listening to down bad on the tortured poets department made me think of these pictures of quintin. My thoughts are below. Kinda turned into a blurb. Oops.
Quinn looks like he’s gone through a fight with his lover pre-game. A fight that ultimately led to her leaving saying she couldn’t do it anymore and he’s hurting bad. And when petey asked him what was wrong in the locker room quinn just told him the only thing he was repeating in his head “fuck it if I can’t have us. fuck it if I can’t have her”
Petey and the other guys had no words, never seeing their captain like this. Not even when the fight broke out at practice that one time. It wasn’t until they were all on the ice that it really sunk in just how bad he truly was. Quinn looking caught on the big screen looking frustrated, hurt, as if he was no longer the level headed player of the team.
That is until out of habit he scanned the upper boxes where all the WAGs sit and he sees her. At first he thinks it’s his imagination. He closed his eyes and looks again and sure enough she’s there, against the glass of the box holding a sign saying “huggy, I’m sorry, talk after?” The camera man notices Quinn’s softening demeanor and quickly pans to him to hopefully catch his soft gaze on the screen. He does right as the lights start to dim. It’s almost like it’s just for the two of them. It wouldn’t have mattered if he was on the screen or not. She would have seen him either way. It was like they were the only two in the arena. He gives her a quick nod yes before skating to the bench.
All of the boys relax seeing their captain skate back in a different mood and start talking plays. “Good to have you back Q.” Brock says giving him a slap on the shoulder. “Now get out there and kick ass.”
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DP X DC X Subnautica
Where the Justice League (mostly focusing on the Superfam or Batfam or Flashfam) are large leviathan-esque creatures living on Planet 4546B. Maybe they can change forms due to Precursor experimentation, maybe not.
Those with young hang out around the shallows more than the others, what with most of them being large super or specialized predators.
Enter Danny Fenton, interning on the Aurora when the ship is shot down by the Quarantine Enforcement Platform.
Oh sure he probably would have tried to stop the destruction and help, but his ghost powers are a bit on the fritz and a well-meaning worker pushes him into one of the last life pods seeing as he's a child.
Now the leviathans may not know what a ship is exactly, but they can definitely understand that in most cases things technology = precursors. As far as they understand, a metal deathtrap not unlike the old labs or caches fell alongside several metallic eggs, with the emerging hatchlings misshapen and not living long.
But then there's the egg that landed in the shallows, which at first they thought was empty. But a hatchling- much smaller than the previous ones- emerges, a day later than the rest, but they're alive even if their swimming is all wobbly!
It's so tiny, and obviously hatched too early with the strange split tail and how it keeps swimming to the surface for air, and they have to protect it!
Now if only the little hatchling would answer their calls and not dart into hiding spots whenever they approach...
Honestly this is up to the writer lol, but I like to think that Danny's ghost form, when he finally manages to achieve it again, goes a little naga-esque. Almost like a sea snake instead of just a whispy ghost tail, which while better for swimming doesn't help his freak out over most ghost powers still not working.
Danny is just trying to survive man, maybe find other survivors, turn off this big alien gun, stop creating frost crystals when he sneezes, the usual. He doesn't need giant humanoid-esque leviathan-sized sea creatures poking around!
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Trimax Thoughts Vol. 4 Pt. 3
Alright. Bit of a heavier one for tonight. I want to talk Vash's relation to his own feelings of anger and how these tie into his suicidal thoughts, because it's tragically fascinating and I still can't really make heads or tails out of it - specifically in that I don't think anyone is a reliable narrator in this situation so I'm left a little lost as to who to believe.
(ID: A screenshot of four panels from Chapter 7 of Volume 4 of Trigun Maximum. A conversation between Hoppered and Vash takes place, in which Hoppered says "I bet you want to kill me too, right? Of course you do... You want to tear me limb from limb." A somewhat grainy image of Rem, smile visible but eyes hidden, is shown, before Vash replies, his eyes narrowed, "Yeah... I do..." End ID.)
Warning! I am going to be discussing Vash's no good, very bad mental health. It's nothing worse than what is obvious from a read of the manga but if you're not in the headspace for it, you might want to skip this one. I had a bit of trouble writing it, if I'm being honest.
