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frontlinebicepsoftheninth · 7 months

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in general i do think killing eve has so much that would appeal to tlt fans: morally gray toxic codependent relationships between women, women who are the only two people in the world that could understand each other, women who end up together after trying to kill each other for years, scenes that seem incredibly romantic but end in people stabbing each other, kissing while fighting, villanelle's fashion which fluctuates between hyper feminine and traditionally masculine sometimes in the same episode, women who love to make each other worse, women who realize they like killing and violence, women murdering asshole men in very satisfying ways, a lot of being sexy while killing people, milfs, milfs making out, women getting turned on watching their ex kill people while making eye contact with them, blood and guts and gross stuff and women who retain their visible injuries across episodes instead of looking facetuned 24/7, women who work in morgues cause they love being around dead people, the list goes on

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outlanderfandomfollies · 2 years

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I'm curious,is there any real proof that S and KE were actually involved? I mean a follow on SM, a random white dog in a cucumber cowboy pic and a blurry shot in a LV nightclub that could be anyone. Is that proof enough for all this speculation?

Thanks for your ask @kiaora45!

IMHO that isn't enough evidence for solid "proof" that they were involved because it is circumstantial evidence.

Is it enough evidence to say there is a good chance that S and KE were actually involved? To me there is. S was clearly in Vegas with a woman who looked a lot like KE, and it seems likely he was camping with the woman he was seen with in Vegas (given S's pattern of having flings on holidays). In addition, since the camping photo appeared to have a dog that looked very much like KE's dog, there's a good chance it was KE's dog and hence KE.

However, to me there is a big difference between a "good chance" and "proof."

But I'm very conservative when it comes to whether S has actually dated someone. (For instance, it took forever for me to acknowledge that S and MM were actually a couple.)

But @gotraveltheworldluv and @bcacstuff know much more about all of this than I do. You might want to ask them why they thought this evidence pointed strongly to S and KE being involved when S was out West this summer.

[edited]

#s & ke #outlander fandom #speculation

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iskander-tm · 7 days

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shootingStar: MR Spock analyze desertHermit: It appears to be a GREEN SUN. shootingStar: Speculations? desertHermit: None as of yet. lethalHealer: | don't l|ke |t J|m

#star trek #tos #star trek tos #homestuck #hs #mccoy #kirk #spock #leonard mccoy #s'chn t'gai spock #james t kirk

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wileys-russo · 8 months

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blurb req for Georgia stanway if you write for her. Reader going with the team to Australia as staff maybe like a student physio or a photographer or something. Georgia has had a crush on teaser for some time now but refuses to do anything about it because she thinks you’re straight and dating someone else on the staffing team (spoiler: you’re not)

behind the camera II g.stanway

"alright alright i'm comin jesus keira!" georgia groaned as her best friend knocked on the bathroom door for the tenth time, threatening to leave without her.

"we're in australia ke, it's been a beautiful sunny day and we're going to the beach to watch the sunset. why are ya so moody?" the younger girl teased her friend as she finally exited the bathroom, squeezing her cheeks and grabbing her camera off the bed.

"you better have washed your hands." keira grumbled, the two of them leaving the room and catching up with the rest of the group who hung around waiting in the lobby. "what did ya fall in g?" lucy teased as keira blamed her for their late timing.

"shove off." georgia grinned, pushing the taller girl away who attempted to pull her into a headlock before running off after jordan. "ah look your girlfriends coming too." keira mumbled quietly from beside the blonde whose head shot up at her words, seeing you laughing with alex and mary a few pairs in front of them.

"would you stop? she's not my girlfriend and she's straight anyway." georgia huffed, rolling her eyes and busying herself messing around with the settings on her camera readying for the change in light.

"whose straight?" ella barged her way inbetween the two, slinging an arm over georgias shoulder as keira dropped back a little to chat with alessia. "little miss media, georgias had googly eyes at her for weeks now!" keira teased as the younger of the two glanced over her shoulder to send her a pointed glare.

"y/n?" alessia asked as georgia sighed but nodded. "oh g that's so cuute!" ella beamed, pinching her cheek tightly and running off before her friend could pounce on her. "not to assume anyones sexuality but how do we know she's straight?" alessia asked calmly with a raised eyebrow as their feet hit the sand, several of the girls running off towards the water for a swim.

"well she's dating mateo." georgia explained, nodding toward you who was stood with the second string trainer and mary, watching some of the girls attempt to get on one anothers shoulders with an amused smile.

"mateo? are you sure they're together?" alessias frown deepened, folding her arms over her chest and watching the pair off in the distance with scrutiny. "well they're always together, and they go out for coffee most mornings, and for a run like every afternoon, and they always sit together at dinner." georgia defended, missing the look shared between the girls stood either side of her.

"well you sure know her schedule back to front." keira chuckled, watching on as georgia merely hummed, only half listening as she watched mateo try to lift you onto his own shoulders as you threw your head back, your laugh echoing around the beach as georgias face dropped like a kicked puppy.

"g you're only speculating all of this. why don't you just talk to her about it?" alessia asked softly, bumping her shoulder into her friends to gain her attention, ripping her eyes away from you. "cause she'll think i'm a creep!" georgia scoffed, shaking her head and walking off with her camera in hand toward the rest of the group.

"so it's just her that doesn't know mateo has a wife and kids right? and that y/n obviously has something for her." keira sighed, alessia mhming in agreement as the pair watched you notice georgia join the group, immediately excusing yourself from your conversation with mary and mateo and making a beeline right for her.

"god she's thick sometimes." "the daftest girl we know."

"coming for my job are we stanway?" you grinned as georgia pulled her eye away from the lense, face brightening when she saw it was you. "figured i'd best have a backup if this whole football thing doesn't work out. if you can do it mustn't be that hard!" georgia teased as you playfully punched her in the shoulder and sat down beside her in the sand.

"go on then, give us a smile!" you shook your head and pushed her camera away as she aimed the lense at you. "no thank you! this face stays behind the camera." you shook your head as georgia protested and instead took several pictures of you laughing from the side.

"not up for a swim then? i think you'd look dead good in some goggles." you grinned nodding toward tooney, rachel and niamh who were all splashing around with the ridiculous head wear. "and let you capture that and put it on the internet for everyone to see? no chance!" the girl firmly disagreed with a grin.

"hey do you see my cameras anywhere? they banned me from bringing them, something about a work life balance? enjoying my time in another country?" you feigned confusion, stroking thoughtfully at your chin.

"sounds like you're slacking on the job to me, might have to dob you into sarina for the laziness you know." georgia shrugged with a sigh as you smacked at her shoulder, grabbing the camera from where it sat in her lap.

"do you even know how to work this? i know they send monkeys to space now but i didn't think they trained them to use cameras." you teased as now georgia smacked you and snatched the camera back, snapping another few candid pictures of you.

"do you and mateo have anything planned while you're here?" georgia took advantage of a comfortable pause of silence between the two of you to ask, remembering alessia's words and decided to just swallow the anxiety that came with them.

"uh, just working? i guess." you gave her an odd look at the question. "why?" you asked curiously, unsure where it had came from. "dunno, couples normally do stuff together on holidays." georgia shrugged, refusing to meet your eye as she looked off into the distance.

but her head snapped toward you when she heard the distinctive boom of laughter, seeing you doubled over and holding your stomach, georgias features creasing into a frown.

"whats so funny, they do!" "you think mateo and i are a couple?" "well...yeah." "oh god gee i knew you could be slow but i tried to give you a little more credit than this!" "what are you on about? i'm not slow!"

"mateo has a wife and three kids, they were literally there for the goodbye party at st georges park!" you laughed, your abs aching from the ongoing amusement as georgias face flushed deep red in embarrassment.

"but you're always together! you get coffee, you go for runs, you-" "well yeah, his wife is my sister after all. mateo is my brother in law you dope!" you revealed with a grin, georgias blush deepening as she buried her face in her hands.

"and while we're clearing things up for another thing i'm gay." "you are??" "well...i think i meet all the requirements."

"i've also been trying to flirt with you for weeks." you shook your head with a small smile as georgias head shot up and she looked at you, shock plastered all over her face. "you have??"

"clearly not been doing a good job of it if you hadn't picked up by now." it was now your turn to blush, chinks tinting a rosy pink at the confession. "-but now i know you thought i was dating my brother in law it makes a lot more sense." you smiled, georgia groaning and burying her face in her hands again.

"you know mary and millie even gave me an intervention, warned if i didn't start taking more content of the rest of the team and not just you i'd be sacked!" you grinned teasingly.

"can we start over?" the blonde beside you asked hopefully, giving you a charming smile as you shook your head. "afraid not, just can't forget that you thought i was dating my brother in law."

"alright alright! you can stop saying it now." georgia moaned with a pout as you smiled and knocked your shoulder gently into hers, another pause of silence falling between the two of you.

"so...i should ask you out then?" "well i was patiently waiting." "oh shut up. would you like to get breakfast tomorrow?" "nah sorry, missed your chance." you grinned cheekily, snatching her camera and snapping a picture of the offended look which overtook her face.

"breakfast sounds good, your shout since you thought i was dating my brother in-" "okay! we get it, how many times do i need to say im sorry?" "i actually don't think you have at all yet." "well i'm sorry." "sorry for..." "are you really going to make me say it?" "you know suddenly i actually realised i don't like breakfast-" "fine! sorry for thinking you were dating mateo." "who is...my brother in law."

"stop saying it! how many more times are ya gonna say it?" georgia huffed with a frown which only made your amusement grow, kissing her cheek as her expression perked up.

"how many girls are on the team? twenty two? twenty three?" "twenty three." "well then i'll be saying it twenty three more times." "don't you dare!"

#woso x reader #woso fanfics #woso #woso imagine #engwnt #woso blurbs #georgia stanway x reader #georgia stanway

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mebis-art-dump · 4 months

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So, i saw some comments in mossbag's video speculating about the kingdom's edge roots being part of White Lady, and I wanted to address that

Going directly to the point, I dont think they are related, the shape is different, the ones at KE are pretty thin and stiff, kind of like a zigzag pattern, unlike WL's roots which are very curvy, flowing like a S

Besides, why would they grow so far from her, but not in a closer distance or even around her? unless you think these are some of her "seeds" that got left here somehow or for some reason

However, there's another group of roots that I think have a larger chance at being her offshoot, ones that are present throughout the Ancient Basin and the palace grounds

the ones around the basin are dry and dead and probably have been for a long time, but once inside the white palace's dream realm, one can see they used to be white (like all flora in there)

I'd say they dried away when White Lady uprooted herself and fled to her gardens at the other side of the kingdom (I could even speculate she shed a previous larger form like that seen godhome, but there's little to no evidence of that, and her nursery silhouette points towards her being relatively tiny at the time, although I can imagine her still being connected to these larger roots, but this is going into headcanon territory)

That said, similarly curved roots are present in greenpath, which are definetively not related to her, which could mean these ancient basin roots are simply common roots; but in my defense greenpath ones arent white while the White Palace ones clearly were

Going back to the Kingdom's Edge roots and grass, they aren't the only plants to be white in game, even outside the White Palace

the in-universe author of fangamer's Wanderer's journal, as you can see here, doesn't even make special notice of the pale fern present in King's Pass and Forgotten Crossroads, treating it merely as the grass that grows in concrete cracks, which it is tbh

the color and mild luminescence probably comes from absorbing envirommental soul, specially since it turns entirely orange during infected crossroads, likely from absorbing the miasma in the air instead (why you don't absorb soul when cutting it? same reason you can't absorb it directly from the air or from the thorned vines: not enough concentration/quantity of the stuff to be absorbed before it dissipates into the ambient)

There's even Deepnest fungus, openly noted to be bioluminescent in the same journal, but not noted to be unusual or rare or unnatural

So yeah, relatively normal plants whose growth got affected by the ashes and/or light/soul of the Pale Wyrm make more sense than the alternative to me

#hollow knight #hollow knight lore #kingdom's edge #white lady #hk white lady #pale king #pale wyrm #hk pale wyrm #hk pale king

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werewolf-girlfriend · 9 months

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ive been enabled so let me share some of my thoughts on how to get ur art noticed online

if u want Engagement on ur posts then i believe that its critical to make people care about ur art. the easiest way to do this is to appeal to something they already care about, like fandom, aesthetics/subculture, current events, having fun (people love humor!). a harder but perhaps more fulfilling route is to talk about ur own ocs and projects enough until people start caring about them too

theres an infinite amount of topics people care about out there so id suggest picking something u already care about urself and channel ur art energy there. trying to make art for the most popular things out there regardless own interests is an exercise in misery, id advise against it..! if im allowed to get superstitious for a moment, i do believe that even untrained eyes can tell whether a piece of art was fun to work on or a chore. and besides! if ur having fun then its easier to create more, and the more u create the more chances ull have at getting lucky and having a post seen :)

on a very related note, art is a way to communicate ideas so the quality of the idea being presented in a piece of art is paramount to how popular a post will be. what i mean by this is that technical skill isnt the primary determinant of a posts popularity. if all your posts are portraits of original characters then people will have a hard time connecting with your posts and theyll keep scrolling, even if those portraits are masterpieces! the major exception to this is probably other artists, who ive found usually have a greater appreciation for the technical side of art (we can only speculate as to why..!)

lemme finish by saying that making popular posts and being good at art are two entirely different skillsets, ive seen many incredibly skilled artists with jack shit for notes because they dont give people a reason to care about their stuff NOT TO MENTION its a huge game of luck whether a post will get seen. so dont go insane in pursuit of recognition!

