nine: The Shape of Water Seven: Dunkirk; The Post Six: Phantom Thread Five: Blade Runner 2049; Lady Bird; Mudbound; Star Wars: The Last Jedi Four: Call Me by Your Name; Coco; Faces Places; Valerian and the City of a Thousand Planets Three: The Florida Project; Get Out; The Greatest Showman; War for the Planet of the Apes Two: Baby Driver; The Breadwinner; Darkest Hour; The Death of Louis XIV; Mary and the Witch’s Flower; Three Billboards Outside Ebbing, Missouri; Wonder Woman

WINNERS 4 wins: The Shape of Water 3 wins: Lady Bird 2 wins: Dunkirk; Faces Places; Valerian and the City of a Thousand Planets; War for the Planet of the Apes 1 win: The Breadwinner; Call Me by Your Name; Coco; DeKalb Elementary; The Florida Project; The Greatest Showman; In a Heartbeat; Knife Skills; Mudbound; Phantom Thread

16 winners from 25 categories. 45 feature-length films and 15 short films were represented.

Questions? Comments? Personal attacks? Fire away!

#90th Academy Awards #Oscars #31 Days of Oscar

2 notes · View notes

art-now-germany · 3 years

Photo

Quiff,, Wolfgang Schmidt

Sincerely to: Andy Hall, Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, Paul Allen, Edythe L. and Eli Broad, Rosa and Carlos de la Cruz, Patricia and Gustavo Phelps de Cisneros (Venezuela and Dominican Republic), Donald and Mera Rubell, Steven A. Cohen, Theo Danjuma, Maria Baibakova, Adrian Cheng, Ingvild Goetz (München), Victoria and David Beckham, Leonardo Dicaprio, Alan Lau, Camilla Barella, Ralph DeLuca, Arthur de Ganay, Ramin Salsali, Moises Cosio, Pedro Barbosa, Monique and Max Burger, Joaquin Diez-Cascon, Luciano Benetton, Roman Abramovich and Dasha Zhukova (Russia), Robbie Antonio (Philippines), Hélène and Bernard Arnault (France), Maria and Bill Bell (United States), Peter Benedek (United States), Debra and Leon Black (United States), Christian and Karen Boros (Germany), Irma and Norman Braman (United States), Peter Brant (United States), Basma Al Sulaiman, Marc Andreessen, Laura and John Arnold, Camilla Barella, Swizz Beatz, Claudia Beck, Andrew Gruft, Robert and Renée Belfer, Lawrence Benenson, Frieder Burda (Germany), Richard Chang (United States), Kim Chang-il (Korea), David Chau and Kelly Ying (China), Pierre T.M. Chen (Taiwan), Adrian Cheng (China), Kemal Has Cingillioglu (United Kingdom), Nicolas Berggruen, Jill and Jay Bernstein, Ernesto Bertarelli, James Brett, Jim Breyer, Christian Bührle, Valentino D. Carlotti, Edouard Carmignac, Trudy and Paul Cejas, Dimitris Daskalopoulos (Greece), Zöe and Joel Dictrow (United States), George Economou (Greece), Alan Faena (Argentina), Mark Falcone and Ellen Bruss (United States), Amy and Vernon Faulconer (United States), Howard and Patricia Farber (United States), Larry and Marilyn Fields (United States), Marie Chaix, Michael and Eva Chow, Frank Cohen, Michael and Eileen Cohen, Isabel and Agustín Coppel, Anthony D'Offay, Hélène and Michel David-Weill, Antoine de Galbert, Ralph DeLuca, Amanda and Glenn Fuhrman (United States), Danielle and David Ganek (United States), Ken Griffin (United States), Agnes Gund (United States), Steven and Kathy Guttman (United States), Andrew and Christine Hall (United States), Lin Han (China), Henk and Victoria de Heus-Zomer (Holland), Grant Hill (United States), Maja Hoffmann (Switzerland), Erika Hoffmann-Koenige (Germany), Tiqui Atencio Demirdjian, Beth Rudin DeWoody, Eric Diefenbach and JK Brown, David C. Driskell, Mandy and Cliff Einstein, Rebecca and Martin Eisenberg, Ginevra Elkann, Tim and Gina Fairfax, Dana Farouki, Michael and Susan Hort (United States), Guillaume Houzé (France), Wang Jianlin (China), Dakis Joannou (Greece), Alan Lau (China), Joseph Lau (China), Melva Bucksbaum and Raymond Learsy (United States), Agnes and Edward Lee (United Kingdom), Aaron and Barbara Levine (United States), Adam Lindemann (United States), Eugenio López (Mexico), Jho Low (China), Susan and