Tumgik
#it wasn't an intentional 10 things homage
hairmetal666 · 2 months
Text
He hates Steve Harrington, everything about him. His stupid, upbeat pop music. His tall fucking hair. His annoyingly bright clothes. His bullshit German luxury car.
Eddie hates that Steve's a good guy. Hates that he carried Eddie's broken and dying body out of hell. Hates that the kids love him how they do. Hates that he and Robin Buckley are the kind of best friends who might as well be siblings. Hates the way that Jonathan is back and Nancy is happy, and Steve has no resentment about any of it. Hates that he'll never, for as long as he lives, forget about six kids and a Winnebago.
And he hates, more than anything of all, the way he's always finding himself in Steve's bed. The way he falls apart when Steve is deep inside, the way he begs for more, pleads for Steve to wreck him. The way Steve treats him so good that it makes him sob.
Eddie hates himself for not being able to stop. For wanting Steve so much that sometimes he feels it as a visceral ache in the back of his molars. He hates himself for how little fight his dumb traitor heart puts into not being astronomically down bad in love with the guy immediately.
And none of this is supposed to flow from his brain to his tongue to out of his mouth, but Steve fucks him so good and slow--gives him the most mind-blowing orgasm of his life--that it all just slips out of the safe confines of his mind.
"I fucking hate you," he says. Or pants, more like, he's all flushed and sweaty and covered in come, not yet settled back to himself.
"W-what?" Steve stutters. He's standing at the edge of the bed, damp towel clenched in his fist.
True, full consciousness strikes then and he doesn't know what else to say. Steve's big eyes are wide and sad, and Eddie's brain is screaming at him to fix it, and isn't that just another thing that he hates?
"Steve. Like. Fucking look at yourself, man." He waves his hand up Harrington's perfect body. "You're the most beautiful fucking thing in the universe. And you--you embody like every fucking thing I'm supposed to hate with your money and your athletic ability, and your whole goddamn clean-cut All-American boy next door bullshit. And I--I keep ending up here when everything in me says to run away, that this--you--are too good to be fucking true."
And Steve, he's pinching the bridge of his nose, looking more than anything like he's trying not to burst into tears and this--this cannot be borne.
"I love you so fucking much." His voice cracks and he reaches out to circle his fingers around Steve's wrist, the one holding the towel. "I love you so much and I don't deserve even a second of it. Not a minute. Because you're Steve Harrington, you're--"
Steve presses his hand (he hates the the wide palms and long fingers, how they're perfect, how they hold him and comfort him and wring out pleasure again and again like it's nothing, like Steve's hands were made for making Eddie come) over Eddie's mouth. "Shut-up, Munson," he says.
"I fucking hate you too." There's ease in the way he says it, a lightness in his eyes. "I hate that you don't use conditioner. I hate that your van makes that turkey gobble sound every time you turn a corner, and you refuse to let me look at it. I hate how loud you play your music, how it makes my fucking skin shake. I hate when you forget to take the damn chains off your jeans when you put them in the wash."
Steve climbs into bed, straddling him, towel long forgotten. "You know what else I fucking hate, Eddie?" He leans down, ghosting his lips against the tip of Eddie's nose, skimming his mouth. "I hate that I've never loved anyone like I love you. I hate that I almost fucking lost you. I hate that we can't spend every minute in this goddamn bed, so I can memorize every inch of your skin, every sound you make, every single way I tear you apart, and all of the things that put you back together. I love you, Ed. Every fucking terrible part."
1K notes · View notes
ultfreakme · 1 year
Note
What makes me more angry about the whole "Jon needs to be a child again" is that it doesn't really make any sense to do that now, like?????? how would that even work? he is almost 18 now, he has a boyfriend, that would be super creepy, and the most annoying part is that this is more about Damian than it is about Jon as a character, I'm so fed up with Damian fans, I'm sorry guys, but DC is not going to make Damian queer and make him date Jon, it's not happening, and I would love if DC stopped making this one shots stories of them in the past, it only fuels this people, It's time to make stories of them in the present, My dream story is to have a double date of JonJay and Damian and his girlfriend, I think it would be super fun.
Yessss say it!! This is all so true. Jon being aged down is more about Damian than Jon. Jon gets nothing out of being younger, all of his plots as a 10 year old was dependent on Damian or Clois. He never had a solo story like Damian back then, there was never enough investment in him alone, and frankly he wasn't bringing anything new to the table despite being the kid of a superhero like Superman, his backstory and motivation were just Clark's and his interest in journalism was all Lois(Which btw, never got utilized well so what was the point?). Now though, he's carrying two solos and has a character arc and supporting cast that is specific to Jon. His goals for being Superman are more complicated than "dad's doing it so I'll do it".