(i dont want to make this post too long so ive included examples from my own art and their note counts with my analysis after the break)

hello and welcome to the extracurricular segment to this post :) i bring yall two pieces from my art blog @werewolf-artfriend:

here we have a portrait of my fursona that im still proud of and a sketch suggesting "what if sniffers (from minecraft) were the size of mountains?" (let it be noted that the sniffer sketch was posted right during the minecraft mob vote = peak interest in the subject of sniffers).

the portrait at the time of writing has a crisp 30 notes, whilst the sniffer sketch has over 2000 notes. from the same artist, on the same blog, posted only a few months apart. i believe this is a good example both of the power of a piece of art having an interesting idea at its core AND of a piece appealing to the interests of the masses

this is of course just two convenient example posts, but i have experienced fan art of popular topics getting thousands of notes a couple of times now, amidst my other furry shit that these days get around 200-300 notes in comparison

this may sound like a really long winded way of saying "fan art make the world go round" but i just want to point out the nuances that

1) it matters what u make fan art of: if a fandom is small or dormant (waiting on new canon content for example) then clearly less people will be excited about the fan art you make. dont expect 10k notes on ur post if the average recent post in the fandom gets around 200 etc etc

2) it doesnt have to be fan art! ive also had some of my bird art get thousands of notes because people simply like birds :) and this applies to ANY topic people care about! the world rly is your oyster on this one

anyway i think ive started rambling dhgdjhgd thanks if u read this far! i hope i got my point across! and if ur feeling down about ur art not being seen then just keep at it okay! keep creating and keep having fun! keep sharing ur ideas and perspectives with the world and ur audience will eventually find u! i love you!

#i dont know if this stuff is obvious but i was like :o when i started viewing things this way! i think it makes sense!#i honestly still have more thoughts on this subject + some more practical advice from my experience #but ive never written a long talk-y post before so uh maybe another day <3 #isa speaks

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ineffable-opinions · 3 months

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Seme/uke - long response

A decolonial and subaltern take on three posts on seme/uke dynamics that aims to contextualize them while questioning ethnocentrism. I welcome alternative perspectives, corrections and criticisms.

Post #1: Seme/uke dynamics in Be Loved in House...

@absolutebl responding to @echos-of-ivy

Seme – Uke

About two or more characters in a ship/pairing:

seme 攻め: top (the pitcher) (from origin - attack) also referred to as 左 (left)、タチ (tachi)、トップ (top)

uke 受け: bottom (the catcher) (from origin – receive / accept) also referred to as 右 (right)、ネコ(neko/cat)、ボトム (bottom)

riba リバ: verse (doesn't mind being either a top or a bottom) (from origin - reversible)

seme and uke are sourced from martial arts lingo: seme (martial arts), uke (martial arts) & is related to nanshoku tradition (depictied in ukiyo-e style painting below) of androphilia rather than western norms of queerness. Such differences in culture in queerness is seldom appreciated.

Spring Pastimes. Miyagawa Isshō, c. 1750

Sometimes, androphilic men use seme/uke/riba instead of the following terms which are popular in their queer community:

tachi タチ凸 - top

neko ネコ凹 - bottom

riba リバ回 – verse

Other BL producing countries also have similar terms for seme/uke/riba. And those countries also have terms for top/bottom/verse/side in their queer communities.

For example,

In Chinese BL (danmei), seme/uke/riba -> gong (攻)/shou (受)/hu gong (互攻)[1]

In Chinese tongzhi community -

top: gong (攻) or 1 or 上 or 凸

bottom: shou (受) or 0 or 下 or 凹

verse: bu fen (不分)or 0.5 or 10

side: 不10 or 纯爱[2]

四爱 (fourth love) is the Chinese term for heterosexual relationship wherein the woman tops. When fictionalized, such romances are referred to as GB (girl boy) romance as opposed to BG (boy girl) and the heroine is referred to as female gong 女攻め.

In Thai BL, seme/uke/riba -> me (เมะ)/ ke (เคะ)/ se (เซะ) & their queer community have these terms.

Evolution

When the work does not involve sexual acts, seme/uke/riba is assigned based on speculation (‘what if’) in line with audiences’ preference. There are a bunch of stuff that are employed to determine the dynamics but owing to variation in taste, audience don’t always agree with each other. Since seme/uke/riba archetypes rose to that status with the yaoi (doujin) boom with development of comiket, etc. tanbi, June, original shonen ai and other such types of BL don’t follow these archetypes. Live action which follows, to an extent, the latter tradition, such as Boys Love (2006), also don’t have uke/seme/riba archetypes, instead follows the archetypes that was popularized by tanbi literary movement. Tanbi literary movement was queer in more ways than one. It preceded/birthed BL (Mori Mari) and influenced it.

As no culture is passive recipient [pun intended], different glocalizations of seme/uke/riba dynamics exhibit different features, both within and outside Asia (eg. original English-language BL publication).

IRL

While being top/bottom/verse/side pertains to sexual preference/choices and acts or lack thereof, it is not devoid of other implications. Here are some interplay between these preferences/choices and the implications to consider:

Are these preference/choices innate or socially formed? Or both? Or neither?

What does it mean to be top/bottom/verse/side – within and outside the queer community?

Performance of masculinity, femininity, neither. Which masculinity/femininity? Is that masculinity/femininity performance – marginalized, soft, protest, hegemonic or amalgamated?

How local and global queer cultures influence it?

Is it some kind of conformation/attempt to fit in? If yes, what kind and why?

How are those choices impacted by history (including that of colonialism), legal/political implication (e.g.: pink certificate in Türkiye), local forms of patriarchy & heterosexism, class, nationality, race, skin color, caste, age, employment (including sex work) or lack thereof, physical location & avenues of exploration, abilities and disabilities, access to internet & other infrastructure, education (including sex education), health conditions and access to medical care, etc.

How do they form expectations regarding oneself and others?

While it can be argued that there shouldn’t be any other implication associated with such preference/choices, one can not simply wish them away as it is more often than not linked to certain social realities.

BL as well as gei comi are genres of fiction, telling tales of male androphilia – these are reproductions of imagination entwined with realities, reflecting desires, fantasies and biases plenty.

Conflation

I disagree that uke/seme/riba archetypes are conflated “casually” with bottom/top/verse in narratives and discussions around them. There is a difference that P’AbsoluteBL probably isn’t aware of:

Uke is the bottom in a ship. A character could be uke in a ship, seme or riba in another. For a character to be a ‘bottom’, he has to be sou uke or total/complete uke. It means no matter who he is paired with he will always be the uke.

Alternatively, a sou uke is a character that makes all other characters become seme for him and go after him.

Similarly, a character could be called ‘top’ when that character is a sou seme or total/complete seme. Unless a character is established as a sou seme or sou uke in the narrative, there is always a possibility that those characters are verse. While most BL involves set ships, it is not rare to find characters who are uke in one relationship becoming seme or riba in another. Sometimes, after a time skip, transmigration, reincarnation, etc. BL characters end up switching within a ship.

In Live Action

While there is plenty of riba ships in other BL media, live action has had very few.

These couples were riba in the novel:

Bai Luoyin and Gu Hai – Addicted – The censorship struck right after the couple had their first coitus interfemoris (based on the chronology in the novel).

Lu Feng and Cheng Yichen - A Round Trip to Love

Lan Yu and Chen Handong - Lan Yu

Dom/sub

While the P’AbsoluteBL is allowed to do whatever, I don’t think correlating dom/sub with seme/uke is a good idea in the context of BL because:

BL has a separate speculative fiction subgenre called dom-sub-verse (Dom/Subユニバース) which have its own conventions. It is one of the many subgenres that took inspiration from omegaverse and has grown parallel to it. It takes dominance and submission from the kink community and explores them as innate/biological traits.

It involves characters who are identified as Dom(ドム), Sub(サブ), Switch(スウィッチ), and Usual/Normal/Neutral(ユージュアル/ノーマル/ニュートラル). Along with the standard elements of BDSM in fiction such as safeword, sub space, sub drop and aftercare, it also involves additional elements such as kneel(ニール), glare(グレア) and collar (カラー). There are commands コマンド (命令) that Dom gives to Sub. Sometimes elements borrowed from omegaverse such as heats/ruts, suppressants and professional Dom also appear in this sub-genre.

Dom×Sub ship: Dom is the seme & Sub is the uke.

eg. Hizamazuite Ai Wo Tou 『跪いて愛を問う』 & Rhetoric 『レトリック』 by 山田ノノノ Mijuku Na Boku Ha Shihai Wo Kou 『未熟な僕は支配を乞う 1』 by音海ちさ

Sub×Dom ship: Sub is the seme & Dom is the uke.

Jouzu Ni Dekita Ne Watasesan 『上手にできたね、渡瀬さん』 by 野萩あき Shoshinsha Dom Ha Hameraretai 『初心者Domはハメられたい』 by やんちゃ Gohoubi Ni Kubiwa Wo Kudasai (ご褒美に首輪をください) by Naruse Kano

Dom×Switch ship: Dom is the seme & Switch is the uke.

Sono Meirei De Ore Wo Abaite 『その命令で俺を暴いて』 by 小夏うみれ愛の声で暴いて by 泉門くきいでおすわりしてみせて by 由元千子

Switch×Switch ship: One of the switches is the seme and the other the uke.

強情なSwitchの躾け方 by ことぶき

Dom×Dom ship: One of the dom is the seme and the other the uke.

コマンドミー、プリーズ by 町田とまとサディスティックに暴かれたい by 星崎レオ (uke is a Dom, seme’s identity is not made clear) Kyousei Switch 『強制Switch』 by 彩田あまた

Like most BL genres, it is yet to make its way into live-action BL.

There are plenty of BDSM themed BL as well as training (調教) style BL where seme/riba/uke can be switch or sub or dom.

Problematizing the Problem

Hence, the argument that conflation of seme/uke with top/bottom is “a PROBLEM” is ironic. The main reason given for that argument is that “het consumers [would] conflate (egregiously & incorrectly) top with male/masculine and bottom with female/feminine.” Here are some things that I think is relevant to think about that:

Why would ‘het people’ or any people for that matter think in terms of male-female / masculine-feminine binaries? Do they think in those binaries only and not other binaries such as wen(文)-wu(武)? Why think in binaries and dichotomies at all? Don’t they not think in terms of multiplicity of genders/gender expressions such as various kinds of masculinities and femininities) based off on their local contexts?

