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#lance & veronica
industriallee · 4 months
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tough luck
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farlynthordens · 7 days
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how dot could have been if the author wasn't a coward
(read right to left)
PART 2: HERE
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mushed-kid · 5 months
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voltron as textposts etc. 2
(i’m making even more rn so they will be posted later!)
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klanced · 10 months
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My favorite thing about Klance is imagining their extended family dynamics. Like obviously Shiro (+Adam) is Lance’s brother-in-law and Veronica is Keith's sister-in-law. But spiritually: Lance and Keith both agree that Hunk is their shared brother. Pidge is Keith's cousin through Shiro, making her Lance's cousin-in-law. Allura is Lance's cousin through Coran, making her Keith's cousin-in-law. Acxa is Lance's sister-in-law through Veronica, but she's also kind of his sister-in-law through Keith. Keith and Acxa are kind of siblings but Krolia is NOT Acxa's mother, she is Acxa's mother-in-law through Veronica-Lance. Romelle is Keith's sister through Krolia but Romelle is NOT Lance's sister-in-law (not until Romella and Allura get married, then Romelle becomes Lance's cousin-in-law. And then of course Allura becomes Keith's sister-in-law through Romelle). I should make a chart.
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pidges-lost-robot · 2 months
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Fucking side plot that gets flashbacked to throughout the shows run (instead of just like season 7) where its revealed that Adam finally recognised who Pidge was and before she got away to the roof, he let her know he was gonna contact her mother so she knew where her kid was and in the process of this ends up informing Iverson but before they can do anything, Shiro crash lands and the pilot episode takes place and the garrison trio go missing and we watch on Earth as Adam, Veronica, Colleen and the MFE pilots work to try and discover all that Keith and Pidge discovered before the first episode and to find out what happened to them and maybe try to get them back.
I want the stakes on earth to exist throughout, an ecosystem of the Garrison to exist that the trio are aware of and interact with before they leave, so we get a better idea of the people left back on Earth and what they're doing. I wanna know their families like they do. It doesn't have to be that I get a full on list for them all but like I just want there to be this existing world they come from cause as much as I actually can't fault the first episode on a huge amount, this is one of those things cause if I was rewriting it to have the lions discovered throughout season 1, I'd need that time for something and it's something the show lacks anyway
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i think about the McClain’s siblings so much it’s not funny anymore
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(from left to right : 17yo Luis, 13yo Veronica, 7yo Rachel, 7yo Lance, 16yo Marco) this is not canon backstory, it is for the fanfic thingy i’m working on
(i also have an instagram now wow : purplina_drawing.book)
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nightmare727 · 1 year
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Fuck you *queers your voltron characters*
Hi. Here are my queer headcanons for voltron characters in no particular order. These are purely vibes based I mostly have no logic
Lance: bisexual - trans man - he/him
Keith: gay - trans man - he/him
Pidge: aroace - non-binary or genderfluid I can't pick - any pronouns? Either that or mirror pronouns
Hunk: panromantic asexual - cis man - he/him
Shiro: gay (obviously) - cis man - he/they
I have many thoughts about sexuality/gender hcs for literally any aliens because of how labels transfer over etc etc also in my heart Altea didnt have the emphasis on labels and other junk like we do. So any queer hcs for aliens are just the closest to what I think theyd be, and if they're altean theyre unlabelled but I used what I'd choose if I had to assign labels based on what fits best
Allura - pansexual - demigirl - she/her
Coran - bisexual/pansexual - transmasc - he/him
Lotor <3: gay - transmasc/demiboy - he/they/it
Acxa: lesbian - non-binary - she/her
Veronica - bisexual - cis woman - she/her
Also, Acxa and Veronica are dating, and that's on that
Uhh yeah thats it for now. Maybe I'll post more later idk just had to get these out of my system
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April 8th 2024.
Years pass, climate changes, pandemic come and go, wars start and I’m still not over Logan Echols death. I will never be over it.