Leonard Feinstein, Nicoletta Fiorucci, Josée and Marc Gensollen, Alan and Jenny Gibbs, Noam Gottesman, Florence and Daniel Guerlain, Paul Harris, Barbara and Axel Haubrok, Alan Howard, Fatima and Eskandar Maleki (United Kingdom), Martin Margulies (United States), Peter Marino (United States), Donald Marron (United States), David MartÍnez (United Kingdom and Mexico), Raymond J. McGuire (United States), Rodney M. Miller Sr. (United States), Simon and Catriona Mordant (Australia), Arif Naqvi (United Kingdom), Peter Norton (United States), Shi Jian, Elton John, Tomislav Kličko, Mo Koyfman, Jan Kulczyk, Svetlana Kuzmicheva-Uspenskaya, Pierre Lagrange, Eric and Liz Lefkofsky, Robert Lehrman, François Odermatt (Canada), Bernardo de Mello Paz (Brazil), José Olympio & Andréa Pereira (Brazil), Catherine Petitgas (United Kingdom), Victor Pinchuk (Ukraine), Alden and Janelle Pinnell (United States),Ron and Ann Pizzuti (United States), Michael Platt (Switzerland), Miuccia Prada and Patrizio Bertelli (Italy), Howard and Cindy Rachofsky (United States), Mitchell and Emily Rales (United States), Dan Loeb, George Lucas, Ninah and Michael Lynne, Lewis Manilow, Marissa Mayer, David Mirvish, Lakshmi Mittal, Valeria Napoleone, John Paulson, Amy and John Phelan, Ellen and Michael Ringier (Switzerland), David Roberts (United Kingdom), Hilary and Wilbur L. Ross Jr. (United States), Dmitry Rybolovlev (Russia), Lily Safra (Brazil),Tony Salamé (Lebanon), Patrizia Sandretto (Italy), Eric Schmidt (United States), Alison Pincus, Heather Podesta, Colette and Michel Poitevin, Thomas J. and Margot Pritzker, Bob Rennie, Craig Robins, Deedie and Rusty Rose, Stephen Ross, Alex Sainsbury, Alain Servais (Belgium), Carlos Slim (Mexico), Julia Stoschek (Germany), Budi Tek (Indonesia), Janine and J. Tomilson Hill III (United States), Trevor Traina (United States), Alice Walton (United States), Robert & Nicky Wilson (United Kingdom), Elaine Wynn (United States), Lu Xun (China), Muriel and Freddy Salem, Denise and Andrew Saul, Steven A. Schwarzman, Carole Server and Oliver Frankel, Ramin Salsali, David Shuman, Stefan Simchowitz, Elizabeth and Frederick Singer, Jay Smith and Laura Rapp, Jeffrey and Catherine Soros, Jerry Yang and Akiko Young (United States), Liu Yiqian and Wang Wei (China), Anita and Poju Zabludowicz (United Kingdom), Jochen Zeitz (South Africa), Qiao Zhibing (China), Jerry Speyer and Katherine G. Farley, Susana and Ricardo Steinbruch, Kai van Hasselt, Francesca von Habsburg, David Walsh, Artur Walther, Derek and Christen Wilson, Michael Wilson, Owen Wilson, Zhou Chong, Doris and Donald Fisher, Ronnie and Samuel Heyman, Marie-Josee and Henry R. Kravis, Evelyn and Leonard Lauder, Jo Carole and Ronald S. Laude, Francois Pinault (France), Udo Brandhost (Köln), Harald Falckenberg (Hamburg), Anna and Joseph Froehlich (Stuttgart), Hans Grothe (Bremen), UN Knecht (Stuttgart), Arendt Oetker (Köln), Inge Rodenstock (Grünwald), Ute and Rudolf Scharpff (Stuttgart), Reiner Speck (Köln), Eleonore and Michael Stoffel (Köln), Reinhold Würth (Niedernhall), Wilhelm and Gaby Schürmann, Ivo Wessel, Heiner and Celine Bastian, Friedrich Karl Flick, Monique and Jean-Paul Barbier-Mueller (Genf), Christa and Thomas Bechtler (Zürich), David Bowie (Lausanne), Ulla and Richard Dreyfus (Binningen und Gstaad), Georges Embiricos (Jouxtens and Gstaad), Friedrich Christian "Mick" Flick (Hergiswil and Gstaad), Esther Grether (Bottmingen), Donald Hess (Bolligen), Elsa and Theo Hotz (Meilen), Baroness Marion and Baron Philippe Lambert (Genf), Gabi and Werner Merzbacher (Zürich), Robert Miller (Gstaad), Philip Niarchos (St. Moritz), Jacqueline and Philippe Nordmann (Genf), Maja Oeri and Hans Bodenmann (Basel), George Ortiz (Vandoeuvres), Graf and Gräfin Giuseppe Panza di Biumo (Massagno), Ellen and Michael Ringier (Zürich), Andrew Loyd Webber, Steve Martin, Gerhard Lenz, Elisabeth and Rudolf Leopold.

