#kikuchi shuuji | Explore Tumblr Posts and Blogs

aoihono96 · 1 year

Photo

[DLD] Stage play “Vanitas no Carte“ stream English subtitle

Hello everyone! As I mentioned in my previous post, I’ll try to upload other subtitles I’ve been working on, so here comes another one.

Looking forward to the reprise of the stage, I present you the English subtitle for the stage “Vanitas no Carte“. About the story:

Scorned by others of his kind for being born under a blue moon, the vampire Vanitas grew afraid and desolate. According to legend, he created a cursed grimoire known as the "Book of Vanitas," and it is said he would one day use it to bring retribution upon all vampires of the crimson moon. In 19th century Paris, Noé Archiviste is searching for the fabled Book of Vanitas. Whilst traveling aboard an airship, he is saved from a vampire attack by an eccentric doctor who calls himself Vanitas and carries the very tome he seeks. Ironically, the self-proclaimed vampire specialist is a mere human who inherited both his name and the book from his master, the same Vanitas of legend.

Cast member includes:

Ueda Keisuke as Vanitas

Kikuchi Shuuji Takamoto Gaku as Noé

Noujou Ami as Jeanne

Sawada Miki as Dominique

Tamua Souta as Luca

Maeda Musashi as Luca

Yashiro Takuya as Louis

And others

Right before the first performance, Kikuchi Shuuji was tested positive for covid, and most performances were cancelled, excpet one, in which Takamoto Gaku took Kikuchi’s role.

Here are some rules to get the subtitle and some requests for after you receive it.

Please read until the end!

* Warning! Since it was a single streaming and not a DVD release, the Eng subtitle matches the file I have, so there may be small delays with the files you have. You’ll have to match the subtitle with the video yourselves!

* I’m sharing only the subtitle, not the video file!

* For those who want the subtitle, please send me an ask or a message.

* Be polite when asking for the sub and have patience to get it. I’m not in front of the laptop 24h/7.

* Be sure you download the sub as fast as possible because I’m changing the link from time to time!

* Please don’t post or share it anywhere! If someone asks about it, please lead them to this post!

Please respect and follow the rules because I made them with a reason.

Last but not least, enjoy the stage~~

#butai #stage play #vanitas no carte #les memoires de vanitas #ueda keisuke #kikuchi shuuji #takamoto gaku #stream #subtitle #Eng sub

88 notes · View notes

leenaevilin · 2 years

Photo

[Update] 舞台「佐々木と宮野」(butai sasaki to miyano)

the show will be running from July 23rd, 2022 to July 31st, 2022 (Tokyo) @ シアター1010 (Theater 1010)

Cast:

Kikuchi Shuuji as Sasaki Shuumei (佐々木秀鳴)

Takenaka Ryouhei as Miyano Yoshikazu (宮野由美)

Ueda Kandai as Hirano Taiga (平野大河)

Kawasumi Bishin as Ogasawara Jirou (小笠原次郎)

Kitamura Kento as Hanzawa Masato (半澤雅人)

Abe Kaisei as Kuresawa Tasuku (暮沢丞)

Izaki Ryuujirou as Tashiro Gonsaburou (田代権三郎)

homepage twitter natalie

#佐々木と宮野 #sasaki to miyano #菊池修司 #kikuchi shuuji #竹中凌平 #takenaka ryouhei #上田堪大 #ueda kandai #川隅美慎 #kawasumi bishin #北村健人 #kitamura kento #阿部快征 #abe kaisei #伊崎龍次郎 #izaki ryuujirou

64 notes · View notes

fencer-x · 2 years

Text

The SasaMyaa Stage Play cast has been ANNOUNCED! Here are your boys:

Kikuchi Shuuji as Sasaki Shuumei (he was in HaiMyuu as Tsutomu) Takenaka Ryouhei as Miyano Yoshikazu (fun fact, he’s worked with *pnish* before!) Ueda Kandai as Hirano Taiga (been in a lot of anime-related plays/musicals, but I recognize him from his stint as the Red King in the K stage plays) Kawasumi Bishin as Ogasawara Jirou (TeniMyu’s Zaizen [or one of them at least] from Treasure Match Shitenhouji!) Kitamura Kento as Hanzawa Masato (quite a resume, but I mostly know him from playing Kyoutani in HaiMyuu) Abe Kaisei as Kuresawa Tasuku (haven’t had the pleasure of seeing him in anything myself, but he’s quite talented!) Izaki Ryuujirou as Tashiro Gonzaburou (3rd Season TeniMyu’s Kamio! And also a lot more things, but I love seeing TeniMyu boys~)

Play Dates: July 23-31 Location: Theater 1010 (Kitasenjuu, Tokyo, Japan)

There will be a post-performance talk segment after each showing too!