Or Laurel Lance death and the fact that she want brought back to life in the series finale like pretty much every other character who died
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autisticlancemcclain · 9 months
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parts 1 2
———
For most of Luis’s life, he’s known walking through the faded purple front door of the house he’s grown up in means he will be assaulted by noise. For so many years, he would even hear the sounds of yelling and banging and general chaos before he even made it up the steps. Several siblings tended to to that, he supposes. His key in the lock meant prepare for a whirlwind of motion and sound, for rapid Spanish and crashing sounds of clumsy people walking into each other and the calamity of home.
He tenses, even now, walking through that front door, reflexively preparing for an onslaught of noise that doesn’t come. Even though he struggled to get the key through the lock with one hand, the other holding a tired Lance, he prepared without realising what he was doing, only to become violently aware of the silence as he kicks the door shut behind him.
He freezes, right there in front of the door, keys and diaper bag clutched in one hand, Lancito gently cradled in the other, head resting on Luis’ shoulder and thumb stuck in his mouth.
It has been months, since his parents…since his parents. A new year has passed. A quiet, silent Christmas, locked in their own rooms. He has walked in with a child in his arms, after stopping at the campus daycare for the first time this semester, no different than what he’s been doing for the entirety of last semester. There is no reason for him to have walked into his home and forgotten, however briefly, how empty and quiet their home has become. (It feels, vaguely, like one of the first crisp days of autumn, stepping out of your house in the early morning and smelling the almost-frosty air, and blinking away the sudden memory of October when you were eight. Like the sudden snap out of your past, the trippy feeling of walking up in the present without realizing how far your nostalgia had driven you out of it. Startling and aching, really, the direct comparison).
Lance makes a whiny noise in the back of his throat, startling Luis into action. He starts to bounce the toddler, pressing a kiss to his forehead as he slips off his shoes and sets the diaper bag by the door.
“I know, I know, baby. Let’s go sit down for a bit.”
Lance is very…clingy.
All of them are, in some way. Rachel has just turned fifteen years old, but Luis wakes up to find her curled up at the foot of his bed more than twice a week, driven out of her room by something she refuses to voice. Marco spends every lunch period situated in the school office, hogging the phone to methodically call the rest of them to make sure they’re alive. Veronica cleans, obsessively, sorting through everyone’s things and scrubbing everything she can get her hands on like she can leave her imprint on them for when she’s not there.
“Yes, yes, I hear you.” Lance whines louder when Luis sets him down on the couch, babbling something nonsensical but stern enough on Luis’s direction that he cracks a smile. “Yeesh, do we need that tone? I’m just putting a movie on.”
He nonetheless tries to hurry things up, lest Lance get too antsy and start to cry. Once Finding Nemo starts playing — and Jesus fuck everyone in the household hates that movie so fucking bad, at this point, but it is the only fucking movie that Lance will watch and that keeps him calm — he scoops the toddler back up, collapsing back on the couch and tucking him under his arm. Lance snuggles into him easily, little elbows digging into Luis’ skin as he settles himself, and let’s put a huge, long sigh once he stills.
Luis snorts. “Stressful day at work, pal?”
“Shhhh,” Lance hushes, flailing a hand at Luis’ face area, presumably aiming for his mouth. “Nene. Sh.”
Worryingly, even at fourteen months old, Lance hasn’t really begun to talk. They’ve yet to hear him form any actual words, let alone a real sentence, in either of the languages used around him. But he has several vocalizations for things he wants — nana for food, nene for Nemo, and regular old toddler ‘no’. Lots of ‘n’ sounds. They’re saving up to take him to a specialist, but for now they just try to encourage any sounds he makes that are word-like.
“Okay,” Luis mumbles, kissing Lance’s palm. He hums, distractedly patting Luis’ cheek, eyes trained on the blue of the TV as if it’s the first time he’s seen the movie instead of the three billionth. “I’ll be quiet for Nemo.”
