the downside of subscribing to a substack telling me about US trans news: i now know about US trans news

Long Vent under read more

TLDR: Tired, Lonely, unhappy with living situation

These past 2 and a half years, especially these past six months have really nailed in just how stifled and suffocated I feel, there was a point where living with my aunt and grandma felt good, I felt loved and comfortable for once, I've lived with them for 8 years of my adult life, but the older I get, the more I realized this is just another restrictive household where I have to walk on eggshells. I have to pretend to be Christian, I have to pretend to be cis and straight, have to pretend I don't have mental problems, and when I'm angry, its always chalked up to be my period, and they always treat me like a child, and its getting more and more obvious as the years go by. I don't get to go out much, in the past two years, the only times I was out of the house for days, was when I was in the hospital, and despite the pain I endured there, I felt sad to leave, and I cried when I was given the OK to go back to work, I hated going back to normal. And the other time, very recently, was when I got to hang out with my best friend for a few days, and it was great! I loved it!! But it was so short lived, it was the only time I was comfortable being myself in public. and I hated going back to normal again. I don't really get to partake in hobbies until maybe when my aunt and grandma fall asleep, and even then I'm too tired to do much of anything. My time is never considered, scheduled for my first PT session? Oh family is coming over and they're going to borrow the car, work? Oh we're going to go eat out with a friend at the Cheesecake Factory, final doctors appointment? Oh I'm getting my hair dyed, Hang out with my friend that was planned for months that I made sure they knew about? we're going on a cruise!!! and many such cases, doesn't matter if I tell them, and put it on the calendar. Sure the house they live in is pretty nice and its good to actually have AC, wifi and my own room for the first time in a long time but, I really only get to exist in my room, if I'm lucky, and they're out of town for a few days, I can finally exist in the living room and I actually don't mind cleaning and I'm able to cook! When my grandma and aunt can't criticize every little thing. I wouldn't mind living by myself, with friends, or even the small chance of having decent roommates, I want to be around people I actually like being around, I want to partake in hobbies at any hour of the day, I just want out, I want to be able to live my life

it's literally not a good idea in any way shape or form but I want to get a second job in fast food

hell day today and i'm only two hours into my EIGHT HOUR SHIFT

another crazy day at work 👍

Beginning to really wonder how much of my financial concern is manufactured and handed to me as opposed to something I'm genuinely concerned by

me: yeah so we haven't had a meeting about it yet, but I asked my coworkers about past interns and why they left; chances are they won't hire me full time at my internship immediately. However, the chances of having it extended are pretty good, and I like what I'm doing, and they're going to be talking about budget in July. Sure my finances are a little tight but--

my sperm donor (only slightly exaggerated): look for a new job immediately and tell them if they won't hire you full time you're leaving. and no, I don't care if you don't find something in your industry and you have to settle for a job that will make you hate being alive even more than you already do. Also I'm going to ignore how long it took you to find this internship to begin with

me:

how can it only be Thursday 😔

before i was born my dad worked on navigation systems for airplanes. cool tech with genuine civilian uses! they didn't even initially have a contract with the DoD. it still ended up purchased and adapted for use in military aircraft.

the break room in their office had a television that was set to run live footage of the gulf war. he tells me fondly that they'd all gather around to watch and cheer when bombing runs hit, because it meant the baby they'd been working on had done its job well.

i'm not sure how many of those people would claim they'd worked for a defense contractor, or how they would have responded to that footage before they took that job. it's normal to want to feel proud that the thing you made worked! but when the thing you've built is used for war it creates utterly perverse incentives. corrosive to the soul

fuck dude i have got to find a job where i can be self-employed and creative. i cannot be in fucking retail hell anymore

.

Randomly thinking about a time way back when I worked in retail where, after a stressful rush, my boss took me to his office to yell at me for being slow ringing people up and threatened to fire me and then just sent me back to work for the last 30 minutes of my shift. And I have always been someone who is sensitive and cries easy so I'm behind the counter sorting hangers just fighting for my life trying to Not Cry until I was no longer at work

And this old man walks up to me and goes "What sits at the bottom of the ocean and shivers?"

And I'm like "What?"

And he repeats "What sits at the bottom of the ocean and shivers?"

So I go "I don't know, what?"

He says "A nervous wreck!" And I laugh a little and he immediately leaves the store

And I don't know if he was just an old guy who wanted to tell jokes (because that's always a common occurrence for me in customer service) or if he could see I was upset and was trying to cheer me up in some way. But in any event it did work because I was so bewildered I wasn't dwelling on being yelled at by my boss anymore so I didn't cry, I was just wondering what that old man's story was

.