https://www.saatchiart.com/art/Painting-Quiff/694205/3616535/view

#portraiture #abstract #fineart #popart #modern #WolfgangSchmidt

9 notes · View notes

bdscuatui · 4 years

Photo

Thành phố New York sẽ 'quay trở lại' từ cuộc khủng hoảng coronavirus Giám đốc điều hành bất động sản William Rudin nói với CNBC hôm thứ Sáu rằng ông tin tưởng nền kinh tế của thành phố New York cuối cùng sẽ vượt qua những thách thức do coronavirus gây ra. "Cáo phó của New York đã được viết nhiều lần," Rudin nói trên "Việc trao đổi." "Sự tương tác xã hội, con người luôn là một phần sức mạnh của Thành phố New York sẽ quay trở lại. Sẽ mất một chút thời gian ... nhưng nó sẽ quay trở lại." Thành phố New York đã là một điểm nóng lớn trong vụ dịch ở Hoa Kỳ, với hơn 190.000 trường hợp, theo Đại học Johns Hopkins, và một số câu hỏi làm thế nào cuộc khủng hoảng sẽ ảnh hưởng đến thành phố lâu dài. Các câu hỏi đã được đặt ra về thị trường bất động sản, đặc biệt, vì một số cư dân có thể quyết định rời khỏi thành phố hoàn toàn và các công ty có thể giảm dấu chân văn phòng của họ để ủng hộ công việc từ xa hơn.Rudin, CEO và đồng chủ tịch của Công ty quản lý Rudin, cho biết những dự đoán tàn khốc về số phận của thành phố New York đã được nêu ra trong những thách thức trước đây mà thành phố phải đối mặt nhưng cuối cùng không chứng minh được sự thật. "Vào đầu những năm 90, chúng tôi có 30 triệu feet không gian trống ở Lower Manhattan. Mọi người đều nói rằng nó sẽ không quay trở lại. Sau ngày 9/11, không ai sẽ quay lại tòa nhà văn phòng [or] mọi người sẽ làm việc dưới tầng 15, "Rudin, người cũng lưu ý ảnh hưởng của cơn bão Sandy năm 2012 đã ở trên thành phố. Một người đàn ông đeo mặt nạ chạy trong Quảng trường Thời đại trống rỗng giữa đại dịch coronavirus vào ngày 9 tháng 5 năm 2020 tại Thành phố New York. COVID-19 đã lan rộng ra hầu hết các quốc gia trên thế giới, cướp đi hơn 280.000 sinh mạng với hơn 4,1 triệu trường hợp.Alexi Rosenfeld | những hình ảnh đẹpRudin Management, được thành lập vào năm 1925, giám sát 36 cơ sở tại Thành phố New York, 16 trong số đó là các tòa nhà văn phòng thương mại. Công ty có 18 tòa nhà dân cư và hai chung cư. Các công ty làm giảm dấu chân văn phòng của họ đang mở ra cánh cửa cho các doanh nghiệp, có lẽ trong các lĩnh vực khác nhau, có thể muốn điều đó, Rudin lập luận. "Sẽ có những công ty khác sẽ bước vào khoảng trống," ông nói. "Chúng tôi có những bệnh viện nghiên cứu đáng kinh ngạc. Chúng tôi có các nhà khoa học. Chúng tôi có các tổ chức y tế, họ sẽ phát triển. Các công ty khác sẽ bước vào và sử dụng công nghệ để sáng tạo và trở thành công ty của tương lai mà chúng tôi hy vọng sẽ lấp đầy không gian của chúng ta. " Rudin cho biết một phần sự lạc quan của anh bắt nguồn từ nghiên cứu được thực hiện trên một loại vắc-xin tiềm năng cho coronavirus, đã lây nhiễm hơn 4,5 triệu người trên toàn thế giới. Ông nói rằng điều đó sẽ rất quan trọng đối với Thành phố New York, nhưng trong thời gian đó, thành phố và cư dân của nó sẽ thích nghi và thay đổi. "Hy vọng rằng chúng ta sẽ chuyển qua, đến điểm mà vắc-xin và phương pháp trị liệu ở ngoài đó, và thành phố sẽ trở lại, tốt hơn và mạnh hơn," Rudin nói. Ông tham khảo một trích dẫn từ cha mình, Lewis Rudin, một titan bất động sản đã tổ chức một nỗ lực để giúp thành phố New York vượt qua một cuộc khủng hoảng tài chính trong những năm 1970."Cha tôi luôn nói: 'Đừng bao giờ cá cược với thành phố New York.' Vì vậy, chúng tôi đang tiếp tục điều đó, "ông nói. .[ad_2] Nguồn