Tickets can be reserved starting today (S seats for 9900 and A seats for 7700) at https://eplus.jp/sasamiya-stage/

#sasaki to miyano #sasaki and miyano #sasamyuutai #until I can think of a better tag XD

138 notes · View notes

findyourrp · 7 months

Note

「🎐 ; 🕊️ & possible 🍪」 23, she/him, AFAB.

About me: I mirror the length & detail of my partners!

Looking for: MxM discord rp for the following fandoms! Romance, smut, and happy ending is a must! (However toxic that may look like to our OCs) 🤭 AMAB anatomy (I'm uncomf rping PiV Sex).

Listed = characters I'd like to rp against

Bolded = who I'm hoping to play

I'm esp interested in writing a sub/bottom chara against a sadistic dom top!

— Haikyuu!! / Haikyu / HQ ; Hinata Shouyo —

Nishinoya Yuu

Tenma Udai

Akaashi Keiji

— Tokyo Revengers / TokRev ; Hanagaki Takemichi —

Matsuno Chifuyu

Tachibana Naoto

Hanma Shuuji

Sano Manjirou (Mikey)

Mitsuya Takashi

Sano Shinichirou

— Blue Lock / BLLK ; Isagi Youichi —

Bachira Meguru

Nagi Seishirou

Itoshi Rin

Chigiri Hyouma

— SK8 ; Reki Kyan —

Chinen Miya

Kikuchi Tadashi

Sakurayashiki Kaoru (Cherry Blossom)

Shindo Ainosuke (Adam)

— Idolish7 / i7 / Ainana ; Nanase Riku —

Kujo Tenn

Sunohara Momose (Momo)

Orikasa Yukito (Yuki)

Kujo Takamasa

Oogami Banri

Ousaka Sougo

Open to: AU, canon-compliant, dead dove. We can more than likely include your deepest darkest wants!

Kinks of focus: Sadomasochism, 🍪, lots of dirty talk, dubcon, and forced orgasm.

I'd prefer to play a more inexperienced chara at this time. However! I can deeply assure you that my muses will always talk and react extensively so that you have plenty to work with during smut. This goes for both enthusiastic AND unenthusiastic reactions. Heads up for obscene dialogue when they get into it! I'm expecting lots of dirty talk from both sides!

Please: be a long term 20+ high-energy partner who I can joke and be friends with, unashamedly enthusiastic about our rp ship (via spamming hcs & memes & other media), not afraid of being too much, decisively contribute ideas to plotting, comfortable & confident enough to strongly communicate your rp needs and wants, listen attentively to what I have to say/ask during plotting, available for back-n-forth rping (NOT rapid fire) some days!

⚠️ If you lose interest while plotting, tell me so I know to look elsewhere. Respect my time and I'll respect yours! Thank you!

#rp finder #18+ rp #fandom rp #fandom roleplay #mxm rp #sk8 rp #bllk rp #i7 rp #tokyo revengers rp #haikyuu rp

6 notes · View notes

prpfs · 5 months

Note

「🎐 ; 🕊️ & possible 🍪」 24, she/him, AFAB.

About me 》　 I mirror the length & detail of my partners!

Looking for 》　 MxM discord rp for the following fandoms! Romance, smut, and happy ending is a must! (However toxic that may look like to our OCs) 🤭 AMAB anatomy (I'm uncomf rping PiV Sex).

Listed = characters I'd like to rp against

Bolded = who I'm hoping to play

I'm esp interested in writing a sub/bottom chara against a sadistic dom top!