He lets his eyes unfocus on the screen in front of him, mind wandering, slow and lethargic. He can hear the ticking of the clock from the kitchen, almost echoing in how loud it is. It makes him tired, slow; the only time he used to hear it as a kid was on late summer nights, up late, falling asleep on the kitchen table as his mother hummed in the kitchen, making fried plantains with the fruit she’d gotten in the morning market. Lance’s weight is heavy on his side, tired and burnt out as he is, and the ebb and flow of the movie is numbingly familiar, and clock ticks steady. Tick, tick, tick.
Tick.
Tick.
Tick.
———
“Luis.” He whines, low and rumbly as something pokes his shoulder. “Luis, dorkbrain, get up.”
He groans, louder this time, cracking open one bleary eye. His eyes burn, contacts dried out, but he can make out the blurry outline of his sister, mouth twisted in a half-smile, grease smeared across her nose.
“Get up, doofus. You left the baby unsupervised.”
The words take a moment to register, but he shoots up in panic when they do. He looks frantically around the room, sighing in relief when he finds Lance sitting quietly in the corner, playing with his toy planes. He’s making tiny little crash noises every time he crashes then into each other, walking one of Rachel’s old Polly Pockets across the scene and giggling to himself.
“Jesus H. Christ,” he mutters, dragging a hand down his face as the panic starts to seep from his heart. “You fuckin’ scared me, Ronnie.”
She smirks. “And I’ll be doing it again.”
Luis decides not to tell her about the face grease. He was going to, but now she can suffer for being a dickhead. Maybe she’ll even break out.
“Yeah, yeah. Whatever.”
He glances over at Lance again, just to double-check, but he’s still playing happily by himself, so he gets to his feet.
“C’mon,” he says, inclining his head towards the kitchen. “Kids’ll be home soon. Let’s make dinner.”
“Dibs on not doing cooking!” Veronica’s hand flies to her nose, cackling at Luis’ indignance.”
“Hey! Dinner is a shared endeavour! You can’t just dibs on not doing it!”
“Can too, loser! C’mere, Lancey-baby.” She scoops him up, planes and Pollys and all, and lugs him too the kitchen.
“Using the baby to avoid arguments is illegal.”
“Eat my farts, lunch boy.”
“That’s a stupid insult,” Luis mutters to himself, glaring at his sister one last time before turning to the fridge. She ignores him gleefully, picking up a plane and gently crashing it against the one Lance is holding. Instead of any amusement, he looks at her in such comical offense, gobsmacked that his sister would have the audacity to smack around his planes, that the young mechanic’s apprentice bursts out laughing. She hunches over, wheezing, as Lance scolds her in baby-talk.
Rolling his eyes fondly, he turns back to the fridge, finally opening the door and glancing inside.
If his life was a cartoon, there would be tumbleweeds rolling through the white, cooled shelves. That’s how fuckin’ bare it is.
“Well that’s…not good,” Veronica says when Luis fails to say anything.
Luis swallows roughly. “We forgot to budget for fucking groceries this month.”
Veronica hangs her head. “Fuck.” Even little Lance goes quiet, look between them in concern, bottom lip stuck out and trembling. Veronica reaches out a hand and brushes through his hair to comfort him, which kind of works. He abandons his toys to curl into her, thumb back in his mouth.
Luis opens and closes the fridge three separate times, hoping food will magically appear. When that doesn’t work, he wonders if he can make soup out of ketchup, or something. Add onion skin for flavours.
“We’re not cut out for this, Ron.”
She laughs sharply. “Yeah, no shit.”
She opens her mouth again, and from the look in her face Luis knows she’s about to say something dumb, so he beats her to the punch.
“I’m quitting school,” he blurts.
She blinks in shock. A second later her eyes narrow, and her face goes steely. “Like fucking hell you are.”