Do queer people not make such/similar conflations? (Hint: they do.)

Is it a problem? While this seems to be the popular notion, plenty of scholars from across the globe has dismantled it.

What exactly do P’AbsoluteBL think ‘het people’ conflate riba characters with? Feminine-feminine? Masculine-masculine? Neither? Both? Something else?

There are different conceptions of masculinities within a culture which get reflected in cultural goods, including BL, from there. Here are some really old depictions:

Qing dynasty Chinese Water and Land Ritual painting depicting a divine civil official and thunder god in military regalia. [Wen - wu]

Paintings of Padmapani and Vajrapani on either side of the Buddha, from cave 1 of the Ajanta Caves.

Moreover, if the problem is hinging on a particular understanding of seme/uke: the one in which seme is not feminine or uke is not masculine enough. If latter is the issue, it can be fixed by sticking to BL media with otokomae uke or macho uke. If former is the issue, there’s more than enough works with maiden seme and josou seme. If one is yet to encounter any such works, one is not looking far enough.

Masculinities in BL

Here are three central characters from Finder series embodies different types of masculinities – a lot of it is presentation, physical attributes, age, power and social standing. Akihito is a young and vivacious uke who happens to be short and sinewy. Asami Ryuichi is a supadari seme: a guy who is tall, well educated, high earning, with good looks. In addition, he cooks and cleans and cares when he wants to. Fei Long is tall, beautiful and cunning and can be regarded as a riba character. But can any of these characters considered not masculine by regular standards? Isn’t Akihito masculine enough for his age? And if we are to compare Asami, we are sure to find him lacking but then give him time to grow. They have a dozen years between them. Moreover, can average men stand comparison with a super darling? But then in the grand setup of patriarchy, isn’t power concentrated in the hands of the older men who dominates even the super darlings, both in real world and fictional ones.

Ayase Yukiya & Kanou Somuku from No Money

Consider the case of Ayase, would you call him a “feminine” uke? Probably yes. He is small in stature - petite and cute. He is definitely very small in comparison to his seme Kanou. They probably have one of the most exaggerated size differences and an extreme case of the traditional pairing.

The traditional pairing comes from the customary practice of androphilia in pre-modern Japan. It involves relationship between a wakashu and a nenja or from the tradition of nanshoku. The former is not considered a man by the period’s standards and is considered a third gender by some scholars. The latter is considered as a mentor and lover for the former. While the traditional faded with ‘modernization’, tanbi literary movement (among others) kept alive remnants of it through the writings of the likes of Yukio Mishima.

Note that the youth on the left is wearing a kimono whose style (furisode) and color was considered appropriate for adolescents of both sexes but not adult men, which along with the partially shaved pate denotes the boy's wakashū age status while the exposed bare feet indicates the purely sexual demeanor.

The traditional pairing has clearly inspired Japanese mangaka both BL artists and others. Look at the wakashu in customary androgynous clothing, younger, fairer and even smaller than the nenja, with relatively less experience being embraced by nenja who is in customary male clothing.

Check out more shunga about nanshoku to see visual ancestor of “yaoi”. The visual legacy continued with the likes of Go Mishima. The queers did it first.

From the series "Mishima Go Book of Young Man" - Japan - 1972 (Showa 47)

Ayase in No Money fits into the wakashu ideal. Moreover, the creators of this manga explicitly differentiated between feminine uke with wakashu uke by juxtaposing Ayase with Someya who embodies traditional femininity.

Someya and Honda from Henshin Dekinai

Putting it into perspective, it is noticeable that many a BL involves similar pairing. A lot of criticism BL faces is when it sticks to nanshoku dynamics. Interestingly, critics who can’t imagine genders beyond masculine and feminine, fail to tell apart “feminine” characteristics from wakashu characteristics. But there is no dearth of such dynamics getting subverted in numerous ways in BL:

ship with younger, lower class, petite, androgynous or any combination of customary wakashu characteristics in seme/riba.

ship with all parties being of similar age, class, physical attributes, experience, etc.

Emancipation

Shouldn’t typical uke archetype be seen as an example of subversion of the main character masculinity that dominates media landscape? Shouldn’t they be exalted for being what they are? Uke archetype that allows all genders to project onto and gain pleasure from, is that any less than a marvel in itself?

Pursuer & Pursued

In order to analyses if there is a shift in seme-uke dynamic, the P’AbsoluteBL employs the following to categories who is active:

who is pursuing whom

who makes the first call in terms of declarations and physical touch

who seems to be more in charge of the relationship

In BL, these are never reserved for seme/uke/riba. Who takes on which role depends on the narrative. BL rarely have fixed pursuer-pursued. All parties involved in a ship take on active role in different circumstances.

Take, for example, the original edition of Ossan’s Love, Hasegawa Yukiya employs certain indirect tactics to pursuing Soichi Haruta such as cooking, cleaning and caring for him. (These are tasks that seme/riba/uke usually engage in lighter BLs to gain and retain the attention/affection of the one they are pursuing.) Hasegawa also engages in activities they do together as a means to grow closer. Once he learns of his love rival, he switches up the tactic. He pursues more directly and aggressively. Soichi rejects him. He withdraws and returns to the original tactic but without attempts to grow closer. Soichi feels the loss and tries to get close to Hasegawa but is brushed off. He does not back down. Instead, he takes on a more aggressive route of pursuit - making amends and chasing after Hasegawa.

What P’AbsoluteBL implies with “I think BLIHID’s main couple has a REALLY weak seme/uke dynamic from the get go” is made abundantly clear in with “ShiLei does a lot of active pursuit, also he’s very self actualized.” Here, using pursuer/pursued would have sufficed. Instead, P’AbsoluteBL chose to disappropriate established terms ‘seme/uke’ and imbibed them with implications of “active pursuit” as well as “self-actualization” [regarding queer identity] that seme/uke/riba doesn’t carry originally. Most of it based on biases built on equating all BL to one type of BL: the one with traditional pairing that follows royal road progression.

What P’AbsoluteBL actively avoids discussing is that Beloved in House is basically following the super popular ‘domineering president’ plot based on a BG romance.

Live Action Struggles

P’AbsoluteBL mentions an imagined ‘struggles around seme/uke’ in live-action BL. I think the actual issue plaguing live action BL is the struggle to balance business and other interests while being able to do justice to the diversity within BL as a media genre.

source: (chil-chil.net)

In the chart:

ほのぼの – heartwarming – Example: Restart After Come Back Home

コメディ – comedy – Cherry Magic

ダーク – dark – Sing in Love

シリアス – serious – Cornered Mouse Dream of Cheese

キュン – exciting (kyun) – Mr. Unlucky Has No Choice but to Kiss

Japan has trouble in diversifying its live-action in terms of sub-genres and treatment/mood. Even Thailand, despite the amount it produces have trouble offering variety. Riba couple, maiden seme, yarachin characters, yandere X yandere ship, etc. are either very rare or non-existent in live action BL. Moreover, live action BL is seldom explicit and are mostly in the speculative territory with seme/uke/riba dynamics, making it all the harder to diversify.

Tbh, what fascinated me the most is the “I kind of automatically cringed” part of the question. I would love to know what brought about that reaction. I am sure that it would help shed some light on discourse surrounding BL in general.

Post #2: Blushing Maiden Trope & Seme/Uke

Discussion (intended and in italics) between an anon, @heretherebedork & P’AbsoluteBL on actions and reactions during physical relationships.

The discussion centers around “the character placed into the stereotypically feminine role” being repulsed/reluctant/hesitant when it comes to physical relationships. It is directly attributed to “purity culture in BLs”.

BL have a complicated relationship with “purity” or being “clean”. Tanbi roots of BL hinged on sexuality and obsession with beauty to the point of decadence. Shonen ai (original meaning) works also had characters who are usually promiscuous for one reason or the other, never forming very deep relationship (at least not enough to stick to monogamous unions for long) yet endlessly entangled with other characters, often baffling non-queer characters in those works.

from Song of the Wind and Trees

[Inviting readers to hazard a guess: who is the seme and who is the uke. Answer at the end of this post.]

But how explicit the depiction of physical relationships has varied in BL with time and space. Japanese BL with the self-published BL (aniparo / yaoi – original meaning) boom saw very explicit depictions side by side with the commercial BL which have barely any explicit content or those which take a closed-door approach. Now Japanese BL have a wide range in terms of explicit content and have grown to incorporate elements from other genres including gei comi. Korean BL is similarly doing well. It is not uncommon to have chapters or parts of chapter in manhwa and novels dedicated to the celebration of physical relationships. Thai BL also have no dearth of explicit content, especially in web publishing. Chinese BL in its early days had lots of explicit content, especially in self-publishing. But as censors started taking notice and cracking down, authors and platforms clamped down. Most BL were purged of any & all explicit content. Some of it migrated to Taiwanese platforms, AO3 & other foreign hosts. Now all danmei published is “pure love” devoid of even allusion to depiction of any physical relationship beyond above neck action.

When it comes to BL live action, things are a little different. In Japan and to an extend abroad, there has always been overlap between audience of BL and audience of Japanese GVs and pink eiga. Moreover, early live-action Japanese BL was probably aimed exclusively at hardcore BL fans. They were way more explicit on average and did not always involve physical relationship between the main ship. Same seems true about early live-action Chinese BL. A Round Trip to Love Part 2 (2016) even had bondage and SM scenes which wasn’t there in the novel; but then it didn’t have the hard-earned happy ending the novel had either. But now, even dangai with “socialist brotherhood” (社会主义兄弟情) can’t be aired. Meanwhile, Japan’s average BL today lacks much explicit content. This isn’t to say that it doesn’t drop an occasional Sei no Gekiyaku (2020) once in a blue moon. Here are my speculations to why more of those doesn’t get made.

There is another reason for “purity culture” in BL.

Sathaporn Panichraksapong, an MD of GMMTV, a major producer of BL series, claimed that audience members who are mainly heterosexual women look for romantic relationships among the characters rather than sexual relationships.

We know that our audience are [sic] women. Women want to see only two boys having romantic moments together. They don't want to see sex. Sexual relationships in BL are for a gay audience. That's why in SOTUS the Series we have only two kissing scenes. With only these, audiences were already screaming. This is enough for them. (Interview with Sathaporn, GMMTV, 10 Aug. 2017)

Jirattikorn, Amporn. "Heterosexual Reading vs. Queering Thai Boys' Love Dramas among Chinese and Filipino Audiences." (2023).

As Jirattikorn goes on to highlight, this [wrong] perception about the audience (“women”) have changed ever since.

While early BL series tend to portray pure love without showing many sexual relationships, later BL series started to show more sex scenes between the two male lead characters.

Jirattikorn (2023)

“It’s always the character being pursued, who is typically in his first relationship, who Never Thinks Of Sex. They’re often very sweet and innocent and wide-eyed.”

While heretherebedork attributes it to “purity culture”, it can be argued that this has to do with what audience wanted:

I like the way they portray love in Thai BL. It is a kind of puppy love. BL of other nations, like Chinese BL, are darker. In Thai BL, two male characters often start off friends, then develop feelings for each other. It is very light, very sweet. (Krissy, f, 27, Philippines)

Jirattikorn (2023)

and what media houses thought they wanted, as evidenced by Jirattikorn��s interviews with BL fans. This is not to dismiss struggles with purity culture which is often a very slow part of decolonialization.

