Hello there, I have changed my old username “shisleya” in “rosalbarts” to align with my other social media (Deviantart, Twitter, Instagram in particular is my main account).
I am not very active on twitter and deviantart, but since many people I am following there are moving to the old good tumblr, why not trying to revamp this old account of mine as well?
I had a lot of fun here in the 2010′s! My latest post dates back to 2017, so I want to cover the hole in the past 5 years by posting my favourite drawings and sketches I did in the meantime.
These ones are from 2017-2018 and I still like them! I was slowly transitioning from traditional pencils to digital ones. I’m still very proud of the result since I didn’t want the difference to be too noticeable.
They are all original characters from my and my co-author’s neverending novel -in-progress Instrumenta: from left to right (first image): Deianira, Farid, Nazim, Aki, and then again Aki and Deianira.
Carlo Filago (1589 - 23 ottobre 1644): Quam pulchra es, amica mea, mottetto «a doi canti» (pubblicato in Sacrarum cantionum Liber Tertius, 1619). Instrumenta Musica, dir. Ercole Nisini.
Quam pulchra es, amica mea,
columba mea, immaculata mea
et odor vestimentorum super omnia aromata.
Alleluia.
Happy New Year everyone! NGL, '23 was hard for me and had a big art depression. But this year I wanna fix that. So here's my last drawings of '23 and first of '24. Two college adults in the '90s that are young parents to a 14 month old named Vanessa. More on them and what they're a part of.
MUSIC FOR INSTAGRAM REELS AND CONTENT,MUSIC FOR SHORT,VIDEOS, HIP HOP,SYNTH,PIANO,BOLLYWOOD,RECREATION,DHUN,REMIX,MUSIC,CREATION,HINDI,FILM,SONGS,DHUN,AND MUCH MORE
From 2020, my oc girls, Dejanira (on the left) and Yolane (on the right)!
I enjoy trying different dresses and hairstyles, they're so different from each other and I love comparing them.
I mixed several inspirations, Dejanira is an innkeeper, extravagant and working-class, while Yolane is more Renaissance lady-like. In the end I added a "classical" touch especially to the sleeves.
Lines were done with Clip Studio Paint, colors with Photoshop.
LJS 48 contains notarial copies of decrees and grants relating to Giovanni Faella of Verona and his family, mostly written by imperial notary Francesco di Andrea Ruffo in 1504, with a long addition by imperial notary Alessandro di Nicolo Medico dated 1530.