Volume 4 basically solidified what had kept cropping up all throughout the manga - Vash is keeping himself going only through his goal of "settling the score" with Knives. On the next page, Vash says the following:
"That's why... you can go right ahead and kill me. But... before I give you that chance... before I let you bind me in chains, lock me up, and torture me to death... I will send Knives to hell!"
Yikes buddy. This has been a running bit of characterization all throughout the manga - Vash survives because he has to. He takes small moments of joy where he can, tries to smile even when he's not feeling it, looks on the bright side even when things seem hopeless, because that's the only way he can survive to do what he has to. <- There's nothing especially wrong with this. This is a coping mechanism and as far as his coping mechanisms go, it's not so bad at all. It's actually pretty good, all things considered.
Problem is, he also has to embody the ideal he strives for - that no one needs to die, that he will never kill. And herein lies the issue, because Vash already feels like a monster because of July. Any deviation from the peace loving pacifist image he tries so hard to maintain brings Vash's self-loathing to the surface.
Ex. Vash sees the moon his angel arm blew a hole in and goes from denying culpability for the destruction of July to hardly resisting and calling himself a murderer.
Ex. Vash expresses that he holds murderous sentiment towards Hoppered. He sees this as a justifiable reason for Hoppered to kill him.
Even the thought that he has or could still deviate from his promise made in Rem's memory causes him immense amounts of shame. Vash does not want to harm people. Is it out of love? Is it out of guilt? I think at this point, there's no separating them. Vash doesn't kill out of a mix of these two emotions that are so intertwined in his core they have become inextricable.
The thing is... Vash's driving emotion appears to actually be anger, specifically, anger against Knives. He wants to "settle the score", which is a pretty retributive mentality for someone trying to embody pacifism. In fact, that kind of motivation strongly clashes with that image in a way that imo cannot coexist. It's reasonable in his mind to take that stance against Knives, who is not one of the humans Rem died to save, but against humans, it's unacceptable. So, Vash represses his anger constantly.
A great example of this is watching the contrast between Vash fighting Leonof and Wolfwood fighting Ninelives. Wolfwood fights with his emotions on visceral display; he is loud and cocky and desperate and violent. Vash, on the flip side, is almost dangerously quiet and composed, to the point Wolfwood seems a bit disturbed by it - but it's all repression. He needs to stay focused, his motions are calculated to reduce harm even against the puppets, he's eerily silent and his facial expressions are controlled and muted for the most part; all methods that Vash uses to stay in control (<- this is important!).
Here's the thing. I don't know that I necessarily, fully believe that Vash wants to kill Hoppered. I don't know that I trust anyone's narration in this scene - first of all, Hoppered is mad projecting his animosity onto Vash because he needs to secure the image of Vash as unrepentant destroyer of July; if Vash isn't the demon he believes him to be, his quest for revenge was for nothing (well, sort of. Vash obviously did destroy the city, but the intent was not there - and the latter seems to be what Hoppered is banking his hatred on). Hoppered earlier accused Vash of enjoying the fight... which is pretty clearly not true, so that it was Hoppered who prompted Vash's admittance above is a little suspect. Second, we've seen what Vash looks like when actually violently angry.
(ID: Two separate images screenshotted from the Trigun manga. The first shows Vash raising his gun at a recently reborn Knives, angrily shouting the other's name. The second shows Vash having jammed the barrel of his gun into Monev's eye, clearly close to pulling the trigger. End ID.)
To me, I see little indication in the build up to this of Vash legitimately wanting to kill Hoppered. He had no desire to kill Rai-Dei after all, and that was after he knew the GHG were targeting Home. Hoppered is probably the most sympathetic of the GHG. Vash is also in a self-destructive mindset in this scene, having just called himself a murderer after seeing the damage done to the moon again.
Is he agreeing with Hoppered's projection because he wants Hoppered to continue to hate him enough to punish him for the deaths of all those people? (The image of Rem then becomes symbolic of his having already failed to uphold her sacrifice.) Or should I be taking his words at face value and he really does want to kill Hoppered? (In this case, the image of Rem is out of guilt for voicing something aloud that goes against his image of her.) Is it possible that a combination of his self-loathing in this scene and fear of himself has him agreeing with Hoppered out of resignation that despite his best efforts, he is doomed to destroy? (Like in fifth moon's "we were no good from the start". The image of Rem is thus the image of someone genuinely good and kind to him, an image he feels he cannot embody no matter how hard he tries.)