Luis sighs. He turns, slightly, reaching over and grabbing Lance from her arms. He bounces him gently, leaning in and blowing raspberries onto his cheek so he doesn’t have to look at Vero.
“My tuition eats up half of our funds,” he says quietly. “And the library job barely puts a dent in it. I can’t…if I don’t have as many hours in school, I can get a job that’ll get me money fast, and I can —”
Before he can finish, and before Veronica can argue, the sound of the lock turning in the front door interrupts them both. There’s no giggling, no banter, no even squabbling as Rachel and Marco walk through the door.
There hasn’t been.
Luis would trade anything to have it back.
“Hi,” Marco says slowly, reading the tension in the room. “Everything…okay?”
Luis smiles tightly. “Fine, buddy. We were just talking.”
Marco’s expression flattens. “I’m not stupid, Luis.”
“I know.” A beat. “It’s just nothing for you to stress about.”
Marco says nothing for a moment, staring at Luis flatly, before he tosses his backpack agains the wall and squares his shoulders.
“We are four and six years younger then you,” he starts. Rachel nods resolutely beside him. “We’ve been — obviously we’re not doing super stellar. I know the fridge is empty. And that you cried over the mortgage last night. And we heard you arguing from outside.”
Luis and Veronica look at each other guiltily.
Rachel stares at them, eyes flat and annoyed, fingers pinching the bridge of her noise. She hasn’t spoken in months, but Luis has learnt to read her unspoken — that’s a bitch, please if he’s ever heard one.
“Stop apologizing for stupid shit,” Marco says for her. “We’re not trying to make you feel guilty. We’re trying to say that we can help.”
“Not your job,” Veronica says immediately. “Your job is graduate highschool and develop your brain.”
“Not a single person here is done developing!” Marco explodes. “All of us are still fucking growing! We lost our fucking parents, all of us, and instead of letting us be a part of the solution you’re blocking us out and treating us like babies!”
“Wanting you to be safe is not babying you,” Luis says shortly.
“Oh, did you read that in one of your parenting books?”
Yes, actually. He did. But he’s annoyed that Marco knows about those, so he pretends he didn’t hear like the mature grownup he is.
“Piss off,” he says, like an adult.
“Yeah,” Veronica agrees. “We’re the adults, and we say cool it with the crazy talk.”
Marco glares harshly at them. Rachel joins him. Lance makes a short, cut-off whine, turning to shove his face in Luis’ neck. His hands come up to pat his back reflexively.
“I quit violin lessons,” Marco says eventually.
Luis’ jaw drops. Veronica joins his indignation.
“What?!” she shouts.
Luis feels like something is wrapped around his throat, choking him. His heartbeat pounds in his ears. The desperate hope he’s been clinging too, the goals to get Marco and Rachel and Vero everywhere they want to go in life, come crashing to the ground around him.
“Julliard,” he says weakly. He can’t force his voice to say anything further.
Marco juts put his chin. “They were two hundred dollars per session. I talked to my tutor. She said…” he trails off slightly, voice getting gravelly, but gathers himself again when Rachel grabs his arm and squeezes. “She wrote a reference letter for me,” he continues softly. “Even though I’m only a junior. And she’s apparently been talking to the admission staff since I first started taking lessons with her. As long as I keep practicing every day, she says I have nothing to worry about. But I’ll have time for a part time job, now. On weekends at least.” He locks eyes with Luis. “Don’t fucking quit school, stupid.“
Luis holds his gaze for several minutes. He wants to contest it all. He wants Marco to take his lessons every day and come back exhilarated, like he always used to. He wants Veronica to focus on building projects in the garage in her free time, instead of picking up hours to blow through her apprenticeship as quickly as possible. He wants to hear Rachel’s voice again. He wants Lance to stop flinching every time things get even playfully tense.
But there are things he can get, and things he cannot.
“Okay,” he says softly. “Okay.”