0 notes

shortyawards · 5 years

Text

New Academy Members - February 2019

Our Academy continues to grow with these new Real Time Academy members from February 2019:

Aaqib Usman Founder, Midwest Immersive

Allan Gungormez Head of Strategy, hi5.agency

Ashlie Daubert Director of Branded Content, Collab

bill wurtz Video Creator, Instrumentalist, Shorty Awards Winner

Bipasha Mookherjee Associate Creative Director/Copy, McCann New York

Conor Brady Chief Creative Officer, Critical Mass

Dan Lewis Sr. Director, Digital Marketing, Sesame Workshop

Deepica Mutyala Founder & CEO, Live Tinted

Gigi Gorgeous Activist, YouTuber and Author

Jean English Senior Vice President and Chief Marketing Officer, NetApp

Joshua Jaffe General Manager, Media, Ingenio

Kenny Gold SVP/Director of Social, Grey

Linda Rutherford Senior Vice President, Chief Communications Officer, Southwest Airlines

Matthew DiGirolamo Chief Communications Officer, L’Oreal USA

Megan Jones Senior Director, Client Strategy & Service, January Digital

Michael Rudin CEO + Founder, Armed Mind

Michelle Bottomley Chief Marketing Officer, New York Life Insurance Company

Nev Schulman Producer, Writer, and Television Host

Peter Heneghan Head of Communications, LADbible Group

Rebecca Messina Global Chief Marketing Officer, Uber

Rosemary Mercedes EVP & Chief Communications Officer, Univision

Todd Lombardo Managing Director, Brand & Social, The Many

Tony Weisman Chief Marketing Officer, Dunkin' Brands

Tynesha Williams Creative Director, Cashmere Agency

You can view all of our Academy members at: http://rtacademy.org/

#shortyawards #realtimeacademy #rta #shortys #jury #judges #newmembers #news #updates #theshortyawards

0 notes

movietvtechgeeks · 7 years

Photo

Latest story from https://movietvtechgeeks.com/la-la-land-stranger-things-atlanta-sweep-2017-pga-awards/

'La La Land,' 'Stranger Things' and 'Atlanta' sweep 2017 PGA Awards

“La La Land” is easily sweeping up all the awards this year, but Netflix’s “Stranger Things” jumped in on the action along with “Atlanta” for the 28th annual Producers Guild Awards (PGA).