— Haikyuu!! / Haikyu / HQ ; Hinata Shouyo —

Nishinoya Yuu

Tenma Udai

Kozume Kenma

Oikawa Tooru

— Tokyo Revengers / TokRev ; Hanagaki Takemichi —

Matsuno Chifuyu

Hanma Shuuji

Sano Manjirou (Mikey)

Mitsuya Takashi

Sano Shinichirou

— SK8 ; Reki Kyan —

Chinen Miya

Kikuchi Tadashi

— Idolish7 / Ainana / i7 ; Nanase Riku —

Kujo Tenn

Sunohara Momose (Momo)

Orikasa Yukito (Yuki)

Kujo Takamasa

Oogami Banri

Ousaka Sougo

— Jujutsu Kaisen / JJK ; Itadori Yuuji —

Nanami Kento

Gojo Satoru

Inumaki Toge

Open to 》　AU, canon-compliant, dead dove. We can more than likely include your deepest darkest wants!

Kinks of focus 》　Sadomasochism, humiliation, degradation, 🍪, lots of dirty talk, dubcon, and forced orgasm.

I'd prefer to play a more inexperienced chara at this time. However! I can deeply assure you that my muses never just moan; they will always talk and react extensively so that you have plenty to work with during smut. This goes for both enthusiastic AND unenthusiastic reactions. Heads up for obscene dialogue when they get into it! I'm expecting lots of dirty talk from both sides!

Please 》　be a long term 20+ high-energy partner who I can joke and be friends with, unashamedly enthusiastic about our rp ship (via spamming hcs & memes & other media), not afraid of being too much, decisively contribute ideas to plotting, comfortable & confident enough to strongly communicate your rp needs and wants, listen attentively to what I have to say/ask during plotting, available for back-n-forth rping (NOT rapid fire) some days!

If you lose interest while plotting, tell me so I know to look elsewhere. Respect my time and I'll respect yours! Thank you!

like if you're interested and op will get back to you

#haikyuu rp #tokyo revengers rp #idolish7 rp #sk8 rp #jujutsu kaisen rp #jjk rp #fandom rp #fandom roleplay #dead dove

4 notes · View notes

hemi-demi-semiquaver · 1 year

Text

Terrified that when I go to see the vnc stage play I'll be all like tch who is that guy and why is he wearing noé's clothes and I'll just have to sit there and pretend he's noé 💔

Kikuchi shuuji PLEASE put your whole pussy into noé I'm begging youuuu

#just glanced over at my bookshelf randomly n noé n vanitas were staring at me and i 💀🤡#okay im normal now :)#vanitas no carte #ヴァニタスの手記

3 notes · View notes

funjoushi · 3 years

Text

Souma-hen, niconico stream write-up/review

So! All of a sudden without having really planned it, I ended up watching the Niconico stream for both the tokyo and kansai closing nights! It was my first time watching one of these streams and I had a ton of fun! So now, I’m gonna share all my opinions as well as some general summaries of what I remember from the show!

Over all thoughts: I really enjoyed it! Production wise it very much continued in the style of the two Shitan remakes as far as lighting and staging. I actually found it to be far more consistent tone and feel wise, largely, because this show is a fully new production! Which does mean that, unfortunately, no songs from previous shows made an appearances. However! That doesn’t keep the show from still feeling like a hakumyu production!

For one thing, the opening song, while it is technically a new song, it is very much reminiscent of Yaisa! Which i found to be interesting, because the show overall seemed to be leaning more heavily towards the shitan rebrand, and yet moments like that called back to the first era of shows.

The play felt both more low-energy in some places while still having an absolutely blistering pace. The music leaned very heavily on rock and metal, but also included several more specific varairties of rock. This kept the show feeling overall more cohesive. So no, there were no sudden latin-fusion or hip-hop numbers this time...But there were still many stand out musical moments.

Like before, Chizuru and her father have many japanese folk-inspired melodies. Same with Kazama, whose new character theme also features many japanese pentatonic scale figures. There was still heavy use of piano and light usage of synths which I think kept from being too overbearing when they were used. I do miss the usage of more japanese folk instruments that came in more heavily with Shitan, but I still enjoyed it over all.

Gosh, there is so much I want to mention. Teruma as Sannan; he nearly stole the show. Every single scene he did, he was absolutely giving his all, to the point I was worried he would hurt his voice! I am seriously impressed on how he has continued to elevate and refine his Sannan performance. Most of the people in the nico streams with me were begging for a Sannan-hen and honestly I would love that too.