P’AbsoluteBL goes further to the argument that “purity” is associated with seme/uke dynamics in BL and maps it to typical het pairing (BG):

The stronger the seme/uke dynamic (the more heterosexually dysmorphic and less actually gay) the more likely this trope will manifest. Simply put: the man (because he is hooah a MANLY MAN DUDE) wants sex but the woman (delicate pure flower of cleanliness and joy) does not. And if she does want it she is a DIRTY, worthless, whore - so she MUST protest sex (GASP) at every single turn. (Seme is acting the male and uke the female in these kinds of narratives.) *please sense my sarcasm dumb interwebs, mm’kay?*

It’s true that the argument seems persuasive but is it right? Probably not. Seme, uke and riba characters can be divided into strong/weak categories based on their characterization - with the strong ones being those who pursue, take initiative, most likely to initiate intimacy at least for their first time, etc. and weak ones being those at the receiving end of pursuits and initiatives. Pairing a strong one with a weak one is probably more traditional –

strong riba x weak riba like in Addicted (at least before time skip)

strong seme x weak uke like in Old Fashioned Cupcake

weak seme x strong uke like in Saezurutori Wa Habatakanai (at least before time skip; pavam Doumeki)

compared to those with both parties being strong (which leads to delectable friction and sparks flying when done right) or both being weak (which leads to audience wondering: will either of them do something? No? Very well!).

BL’s sex negativity

Seme gets overwhelmed by his lust for uke, acts aggressively and has to be shut down or warned off.

Not only seme, uke and riba characters does this too. P’AbsoluteBL attributes “getting overwhelmed by lust” and “acting aggressively” to seme when it can be attributed to both uke (襲い受け) and riba as well. Other than acting aggressively, characters may employ seduction (eg. Xia Shang Zhou in You Are Mine (2023) - tried and failed & Charlie in Pit Babe (2023) - successful) and/or manipulation (Color Recipe by Harada).

Seme won’t take no for an answer because his needs are too great and his needs take precedence (he’s “the man” after all) and the uke is just TOO CUTE how could anyone resist? (After all the seme is only gay for this one guy because he is so cute. Everything, therefor, is the uke and his cutenesses’ fault.)

Moreover, P’AbsoluteBL is probably not aware of kawai seme who employ their cuteness to get uke to lower the guard and to seduce. Cuteness is clearly not a uke prerogative.

Like the sailor-costume wearing seme on the cover, cuteness is sometimes invoked through conventionally women’s clothing, cosplaying (maid, sailor, nurse), etc.

If the seme makes the choice to have sex for the uke, then the uke is not at fault and is still technically innocent. Only if an uke wants it, is he actually impure (or actually gay). In H4 when they both comfort and sex shame the bottom after the rape sequence, this is the narrative’s mentality. (A man who does not want sex is assumed to be able to fight another man off.) Oh and ALSO, the seme must read the uke’s mind and know what the uke really wants.

I don’t even know what went into this argument. There is an entire subgenre: 調教 BL (training / conditioning) that is focused on pleasure training. If a character (seme/uke/riba) wants sex in a narrative, it usually only means that their partner is on the right track. Moreover, when a character wants, actively seeks and are denied intimacy for manipulation reasons, then their partner is made out to be cruel (either 鬼畜 or ゲス・クズ).

In other words, if the uke is interested in sex, he’s made impure by this interest. Sex of any kind is an act of desperation and indicates lack of control and therefor diminishes both parties but particularly the uke, therefor the uke shouldn’t have to take responsibility of wanting sex, so the decision must be made by the seme for both of them. He is being a “good seme” by doing this. The uke, therefore MUST appear reluctant to have sex, or he is not a good/pure/virtuous person.

Honestly, I haven’t come across BL which gives off this kind of message. However, two-faced scummy characters (seme/uke/riba) get to employ hypocrisy, which includes slut-shaming, to humiliate characters they are shipped with but then such narratives are built to illicit hatred (for scummy characters) and angst and often punished with:

(a) unhappy ending for the couple

(b) breaking up of the ship

(d) switching within ship – uke turns into riba/seme or seme turns into riba/uke – or shift in power dynamics (rich character becomes relatively poorer, junior from school becomes senior/superior in workplace).

A lot of readers find such dramatic plots satisfying and hence it is a successful subgenre.

Can you guess the seme in these 20 BL manga? Try this quiz on renta.

Post #3: How do they determine who will be archetype seme/uke?

Discussion regarding seme/uke determination in BL: @elynn0723 & P'AbsoluteBL (intended and in italics).

I think your confusion is partly nested in the fact that seme/uke is not about who fucks who, not really. Certainly not anymore. Seme/uke are narrative archetypes not physical acts.

Disappropritation. Discussed above.

I should say for the record that personality is NOT sexual preference.

P’AbsoluteBL goes onto give examples (all of which are fictionalized in different genres – GB, BL, etc.) but probably due to being limited by lack of exposure, goes onto ask, “How weird that anyone would think queers do this.” Queers do this. If one is willing to look beyond LGBTQIA+ form of queerness (which is born and brought up in America), one can see queer possibilities. For example, Kothi-Panthi queerness in India/South Asia. It is probably a good idea to pay attention to it when generalizing queerness given how big India/South Asia’s (queer) population is. There are very many similar forms of queerness in other parts of Global South. In many cultures, sexuality doesn’t inform identity but sexual preference does.

[ Aside: Kothi-Panthi model of queerness

This model doesn’t work for whole of India – region (India is so big and heavily populated - different sexual cultures and practices); linguistics (different terms in different region, same terms different meanings in different region, decline of Farsi (used in queer spaces in Delhi) and other queer argot/cant and their replacement with American English internet slang); class & caste (LGBTQIA+ being self-identification of mostly urban/rurban, upper class, English educated v/self- identification common among the sex workers, working class and other lower classes in rural as well as urban spaces who are excluded from consumerist queerness);

NGOfication of queer movement & action; global queering and neoliberal take over leading to americanization –– intermixing & “gay” (and other terms) being used differently by different classes.]

How do they determine who will be archetype seme/uke?

P’AbsoluteBL points to narrative roles - who is “after” the relationship more, and then goes onto claim “the heroine is the main character, the love interest is her love interest. It’s decided for them because it’s a romance novel.” I don’t know if this helps explaining either seme/uke/riba archetypes in BL or pursued/pursuer. Aren’t there romances where hero pursues heroine and the other way around? Aren’t there romances where both party pursue each other?

Even if we assume that androphilic female audience is projecting the sexual mores & expectations imposed on them onto male characters, then by the very act aren’t they subverting those expectations.

How do they determine who tops?

P’AbsoluteBL provides the following schema:

seme = active pursuer

since active pursuer is “the male role”

he should do the penetrating

which has to be done

P’AbsoluteBL also gives a term for this association: heterosexual dysmorphia - "the idea that any couple must fit into predetermined binary gender roles". This is probably coming from a place of ignorance since the example given is confined to musings about sexism concerning the upper class in Global North. Also, at least in the ambit of Kothi-Panthi sexuality, fitting into masculine top-feminine bottom dynamic doesn’t place them into any predetermined binary gender roles. Instead, it only places them in the fluid space of multi-genders: can/are seamlessly float(ing) between being kinnar/hijra/ali and being “cis-men”.

If one is to ask the question: “Which one of you is The Girl?” to a kothi-panthi couple, the kothi would tell you without hesitation: “I am The Girl.” Might even asked you in turn, “Couldn’t you tell?”

Kothi [is the word used by] effeminate men who desire to be penetrated by "real" men whom they call ‘panthi’.

Queer Movements by Paromita Chakravarti & Aniruddha Dutta

Seme/uke/riba archetypes are imbibed with different traits and different spin on personalities that a seasoned BL sommelier might be able to spot easily but would confuse those who are less familiar with all that the genre has to offer. The following excerpt from an analysis by @ranchthoughts reflects the most popular idea about seme/uke dynamics.

Most BL shows can be read through a lens of seme/uke dynamics, which originated in yaoi. The seme is the “pursuer” character and the uke is the “pursued”. There are certain physical (height, skin colour, etc.), social (age, wealth, social capital, etc.), and personality (active vs. passive, extroverted vs. introverted, flirtier vs. shyer) markers which are typically associated with either the seme or the uke. For example, semes tend to be taller, wealthier, older, flirtier, tanner, more active, and have a higher social status, while ukes tend to be shorter, poorer, younger, shyer, paler, and have a lower social status. “Seme” and “uke” roles are also sometimes conflated with masculinity and femininity (semes are “masculine” and ukes are “feminine”) and sexual preferences (semes are dominant and tops and ukes are submissive and bottoms). There are also tropes associated with either the seme or the uke, like ukes typically give cheek kisses and semes forehead kisses. Thus, things like height, age, wealth, personality, presumed sexual preference, and the role they take in tropes can index the character’s status as a seme or a uke, and in turn the character’s identity as a seme or uke in the narrative (pursuer vs. pursued) indexes a character’s personality, sexual preferences, etc., however unrealistic and simplistic that is in real life. In a BL, we would expect the seme (pursuer) and uke (pursued) characters to exhibit most, if not all, of the associated seme or uke traits and roles in tropes, though this is not always true (and some BLs have little to no seme/uke dynamics at all).

There are two interesting things about such an understanding of seme/uke dynamics:

It closely resembles nenja/wakashu dynamics (and its cousins) in the customary and mostly age-stratified androphilia in pre-modern Japan.

Live action BL, at least the ones that were current and popular, stuck mainly to a single type of dynamic: pairing of one seme of a particular kind (スパダリ – super darling) with one uke of a particular kind (ヘタレ – milquetoast). There are barely any riba couple. It is painting picture of BL in monochromes. So much so that Bad Buddy and My School President were seen as some path breaking feat and a break away from “yaoi” tropes by live action audience, rather than seeing them having just another (or less familiar) set of yaoi / BL tropes.

What P’AbsoluteBL identifies as “heterosexual dysmorphia” in “yaoi” is basically what BL inherited from Japan’s pre-modern androphilia including “femininity” in uke from chiago, wakashu and androgynous Kabuki actors and (hyper)masculinity in seme from nenja and others who enacted “the male role”. BL did not passively receive any of these. And for moe, artists and audience alike, subverted it all.

This is true for all tropes that are attributed to seme/uke.

Height difference – Earliest BLs had petite bishonen pairings. Yaoi introduced height differences – all of them: tall seme x short uke short seme x tall uke (this is probably the most sexualized height difference) tall seme x tall uke (with little to no difference) both/all short riba CP/ship both/all tall riba CP/ship tall riba x short riba short riba x tall riba

Cuteness – Used to establish how irresistible a character (seme/uke/riba) is irrespective of their attitudes and behavior are. Oft part of seme’s seduction tactic, especially when uke has a weakness for cute things. Even when cuteness is not one of the seme’s attributes, it is invoked either actively by serving kawai in speech or through actions including cosplay; or passively like in the following example where a typical super darling seme, Asami Ryuichi from Finder unintentionally triggers moe in Takaba Akihito (his uke) by cuddling a baby.

Uke’s cuteness is exploited to establish a sou uke (an uke every other character turns seme for) or subvert the same like in No Money where one of the epitomes of bishonen cuteness, Ayase (uke), who manages to enthrall others however isn’t a sou uke as one might expect and thus subverts the wakashu trope. Moreover, Kanou (seme) wasn’t initially drawn to Ayase due to his cuteness but due to Ayase’s kindness that lifted him out of the abyss of despair, when Kanou was at his weakest.

3. Bulk – BL have main characters (seme/uke/riba) with varying bulk and body types. There is far less diversity when it comes to Live Action BL.

4. Blushing maiden/virginal innocent trope – applies to all sorts of BL characters.

Edit: Conclusion

1. Surprisingly, ethnocentrism and loud echo of colonial masculinity in particular seem to permeate the discourse surrounding BL.

2. I really wish live action BL would have as much diversity as other BL media. Why is it so slow to diversify? Is it because of business interests? Is sticking to super darling X milquetoast pairing with royal road progression a sensible business decision? Or is sexism promoting wrong impressions of what audience want?

3. How come the Japanese terms "seme" & "uke" are used a lot but not "riba"? Where did live action BL audience learn these terms?

***

Yaoi = [how P'AbsoluteBL uses it] synonym for ボーイズラブ (boys love) manga.