The musical comedy-drama went up against “Arrival,” “Deadpool,” “Fences,” “Hacksaw Ridge,” “Hell or High Water,” “Hidden Figures,” “Lion,” “Manchester by the Sea,” and “Moonlight,” but was able to come out the winner which was presented by Dustin Hoffman.

The guild recognized the candy-colored musical with its Darryl F. Zanuck Award for theatrical motion picture production Saturday, a prize that often precedes the best picture Academy Award. (Last year was an exception, when “The Big Short” won the guild award, while “Spotlight” got the Oscar.) The nominees for the guild’s top film prize echo Oscars’ best picture nominees this year, with the exception of “Deadpool,” which made the cut with producers but not the film academy.

But the guild’s celebration at the Beverly Hilton Hotel of the year’s outstanding film and television productions had a decidedly political tone, as President Donald Trump’s ban on refugees and visitors from several Muslim countries triggered protests in New York, Los Angeles, Chicago, Dallas, Seattle and other cities.

“Our America is big, it is free, and it is open to dreamers of all races, all countries, all religions,” singer John Legend said as he introduced “La La Land” at Saturday’s untelevised ceremony. “Our vision of America is directly antithetical to that of President Trump. I want to specifically, tonight, reject his vision and affirm America has to be better than that.”

Ezra Edelman, producer and director of “O.J.: Made in America,” which claimed the guild’s documentary prize, echoed Legend’s sentiments.

“Please keep telling stories that are about our humanity,” he said.

Other winners Saturday included “Zootopia” for animated feature, “Atlanta” for episodic television comedy and “Stranger Things” for episodic TV drama.

Presenters included Justin Timberlake, Octavia Spencer, Taraji P. Henson, Nicole Kidman, Jeff Bridges, Kerry Washington, Robert De Niro and Martin Scorsese. Veteran producers James L. Brooks, Tom Rothman and Irwin Winkler received special awards.

Dustin Hoffman presented the night’s top prize. As producer Marc Platt accepted for “La La Land,” he said, “The power of cinema cannot be denied and has no borders … We must believe love can change our lives, much as it can change the world.”

Full List of 2017 Producers Guild Awards Winners:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures: • La La Land (WINNER) Producers: Fred Berger, Jordan Horowitz, Marc Platt • Arrival Producers: Dan Levine, Shawn Levy, Aaron Ryder, David Linde • Deadpool Producers: Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner • Fences Producers: Scott Rudin, Denzel Washington, Todd Black • Hacksaw Ridge Producers: Bill Mechanic, David Permut • Hell or High Water Producers: Carla Hacken, Julie Yorn • Hidden Figures Producers: Donna Gigliotti, Peter Chernin & Jenno Topping, Pharrell Williams, Theodore Melfi • Lion Producers: Emile Sherman & Iain Canning, Angie Fielder • Manchester By the Sea Producers: Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, Kevin Walsh • Moonlight Producers: Adele Romanski, Dede Gardner & Jeremy Kleiner

The Award for Outstanding Producer of Animated Theatrical Motion Pictures: • Zootopia (WINNER) Producer: Clark Spencer • Finding Dory Producer: Lindsey Collins • Kubo and the Two Strings Producers: Arianne Sutner, Travis Knight • Moana Producer: Osnat Shurer • The Secret Life of Pets Producers: Chris Meledandri, Janet Healy

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures: • O.J.: Made in America (WINNER) Producers: Ezra Edelman, Caroline Waterlow • Dancer Producer: Gabrielle Tana • The Eagle Huntress Producers: Stacey Reiss, Otto Bell • Life, Animated Producers: Julie Goldman, Roger Ross Williams • Tower Producers: Keith Maitland, Susan Thomson, Megan Gilbride