Plans will have to change. He graduates in a few months, so long as his final courses go well. The original plan was med school, but that’s obviously no longer an option. Not with everything.
But if Marco can adapt, so can he.
“We’ll work things out,” he says, trying to channel his father’s voice. It must work, somehow, because Veronica smiles in that bitter way of hers, that she does when she remembers.
“Of course we can.”
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crioh-freeze · 2 months
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What if Lance puts all of his trinkets into a special box that he hides, so if someone were to ever break in, they couldn't find said box.
One day, Veronica finds Lance and crew in space, and after all the crying and REALLY quick catching up, Lance's face brightens up all of a sudden, and he bolts off yelling "Ome second!!" As he sprints down the hall.
When he gets back, box in hand (no one else has seen this, Keith has only heard about this box), he opens it and explains where exactly each and every item in the box came from and why he chose it specifically. He explains this to Veronica, who very swiftly realizes he got it from her.
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discordiansamba · 4 months
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anyways I don't know if it's due to falling asleep to the backdrop of people setting off way too many fireworks or not, but I had a weird dream last night and now I am here to tell you guys all about it because I've been idly rotating it all day. you've heard of body swap not get ready for... personality swap, I guess? But not completely?
anyways it seemed to take place at the tail end of season one, where instead of getting shot out into random locations by the corrupted wormhole, all the lions stayed on the Castle, but something about the combination of the corrupted wormhole and the paladin bond resulted in something... weird happening. Some kind of quintessence rearrangement that resulted in Lance, Hunk, Pidge, and Keith all swapping aspects of their personalities around that Shiro was apparently spared from because of some kind of defense mechanism that Pidge installed in the control chip for his arm that's in his brain that protected him but the backlash forced him to require some time in the cyropod.
(I guess my brain said. you know what would be funny. Shiro just waking up to this nonsense. and honestly? valid.)
(also allura and coran are fine and somehow escaped the wormhole don't worry about it. apparently the mice did also have their personalities swapped around but like. they're mice. they don't care.)
Pidge was probably the least effected bc she got traits from Hunk, who she already has a decent amount in common with, except now she's prone to nervous tirades, is now a morning person, and is calmed by the act of cooking. except she can't cook. Hunk at least kept very clear notes on all of his cooking experiments so she has something to work with. She suddenly finds herself more drawn to tinkering with things as opposed to coding, but she can still do the latter super easily. Also she has a solid sleep schedule now? She also stops wearing her brother's glasses bc she winds up fixated on the idea that she'll break them so she just keeps them safe in her room instead. Which she has now cleaned. She still kind of feels like she dodged a bullet. Sorry guys.
Lance is... having an experience, because he picked up traits from Pidge. He likes studying now? Except apparently he still has ADHD, but also Coran gave him this clicker thing that seems to be working wonders. He's suddenly a lot less interested in flirting and his detailed skin care routine kind of doesn't seem so important anymore. He has to actively set alarms on his phone otherwise he'll pull all nighters. He's starting to learn how to code? Which is weird but it's oddly calming. He's also pretty sure he picked up Pidge's sense of humor, because Pidge definitely picked up Hunk's sense of humor.
Hunk, to his great misfortune, has picked up traits from Keith. Which also includes his temper and his general introversion, the former of which he is working very hard on managing. He's also spending way more time on the training deck than ever before, but it suddenly doesn't feel like exercise so much as it feels... relaxing? Also he is like. always tense. What the hell, Keith, how did you live like this. How is HE going to live like this. Although it is kind of nice to not feel the urge to puke from nerves, which he... doesn't really seem to have anymore? That's kind of nice.
Keith is probably the oddest case of the bunch. He picked up personality traits from Lance, which he can't even get angry about because he doesn't have a temper anymore? apparently? He's suddenly a lot more extroverted, and also he feels the weird compulsion to... flirt? He's also become way more interested in self care and is suddenly not a morning person anymore. But for all that in some ways he has the most traits leftover from his core personality, because those traits turned out not to be parts of his personality so much as they were due to him being Galra- so he still likes training and fighting as much as he did before. Which is great, because if he let Lance's personality take him by the nose, he'd definitely just start to coast on his talent.