That Xiran Jay Zhao video about the amount of time it takes to get paid by the publisher, a couple of time she says "that's just the way it is." Are there actual, legitimate business reasons for holding off paying someone 6 or 8 or more months what they've earned for their book? Or is it the publisher basically going "We'll pay you when we pay you. What are you gonna do about it?" because they're essentially the one in charge?

And is it the same for all authors? Or is there an unofficial "tier" system based on your name? Are they telling people like Stephen King or James Patterson or Neil Gaiman "you'll see your money in 8 months" or are they more likely to be getting monthly checks just because of who they are?

There are some legitimate business reasons, yes.

Okay, so let's look at the way a book is sold to a publisher. I'm going to use very round numbers, because I don't want to do a lot of math right now. So say I sell a book for $15,000 under the traditional three installment contract--signing, delivery/acceptance, and publication. What this means is I sign the contract, I get a $5,000 check! Yay! I will also get checks when the book is turned in and accepted, emphasis because it means I can't just give them a word jumble and claim I turned the book in, and then again when the book comes out. We're ignoring side situations like "book is never turned in" and "book is never published."

But wait! My agent gets 15% off the top of each of those checks, which isn't a whole lot at $5,000--$750--but means I'm receiving effectively a $4,250 check, and then waiting maybe a year for the next one.

In the US, 1/3rd of that check goes automatically to taxes, and I cannot math that very well, but it's about $1,416. So I'm left with $2,834 as my payment for the year. This is why most authors will have day jobs.

This structure makes sense. They pay you to call dibs on your book: they pay you when the dibs pan out: they pay you when they can start making money. Now, recently, some publishers have started going to a four stage advance payment, and I can't see any real justification for that. Maybe someone will give me one. I'd be fascinated to know what it is.

So here's the thing: until the book is out, there is no more money. You've been paid for the book, but it's not making money for the publisher yet, and so of course you're not getting more money. It used to be the expectation that your advance would pay your bills while you wrote the next book; that is clearly no longer the case. I live in Seattle. A single check from a three-stage advance isn't paying my mortgage for a month. But.

Once the book is out, it can start making money, and that's when things get complicated. Say a bookstore places an order for 10 copies of AWESOME NEW BESTSELLER. Yay! That should be ten sales, and ten units of whatever your royalty is, right? Only these are physical items, and bookstores can return them, so your publisher marks it down as "ten sales, five reserve against returns," meaning you're only getting credit for five sales until the return window (usually a year) runs out. Where it gets a little hinky is when the bookstore sells all ten and orders ten more, and the publisher still has it marked as "five (now ten) reserve against returns." Basically, you're only getting credit for half your sales until that reserve window closes.

Sadly, thanks to certain retailer policies, this has been grandfathered into applying to electronic sales as well.

TL,DR: The delay in royalty payments is to give bookstores time to sell the books, and mean that your publisher doesn't pay you for a hundred sales, only to ask for the money from fifty to be given back when books are returned. This could happen faster in the modern world, but that would involve publishers paying us faster, and they like to keep the money in their hands as long as possible.

To the best of my knowledge, no one is A Big Enough Author that they can demand their money now, right now. And this is why trad publishing continues to self-select for the wealthy and the young.

The years go by. The retail jobs that Steve thinks are temporary keep piling up, but he has no idea what else to do with his life so he just keeps on keeping on.

Until a large tree falls on the lawn of the little house he managed to buy and he gets the quote on removal and the number literally hurts his soul.

He buys a small chainsaw instead. Over the course of a few weeks, he gets most of the branches cut up. He collects some large rocks from down by the quarry and digs out a fire pit in his backyard. On his days off, his friends come over and they sit out back and have a few beers. The pile of wood dwindles. The giant trunk is another story though. His chainsaw isn't big enough for it. Burning it would take forever, and Steve's terrified he'd disappoint Smoky the Bear. He's at a loss.

Until he sees another giant trunk in someone's yard carved into a bear.

He knows what to do then. Not a bear, but something else. Through trial and error, the trunk becomes the rough shape of a woman, the remnants of the branches like a crown on her head. It's not as amazing as the bear he saw, but it's his. He finds he loves the smell of sawdust and the feeling of creating something.

Just like that, Steve realizes what he wants to do. It takes several months and a lot of yard sales, but he scrounges up the tools he needs to start woodworking. He learns to measure twice and cut once. He makes tables and chairs and carves them with art and designs that get better and better the more he learns. Shockingly, people actually buy his pieces.

Even more shocking comes the realization that he's making enough money to do it full time. He puts in his two weeks notice at Melvald's and hands in his assistant manager badge.

