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#it's about love and tenderness
faeriekit · 1 year
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Conner! 🥺🥺🥺
How disconnected Sam has been really shows off how connected she is when it matters.
I'm living for all of these loving family feels 💜
Sam snapped immediately out of the timeline to help take her turn nursing. With her she brought cereal from 5-10 years from the future. The-- I know the point isn't to laugh at your own gags. But. The future cereal with the ectoplasm milk. All because Sam knows she has to feed a teen, and can't remember what else Teenagers eat. It's just such a soft funny moment to me shxhdjsjhs
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proxycrit · 3 months
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(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:
Your honor the horses are now lesbians
(Anyways here’s the designs)
#mlp#based off my mlp redesigns (no i will not be taking criticism)#mlp redesign#fluttershy is now a giant jacked carnivorous shire horse with anxiety#rarity is a trans queen and she’s carrying the plot on her back#applejack’s been bequeethed the oldest child syndrome after the traumatic death of her parents and learned to do taxes at the tender age of#13?? how do horses age#and rainbow dash is both loved and reviled by her pegasi foundry because she has ‘too much gryphon in her’#(but she FAST AS FUC BOI.)#anyways pinky’s my favorite. we don’t know whats up with pinky but she smiles a lot and the world distorts around her at exactly 1014 am.#twilight is celestia’s favored pupil prophet and is trying her best to figure out what the hell is up with pinkie and failing spectacularly#twilight also hatched a dragon from an inert stone and people have opinions about that#mostly ‘what are you feeding her’#(holds rarity and applejack) i think they’re neat together#they bond over growing up too quickly and have a vi-caitlynn thing goin on#(squints) didnt draw the cute mark crusaders but they’d be like. the batmen of the town. and it was fun and games until twilight heard#and gave them ACTUAL weapons#rarity#applejack#rainbow dash#twilight sparkle#fluttershy#pinkie pie#spike the dragon#I FORGOT SPIKE#spike’s a stone dragon that hatched from a stone egg. he is not meant to exist. he’s an elderitch horror and a baby boy and we love#and cherish his adorable little face#art#critdraws#Rest your Weary Hooves in our New Found Home
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notacluedo · 1 year
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he’s her fun lil social experiment
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ohwhatagloomyshow · 5 months
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I know & remember very little about RTD as a person but I do remember he left DW to care for his dying partner and that his partner has since died. And the way that this is so evident in his approach to 14 and 15, it’s phenomenal.
2005 Davies was interested in high drama, big stakes, the roughest heartbreak that could exist. And now he’s lived it, and it feels like his approach to the show has shifted as he has shifted!
14 getting to rest, Wilf alive off-screen, Donna’s memories returned - 15 leaving his trauma and his heartbreak and his pain with 14 in order to begin again fresh and new and ALIVE…it is all so meaningful to me!!!
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haydardotjpg · 20 days
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Blood sticks, sweat drips Break the lock if it don't fit A kick in the teeth is good for some A kiss with a fist is better than none
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wait what do you mean a red string of fate ties us together but all we do is strangle each other with it. what do you mean this string can only stretch and tangle but never break and yet we keep biting and gnawing on it to try to free ourselves from it anyway.
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wen-kexing-apologist · 4 months
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Hey, are y'all seeing this shit?
Phaya and Tharn in reality:
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gif by @firstmix
Phaya and Tharn in fantasy:
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gif by @wanderlust-in-my-soul
Clearly Phaya had a very informative morning.
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ruporas · 11 months
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only human
[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.
The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]
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shiloriin · 5 months
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And when you kiss my wounds,
I don’t feel as unworthy
of you.
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sighcomics · 2 years
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as Simone Weil said, 'Let us love this distance, since those who do not love each other are not separated.'
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grimgummies · 16 days
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Spooky Month Tender Treats + Hollow Sorrows | Ignacio
(Requested by @trippy-maskow)
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dollypopup · 1 month
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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petricorah · 10 months
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try a little tenderness 🎵 [id in alt]
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ghouljams · 25 days
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There is No Pavement, My Love
Professor Love makes an observation, Professor Riley misinterprets it.