They also had several cute moments of Sannan+Heisuke. I do love how the musicals seem to emphasise how close they were, them both having originally come from the same sword school before joining the Shinsengumi. The interpersonal conflict between Sannan and Hijikata was also even more explosive and full of tension. Teruma’s scenes with Hijikata were insanely gripping every time. Recently I learned that the speculation around the historical death of Sannan was due to a power struggle with Hijikata, and so these scenes feel very evocative of that.

Speaking of actors~ I cannot overstate how completely and utterly thrilled I am that Suzuki Shougo has reprised his role as Kazama! I always enjoy it the most when actors are clearly completely enjoying their time in a particular role, and Suzuki relishes his every moment on stage. His performance is even more enthralling than in his orignal run of Kazama-hen in 2014 and I can only hope that he gets more opportunities to reprise the role in the future.

Other performers notes: Once again, Higuchi Yuuta, following in the tradition of Ikeda Junya--All but stole the show at certain points. He’s not as featured in Souma hen as he is in Kazama and Hijikata, but he still stabbed me directly in the heart with his flawless mix of warmth and pain.

I am a fan of Chizuru/Heisuke, and so I was disappointed with how Heisuke-hen seemed to get screwed over, so I am always grateful for these moments even if they hurt.

Some other notes is that, while I did like the show overall, it did feel rough at some points, and other points I really wasn’t clear on the timeline of what was happening when/why. Which is fine for people who know the story, but I likely wouldn’t try showing this musical to people unfamiliar, like I would with Kazama-hen. It did feel rushed at times and the scene transitions abrupt, but I ultimately didn’t mind, since once again this show is pushing on 3 hours and they are clearly trying to cram in as much content as physically possible. At this point though they might as well just upgrade to a three act format with two intermissions.

Speaking more on the stagecraft; Like with both shitan plays, the use of the staging for visual storytelling is exemplary! Compared to the pre-shitan plays, it is much easier to absorb themes and emotions through the staging alone. Like with this shot from the planning of Itou’s assassination, where Okita’s gradual uselessness from his illness is displayed visually.

I am sure that this show has gone through development and workshop difficulties, since it got suspended during its original planned run. And as always they are trying to make the repeating plot points of act one more interesting every time, which I appreciate. Seeing how this play has continued to add more detail and emotion to the plot points makes me excited to see what they can do next!

Now, to focus on the real heart of the play, Souma himself!

When I initially watched the tokyo show, i had not finished souma’s route in the game, but upon my watch of the kansai show I completed the route, basically compelled by how compelling i found Souma to be in the play.

Their relationship is overall very adorable and touching. The staging and writing also often has them positioned on the stage delivering exposition together, showing them almost as two parts of a greater whole.

I used to find the blood drinking scenes to be awkward at best and embarrassing at worst, but since Hijikata-shitan, they seem to have figured out how to make them upsettingly effective. The relationship and chemistry between Chizuru and Souma was also very good and very convincing.

One thing that super stuck out to me about them in particular: I am also just a huge fan of analysing the musical structure; and so the differences in how they used musical themes this time around were extremly interesting. For one thing, the show overall is completely new music(almost, there are two BGM tracks reused from shitan). I was a little sad about it at first, but deeply appreciated how they continued to use the music in new ways.

Overall, the music is much less focused on individual character themes and motifs; and like the original saito-hen, we have people being more associated with their relationships. I found that to be extremely affective, and the focus on the bonds between people really helped the show hit home even harder.

In previous shows, I had noticed that they don’t use song reprises as often as you might see in broadway shows. However, in this play the use of song reprises is absolutely brutal. In particular, the new vague equivalent to “ano hi no chikai”, is repeated two other times and used to send off the show at the very end.

In regards to our main duo, one thing that absolutely took me off guard is that....Souma has no main character theme.

I was surprised too. He has no real equivalent to “Paint it Blood,” “Makoto no Hata” or any of the other main lead’s themes. There is one song that he sings and repeats several times throughout the play. however, he is not the one who originally sings it. Instead, it is Chizuru. Chizuru herself has a unique character theme and song which comes back and she shares with her father. But ultimately, she starts the play and she also ends it.

I just think that it’s so perfect. While Souma is the lead of this play, his whole story is about finding connection and meaning among friends. It’s not about him as an individual, instead it’s about what drives us to fight for what we believe in and who we love. The songs that he sings about wanting to find his meaning in life his “michishirube”, he shares with Chizuru.