= [popular use in anglophone BL manga fandom] BL manga with explicit content; as opposed to shonen ai.

= [original meaning] derivative works, which were mostly plot-what-plot type, that are self-published (doujinshi)

Answer to a question posted above: Gilbert Cocteau – uke in Song of the Wind and Trees

Below is the seme: Serge Battour

from Song of the Wind and Trees

Earliest BL manga had very pretty seme/uke/riba characters (if we are to call them so) and were not too preoccupied with "manliness" or a single type of "masculinity". But, they were surely obsessed with bishonen.

[1] 互攻 is also used to indicate POV switching between gong and shou in fiction.

[2] 纯爱 is also used to indicates asexual androphilia.

CP/pairing - involves 2 characters. Ship - involves 2 or more characters.

Inviting @waitmyturtles and @lurkingshan to share your thoughts if any (since I have noticed you guys use the terms "seme" & "uke" as well). Hope you guys don't mind the mention.

#japanese bl #boys love #bl history #thai bl #chinese bl #danmei #bl trivia #bl tropes #seme/uke #seme #uke #riba #korean bl #taiwanese bl

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bnhaobservation · 5 months

Text

BNHA Observations, speculations and assorted info: The facts taking place during the year that ends with Rei's hospitalization and Tōya's assumed death

So, in order to write my fic, I spend much time observing canon scenes, comparing the manga and the anime version, take note of details, translations and info in them as well as finding out how are some things called.

Since what I noticed/speculated/found out can be of use for other fic authors I thought to share as well.

Resources:

Chapter 31 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Chapter 39 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Chapter 44 Relaxing Day Off (休め振替休日 Yasume Furikae Kyūjitsu) Chapter 93 One For All's Ember (残り火ワンフォーオール Nokoribi One For All) Chapter 166 Be Proud, License Trainees (ホッコれ仮免講習 Hokkore Karimen Kōshū) Chapter 187 Flaming Roar! vs. Nomu: High-End (燃えよ轟け！VS脳無：ハイエンド Moeyo Todoroke! Versus Nōmu: High-End) Chapter 188 Your Father, the Number One Hero (父はNo.1ヒーロー Chichi wa Number One Hero) Chapter 192 The Todoroki Family (轟家 Todoroki-ke) Chapter 202 Match 3 (第3セット Daisan Set) Chapter 204 Tuning Up (チューニング Tuning) Chapter 249 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi Chapter 250 Ending (エンディング Ending) Chapter 290 Dabi's Dance (ダビダンス Dabi Dance) Chapter 302 The Wrong Way to Put Out a Fire, Part 2 (火の不始末後編 Hi no Fushimatsu Kōhen) Chapter 350 Bound to a Fiery Fate (エン En)

Episode 19 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Episode 23 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Episode 25 Todoroki vs. Bakugō (轟VS爆豪 Todoroki versus Bakugō) Episode 49 One For All (ワン・フォー・オール) Episode 88 His Start (始まりの Hajimarino) Episode 90 Vestiges (面影 Omokage) Episode 95 Match 3 (第３試合 Daisan Shiai) Episode 96 Match 3 Conclusion (第３試合決着 Daisan Shiai Ketchaku) Episode 105 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi) Episode 106 The Unforgiven (許されざる者 Yurusarezaru-mono) Episode 124 Dabi's Dance (ダビダンス Dabi Dance) Episode 130 The Wrong Way to Put Out a Fire (火の不始末 Hi no Fushimatsu)

Series 4th Outro2 "Shout Baby" by Ryoku Oushoku Shakai

My Hero Academia: School Briefs I (僕のヒーローアカデミア雄英白書 I Boku no Hīrō Akademia U.A. Hakusho I) - Part 2 Notice from School My Hero Academia: School Briefs V (僕のヒーローアカデミア雄英白書祝 Boku no Hero Academia Hakusho Iwai) - Part 3 Awkward Year's-End Soba

OBSERVATIONS, SPECULATIONS AND ASSORTED INFO:

Fundamentally the year that lead to Rei's hospitalization and Touya's death is narrated into two different moments, chap 31/39, in which we've a retelling of how bad it was from Shouto's point of view and chap 290/302, in which we learn instead of Touya's side.

However, there's a fundamental difference in the two narrations. When the story tackles Touya's side, we can more or less pinpoint the dates of when this is happening, the same can't be said for when the story tackles Shouto's side. There's probably a narrative reason for this, Touya's whole story (which covers much more than just this year) is a progression of things going from good to terrible, while Shouto's story is likely meant to narrate the constant horror in which he and his mother lived until Rei lost it. So there's not really a need to pinpoint when a scene took place because that scene likely kept on repeating in similar variants for days, until Rei became unable to take it any longer.

As a result I'll narrate some fact that are part of Shouto's side first, so as to give the idea they likely repeated over and over through that year, while I'll follow the timeline of Touya's side of the story more closely.

So anyway let's dig on what happened that year.

Warning: as tumblr now has an image limit (no more than 30 per post), I had to turn more images into a single one so as to show the full scene. The result is that the image quality in some scenes is pretty low... Please, use the images solely as a visual reference of which scene you need to look at and, for the text check your own copy of BNHA.

TIMELINE

January 11: Todoroki Shōto is 5.

January 18: Todoroki Tōya is 13.

April: Todoroki Tōya starts his second year at Middle school - Todoroki Fuyumi starts Middle school - Todoroki Natsuo starts his 3rd year at Elementary school. - Todoroki Shōto attends preschool.

[Preeschool in Japan isn't mandatory but we know Shōto attended to it as Chap 166 shows on its cover the photo taken at the preschool entrance ceremony... the photo might not be necessarily taken in this year as kids can start preschool from when they're 3 but it just confirms Shōto went at it]

Sometime during the year: Endeavor and All Might talked for the last time.

A note on the translation:

‘Chō hisashiburi! 10-Nen mae no taidan furi ka na! ? Mikaketakara aisatsu shi tokou to omotte ne.’ 「超久し振り！10年前の対談振りかな！？見かけたから挨拶しとこうと思ってね。」 “It’s been a long time! It's from the talk/conversation show from 10 years ago, right! ? I saw you and thought I'd say hello.”

Endeavor and All Might's conversation is called ‘taidan furi’ (対談振り) where ‘taidan’ (対談) means “a discussion between two people which is usually set up as a special occasion and whose topic is set in advance”… while ‘furi’ (振り) is “show”. So basically, 10 years ago they didn’t have a casual chat but ended up together in some sort of talk show / combined interview. The anime makes it even more obvious because in it the sentence is:

‘10-Nen mae, media de taidan shite irai ka na! ? !’ 「10年前、メディアで対談して以来かな！？！」 “I think it's been since we had a conversation on the media 10 years ago!?”

During the year: Shōto watches All Might on television when his father isn't around [shown in chap 39 and 206. We see that Shōto's clothes are different in the two scenes and so is his position, meaning he did it more than once which "School Briefs" also confirms]

“You always were a fan of All Might, weren’t you, Shōto? But you had to wait until your father wasn’t around to watch those video clips in secret. Remember?” [Rei from "My Hero Academia: School Briefs I"]

During the year: Shōto's training is so severe it causes him to throw up. Rei tries to get in between him and Enji protesting he's only 5 and gets hit. [shown in chap 39, 202, 204]

Actually we don't know if Chapter 202 & 204 are placed in this same year (Shōto is still small but Rei isn't present and Shōto and Enji are dressed differently so it's not the same time as chap 39... and likely chap 202 and 204 show two different scenes as well since in one Enji has his moustaches on fire while in the other is his beard... never mentioning in chap 202 Shōto already has his scar so this likely happened post him being burn and could as well take place in the following year, though the fact that Enji has long sleeves might imply it's still winter...) but they seems to show other scenes of Shōto's training which still sees him throwing up and crying, which surely confirm an abusive pattern.

A note on the translation:

'Tōya wa oshikatta. Ore ijō no karyoku o sonaete irunoni. Rei no taishitsu o motte shimatte… Aitsu wa… oshikatta' 「燈矢は惜しかった。俺以上の火力を備えているのに冷の体質を持ってしまって… あいつは…惜しかった」 “Tōya was close/disappointing/something I feel regret for/deserving better. Even though he has more firepower than me. He had Rei's constitution… That guy… was close/disappointing/something I feel regret for/deserving better.”

Oishikatta (惜しかった) has quite a bunch of meanings like to feel regret for, to find something a pity/pitiful, to mourn but also to cherish, to love dearly, to be precious... and is used to express pity/regret of an "almost but not quite" situation, in "a damn it, you were so close" kind of way.

Very likely the emphasis in the sentence isn't that Tōya could almost do it, but that it was so unfortunate Tōya couldn't do it.

This doesn't necessarily mean Tōya was already dead because it was decided Tōya couldn't fulfill Enji's ambitions way prior his death and way prior Shōto's birth.

BTW, Tōya started burning himself before Natsuo was conceived. In order for their age difference to work, it means Enji started training Tōya when Tōya was 3 (yeah, it's possible he started earlier than this age but I find difficult that a child of 2 could pull it out successfully). As a result it's possible he started training Shōto at that age as well. In case someone doesn't remember it, Quirks don't appear when one is 4 but can appear even earlier (luminescent baby anyone?), Shōto could freeze his own snot as an infant and it's implied that Enji knew Tōya had a fire Quirk when they conceived Fuyumi (meaning when Tōya was 2 months or younger) so starting their training before 4 wasn't impossible.

During the year: While Shōto is scared at the idea of becoming like his father, someone who abuses his mother, Rei comfort him saying he can decide who he'll become. [Chap 39... I pieced back the scene for better visual]

During the year: Tōya is desperate because he can't figure his reason to exist and search comfort in Natsuo [Chap 290]

Likely in sprind, anyway prior to July (as Natsuo isn't 9 yet): Tōya, Natsuo and Fuyumi play together while Shōto can only watch them. Enji refuses to let him join them saying he needs to train and they belong to different worlds. [Chap 302 & 39 & 250]

July 1: Todoroki Natsuo is 9.

Likely summer, though it could be still spring: Natsuo refuses to listen to Tōya’s complains during the night, telling him to go talk with Fuyumi. [Chap 302]

August 8: Todoroki Enji/Endeavor is 36.

Likely autumn (Rei's sleeves are longer): Rei tries to stop Tōya from leaving the house and the two have an argument. [Chap 302]

During the year: Rei begins to break starting to cry way too often to the point Shōto will end up remembering her solely crying and will forget her smiling. [Chap 31]

December 6: Todoroki Fuyumi is 13.

Winter: Tōya’s flames turn blue. [Chap 302]

A note on the translation:

'Hayaumare no chīsana karada ni yōyaku otozure hajimeta nijiseichō’「早生まれの小さな身体に漸く訪れ始めた二次性徴」 "Secondary sexual characteristics have finally begun to appear in the small body of the hayaumare.”

'Hayaumare' isn't a premature kid but someone born between January 1 and April 1. In Japan this is relevant because in order to start school you need to be 6 by the time the 2 of April comes around, meaning the Hayaumare are the youngest kids in the class as they're born in the year following the one in which the other kids, or ‘Osoumare’ (遅生まれ "born in between April 2 and December 31"), were born.