Controversial; I don't think people who want Jon aged down are fans of Jon as an individual character. When they do talk about him, they never mention the conflicts he has on his own(Goldie the cat dying, Eradicator & General Zod outright calling him and abomination, being seen as a future threat and weapon) He wasn't some chipper sweet sunshine baby all the time who 'helped heal' Damian amd is the light of his life or whatever. He was just as argumentative as Damian and they were bickering kids. I think the only part people miss is his dialogue with Damian. Jon genuinely loves Jay and they're compatible, Jay's literally made for Jon and they work well.
I wish they'd stop with the kid Jon stories too, the only one that I enjoyed was the Belle Reve one, because it showed exploration of his queerness a little and his introduction to it. Otherwise, the rest are pointless and are reiterating things we already know. Chances of Damian being queer are next to nothing, he's never had any queer coding intentions by his writers(unlike the other Robins, maybe not Duke, I don't think he's been written with queer coding either). On top of that, you can't have Superman dating a middle schooler.
And yeah Damian and Jon are still friends. This time, I think they're better, proper friends. Back then all they did was argue, now they're having deeper, meaningful conversations and helping each other's missions. We see them have conflicting views; Damian saying Jon being Superman is inevitable when Jon had talked about his hesitance as a Super, Damian and Jon disagreeing on how to approach facing the dark army in dark crisis).
I think right now, Jon's the most interesting he's ever been. I would really love a double date issue too! Sorta like a homage to batcat and clois's double date issue would be cute.
48 notes · View notes
Text
Honestly? I am quite conflicted.
Spoilers for One Piece in general.
First of all this is my own opinion, if you disagree with me is ok and I don't intent to make your opinion less valid than mine; I am just working my own thoughts.
For me is a solid 7/10; which is way more than what I was expecting to be honest. The show is not perfect by all means but it really shows how much the cast and everyone involves loves the source material and tried their best to create something unique that still respects the source material.
No, it didn't break the curse of live actions neither is the best live action of an anime ever created. That title is still held by the Rurouni Kenshin movies that I hope people ignore rightfully because of the awful crimes of the mangaka and not because of ignorance; but still, the live action is a good example that shows is possible to make something good of an anime even the anime is wanky.
When it lands? the live action is pretty good; but what I failed to understand how to explain, because is not miss or fail but changed in a way I am not sure it works properly really affects the narrative.
Those changes really affected the layers of stories and characterization Oda should be praised for.
I am almost convinced Jacob is the best actor to play Usopp, but they butchered my boy so much I don't even know how to feel about him. He was so out of what Usopp is that like someone mentioned in another post, if you deleted Usopp from the Syrup village episodes nothing really changed.
His decision of leaving is something super important for his growth and at the end Luffy and Zoro inviting him shows the connection they got.
In here, he was almost forced to live, keeping his interest just to stay with Kaya.
Same goes with Nojiko and Genzo not knowing Nami's plan. Even so, they basically destroyed the meaning of Genzo in Nami's life.
Some changes doesn't make sense if you think to much about the manga or anime but it fits in the world, like Garp been in Roger's execution, been interest of catching Luffy(when he showed up on post enies lobby just because Coby and Helmeppo wanted to see Luffy) and his blatant obsession over the world government.
None of that really fits Garp at all, and I was honestly doubting this decision(even more when we focus so much in the marines this early on the story) until we learned at the end that he just don't want Luffy to end like Roger.
Is a way to pay homage to Garp's respect to Roger even if they were enemies. At the end I was like oh okay this kinda works, but during the majority of the episodes I was super lost with this.
There's another thing that I am completely aware is just my own opinion is that something I really appreciate Oda for doing that we don't see that much in other shonen stories is that Oda takes the time to show the people from the locations the arcs happened being involved in some way.
Genzo and Nojiko risking their lives to keep Luffy safe until he gets free. The Usopp pirates risking their lives even if they are just kids, freaking Chu Chu and the major of that village willing to risk their lives even if they are not strong.
This is amazing because is not just our group of heroes solving everyone's else problems, but it shows that even doing the minimum helps and their effort is important to it(is not until Desrossa that we have a person like this have a major fight but still the meaning matters).
I don't know, things like Nami's emotions when she breaks was perfect and kudos to Emily Rudd for an amazing performance, but in my opinion Nami wasn't part of the Arlong Park walk because she was gonna be part of the enies lobby walk. It shows her character growth to be the one that was helped to be the one that is gonna help at the end. So changing that was gonna have to be a significant part of her character that needs to work very well, and the live action did it for her just walk around, stand to Arlong and run away. I feel it was missing something.
