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#joo e
hira28 · 2 years
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would u BELIEVE im back here again???? psychologists are BAFFLED
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dramastream · 1 month
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Han Hyo Joo & Joo Ji Hoon for VOGUE Korea (April 2024)
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gammija · 22 days
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so, has anyone actually seen a popular influencer unironically talk like that, with that amount of twitter speak? I specifically don't mean just using online slang or AAVE, but to that degree. if you have, plz drop a link. (do influencers even say 'big mood' anymore? what's a mood about holding a shovel?)
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mr-e-gallery · 1 year
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Mr. E Gallery 'Wait, Can We Smoke In Hell?' (Haycock-van Craesbeeck) (06-23)
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naksushadows · 8 months
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twenty five twenty one posters are so lovely and nostalgic
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skeletonfumes · 1 year
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JUNG_E (2023) Yeon Sang-ho
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gaymer-hag-stan · 4 months
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On the 29th of January, ten years ago, AFTERSCHOOL released their sixth Japanese single, Shh.
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'Shh' is a captivating track known for its sultry and mysterious vibe. The song features seductive vocals and a compelling blend of electronic and R&B elements, creating an alluring and atmospheric musical experience.
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sh0rtins0mniac · 28 days
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I, for one, would love to be sandwiched between 2 israeli women.
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te-dedico-um-livro · 11 months
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Oh Minha Vênus.
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namjhyun · 1 year
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Kim Hyun Joo for DAZED Korea March 2023 promoting Trolley, Jung_E and Family Gravesite.
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lorensbasement · 1 year
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You will be able to watch LØREN's performance at Coachella here:
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charmerquilled · 1 year
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muse vs mun ♡
Tagged by: @serpentide and @wolvensden ! The friendos wanted the b i r b.
Tagging: @stahri-light , @neonchaser , @scngbard , @allnostalgic, and whoever else wants to do this!!
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dramastream · 3 months
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Promotional stills of Kwak Dong Yeon & Lee Joo Bin from Queen of Tears (2024)
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gammija · 22 days
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Chad chad on YouTube has videos with sound effects like in the casement
aha, THANK you for being the only lead so far, anon!
ok i checked out some of chad chads vids, and i get what you mean, the sound effects used in the case definitely wouldn't stand out in a chad chad vid
but, well, two things, really. Firstly is that she's on youtube while 'vidclick' is more likely a parody of tiktok, based on the way her account is formatted (at first i actually interpreted the 1.4M likes as being individual likes for her account, instead of for all her video's put together, because i dont use tiktok normally). and on tiktok, the styles ive seen so far were to either use a Sound with sound effects included, or a more 'low-effort' style of editing consisting of talking to the camera with only some jumpcuts. That this case's vid uses sound effects in a tiktok-style talking-to-camera vid isnt really a big deal, if the rest of the case had done a better job of sounding like a real video, but it adds to that disconnect.
the second and bigger thing is that. chad chad uses those sound effects in a different way. she uses basically a new sound every second while she keeps talking, does dramatic voices and short sketches, cuts and edits them together in a high paced snappy style. In that style, those sound effects work to emphasise the content. Madam E's way of using sound effects is to drop a pauze - sound effect - continue. She also lets them play out completely, instead of cutting as soon as the joke lands, and she uses only one or two each vid. It's jarring, awkward and calls too much attention to the effect, and doesn't match the low energy and slow pace of her vids (the usual fast pace of this style is another thing that the overuse of slang alone fails to appreciate - she rushes through her lines but there are no audible jumpcuts that i noticed, and even when there should be a beat of silence for audience reactions, she fills up the silence)
it's as with everything else in this case imo; It's not good enough to pass for the real deal, but it's not so clearly bad in a way that it looks intended, making the whole thing come off as vague and directionless with only the parody of 'youth speak' to hold it up
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emeraldbabygirl · 1 year
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RANO FUCKING CUT HIS HAIR FUCK ME IM DRIVING OFF A CLIFF AND FUCKING A CACTUS
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nirbanox · 1 year
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Jung_E (2023)
Directed by Yeon Sang-ho
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