Winter (likely in a different day as the black bars on the corner hint at time passing by... possibly because when Tōya came back home Enji wasn't there yet?): Tōya asks his father to come to Sekoto Peak with him his next day off. [Chap 302]

Winter (likely in the same day): Todoroki Enji/Endeavor hits Todoroki Rei for not stopping Todoroki Tōya from training. [Chap 302]

Winter (the morning of another day as Todoroki Shōto has just woken up): Rei snaps and burns Shōto. [Chap 31, 39, 249, 302]

“Shōto?” he said, facing the sliding fusuma screen. No response. Natsuo slid the screen aside, not expecting to find his brother inside, but there he was-fast asleep on the Futon that he’s clearly plopped down onto without much care, all askew. Moving quietly so as not to wake Shōto, Natsuo crept over and peered at his brother’s face. He looked surprisingly young, despite the burn scar that sat heavily on his face like a shadow. Having been abused by Endeavor-who’s been fixated on his own ambition. Todoroki Rei had snapped one day and thrown scalding water in Shōto’s face. Natsuo would never forget the pair of tear-filled screams he’d heard that day. How painful it must have been, he thought. Natsuo caught himself extending a finger toward the scar but quickly curled it away when he realized what he was doing. Shōto’s scar probably wouldn’t exist if only the boy hadn’t inherited aspects of both his parents’ Quirks. Maybe Shōto could have enjoyed a normal childhood, full of carefree days playing with his siblings. And yet I couldn’t do a thing… Natsuo had been in elementary school when it had happened. Their father, Endeavor, had ignored his family well-being in pursuit of his ambitions-ambitions he’d projected onto young Shōto. Even now, Natsuo would beat himself up over how he used to be before the abuse really began, recalling the period in his life that had made him feel pathetic and ashamed. Before Shōto was born, Natsuo had sought his father’s love and care, and when Endeavor was around, he would turn into an excited ball of energy, eager for attention. But that love never came. It was only thanks to his warm and caring mother that Natsuo had survived those early years and learned to cope with rejection from his other parent. But after Shōto was born, even their mother grew distant, though not out of indifference. Natsuo could sense how much energy she had to devote to protecting her youngest, her baby, from her husband’s so called training-which most would label abuse- but at that age, Natsuo couldn’t help but feel that his mother had been stolen from him. After witnessing his mother and brother crying and screaming on that horrible day, Natsuo had been overcome with crushing shame. [My Hero Academia: School Briefs V]

Winter (the same day or the one after it... Shōto's clothes are different but he might have had to change because he got wet... on the other side it's also possible that Rei's hospitalization wasn't done the same day but Enji had to do preparations for it): Rei is consequently hospitalized and put in isolation. After learning about his mother's hospitalization Shōto decides to blame his father for this. [Chap 39]

A note on the translation:

'Omae ni kigai o kuwaetanode byōin ni ireta. Mattaku… daijina tokida to iu no ni…' 「おまえに危害を加えたので病院に入れた。全く…大事な時だと言うのに…」 "I put her in a hospital because she hurt you. Good grief... even though it's an important time..."

Enji is actually more specific in what he says to Shōto about Rei's fate, saying he put her in a hospital and didn't call her a fool but uses an expression of general exhasperation 'mattaku'.

Winter (likely on Todoroki Enji/Endeavor’s day off, Tōya's clothes are also noticeably different from the ones he had when he asked his father to go with him on Sekoto Peak): Tōya goes on Sekoto Peak, waiting for his father. When his father doesn’t arrive and the lights go down he ends up setting himself on fire losing his lower jaw before he manages to enter in a stream. He is then found and taken away by All for One. Enji reaches Sekoto Peak but can’t find his son except for a piece of his jawbone. Tōya is assumed dead even if Enji at first claims he didn't want to accept it. However this will lead him to focus even more on Shōto. [Chap 291, 302, 350]

Winter (after Tōya's death): After Rei's hospitalization Shōto will never visit her until he'll be in U.A. High school. Rei's psychological condition will get worse. Fuyumi, despite knowing about her family's sad situation was and will remain too scared to do anything beyond keeping up appearances. Natsuo will gradually forget things but will keep on resenting Enji for what happened to his mother and to his siblings. [Chap 39, 187, 250, 302]

TIMELINE CONSISTENCY PROBLEMS

Either Horikoshi didn't plan the Todoroki timeline or decided to change things along the way as, occasionally, what the characters say happened in a chapter get contraddicted in another... or make them seem uncaring of Enji's neglect of Natsuo (and Fuyumi) and of how he eventually casued Tōya's death.

Mind you, I'm sure they all cared about Tōya's death and about the neglect Natsuo and Fuyumi suffered because otherwise the characterization wouldn't make sense. This is likely a problem in the narration, not an attempt of the narration to deny the care.

Anyway I'm gonna list the problems in narration now. Do with them what you want. I'm sure plenty of people has headcanons that solve them just fine. This though isn't a page for theories so I didn't list any of mine either.

Not all of the problems are terrible (the only ones really bad are the ones that consistently change the timeline/why things happened) but some of them can undoubtedly confuse a reader about the characters' feelings.

Let's start with chap 350.

For start this establishes that Tōya assumed his father didn't come to him on Sekoto Peak because he was too busy with work... so the fire took place not after the discussion they had (which fits with how the timeline decided Rei needed to be hospitalized before Tōya were to burn) but neither on Enji's free day apparently... unless Tōya assumed his father gave up on his free day to work some more which is something he had already done in chap 301, when Enji left and refused to train Tōya even though it was his day off... and this can be Tōya's own way to excuse his father for not coming to Sekoto Peak.

However, after this the chapter has Tōya say he has to go back home because he did and say some awful things so he should apologize to his mother and the others and shows his father what he can do.

The problem is... we didn't really see him doing something awful. Yes, he argued with his mother but this was PRIOR to his flames turning blue, as for his siblings his argument with Fuyumi dated to PRIOR Natsuo's birth and the one with Natsuo to PRIOR his argument with his mother and wasn't even a real argument. He just begged his little brother to hear him out.

If there was an argument that day before Tōya left for Sekoto Peak... if he did something... well, this is completely discharged by the plot. It won't even be mentioned when he and his siblings will meet again... not even mentioning his mother was hospitalized and put in isolation PRIOR to him going on Sekoto Peak, so if he had an argument with her we didn't see, it still was way prior to that.

And the same goes for whatever he did of awful... as I've hard time thinking he's referring to accidentally burning down the peak.

Even his discussion with his father doesn't seem to fit the description and if he blames himself for how his father hit his mother... well, that just feel messed up especially since he wasn't even shown being there to see.

Going on.

Chap 39 said Shōto didn't visit Rei because he blamed himself, while chap 250 says it was due to Rei's psychological condition worsening after Tōya's death... to go back on chap 302 volume version which said she was put in isolation PRIOR to Tōya's death (and therefore likely couldn't see anyone even if she wanted to) and then, AFTER Tōya's death she got even worse.

In the magazine version of chap 302 Horikoshi had Rei state that Enji basically became abusive AFTER Tōya's death, and this is what eventually lead Rei to snap and be eventually hospitalized... the whole thing was corrected in the volume version so now the volume version too agrees that Rei was hospitalized FIRST and then Tōya died.

While the thing got 'fixed', the whole correction was done in a sloppy manner... it would have worked much better if the dialogues in whose two scenes were swapped because, if Rei was already hospitalized and put in isolation, she wouldn't have known if, after Tōya's death, Enji got worse. It's hard to think she's referring to the time prior Tōya's death because it feels like a non sequitur since they were talking of the time AFTER IT.

Since the narration was changed retroactively it's possible that in the first planning for the chapter Tōya's flames turning blue, him telling his father, his father abusing Rei and him running to Sekoto Peak (instead than waiting for Enji's day off) took place all in the same day... or better all in the same night as it's dark when Tōya's flames turn blue and it's dark when Tōya burns on Sekoto Peak.

This however becomes impossible when it was decided Rei was hospitalized PRIOR to Tōya dying.

It doesn't help how Rei in chapter 39 focus especially on how she shouldn't stay with Shōto due to his left side being repulsive to her, when chap 302 magazine version also implied Natsuo's look was repulsive to her and the volume version instead change things and made it all about the way they looked at her (but Shōto never looked at her in such a way though okay, she might have been losing it but she should have still worried more about Tōya who glared at her like Enji and also about Natsuo). Of course the problem of chap 39 is likely that what happens in chap 302 was likely not planned and the story was possibly meant to focus solely on Shōto so, of course, she wouldn't want to be near him and wouldn't be troubled by the other kids.

Shōto is supposed to be kept isolated by his siblings, which is also why Natsuo had no idea Shōto liked Soba as, evidently, they never ate together before. However, when Enji attack Rei from the furniture we see they seem to be all in the same room, the television one.

In chap 291 Enji claims he kept searching for Tōya, unable to believe in his death... but chap 302 presents him as resigned and completely focused on Shōto.

Either because Tōya's storiline wasn't planned yet or to keep the secret, the story in its early stages avoid mentioning him... with confusing results.

Shōto, in chap 39, won't mention to Midoriya how his father might have lead to his older brother's demise. The manga will try to excuse it by saying

'Sotsu-sen shita hanasu mon ja nēdaro' 「率先して話すもんじゃねエだろ」 "I wouldn't take the initiative to speak (about it)."

Only... during his first discussion with Midoriya Shōto:

Asked Midoriya if he was All Might illegittimate son

Told him about his father buying his mother for Quirk Marriage

Told him about his mother's depression and how she ended up burning him

Told him about how he was raised to fulfill his father's expecations and how he hated it and how he'll deny his father by refusing to use his Quirk

That's quite a lot he decided to mention, but the fact he didn't mention how his father also lead his oldest brother to his demise made it seems as if Shōto didn't see Enji responsible for it... which also seems confirmed by how, when Fuyumi asks Shōto how he feels about Enji, he replies he blames him solely for his scar and driving his mother to madness, not a word for his dead older brother or for how his siblings suffered of neglect even if Natsuo made clear he still suffers for it.

Shōto is a VERY caring boy. This narrative choice seems to imply he didn't care about his siblings when it's likely the opposite. He cared for Natsuo and likely for Tōya and Fuyumi too. The way the story is told though, is misleading because it makes him look like he only cares about himself and his mother when I don't think that's the case.

Probably though, back in chap 31 Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret and here he didn't want to repeat the whole narration or give too many hints about Tōya's death so he had Shōto skip it and focus on Rei. It's a choice... but it's not a great one.

Enji also for a long while won't show concern for how he caused Tōya's death.

In chap 93 Enji thinks at how his despair lead him to ruin his family... only again there's no mention of Tōya not even visually, again likely because Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret. Still it seems as if Enji doesn't care he lead his son to death for his own ambition.

Chapter 188 is a little better as, at least, Tōya is shown along with his siblings... but it's still not great because, even though Enji is in the middle of his attempt at being a better person, here he worries about his overheating and seems to focus solely on how he married Rei and with her he had three kids who didn't have the Quirk he wanted and then to a kid who had the Quirk he wanted to fight the over heating, and doesn't concern at all with how, in the process, he also abused his family, lead Rei to madness and Tōya to death, but it can work narratively... even if it's not so great because it remarks something we already knew and doesn't focus on his regret (which would have been more important since Enji is trying to be a better person). But okay, it can work.

Probably the worst part is chap 192 because by then Enji is making clear he plans to atone but when he worries about the lives he had cut short, even though Tōya was mentioned, the visual shows us only Rei, as if she were the only life he had cut short (as she ended up in a hospital), skipping the one of his son WHO DIED.

Yes, this is probably to keep the mystery about Tōya but it's still not a great choice since he doesn't seem concerned.

Also probably because Horikoshi either hadn't planned Tōya's (and Natsuo's) storyline yet or wanted to keep it secret in "Ultra Archive" it was said Fuyumi became a teacher solely because she felt bad about the mistreatment Shōto suffered, apparently not caring about the neglect Natsuo suffered or of how Tōya ended up dead.

Fuyumi is also showed 'not caring' when no changes are done regarding to her in chap 302.

In the magazine version Fuyumi saying "I knew our family was broken" with an image of Enji dragging away Shōto and her mother trying to stop it, can be read as "(After Tōya's death) I knew our family was broken" and this allows her to sound like she's in pain for Tōya, Shōto and her mother.

However when the manga version changes things and have Rei hospitalized before Tōya's death, showing her having a flashback of how Enji was dragging away Shōto and her mother trying to stop it, remarks she knew her family was broken PRIOR to Tōya's death but not her feelings in regard to it. This combines negatively with how it was said she became a teacher for what Shōto suffered and paints her as uncaring for what Tōya suffered.