I find it very ambiguous honestly. Any interpretation is compelling from a character sense. Perhaps they all hold merit to some degree.
Regardless of how you interpret the line though, Vash is obviously angry, and for good reason - Hoppered, Midvalley and Zazie have taken Meryl. He's also likely afraid for her too - dude did jump out a window for like no practical purpose whatsoever before Zazie even finished talking. Like that's really sweet buddy but you accomplished absolutely nothing of use lol. Anyways. The point is, even if Vash was angry enough to want to kill Hoppered (and it would be for this reason, since nothing else would really warrant that), then that still wouldn't make Vash secretly evil and awful - first off, having a thought does not mean you will actually act on it, and second, what's the thing we keep getting shown and told, again and again?
Anyone will pick up a gun when their loved ones are threatened.
It's very natural to feel animosity for a person who may have harmed someone we care about. In that sense, Vash is behaving very human.
However, there's an extra layer here that complicates things. Vash has never been shy about his anger, but I think there is a bit of a progression of Vash kind of... tamping down on it faster, reeling it back in a little sooner after an initial flare of rage. ...Ever since Fifth Moon, actually. We also know that he has a strict training regimen, he does not miss a target, even blindfolded - Vash clearly maintains strong control over himself, all to mitigate the potential damage he could cause.
But then there's his Plant abilities. The angel arm. Something destructive he clearly does not understand, and has little if any control over (never mind that control was literally wrenched away from him but whatever). I don't think it's a stretch to say Vash is terrified of losing control.
Any human can feel hatred and anger and potentially cause moderate amounts of harm and damage, but these are likely to be targeted and can be more easily contained. Vash feels hatred and anger and has the capacity to level a city and blow a hole in a celestial body in the blink of an eye, and there is nothing anyone can do about it. That must be terrifying.
Because, see, the no-killing thing is out of respect for Rem, but Vash also strongly wants to, needs to believe that non-violent solutions are possible, that people are good, that anyone can change. Vash, out of some combination of love and guilt, does not actually want to harm anyone, but Vash is also a living gun just under the surface of his iron self-control. And being reminded of that deeply fucks him up, to the point he believes he is a danger by nature, incapable of living up to the standard of kindness he wants to put into the world, so even just the thought of wanting to inflict harm on another is enough to send him spiraling - because what if that is the point he loses his control? "I should never have been born" indeed...
It's interesting to me that Vash should call Wolfwood out on his lack of hope in a future for the world, when he so clearly has little if any hope in a future for himself. He allots himself no place in the world. Maybe you should allow yourself to heal a little, buddy. You have some people pretty close by who, in spite of it all, like you quite a lot...
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After spending literally multiple days and nights listening to hours of new music, here are my thoughts on what the Protocol playlists might tell us about the characters. I'm gonna break it down by large themes and I'm putting it under a read more bc I don't know how to not ramble about this. its SO MUCH
Gwendolyn Bouchard 👁️
Hers is the most self-explanatory. Girlboss is girlbossing and paying for it. But I did pick up several nuances.
Gwen is: Cold, power-hungry, and ambitious (you should see me in a crown, Are You Satisfied?, Severance theme). Suffering from her own hubris (Oh No!, Gasoline). Resentful and envious, especially about family, wealth, and power (Family Jewels, 24 hours, Warriors). Touching the dark and being supernaturally influenced (Mr. Bonzo theme, Evil Eye, We Don't Talk About Bruno, Making Love to the Dead).
Special mention to the 'daddy's money' reference in 24 hours.
Samama Khalid 😶🌫️
Sam makes ridiculously long playlists, like me, so this entry is gonna be long, but the emotional vibes were pretty easy to pick out once I got through it.