But they also each still have core aspects of themselves that apparently their lions preserved so it's not a full personality swap. Pidge will still wax poetic about the tech around them. Lance might not be huge into self care anymore, but he's still interested in trying to keep himself looking good. Hunk is still very kind, which makes having Keith's temper hard on him. Keith still is a nature boy and a jock, and somehow still doesn't understand how the cheer goes.
POV: You're Shiro. You wake up to this mess. It's been like this for a week apparently, and Coran and Allura don't know how to fix it.
...can you just go back to the cryopod maybe?
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userlaylivia · 6 months
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farlynthordens · 1 day
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(read right to left)
the thrilling sequel/conclusion to this. bonus under the read more:
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Me: I don't know what to do with Veronica's character in post s8 au, I don't want her to be Just Lance's sister and Kuron's friend with Pidge's storyline slapped on her, but also I'm not really sure about her character. Sure there's the whole lying to her family thing but I don't think that's enough?
Brain: ok so what if Veronica started out as trying to look for what was Lance upto but she ends up being so obsessed with finding the truth that not only she repeatedly puts herself in harms way but also the original goal falls on wayside.
This could be her way of dealing with trauma which is getting engrossed in the Mission and a problem to fix while suppressing her grief and refusing to actually acknowledge her problems and her own emotions a foil to Kuron's arc that is him being literally driven by emotions. She's angry at Lance for leaving without a word and angry at her family for their clinginess, however she keeps it to herself and just avoid them pretending everything is fine and normal
Also a foil to Lance who started as trying to figure out what was going on but as soon as he realized that 1) Allura and Kuron are still sorta alive 2) he can bring them back, he got obsessed with it consequences by damned.
Plus through her we can actually explore how quintessence actually effects and changes humans rather than become aware of the end result
Also there's something a character who is obsessed with truth but is also such a frequent liar
#There's a lot more but it involves changing a lot of elements of this au and explaining half assed elements and scenes in my head#post s8 au#post s8 posting#Just realizing she's having a jon sims arc. Good for her! Atleast she won't accidentally cause an apocalypse#It is still very draft and beta and I keep changing things in it as soon as I think of something cool#I kinda want Lance to be like at first seeing him living a 'normal' life but also there's something clearly Wrong#Veronica seems to be always busy and gone and never there. Shadows and crows being weird#and a voice asking him 'Did you make right choice?' And 'Remember' and 'wake up'#only to reveal that he has been living in a fake reality and a lot of his family is dead#yk that one scene in dunmeshi where Laois digs up and stares at Falin's skull. Lance digging up a grave and be like 'Mom?'#it's representational in his own head. And Lance created this fake reality as a form of denialism#Veronica at first being standoffish not being completely honest with Kuron#Lying to Kuron and her superiors about where she had been making her sus#Kuron not knowing that Lance was the one who brought him back until much later#only that *Someone*was reaching out to him in Shiro's mind and made his body#The family is dead and Lance was living in fake reality reveal happens just as Veronica starts being honest with Kuron#Few of the family members are killed due to retaliation from an extremist galra group#A hot topic in coalition meetings which is a way for connecting Hunk!!!! To the plot!!!!!#I love you my brain!!!#Sorry this is so fucking incoherent
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genderflu1dwh0r · 2 days
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Kim Walker (Chandler): It's not exactly said, but 5'4-5'6
Winona Ryder (Veronica): 5'3
Lisanne Falk (McNamara): 5'5
Shannen Doherty (Duke): 5'3
Christian Slater (JD): 5'9
Patrick Labyorteaux (Ram): 5'11
Lance Fenton (Kurt): It's not exactly said, but 5'9-6'0
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