But like I was said, Nami's breakdown was down perfect and I really love little moments like the barrel sequence when they show them as kids too.
Either way, I hope they get a second season.
3 notes · View notes
purposelynana · 1 year
Text
What Did I Watch: #31
This week, I learn to say goodbye.
Tumblr media
What is it with goodbye? If feels scary but necessary. Goodbye gives us closure. An end to a journey. In life alone, there's no perfect goodbye, but in fictional world a perfect goodby could exist.
To me, a great ending is not necessarily wanting me to wish for a direct sequel. A great ending is supposed to be tighten the loose ends. Also gives room for our imagination to explore what could happen after the camera stopped rolling. Moreover, a great ending is the one that left you wanting more but not selfishly enough to make you craving more because we all know deep down a sequel never guaranteed to replicate the exact quality of its predecessor.
My School President is a wonderful journey through and through. 10/10. Landed smoothly without having too much angst or humor. It's already up there with Skam. Perhaps on some other day, it'll be higher than Skam. What a pleasantly beautiful little show about what it means to be young, and having the courage to dream.
I didn't have any of those things which presented during my high school run. A friendship that last for so long or even a significant other who made my life bearable enough. My high school years was boring and literally nothing happened. I don't really any friend that I still contact from that period of time. So to me, at first the concept of My School President was already laughable. But well if it wasn't happen to me, it certainly happened to everyone else, eh?
In addition, I could confirm My School President landed smoothly. Got a beautiful ending. The song still slapped. There's no better word to describe it other than it was charming. This show was charming. Even I couldn't stop grinning ear to ear writing this.
The scene that broke me. Ah young love.
Tumblr media
Never Let Me Go, to me felt like not exactly wasted potential but definitely not something I would praised until seven generations. It was good but never been great. I would love to recommending it but not necessarily you have to watch it.
Because there were many what-ifs scenario forming in my brain while I was watching it. For example, what could've happen if it was starring someone else entirely? How the scene would sound like if they had better sound designer? What if the screenwriters decided to rewrite the whole thing so that the characters could talk like they were in real life instead of lakorn?
Because I couldn't help but to raised my eyebrows during certain scenes. It wasn't technically bad acting. It was an okay but the way Neung convey his feelings sometimes I felt like I was watching a play. It did feel like the whole time Phuwin just pretending to say those words, instead of actually saying those words. Plus sometimes the sentences that coming out from his mouth just didn't make any sense. It was clearly intentional because it kept going until the screen fade to black. I know P'Jo was trying to make a homage to classic lakorns, so perhaps Thais would appreciate a lot more. But I'm not Thai, and I just went "no shit sherlock" the entire time.
Despite all of that though, it was beautifully shot. Honestly this show got the best cinematography ever. Without having too much contrast, P'Jo played a lot with lights and compositions. Colors looked so deep yet soft at same time. There was a sense of longing and yearning radiated from the screen. It was magic to see something that I learned from being an amateur cinephile to get materialize.
Lights on this. And the color. I love the colors. It wasn't trying to be gritty as fuck like Batman movies. It wasn't on the same tone with In The Mood For Love but the use of color and lights and framing to convey devotion are just utter brilliance.
youtube
It was a struggle to watch Moonlight Chicken. Like I said in previous post, it seemed I take a peek on my own life. Eventually, I'll probably never get the happy ending I deserve so much, not like these fictional characters.
10 minutes into episode 5, was solidify my thoughts and prayers on this. I got called out, dragged, faced to one of bitter memories I've had on a past relationship. Because yes, one day people just decided not even bother trying to save their relationship. It already happened to me once, and no I don't want to relive that, even in fictional zone. Therefore, as I was watching episode 5, I undergo so many different feelings. If week 2 felt like a gut punch, week 3 seemed one hell of torture, and week 4 was an utopia that I've never get to lived on.
youtube
This ain't it.
Because Wen got his happy ending. Liming got his happy ending. Me? Well, it wasn't like I don't want to open up to other people. There was no other people trying to get close to me.
I liken this to my experience watching Brokeback Mountain. It was a good storytelling, but do I want to experience it all over again? No. Because it was just too close to home. And I still don't know what kind of my ending is. It was scary. Shit got real this time. I think I'm never going be the same. I tried to shift my focus into something else, e.g. Formula 1, it gets worse. Possibly because Ferrari looked and sounded shit. Everything just didn't help anymore.
Tumblr media
me during the whole shitty shit bahrain gp free practice, watching aston martin became way too more OP, and red bull still being red bull. me as tifosi:
Tumblr media
6 notes · View notes