Again, I'm sure Fuyumi cared. It's just when "Ultra Archive" was written either Horikoshi didn't think about this part of the storyline or we weren't meant to know about it so he skipped it, and in chap 302 he merely adjusted things poorly so they ended up having implications he didn't plan.

Shōto going to preschool, where other children are, but being kept isolated by his siblings because they aren't part of the Hero world, seems a contraddiction in the story. While part of it can be due to Tōya's actions when Shōto was a baby, even after Tōya's death it will be said Shōto was kept apart from Natsuo (it's unclear if the same applies to Fuyumi) but then we see that when Shōto is in U.A. he's free to also go out without supervision so it becomes weird how (or why) Enji managed to keep him apart from his siblings, when he was allowed to spend time with whoever he wanted outside of his house... and even in his house he apparently wasn't controlled.

It also doesn't speak so great of Natsuo never attempting to connect with his little brother even if "School Briefs" tries to excuse it by saying it was due to Natsuo's grief.

When giving the green sign to "Vigilantes" Horikoshi likely completely forgot that All Might and Endeavor supposedly didn't meet for 10 years as, in chap 122, the two will cooperate to stop a Villain attack. Since “Vigilantes” takes place AFTER All Might and All for One’s big fight that injured both, it can’t be more than 6 years at the very best but, much likely, it’s less as this takes place at the end of “Vigilantes”. It’s true they didn’t really talk but still, they met.

Also both the anime and the coloured version of the manga give him red hair when, by then, his hair were while.

Credits when it's due though, I don't know if Horikoshi is behind the coloured manga version or another person does the colouring and that person took the anime as inspiration. In the black and white version Horikoshi's design for Tōya is consistent as his hair aren't coloured (while he colour red hair in black), so this could be not Horikoshi's fault.

The anime seems to confirm many scenes took place during night (except for Endeavor searching for Tōya after Sekoto Peak burned)... clearly no one was keeping an eye on Tōya if Enji never noticed how late his son got home and Rei, despite knowing Tōya went on Sekoto Peak to train, never worried about her son being up on a peak alone till late at night...

That's all I could remember/find for now.

The Todoroki storyline remains my favorite in the manga but there's no deny it was handled in a way that ended up contradicting itself, likely sometimes by mistake and sometimes due to change of plans or plot reasons. It's still a great story so don't think I believe the fact it has shortcoming means it's not enjoyable.

#boku no hero academia #bnha spoilers #Todoroki Enji #Todoroki Rei #Todoroki Touya #Todoroki Shouto #Todoroki Fuyumi #Todoroki Natsuo #All for One #bnha observations

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sgiandubh · 11 months

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June's delight and July's flavor

I was making coffee, a couple of minutes ago, in my sunny corner of the world, and I just had an aha moment.

Am I willing to ever write about S's Fitness Harem, this apparently never ending merry-go-round of chicks that pop up from nowhere, on promo season?

The answer is NO, and non-negotiable, because it's always the same-same-but-different (got a T-shirt from Bangkok with this, but that's another story) pattern:

I follow you on IG/you follow me on IG/news are being sent to thirsty inboxes/innuendo ensues somehow/people go ballistic with speculation/if we are lucky, a picture of a dog, or a cucumber, or a dog and a cucumber are conveniently brought up for consumption/ describe and discuss dog/ describe and discuss cucumber/ describe and discuss dog AND cucumber /class dismissed.

I know all of this. You know all of this. And yet, somehow, we still fall for it. Every single time. Muffled wailings are heard in Shipperville on every hiatus because KE, GG, ABC, do-re-mi...see? I can make shit up too with letters and sounds, because I am that good.

What brought us all here, ladies? A dog and a cucumber, or Life imitating Art? What the hell happened to us since, that we feel the need to keep tabs, timelines and probably also Excel files on June's delight and July's flavor? And don't get me started about August, this dreaded duck up and cover era of our calendars.

This is disingenuous and should be strictly none of our business. This is beneath us. Not a fraction of a second of my time is going to be devoted to give any traction to this childish seasonal rigmarole. Not a single one.

I will leave the ouija board experts to their own devices. That drinking game never ends well. I know what my gut keeps on telling me and it is more than enough. And it should be for you, too.

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bcacstuff · 3 months

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I’m thinking they did this run together too

She trains a lot, also with walking her dog with her son a lot where she lives. It's in Scotland not far from him but that is not the same place. Also for as much as I know, Sam likes to run alone, he often told that's why he likes this kind of sports as he's not a team player. So no, not seeing this as some kind of proof that there is more.

It doesn't matter to me as well, I feel disgusted and angry someone just put her full name out as this person knows very well what kind of affect that has, but her 'scoop' seems to be much more important to her.

I haven't seen any fitness event in GC. I think they're both training for an event. I believe Sarah even said so in her posts she was getting ready for Hyrox Glasgow and with her statement that her lungs have trouble with the cold in Scotland she is in GC. I could also see how Sam (as a friend) optioned to go together and train together. But it's an option, not a fact.

She trains in Stirling. Close enough though and they know each other, most likely just from training. They mutually follow and like each others post from time to time. But so do many who are into fitness, running and these branch of sports. She's a fitness influencer, her posts are even liked by KE and other so called 'exes' he has been connected to in the past.

I'm not gonna make anything more from all f it than I posted in my previous post. I've said all there can be said about it.

I know there's a Hyrox in Glasgow on 2&3 March, but as you already say, just coming back from Australia... then again he's the king of the jetlag and seems to sleep while flying... so that's when his body get's rest I reckon. All the rest, you say it, I have seen it, I have considered it, but there is just guessing and no facts. There's just options to keep open or to close. I keep a lot of options open and try to go by the facts as much as possible

Yes, and no. I said all I can say in my previous post, and above. I repeat from my previous post they seem to follow a similar schedule. I also saw her on a boat and there is not anything that I can confirm Sam was on that boat as well. They could just be there sharing some activities and doing things on their own. From what I see none of them is committed to be or to do things with the other.

This is what P is saying in the comments on her post:

I can tell you that her DMs are either blind, deaf and confirmation biased as I have 3 sources that followed her all the time. they all confirm to me that Sarah was posting from home and not from London while he was in London.

Also, not in any world it was said the 'female friend' he was on a shuttle boat in London with was blonde. I know since I posted a bit ago about people that had contact and convo's, one of them was with this fan from the boat picture in London. My contact asked for more info about the female friend, and the woman didn't answer anymore since most likely she got lots of people bothering her in DM. My contact was one of the first and could talk to her in her own language, which helped a lot, but the fan never confirmed it was a blonde woman. So P is talking BS and her DM partners are lying.

Please let's not make a story bigger than it is and keep going by facts. I know people are gonna speculate, but i just hate it when people try to put him or any woman together based on non-facts. I've posted as clear, unbiased the things that are (were) out there to see. That's all I can do and want to do. In fact, i wouldn't have posted it if not... well you know. I post to put things in perspective, not to have a scoop nor to be interesting and most certainly not to connect any woman to him that seems to be at the same place he is.

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intoxicatingimmediacy · 7 months

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Where Have You Seen Loki Season 2's X-5 Actor Before?

This post contains spoilers for the season premiere of "Loki."

"Loki" is back this week, and along with the return of Norse trickster god Loki (Tom Hiddleston), agent Mobius (Owen Wilson), and the rest of the Time Variance Authority, the show's premiere also sees the introduction of a few new key characters. Among them? Ke Huy Quan's helpful, tech-savvy Ouroboros (or O.B.) and X-5, a mysterious new TVA agent played by Rafael Casal. And it's the latter who is particularly intriguing.

So far, we haven't seen X-5 do much besides question whether jet skis are part of the sacred timeline, but the character already seems to be an agitating force within the organization. He's also quite possibly poised to become a recognizable Marvel villain. After all, a featurette for the second season had a couple bits of footage from behind the scenes that showed him in a TVA jumpsuit, as if he was being held prisoner. So that should be interesting to watch play out. But there's more.

As /Film's Sandy Schaefer pointed out back in July, the trailer for "Loki" includes a poster for a movie called "Zaniac!" which fans have tied to Casal's character via leaks and speculation. Zaniac is a noteworthy character in Marvel Comics, though he bears little resemblance to X-5. The character was an evil entity that possessed the man who would become Jack the Ripper, and later took over slasher actor Brad Wolfe.

Ahead of the show's premiere, Casal has been credited by several outlets as Brad Wolfe, not X-5, so it seems likely that he could play out some form of the Zaniac plot this season. Regardless of Casal's true role in the show, though, he's an excellent multi-hyphenate artist whose past works deserve attention.

If X-5 looks familiar, it's likely you recognize Casal from "Blindspotting," a fantastic 2018 musical comedy-drama that he co-wrote with longtime creative partner Daveed Diggs (yes, of "Hamilton" fame). "Blindspotting" was a labor of love for Casal and Diggs, who also produced the film about two best friends living in Oakland, California whose lives are disrupted by the broken policing system. As serious as that sounds, "Blindspotting" is also laugh-out-loud funny, and Casal is a totally charming standout as hot-headed Miles.

The performer reprised the role for Starz's "Blindspotting" TV show, which ran for two seasons and was recently canceled. A criminally underseen hidden gem of a series, "Blindspotting" takes place after the film and puts the focus on Miles' girlfriend, Ashley Rose (Jasmine Cephas Jones), as she parents the pair's young mixed-race son in a racist world, all while Miles is behind bars. Despite his character's incarceration, Casal still appears in the show frequently and his hilarious, soulful character is a fan favorite. If you're looking for a thoughtful, entertaining, dynamic watch – or just want to see what Casal's made of – you can't do much better than either iteration of "Blindspotting."

The performer has also made a name for himself in other projects, including several collaborations with Diggs. A poet and rapper in addition to his acting creds, Casal appeared on three seasons of "Def Poetry Jam" on HBO, released a mixtape with Diggs in 2010, and contributed to the soundtracks for "Blindspotting," including in the catchy (and foulmouthed, fair warning) song "Easy Come, Easy Go." He reunited with Diggs in the acclaimed 2020 miniseries "The Good Lord Bird," a wild historical fiction series led by a fiery Ethan Hawke. Casal and Diggs even started a public theater project called Bars Medley, which remixed classic literature into musical performances.

Other on-screen works of Casal's include a supporting role in the 2019 Hugh Jackman flick "Bad Education" (he played the love interest of Jackman's closeted character) and a multi-episode turn in the "Are You Afraid of the Dark?" revival. Casal played a ringmaster named Mr. Tophat in the reboot of the classic, kid-friendly horror series. Next up, Casal is appearing in "Wildcat," a biography of Southern Gothic author Flannery O'Connor that's directed and co-written by Hawke. The X-5 actor plays a character in one of O'Connor's short stories in the movie, which premiered at Telluride but hasn't been released to the public yet.

Whether X-5 is a frustrated TVA employee, a secret evil entity, a movie actor, or something else entirely, it's exciting to see an artist as talented and versatile as Casal take the stage in a major Marvel series. You can catch his next moves on Disney+, where new episodes of "Loki" stream Thursdays at 9pm ET.

#rafael casal #loki

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p-redux · 7 months

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Just a question, a serious one, for you or anyone else here. Sorry, this is a long post.

If you are totally okay with whoever S wants to date and you are just happy for him, then why do you allow people on your blog to trash these women? I know a couple of the women he's supposed to have dated have done some things to and/or said some things about Sam that were bad. But most of them still follow him (if they did before) and most of them have said nothing bad about him. Why not defend them? We don't know for sure which of them he dated casually, more seriously, or at all. It's mostly conjecture. Why are the women always attacked?