Sam is: Straight chillin' to some lo-fi beats, desi hip hop, and melodic bops (literally too many to list but, Remind Me, Forgive the Mess, 93 'Til Infinity, Magpie, Fire Sale, Iniesta Flow, I Guess, Prarthana, Hai Hai, etc., etc.). Rebellious (The Adults Are Talking, Reptilia). Bonded with someone (Halo Flip, soulboy). Yearning, romantic, and playful (Girl Like You, Mr. Sandman, New House, Meteor, You Only Live Once, Be Your Girl, Dear Jean, Say The Word, My Girl/Hey Girl, Smiley, The Real Sugar). Reminiscing about a break-up (Oui, Afterparty Lover, Last Nite, Stick Season, Turn off the Lights, Jessie (i miss you), WONDERING, Afterthought, I Love You, I'm Trying). Full of regrets, pain, and melancholy bitterness (Seasons, Can't Call It, Let It Go, nightmares, Pretty Insane, different tomorrow..., Cigarette Daydreams, CABIN FEVER, Self destruct, Go Back, Stuck Here With Me, Bliss City). Alienated, yet wanting to be alone (uh-oh) (Creep, Alone, Stone cold., Paint it, Black).
Special shout-out to all the implications about the old Sam/Alice relationship. And I'm especially worried by the potential meanings of Downside Up, Let It Go, Go Back, and Stuck Here With Me.
Also, interesting that there's a lyric-free track just called 'drained' at the end of his playlist. I'm sure that's fine.
Alice Dyer 🌀
Oh my girl. What is going on with you. She has impeccable and predictable taste, at least. But... then there's the Ominous Implications again...
Alice is: Rebellious, anarchic, and irreverent (Underclass Hero, Toxicity, Tribute, Buddy Holly, Dragostea din tei, Feel Good Inc., Piss Off, Rebel Rebel, Ghost Town, Brimful of Asha, Surrender, Uncle Walter, United States of Whatever). Blasting high-confidence power anthems (Material Girl, Therefore I Am, Jump, Bad Reputation, The Middle). Depressed behind a mask of high energy and false cheeriness (SugarCrash!, Mad World, Bathroom Floor). Yearning after someone's love (A.M. 180, Zombie Love Song, Nearer Than Heaven, Save Tonight, Ms. California, Because I Love You, Fell In Love With A Girl, Take Me Out). Reminiscing about a break-up (Ciao!, Built This Way, Kidz 'N' Stuff, FRIENDS, Free Fallin', Not In Love, Who Knew, Song for the Dumped, When It All Falls Apart, Laid, Complicated). Feeling crazy and overwhelmed (uh-oh) (Basket Case, In Too Deep, Bonkers, I'm A Robot, Lucy In The Sky With Diamonds, 19-2000, Wonderland, High, Undone, Cosmic Castaway). Creeped out and brushing up against the supernatural (Walking On Air, The Blue Wrath, Pet Sematary).
Oooh. Oh, the implications. The Sam/Alice break-up. The potential for feelings that remain. I HAVE to know what happened between them.
Also, here are some select lines from five Alice songs presented without comment: "Yeah, I'm a zombie, baby," "I'm a robot, I'm a robot/I don't have any feeling in my heart," "I don't wanna be buried in a Pet Sematary/I don't want to live my life again," "Take me down, six underground/The ground beneath your feet," "Walking like a zombie, like a zombie."
I'm sure that's all fine.
Celia Ripley 🕸️
The most mysterious new member of the OIAR, her music choices are appropriately enigmatic. The Vibes make me excited to see what she's hiding under the surface.
Celia is: Raring for a fight (Seven Nation Army, Rumble, know your place, Run from Me). Fed up with the system (Blood//Water, Run You). Bold, sexy, headstrong, and self-confident (Creature, Took A Trip, River, Do It For Me, Aerials, Uber). Struggling against supernatural influence, feeling trapped and helpless (Mama! There's a Spider in My Room, Where Is My Mind?, I Feel Like I'm Drowning, Closer, Space Dementia, Rain)
So we've all but confirmed the theory that she's from the OG Archives timeline and that she has continuing ties to the Web from passing through Hill Top Road. I think we have hints here that she's manipulating the others, but I also think there are signs that she's fighting her own battle against an evil trying to take her. There also seems to be an overarching theme of water in many of her songs for some reason 🤔
I can't wait to get more of Celia. Even if she is lying, I'm rooting for her (<hoping this doesn't come back to bite me in the ass)
In conclusion, I love them all already your honor, and I want to thank the cast for putting such loving care into crafting these for us. Thank you for such great food to feed our wild theorizing.
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