And in the end, it really made Chizuru and Souma’s love arc feel extremely cohesive to me. There was no sense of either’s identity overriding the other, instead they were a pair of people in a difficult situation who both had to make sacrifices. And that too was reflected in the music that they shared together.

I so deeply hope that they release a soundtrack for this show, because i do honestly think it is the best music produced in the franchise so far. Not only its general quality and listenability, but the way it connects to and tells the story.

Not only that, but Umetsu Mizuki is absolutely luminous as Souma. He clearly takes some heavy influence from Kaji Yuki’s vocal performance in the game, but he adds to and fleshes out that vocal performance with his own physicality and mannerisms.

Matsuzaki Risa too, as Chizuru. Apparently, this is her first musical?! Her singing voice is absolutely stunning. But I could tell at times how she wasn’t quite used to the stage, but she still did amazingly. Additionally, she like Motonishi Sakiho(Kazama shitan) before her also is a hakuouki/hakumyu fan? and had been hoping to play the role of Chizuru for a long time. And so I am just very happy for her. And fortuitously so because Chizuru is handled the best and given the most focus on Souma hen in my opinion.

This show was really wonderful, and I am going to be in pain every day until the DVD is finally in my hands and I can watch/listen to it all on my own again.

Please, if you have any questions or just want to talk about this wonderful musical, please don’t hesitate to contact me!

While i was gone from hakumyu for a long time, I am finally back and glad to be back for hakumyu at it’s most exquisite.

#hakumyu #souma hen #hakouki #hakuouki #souma kazue #Yukimura chizuru #kubota hidetoshi #umetsu miizuki #shiina taizou #teruma #kikuchi shuuji #imata taira #matsuzaki risa #my stuff

57 notes · View notes

mihotose · 4 years

Photo

shiratorizawa!

(do not repost, credit to bluecatkate)

78 notes · View notes

leenaevilin-stage-market · 3 years

Photo

[Video] 舞台「HELI-X」(butai heli-x)

the DVD will be released on May 12th, 2021☆ ☆ ☆

☆ DVD ♪ Amazon

4 notes · View notes

engekihaikyuu · 4 years

Photo

Hyper Projection Engeki Haikyuu - The Strongest Challengers

Shuuji (Goshiki) popped into visit everyone at rehearsals!

(x) (x) (x) (x) (x) (x)

#engeki haikyuu #hyper projection engeki haikyuu #haisute #The Strongest Challengers #rehearsal #gekidan haikyuu #haikyuu is a family #kikuchi shuuji #goshiki tsutomu #I love rehearsal visits

42 notes · View notes

mimisaurora · 5 years

Photo

CAMUS + his cute serious self

#utapri #kikuchi shuji #joker trap #camus (utapri)#MY LOVE!#the casting directors outdid themselves #shuji is such a blessing hes a real sweetheart and loves camus so much im just so happy for him #this is his home now!!!!#welcome home baby!!!!!#kikuchi shuuji

101 notes · View notes

aoihono96 · 4 months

Text

[DLD] Stage play “Heli-X III - Lady Spiranthes“ DVD English subtitle

Hello, everyone! Here comes the subtitle for the third stage of the Heli-X series, Heli-X III - Lady Spiranthes. Previous subtitles for the series as well as other subtitles can be found here.

Many thanks to my friend, @fallingyams for her helping me with it.

You can read more under the cut~~

About the stage:

‘In the near future, the entire world is involved in the Third World War. Yamato, who was already an ally of Unite, will become a complete dominated country by the Unite. We have been given only a loose domination. One of the few recognized freedom is Trans. Thus, people can freely choose their gender, abandoning the gender they were born with. By doing so, they obtained powers that surpass normal human abilities. There are various abilities, but those who commit crimes using them also emerged. Fear, envy, hostility, worship...Having mixed feelings, people call those ability users Heli-X.’

Cast members includes:

Tamaki Yuuki as Zero

Kikuchi Shuuji as Agata Takayoshi

Hirano Ryo as Osiris

Sugie Taishi as Immortal

Gotou Dai as Shiden

Tatemichi Riona as Wakakusa

Matsuda Shouta as Shunsui

Uno Yuuya as Cry

Here are some rules to get the subtitle and some requests for after you receive it.

Please read until the end!

* I’m sharing only the subtitle, not the video file!