He's not sure he's happy, but he is content. It feels good to work hard and actually have things to show for it. It also feels good to work muscles he hasn't used since high school. He carries on for a few years like that, creating and learning and creating some more. Then Eddie Munson blows back into town. Invited back so Hawkins can have their most famous alumnus sing the national anthem at homecoming. Steve's honestly surprised he shows at all. "Can't believe you didn't tell them kiss your hairy ass," Steve says. Because of course Eddie ends up around his fire pit, sipping on Steve's cheap beer like he doesn't have three Grammy awards on his mantel. The years fall away with each drink, reminding Steve of just how much it had hurt when Eddie left. He'd wanted Eddie so bad back then, more than he'd ever wanted anyone. He can feel the echoes of that deep ache across time.

"Pfft. Don't you know all famous people wax our asses now? All the rage in LA." Eddie cuts a look at him and smirks when Steve rolls his eyes, grateful for the lighthearted moment to snap him out of his maudlin nostalgia. "Really though I thought about it, but then I thought it would be way funnier to donate a metric fuckton of money to Hawkins High with the stipulation that it go to the theater and band programs. Kind of bummed they couldn't honor my other request though."

"Which was?"

"My old Hellfire throne. I miss her, but apparently she's not around anymore. Something about water damage."

"Oh yeah. Water main busted a few years back and flooded the theater. I remember that." "Yeah. Had to settle for the promise they'd make a game lounge and stock it with all the supplies a budding young nerd needs."

"That's really nice, Eds."

Eddie shrugs. "I've been known to be nice on occasion. You'll come to homecoming, right? Moral support?"

Steve hasn't been to homecoming in years because he sees the other people who stayed in town all the time, and he has no interest in seeing the people who didn't. He can only answer the same questions so many times. Oh, I'm doing woodwork now. Yep, I still live right here. Nope, still not married, no kids.

He goes though, and he answers the uncomfortable questions. Because Eddie asked him to. Because no matter how long it's been, Steve can't deny that some part of him still...

He says goodbye after, and Eddie leaves again, and Steve tries not to think about that too much in the following days.

He's halfway into the project before he realizes what he's building. He'd seen Eddie's throne quite a few times back when. What he doesn't have memories of, he makes up. He adds his own touches too, making it a throne fit for a rock star, a nerd, a friend.

He carves ornate patterns, he creates scenes of dragons being beaten back by a man with a guitar, crowds of people that could be knights or concertgoers.

It's his favorite piece he's ever done, and his hands are shaking when he dials Eddie's number. He gets an answering machine and stumbles through a message.

"I made you something. I guess it's kind of silly, but it's here in Hawkins if you want it. Or I'm sure you can afford the shipping if you don't want to come. Just, I made you a chair. It's more of a... Well, you'll see. Unless you don't want to... It's Steve by the way." He hangs up before he can embarrass himself even more.

Eddie doesn't call him back. One day passes and then another. Steve tries not to let it get to him. He works on orders and new projects. He enjoys his little backyard oasis. He rents a few movies and thinks they're okay.

He's debarking some wood in his driveway when the rental car pulls up, Eddie stepping out in ripped jeans and an old Metallica tee. "Hi again, Stevie."

"Oh." Steve clears his throat. "The thing's in the garage. I'll..."

Eddie doesn't say anything for a long time, circling the throne, running his tattooed fingers over each little detail.

"You made this whole thing?"

"I did."

"For me?" Eddie looks at him then, one hand still touching the wood like he doesn't want to let go. Even under the harsh lights of the garage, his eyes are such a warm shade of brown that Steve forgets to breathe.

He nods. "For you."

"Why?"

There are a hundred answers Steve could give, but he spent so long not knowing who he was or who he wanted to be. Too long. "Because you'll always be the one that got away. Because some part of me will always want to make you smile no matter how long it's been."

Eddie falls into the throne like he just got the wind knocked out of him.

"You don't have to respond to that," Steve says. "You can just say thank you and take the chair."

"I can." Eddie blows out a breath. "But that would be incredibly stupid considering half my early ballads are about you."

"What?" Unfair. Steve doesn't have a chair to fall into.

"Oh sure, I changed the hes to shes for a while there because..." Eddie waves his hand. "But they're about you, Steve. God, I should've asked you out. I just thought..."

Hearing those words is a lot like seeing that carved bear all over again, something clicking into place that wasn't quite right before.

"Go out with me now then," Steve says. "Or stay in. I've got a frozen lasagna and I rented Contact."

"Steve Harrington? Asking Eddie 'the Freak' Munson on a date? Did hell freeze over?"

"Pfft." Steve takes a step closer toward what he wants most. "Hell froze over in 1986, Eddie. You were there."

Five months and a lot of long distance phone bills later, Steve opens Harrington Woodworking in Los Angeles. That same day, Eddie takes photos for Rolling Stone posing in an ornate throne in his living room. He tells the reporter exactly who made it and what he means. At concerts, he starts singing those ballads the way he always wanted to. More often than not, Steve stands in the wings singing along.

Heheho isaac box... 2!