"I'd like to add your book to my syllabus." Love says leaning against Ghost's desk. He glances up from his grading, his eyes darting between the way she pushes her tits out and the way she smiles, before returning his attention to his work.
He'd worried about this after the conference. He already had enough requests rotting in his inbox for reprintings of his book. The whole thing was more trouble than it was worth, raised more heartache than he ever wanted it to. It was better left buried with the rest of his past.
"No."
"Why not?" He can hear her pouting, he stuffs down the smile it threatens to raise in him. How is it one woman can be such a balm for his melancholy?
"Never find enough copies," he circles a glaring comma splice and underlines a misquote, "it's out of print."
"Well then it's a good thing someone uploaded all of it to the internet in pdf form." Love wiggles in her seat, attempting to draw his attention again. Ghost gives a quick glance, his eyes fixing on the strained buttons on her shirt. Weak. He is a weak, weak, man. Always has been, that's exactly why he's in this mess in the first place.
"Cheeky little thing aren't you." He looks away, but his voice is thick and labidinous. The soft noise Love lets out make him think it's not an unwelcome tone. Cheeky indeed. She leans a little more heavily against his desk.
"What about just the forward?"
Ghost sets down his pen, taking off his spectacles and laying them neatly beside it. He knits his fingers together and rests his hands heavily on the papers he'd been grading.
"Why do you want to teach my book?" He asks, leaning to match her pose.
"Mostly just the forward," Love amends. Ghost shakes his head with a smile, drags his teeth over the scar splitting his lip before he can look at her again.
"Why do you want to teach my forward?" He asks again.
"Its a love letter."
Ghost freezes, his brain running through every word of his book looking for anything that could be interpreted as something so... romantic.
"Explain," he grunts, crossing his arms over his chest as he sits back in his chair. Love blinks, her expression softening in a way that makes Ghost feel like he's dying. His heart clenches in his chest. He squeezes his bicep, his fingers tight to keep himself from pulling her over the desk. If he could kiss that sad softness out of her smile he would. She laces her fingers together.
"My mum lived through Hell every day of her marriage to my father, I wish I could rest comfortably knowing she's somewhere better, but then I wouldn't be here, and neither would you." Love recites, and some long dormant crack in Ghost's chest aches. Her voice is softer, when she speaks again, and that hurts all the worse, "You spend 250 pages talking about grief and our comfort in the afterlife; talking about your time in the service, and losing people. Just because you wanted to make sense of your mum's death. How is that not a love letter?"
Ghost swallows the lump that threatens to choke him. He fixes his eyes on hers, hard and unyielding even when he can see sincerity shining through her expression. He can't stand it. Tenderness is a privilege, she should never assume such a softness about him.
"It's a book," He tells her firmly, "one that's better off buried."
"It's part of you," She tries, "an important one."
"If you're done teasin' me,"
"I'm not-
"You can get out," Ghost powers through her objection, nods towards the door. Love opens her mouth and her raises a brow, "Go on, be cute for someone else."
There's a hurt in her eyes when she closes her mouth, her lips drawing together tight. It hurts as much as Ghost thought it would, but he can't have her poking around at scars like this. There's too much about her he should have nipped in the bud, too much he's let her get away with, too much he's deluded himself into hoping for, she can't have this too. She can't think he's more than he is.
She stands, and shuts the door tight behind her.
And it's worse somehow.
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alexa-crowe · 7 months
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#Tav: *adds “make Gale a father” to their list of things to do when they get back to Waterdeep* - [5/∞]
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hawkinsunderground · 1 month
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pretty minor but in the new bts, from the angle of all their hands, it looks like Mike and Will are across from each other. Great angle if you want to do a shot where Mike and Will catch each other's eyes, exchanging glances and the camera lingering on it to show that there's a more intimate understanding between the two. Maybe with a little smile at each other before the moment fully breaks??? As a treat?
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pain-in-the-butler · 8 months
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A compilation of art for my Dadbastian fanfic Coattails that I commissioned from the incredibly talented @tomoyoo! They went above and beyond with the details... Each picture feels as cozy and warm as a storybook, right? I'm so delighted with how they turned out!! Thank you for making each one so beautiful! 🥹🥹🥹
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