The David L. Wolper Award for Outstanding Producer of Long-Form Television: • The People v. O.J. Simpson: American Crime Story (Season 1) (WINNER) Producers: Scott Alexander, Larry Karaszewski, Ryan Murphy, Brad Falchuk, Nina Jacobson, Brad Simpson, D.V. DeVincentis, Anthony Hemingway, Alexis Martin Woodall, John Travolta, Chip Vucelich • Black Mirror (Season 3) Producers: Annabel Jones, Charlie Brooker • The Night Manager (Season 1) Producers: Simon Cornwell, Stephen Garrett, Stephen Cornwell, Hugh Laurie, Tom Hiddleston, Susanne Bier, David Farr, John le Carré, William D. Johnson, Alexei Boltho, Rob Bullock • The Night Of Producers: Steven Zaillian, Richard Price, Jane Tranter, Garrett Basch, Scott Ferguson • Sherlock: The Abominable Bride Producers: Mark Gatiss, Steven Moffat, Sue Vertue, Beryl Vertue

The Award for Outstanding Sports Program: • VICE World of Sports (Season 1) (WINNER — TIE) • Real Sports with Bryant Gumbel (Season 22) (WINNER — TIE) • E:60 (2016) • The Fight Game with Jim Lampley: A Tribute to Muhammad Ali • Hard Knocks: Training Camp with the Los Angeles Rams (Season 11)

The Award for Outstanding Digital Series: • Comedians in Cars Getting Coffee (Season 7, Season 8) (WINNER) • 30 for 30 Shorts (Season 5) • Epic Rap Battles of History (Season 5) • Marvel’s Agents of S.H.I.E.L.D.: ACADEMY (Season 1) • National Endowment for the Arts: United States of Arts

The Norman Felton Award for Outstanding Producer of Episodic Television, Drama: • Stranger Things (Season 1) (WINNER) Producers: Matt Duffer, Ross Duffer, Shawn Levy, Dan Cohen, Iain Paterson • Better Call Saul (Season 2) Producers: Vince Gilligan, Peter Gould, Melissa Bernstein, Mark Johnson, Thomas Schnauz, Gennifer Hutchison, Nina Jack, Robin Sweet, Diane Mercer, Bob Odenkirk • Game of Thrones (Season 6) Producers: David Benioff, D.B. Weiss, Bernadette Caulfield, Frank Doelger, Carolyn Strauss, Bryan Cogman, Lisa McAtackney, Chris Newman, Greg Spence • House of Cards (Season 4) Producers: Beau Willimon, Dana Brunetti, Michael Dobbs, Josh Donen, David Fincher, Eric Roth, Kevin Spacey, Robin Wright, John Mankiewicz, Robert Zotnowski, Jay Carson, Frank Pugliese, Boris Malden, Hameed Shaukat • Westworld (Season 1) Producers: J.J. Abrams, Jonathan Nolan, Lisa Joy, Bryan Burk, Athena Wickham, Kathy Lingg, Richard J. Lewis, Roberto Patino, Katherine Lingenfelter, Cherylanne Martin

The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy: • Atlanta (Season 1) (WINNER) Producers: Donald Glover, Dianne McGunigle, Paul Simms, Hiro Murai, Alex Orr • black-ish (Season 2) Producers: Kenya Barris, Jonathan Groff, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Vijal Patel, Gail Lerner, Corey Nickerson, Courtney Lilly, Lindsey Shockley, Peter Saji, Jenifer Rice-Genzuk Henry, Hale Rothstein, Michael Petok, Yvette Lee Bowser • Modern Family (Season 7) Producers: Steven Levitan, Christopher Lloyd, Paul Corrigan, Abraham Higginbotham, Elaine Ko, Jeff Morton, Jeffrey Richman, Brad Walsh, Danny Zuker, Vali Chandrasekaran, Andy Gordon, Vanessa McCarthy, Jon Pollack, Chuck Tatham, Chris Smirnoff, Sally Young • Silicon Valley (Season 3) Producers: Mike Judge, Alec Berg, Jim Kleverweis, Clay Tarver, Dan O’Keefe, Michael Rotenberg, Tom Lassally, John Levenstein, Ron Weiner, Carrie Kemper, Adam Countee • Veep (Season 5) Producers: David Mandel, Frank Rich, Julia Louis-Dreyfus, Lew Morton, Morgan Sackett, Sean Gray, Peter Huyck, Alex Gregory, Jim Margolis, Georgia Pritchett, Will Smith, Chris Addison, Rachel Axler, David Hyman, Erik Kenward, Billy Kimball, Steve Koren