If we all do really love Sam and his work AND support whatever type of love life he chooses, then why do we look for every bad trait about the women associated with him? I do think a couple of them maybe wanted him for his money or fame, but all of them didn't do that. Sam is a grown-ass man, and while I do think he is a nice and sweet people pleaser, I don't think he is gullible enough to only go out with women who want to use him or who are trashy. It's terrible for women to attack other women when the only reason they do it is based on conjecture.

I know many here won't agree with me, but when I look at Katie , Abbie, and Mackenzie I don't see fake, plastic , bougie women. There are others we have seen him with who also don't look that way. Why would we assume he's attracted to those types? Just because he looks at or follows women who might fit that type, doesn't mean that's the type of woman he really wants a relationship with. The women I see on IG often just remind me of what has always appeared in men's' magazines, it's just easier now to post your own photos. Much of that is fantasy and men are really visual.

Personally, I just don't believe he has dated every woman associated with him in the last 10 years. I just don't. I also don't believe he has dated someone if we have no actual proof. Being around someone, friends with someone, hanging out with someone, having a meal with someone doesn't always mean dating them. Everyone jumps to conclusions EVERY SINGLE TIME he is rumored to be connected to a woman. I have even read where Sam said there are numerous scenarios about who he has dated or is dating and many of them aren't true.

Sure, it's fun to speculate. But when it moves to attacking these women, that's too far. We don't know Sam or any of these women personally- at least most of us don't. We only know what they may share on SM. I find it appalling the ugly, hateful things I have seen written about Karina Elle and Monika Clarke in the last year or so, for example. Unless someone here has more proof than I have seen - real proof- we don't know IF or how long he actually dated either of them. We don't know if he dated one, but not the other. We don't know if he dated them both at the same time. Only Sam and the women know for sure. Without irrefutable proof, we don't know what happened between them. Someone dropping an anon that he was at a football game with his hands on KE's ass, or that he was spotted in Brooklyn with a tall, beautiful brunette shopping but with NO photos just isn't proof. I'm sorry, but if you can hang around a location long enough to KNOW it's Sam and KNOW the identity of the woman, you can get a photo. I know many say they didn't take a photo because they didn't want to invade their privacy. Well if that's true, then why post about it on a fan blog???? I would guess that any fan who may have seen him with a date and asked for a photo with him- who genuinely likes and respects Sam-- probably knows who he was with and has chosen not to post it anywhere out of respect for Sam and the woman.

I fan over him too. Sometimes I love the speculation too. But these women are real human beings and we need to remember that. And if we love and respect Sam, we need to respect his own choices. He doesn't need my permission to date or care about any woman. But if I respect him, I shouldn't trash a woman he chooses to spend time with.

Anon, you've mistaken me for some other blogs. This is PURV, one of my number one rules for my blog is that I don't allow any hate toward Sam or Cait OR Tony OR any woman Sam dates. I delete hate comments other people may have left on my posts, and I warn the person that if they do it again, I'll block them. Sometimes, people will reblog a post and leave a hate comment, but there's nothing I can do there because I can't delete a reblog. But the person will automatically get blocked.

So, please pay better attention or realize you're mistaking me for other blogs, I don't tolerate hate for the women Sam dates at all. If anything, out of respect for him. If he picks a woman to date, then he must find qualities in her he likes, and that's good enough for me. Whatever and whoever makes him happy, I'm happy for him. Simple as that.

As for your specific comment about not knowing whether Karina or Monika dated Sam. Um, the sighting at the football game was not an Anon. It was an identifiable real person who was at the game and saw them together and their interactions. A source I directly talked to. She has no horse in this race, no reason to lie. I got the info from her directly and I know her full identity. So, there is NO doubt her sighting was real. As for Monika, there are PICS of Sam and Monika KISSING at a restaurant in New York. And I also DMed with the photographer who TOOK the pics. He confirmed neither Sam or Monika's people called him. He's a photographer active in New York and gets around a lot. The pics are real and the kiss was real.

So, while you're right that there are some women associated with Sam where it's only speculation with no proof...the two you mentioned there IS proof. And plenty of others as well. Simply search my blog or do a Google Search. There's more proof for Karina and Monika than the two instances I mentioned. And he didn't date them at the same time.

And to reiterate: I, Purv, DO NOT allow any hate on my blog toward ANY woman Sam dates. And certainly no hate for Cait's husband, Tony. Apparently that wasn't clear to you. I hope it is now. Sorry to be pissy, but it's annoying seeing this first thing in the morning, when I've literally made it my blog's work to NOT hate on any of Sam or Cait's significant others. I'm one of the few blogs who sets this boundary.

Have a nice day, Anon, but please, if you're going to take the time to write such a long Ask, do your research first before accusing someone of something FALSE. Thank you.

Happy Monday, everyone! 🙄🙃

#samheughan #caitrionabalfe #tonymcgill #karina elle #monika clarke #no hate

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smilesobrien · 8 months

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is kes from star trek an adult: the stupidest question that people are still asking for some reason!

aka: i should be asleep but im not so i might as well Post while i'm up!

So the idea that she's not hinges on two basic ideas: her age and elogium.

Age is an easy debunk; sure, she's two, but Ocampans live to eight! According to Memory Alpha, they hit young adulthood at one year old. Pretty straightforward. You occasionally see people argue that you can't possibly attain the amount of experiences necessary to be an adult in that timeframe, but I find that unconvincing; she escaped the gilded cage her entire species is in, for god's sake, she's hardly sheltered.

Elogium... I have a lot of beef with the episode it was introduced in, honestly (you're telling me Ocampans give birth to ONE child in their whole lives?!?!) BUT. for the sake of the argument, let's take it as presented.

In the episode of the same name, elogium is compared to puberty. While this is correct on some levels- in both cases, it's the body getting ready to reproduce- it's also fairly clearly not analogous to human puberty in some pretty important respects. For starters, it usually happens at 4-5yo; you'll recognize that as halfway through an Ocampan's lifespan! This alone makes it ridiculous to point to as the sole marker of adulthood in the species, especially when we've already been told that 1yo is an adult. Secondly, under normal circumstances it only happens once in an Ocampan's lifetime. I don't think I need to explain how that differs to the average ovulating human's life experience... haha!!

Thirdly, we can use our reading comprehension to understand the broader context of the episode itself- it doesn't follow the beats of a puberty narrative, it follows the beats of an unexpected pregnancy narrative. Sudden weird cravings as the first symptom? Check. Tensions between the couple over whether they're ready to have a baby? Check. Eventually deciding to not go ahead with it under the assumption that they can simply have another child later? Check check check. Star Trek loves its analogies, so it's not too surprising that they did a storyline like this.

Fourth- and this is the weakest and final point- Ocampans were originally conceptualized as insect-like. They didn't retain many insect-like traits aside from the lifespan so this is admittedly a reach, but a great deal of insects don't metamorphose into a mating-ready form for several years... and then when they do, they die weeks to days after. It seems to me that elogium's onset being in the latter half of an Ocampan's life is roughly analogous, but again, this is speculation as opposed to drawing from canon facts like my other points, so feel free to discard this one! Just thought it was worth mentioning.

BONUS: consider whether a child would be allowed to assist with medical procedures! consider if even the brightest sharpest teenager would be able to run a hydroponics bay almost completely solo! consider if viewing a capable, intelligent woman as a child despite her accomplishments is maybe kind of weird and misogynistic! thank you! goodnight!

#i don't know if you can tell from my tone but i am tired of this shit!#star trek #kes

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freehawaii · 3 months

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KE AUPUNI UPDATE - FEBRUARY 2024

How Many Hawaiians Are There? In September (2023) several news outlets reported a story that said, according to the United States 2020 Census, for the first time ever, more native Hawaiians live in the continental U.S. than here in the Hawaiian Islands. The stories said, of the, 680,442 Native Hawaiians counted in the census, 47 percent live in Hawaiʻi, while 53 percent resided on the US continent. It was not a surprise, we saw it coming. Years of increasing cost of living driven by displacement, commercial development, land speculation, low paying jobs and social tensions has driven away many Hawaiians, especially “native Hawaiians” from their homeland. The exodus has been prevalent among young adults starting out in life, with grim prospects of a future in Hawaii, for a decent job or affording a home to start a family. This is a tragic situation. But the diaspora is worse than we thought. Hawaii has become so American-minded that we blindly think the number, 680,442 refers to all the native Hawaiians on the planet, when it only represents those who reside in Hawaii and the U.S. What about all those native Hawaiians who live elsewhere in the world? How many are in Europe, Asia, Africa, North, Central and South America? Australia and Oceania? I can’t find any stats on them, and perhaps, none exists. Has anyone counted them? Has anyone reached out to them? And thatʻs not all. What about those who are not ethnically Hawaiians (not “native Hawaiians”) but Hawaiians by birth, by hānai (adoption), by family ties generations long, and by their Aloha ʻĀina, love of the land? When we talk about Lāhui, we are talking about all those who identify as Hawaiians, regardless of their ethnic, cultural or political background. Surely there are many thousands of Hawaiians spread out in the rest of the world — but no one seems to have counted them! ... not the Office of Hawaiian Affairs, Kamehameha Schools, the Council for Native Hawaiian Advancement, the State of Hawaii, and not the United States Census Bureau. This means the Hawaiians who live in places other than Hawaii and the U.S. statistically don’t exist! But we know they are there, and that Hawaii is their homeland. That means not only are there way more native Hawaiians in the world than the population stats tell us, it also means, when we include all the other Hawaiians — those who carry Hawaiʻi in their hearts — our Lāhui (our nation of Aloha) and our future is way bigger and deeper than we had imagined.

“Love of country is deep-seated in the breast of every Hawaiian, whatever his station.” — Queen Liliʻuokalani ---------- Ua mau ke ea o ka ʻāina i ka pono. The sovereignty of the land is perpetuated in righteousness.

------ For the latest news and developments about our progress at the United Nations in both New York and Geneva, tune in to Free Hawaii News at 6 PM the first Friday of each month on ʻŌlelo Television, Channel 53.

------ "And remember, for the latest updates and information about the Hawaiian Kingdom check out the twice-a-month Ke Aupuni Updates published online on Facebook and other social media." PLEASE KŌKUA… Your kōkua, large or small, is vital to this effort... To contribute, go to:

• GoFundMe – CAMPAIGN TO FREE HAWAII • PayPal – use account email: [email protected] • Other – To contribute in other ways (airline miles, travel vouchers, volunteer services, etc...) email us at: [email protected] All proceeds are used to help the cause. MAHALO! Malama Pono,

Leon Siu

Hawaiian National

#Ke Aupuni #Leon Siu #Free Hawaii #Kingdom of Hawaii #Koani Foundation #Hawaiian Kingdom

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ineedmorequartz · 1 month

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I know summer event is still months away, for both na and jp. But, that doesn't mean we can't speculate!

So, here's my hopes for both servants I hope that get a summer variant and then a skin. Only reasoning I have for this, is characters I like. No story, or such. But, to get the ball rolling, let me know your thoughts. On what servants you would want to get summer variants.

Summer servants has been pretty steadily six new gacha ones and one wellfare. Two five star and four four star servant. (Five, if inlcuded wellfare.)

Jing Ke! Come on, give her a four star version even, she deserves it! Similarly, Boudica! Make her avenger at long last!

Summer Xu Fu would be fun. Just spitballing. Summer Jaguar warrior! Make Taiga the wellfare, it would be so good.

Semiramis and Koyanskaya as well. I could see both of them being five star. Semiramis would be probably turned into four star tho.

Second five star? Five star Salome and make her cracked. It would be neat.

Skins have always been three, well exception to last year with Oberon and Table boys.

My three star wish? Hektor! Achiles and Mandricardo got one, so it would be fitting.

Four star, I hold hope for D'eon skin. It won't happen but I can dream. If, not D'eon than Ash. Altough, Don Quixote would be fun.

Five star would be Hijikata. No reason, just think it would be neat to get a skin for my fave berserker.

#fate grand order #fgo #fate #Fate fgo #fgo jp #fgo na

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