The Award for Outstanding Producer of Non-Fiction Television: • Making a Murderer (Season 1) (WINNER) Producers: Laura Ricciardi, Moira Demos • 30 for 30 (Season 7) Producers: Connor Schell, John Dahl, Libby Geist, Bill Simmons, Erin Leyden, Gentry Kirby, Andrew Billman, Marquis Daisy, Deirdre Fenton • 60 Minutes (Season 48, Season 49) Producers: Jeff Fager • Anthony Bourdain Parts Unknown (Season 5-8) Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandra Zweig • Hamilton’s America Producers: Alex Horwitz, Nicole Pusateri, Lin-Manuel Miranda, Jeffrey Seller, Dave Sirulnick, Jon Kamen, Justin Wilkes

The Award for Outstanding Producer of Competition Television: • The Voice (Season 9-11) (WINNER) Producers: Audrey Morrissey, Jay Bienstock, Mark Burnett, John de Mol, Chad Hines, Lee Metzger, Kyra Thompson, Mike Yurchuk, Amanda Zucker, Carson Daly • The Amazing Race (Season 27, Season 28) Producers: Jerry Bruckheimer, Bertram van Munster, Jonathan Littman, Elise Doganieri, Mark Vertullo • American Ninja Warrior (Season 7, Season 8) Producers: Arthur Smith, Kent Weed, Anthony Storm, Brian Richardson, Kristen Stabile, David Markus, J.D. Pruess, D. Max Poris, Zayna Abi-Hashim, Royce Toni, John, Gunn, Matt Silverberg, Briana Vowels, Mason Funk, Jonathan Provost • Lip Sync Battle (Season 1, Season 2) Producers: Casey Patterson, Jay Peterson, John Krasinski, Stephen Merchant, Leah Gonzalez, Genna Gintzig, LL Cool J • Top Chef (Season 13) Producers: Daniel Cutforth, Jane Lipsitz, Doneen Arquines, Tom Colicchio, Casey Kriley, Padma Lakshmi, Tara Siener, Erica Ross, Patrick Schmedeman, Wade Sheeler, Ellie Carbajal

The Award for Outstanding Producer of Live Entertainment & Talk Television: • Last Week Tonight with John Oliver (Season 3) (WINNER) Producers: Tim Carvell, John Oliver, Liz Stanton • Full Frontal with Samantha Bee (Season 1) Producers: Samantha Bee, Jo Miller, Jason Jones, Tony Hernandez, Miles Kahn, Pat King, Alison Camillo, Kristen Everman • The Late Late Show with James Corden (Season 2) Producers: Ben Winston, Rob Crabbe, Mike Gibbons, Amy Ozols, Sheila Rogers, Michael Kaplan, Jeff Kopp, James Longman, Josie Cliff, James Corden • Real Time with Bill Maher (Season 14) Producers: Bill Maher, Scott Carter, Sheila Griffiths, Marc Gurvitz, Billy Martin, Dean E. Johnsen, Chris Kelly, Matt Wood • Saturday Night Live (Season 42) Producers: Lorne Michaels, Steve Higgins, Erik Kenward, Lindsay Shookus, Erin Doyle, Ken Aymong

The Award for Outstanding Children’s Program: • Sesame Street (Season 46) (WINNER) • Girl Meets World (Season 2, Season 3) • Octonauts (Season 4) • School of Rock (Season 1) • SpongeBob SquarePants (Season 9)

Movie TV Tech Geeks News

#Featured #La La Land #Moonlight #Producers Guild Awards #Stranger Things

5 notes · View notes